Best Movie Ever: A Clockwork Orange

Nothing can throw you off your ultraviolence game like being bombarded by sexually explicit artwork.

As Alex rocks the phallic "very important work of art," Miss Weathers of Woodmere Health Farm hisses one of the genuine laugh lines in Kubrick's screenplay:  "Cut the sh*t, Sonny, and get out of here!"

Betrayed by his fellow droogs, Alex finds himself in the clutches of of sadistic police and social workers.  In between bloody interrogations, the powers that be still find time for a most British back and forth.  

Sergeant to Inspector:  "Would you like your tea now, sir?"

Inspector to Sergeant:  "No, thank you, Sergeant, we'll have it later. May I have some paper towels, please?"

Imprisoned, Alex finds solace in The Good Book.  Not in its message of peace, humility and faith, but rather through fantasizing about all the violence, destruction and handmaiden-shagging.  (Here he envisions himself as a Roman centurion flaying Christ on the way to the cross.)  Still, he cites a preference for the older chapters loaded with "fighting and the old in-out" as opposed to the later "preachy talking."

Alex weasels his way into an experimental treatment that may get his prison sentence commuted.  It may also turn him into a living symbol of social norms and science working together to stunt free will and alter behavior on a biological level. But before we argue about that, let's just check out the cool futuristic buildings in the background.