Dialogue Match Help Documentation

Introduction

Every day, re-recording mixers and editors are faced with the challenge of matching dialogue from lavalier mics, boom mics, and ADR in order to create a seamless and cohesive performance. Though there are many ways to tackle this problem, all of them take time, require multiple plug-ins, and slow down the mix.

This is why we created Dialogue Match.

Dialogue Match is an AudioSuite plug-in for Pro Tools that automatically matches the EQ, reverb, and ambience of your dialogue recordings. This is the first product to combine iZotope and Exponential Audio technology, incorporating new, innovative machine learning with the incredible reverb technology developed by Michael Carnes.

Getting Started

Overview

Welcome to Dialogue Match! If you haven’t used an iZotope product or want to know more about Dialogue Match, this is the right chapter for you. Dialogue Match is currently supported in Pro Tools only via AudioSuite.

The topics discussed in this chapter include:

Authorization
Accessing Dialogue Match
Navigating the Interface

Authorization

The first time you open a Dialogue Match plug-in, the Authorization window will appear. The Authorization window offers the following options:

TRIAL: Start or continue a trial period evaluation prior to purchasing.
DEMO: Continue evaluating the product with Demo limitations (after the 10-day trial period ends).
AUTHORIZE: Authorize the product with a serial number.

Trial Mode

Trial mode allows you to evaluate Dialogue Match over a 10-day trial period. The trial period begins when you first open a Dialogue Match plug-in in Pro Tools. The Authorization window will display the number of days remaining in your trial period. Click the Continue button to exit the Authorization window.

Demo Mode

After your 10-day trial period expires, you have the option to operate Dialogue Match in Demo mode. To continue evaluating Dialogue Match in Demo mode, click the Demo button.

Authorization Methods

To disable Trial or Demo mode, you must authorize the product with a valid serial number. We offer three authorization methods for Dialogue Match:

Online Authorization: Authorize on a computer online.
Offline Authorization: Authorize on a computer offline.
iLok Authorization: Authorize using iLok.

More Authorization Help

For information about Authorization, please visit the iZotope website: https://www.izotope.com/authorization
For additional help authorizing Dialogue Match visit iZotope Customer Care information on the iZotope website: http://www.izotope.com/support or contact our Customer Care department by sending an email to: support@izotope.com.
More information about iZotope’s Customer Care department and policies can be found in the Customer Care chapter.

Accessing Dialogue Match

You can access iZotope’s Dialogue Match plug-in in Pro Tools by navigating to the EQ folder under the AudioSuite file menu.

Working in AudioSuite

When using Audiosuite plug-ins, there are various user definable input options and output options, which may affect how you use Dialogue Match.

Input Options

The available input options via AudioSuite include the following:

Option	Description
Clip-by-clip	Recognizes individual clips in the timeline, as well as fades.
Entire selection	Treats the entire selected area as one clip.

Output Options

The available output options via AudioSuite include the following:

Option	Description
Create individual files	Nondestructive processing of the audio file(s) in the session, replacing them with the processed audio. This mode preserves individual clips and fades/handles.
Create continuous files	Nondestructive processing of the original audio file. Creates a new audio file with the audio sent back from Dialogue Match, consolidated into one continuous clip.

Navigating the Interface

Dialogue Match’s plug-in interface is divided into four main areas as seen in the image below and described in the table below.

Label	Section	Description
	Global Header	The global header area provides access to the Snapshots, Reset, Options, and Help. For more information on these controls, see the Global Header Controls section.
	Profiles	Allows you to collect a Reference profile and an Apply To (source) profile. For more information, see Profiles section.
	Modules	Access controls for each module. The following modules are available: EQ, Reverb, Ambience.
	Advanced view	Allows you to hide or show the advanced controls for each module. For more information on the advanced controls, see the Advanced view sections for each module.

The Dialogue Match global header area includes the following controls:

Label	Controls	Description
	Snapshot Selection	Choose from either a preset Snapshot or custom Snapshot to recall a saved state of all Dialogue Match parameters.
	Reset	Returns the plug-in to its factory default settings.
	Options	Opens up the Options window. For more information, see the Options chapter.
	Help	Links to the Dialogue Match Help Documentation.

Resize Window

You can resize the main window by clicking and dragging the bottom right corner of the plug-in window.

Expand/Collapse

You can utilize the expand/collapse button to show more or less information within the Dialogue Match plugin. There are two locations where you can access this control: Profiles section and Advanced view section.

Profiles

Click on the arrow next to the Profiles section to expand or shrink the Profile section.

Advanced view

Click on the arrow next to Advanced view to expand or collapse the Advanced view of the selected module.

Resize Window to Display Advanced view

You can also show the Advanced view by expanding the window using the resize behavior until the view appears.

Matching Dialogue

Overview

In order to match your dialogue, we provide you with the capability to capture and compare profiles, which will enable you to closely replicate EQ, reverb, and ambience of the desired dialogue audio.

Creating a Match

To begin creating a match, you first need to have in mind which two pieces of dialogue you hope to match. To get the most out of the Dialogue Match plug-in, consider the following suggested workflow.

Step	Description
	Capture a Reference profile you would like to apply to another track (eg. location dialogue). Select a dialogue clip of any length and learn the Reference clip, or load a saved Reference profile.
	Capture an Apply To profile, or what you intend to change to match the Reference profile (e.g. ADR). Select a dialogue clip of any length and learn the Apply To clip, or load a saved Reference profile.
	Now that Dialogue Match has learned your EQ spectrums, reverb, and ambience of both profiles, Dialogue Match will apply unique DSP settings for your particular dialogue match.
	Preview the changes that will be applied. You can modify the settings in real-time while previewing.
	If you want to hear the originial Reference clip, click and hold on the Reference Preview button.
	When you are content with the changes, click the Pro Tools’ Render button to apply the auditioned processing to your dialogue clip.

Other Workflow Scenarios

You may not need to learn a new Apply To profile if you are working on a session where you’re applying the match to similar clips of that scene or to the same performer.
Saving Snapshots is another way to apply DSP settings that would work for that particular actor.

Match with a Dry Apply To Profile

Dialogue Match works best when matching a dry Apply To profile to a reverberant Reference profile. This is because Dialogue Match processing does not remove reverb, rather it only adds reverb.

Be Careful Where You Apply Processing

If you deselect the clip you were working on, rendering will not occur. Also, if you accidentally select a different clip, it will apply whatever package of processing to whatever you have selected whether you intended to apply the processing or not.

Profiles

A Profile is analyzed data of the spectrum, reverb, and ambience of your dialogue clips that provide Dialogue Match with the necessary information for it to make appropriate matching calculations. You can capture two types of profiles:

Reference profile: an analyzed spectrum of the clip that best represents what you are trying to achieve.
Apply To profile: an analyzed spectrum of the clip that will be matched to the Reference profile.

Audio Clips Only Sourced From Session

Dialogue Match only has access to audio that is already within your Pro Tools session.

Reference Profile

Select a clip from your session or load a saved reference profile that best represents your matching goals. The captured Reference profile displays as purple in the view.

Control	Description
Capture	Click to analyze and save the spectrum of the clip you wish to be your Reference profile.
Clear	If you weren’t satisfied with the captured spectrum, click to clear the Reference profile.

Reference track length limitations

Dialogue Match works best with a reference track that is at least 3 seconds long. Reference tracks less than 1 second long will not be learned.

Dialogue Match Audio Access

Dialogue Match only has access to audio that is already in the session.

Default Reference Profiles

You can use default Reference profiles as a starting point for reverbs, varying from small rooms to long hallways to vehicle interiors. In the “Reference” section, there is a dropdown that says “Load a reference profile” and the Reference Profile will populate there. Use the menu icon to the left of the text to save your own learned reference to be reused later.

Reference Preview

Use the Reference Preview button to audition your Reference Profile.

Access Reference Preview

To access the Reference Preview, you will first need to capture a Reference clip. Once you begin previewing in AudioSuite, you will then see the Reference Preview button appear over the Reference Profile spectrum.

Audition Reference Preview

Click and hold the Reference Preview button to audition up to a five-second loop the Reference clip you’ve just captured. Reference Preview is helpful when comparing your Reference clip to the Apply To clip.

Reference Preview Auditions Most Recent Profile

The Reference Preview button will not display if you have loaded your Reference profile from the Reference Profile dropdown menu. Reference Preview will only audition the most recently-learned Reference Profile.

Pro Tools Handle Length Processed

If you select a clip with handles for your Reference Profile, the information in those handles will also be learned when analyzing the clip. Hence, this will affect your Apply To profile when matching.

Apply To Profile

Select a clip from your session that requires matching to your Reference profile. The captured Apply To profile displays as blue in the view

Control	Description
Capture	Click to analyze and save the spectrum to which you wish to apply matching.
Clear	If you weren’t satisfied with the captured spectrum, click to clear the source spectrum.

EQ

Overview

Use the EQ module to determine the amount of EQ processing that is applied to your audio clip before it is processed by the Reverb module.

Module

The EQ module includes the following controls:

Control	Description
Power Button	Bypasses EQ processing.
Amount	Increases or decreases the amount of EQ processing applied to the signal.

Advanced View

The EQ module advanced view includes an EQ curve view and advanced EQ controls.

EQ Controls

The following EQ controls are available within the advanced view:

Band Controls
Filter Shape Menu
Readouts

Band Controls

You can adjust bands with the following controls:

Control	Description
Band Node	Represents the band and its associated parameters. When a band node is selected, controls related to that band will become available for you to adjust.
Power Button	Enables or disables processing of the currently selected band node.
Remove	Removes the selected band node.

Another Method To Remove Bands

Remove nodes by clicking the X (remove button) for that node or by selecting a node and hitting the

delete or backspace key.

Add Bands

You can add up to eight bands using the two methods outlined in the table below.

Add Band Method	Description
Add on the Composite Curve	Hover over the white composite curve and a + button will appear. Click the + button to add a node at that frequency.
Add anywhere	Double click anywhere in the EQ view to add a new band node.

Select from one of the five filter shapes within the Filter Shape menu to apply to the selected band. The filter shape dropdown menu includes the following the filter shapes:

Shape	Description
Bell	Smoothly boosts or cuts an adjustable region around a specific frequency.
Low Shelf/High Shelf	Efficient shelf filter for simple boosts or cuts. Similar to the standard shelf in an analog EQ.
Lowpass/Highpass	A filter equipped with a resonance control to emphasize the cutoff frequency with a positive gain.

Readouts

Use the Readouts in the EQ control bar to see and adjust where the node is located within the EQ. The table below describes the readouts available with each readout’s respective units.

Readout	Units	Description
Frequency	Hz	Displays the center frequency (or cutoff frequency) of the currently selected node. The EQ supports frequency values ranging from 20 Hz to 20 kHz.
Gain	dB	Displays the amount of gain applied by the selected filter. The EQ supports gain adjustments ranging from -10 dB to +10 dB.
Q	(cF/Bandwidth)	Displays the width or slope of the selected filter.

Adjusting EQ Band Parameters

You can adjust the following EQ band parameters by interacting with the nodes using the adjustments described in the table below.

Parameter	Adjustments
Frequency	Click and drag EQ node left to decrease the frequency or right to increase the frequency. Manually enter the value as described below. Use the left and right arrow keys.
Gain	Click and drag EQ node down to decrease the gain or up to increase the gain. Manually enter the value as described below. Use the up and down arrow keys.
Q (Bandwidth)	Click and drag EQ node handles toward node to narrow the bandwidth or away from the node to widen the bandwidth. Manually enter the value as described below. Use `alt` (Windows) or `option` (Mac) + arrow keys.

To manually enter the value for Frequency, Gain, or Q:

Double click on the value readout of the metric you wish to change.
Type in the value desired in the text edit field.
Hit enter or return to save the value adjustment.

TIP: Keyboard Modifiers For Value Adjustments

Hold the shift key while clicking and dragging the node to lock the movement to the horizontal axis (for frequency) and vertical axis (for gain).
Hold the shift key while using the arrow keys to make coarse value adjustments.

NOTE: Reset All Band Parameters

You can reset the Gain and Q parameters for a particular band to its default values by double clicking on the node.

Reverb

Overview

The Reverb module will recreate the reverberant space learned from the Reference profile.

Module

The Reverb module includes the following controls:

Control	Description
Power Button	Bypasses the Reverb processing.
Wet	Determines the amount of wet signal in dB (processed signal) that becomes mixed into the output.
Dry	Determines the amount of dry signal in dB (unprocessed signal) that becomes mixed into the output.

Advanced View

The following advanced controls and views are available for the Reverb module:

Reverb parameters
HUD

Reverb parameters

Reverb parameters will appear in two different visual indicators that represent the early reflections and the reverb tail.

Early Reflections

The Early Reflections view displays vertical lines that allow you to visualize the echoes, or early reflections, of your signal.

Early Reflections Impulse Visualization

The Early Reflections visualization is a representation of your clip’s delay taps. This displays exactly half of delay taps that are spaced nicely for visualization.

Control	Description
Early Reflections Legend	Click on the Early Reflections legend to switch to the Early Reflections view. You can also change views by clicking on the Early Reflections display.
Shape	Click and drag the Shape node up or down to adjust slope of the amplitude of the early reflections.
Level	Click and drag the Level node up or down to adjust the gain of the early reflections in dB.
Time	Click and drag the Time node left or right to shorten or lengthen the duration of time between reflections in milliseconds.

Reverb Tail

Displays a visual of the wash of sound that happens after the early reflections in a reverb. The Reverb Tail display includes the following controls:

Control	Description
Reverb Tail Legend	Click on the Reverb Tail legend to switch to the Reverb Tail view. You can also change views by clicking on the Reverb Tail triangle display.
Predelay	Click and drag the Predelay handle left or right to adjust the amount of time between direct sound and the arrival of reflections.
Attack/Level	Click and drag the Attack/Level handle left or right to adjust how quickly the reverb tail reaches maximum amplitude in milliseconds. Click and drag the the Attack/Level handle up or down to adjust the gain of the reverb tail in dB.
Time	Click and drag the Time node left or right to shorten or lengthen the decay time of the reverb tail in milliseconds.

Use Shift To Lock Attack/Level Node Movement

Click and hold the Shift key to lock the horizontal or vertical movement of the Attack/Level node.

HUD

By adjusting the HUD controls, you can fine tune your reverb. The available HUD controls are outlined in the image and table below.

Control	Description
Density	Sets the amount of absorption within the space.
Reverb Type Menu	Selects the type of diffusion within the reverb tail. You can choose from Chamber, Plate, or Hall. For more information on the available options, see Reverb Type Options below.
Output Filter Menu	Selects the type of output filter. For more information on the available options, see Output Filter Options below.
Output Filter Node	Sets the cutoff frequency of the selected Output Filter.

Reverb Type Options

You can choose from the following Reverb Type options:

Type	Effect
Chamber	Select to apply a smooth, uncolored sound.
Plate	Select to apply a dense, diffuse sound.
Hall	Select to apply a thick, full sound.

You can choose from the following Output Filter options:

Filter	Effect
Lowpass/Highpass 6dB	Select to apply a more gentle roll-off.
Lowpass/Highpass 12dB	Select to apply a sharper roll-off.

Lowpass and Highpass filters Applied to Reverb Output

The Lowpass and Highpass filters have the same function as EQ filters, but these are applied to the output of the reverb.

Ambience

Overview

The Ambience module helps you match the room tone and noise floor of your Reference profile to your Apply To profile.

Module

The Ambience module includes the following controls:

Control	Description
Power Button	Bypasses the Ambience processing.
Trim	Sets the level of synthesized Ambience processing.
Listen	Auditions only the matched ambient noise being applied.

Advanced View

The Advanced view displays a spectrogram of the ambient noise and room tone.

DO NOT LEARN AMBIENCE ON FADES

We recommend not saving Snapshots or Reference profiles from audio that contains fades within the selection. Clips learned with fades may result in inconsistent detection of the noise floor due to dithering, which varies based on the Pro Tools session’s bit depth.
If you’re running a session with a bit depth of 16, the dither added by a fade will be enough to affect the detection algorithm. The problem is less pronounced at bit depths of 24 or 32.

Snapshots

Overview

Create Snapshots to quickly apply the same settings to other dialogue clips.

Snapshot Controls

You can access the following Snapshot controls as outlined in the image and table below.

Control	Description
Save Snapshot	Select to save a Snapshot of your current Dialogue Match settings.
Save Snapshot As…	Select to save your current Snapshot as a different file. This will prompt you to name the unique Snapshot.
Rename Snapshot	Select to rename the Snapshot name.
Remove Snapshot	Deletes the selected Snapshot.

Capture Snapshots

We recommend the following workflow for creating Snapshots:

Capture a spectral profile for Reference and for Apply To.
Compare your match to the original using the Reference Preview button and make any adjustments to the matched settings.
Once you are happy with the matched settings, use the Snapshots menu to save your settings.

Access Snapshots

To access your Snapshots:

Click the Snapshots dropdown menu to list your saved Snapshots.
Click on the Snapshot to load the saved parameters.

Snapshot Folder Locations

Dialogue Match presets are installed and saved to the following locations by default:

Windows: C:\Users\username\Documents\iZotope\Dialogue Match\Snapshots
Mac: /Users/username/Documents/iZotope/Dialogue Match/Snapshots

Share or Migrate Snapshots

Snapshots are saved as a .dmsnapshot file on your hard drive. This allows you to easily migrate Snapshot files to another computer or share them with others.
Your plug-in settings can also be shared with the session when saved as a host preset.

Options

Overview

The Options window allows you to check for updates and adjust processing controls. Click on the gear button in the upper right corner of the Dialogue Match interface to open the Options window.

Options Window Settings

The following settings can be adjusted through the options window:

General
Updates
Authorization

Dialogue Match Version

The Options window displays your current Dialogue Match version and build number in the upper right-hand corner of the Options window.

General

The General options section allows you to manage analytics and tooltips.

Option	Description
Show Tooltips	Select to enable tooltip displays when hovering your cursor over controls in the Dialogue Match interface.
Send Anonymous Usage Data	Select to send anonymous usage data to help iZotope improve future products.

Updates

The Updates options section allows you to receive updates for Dialogue Match.

Check for Updates

Click to check updates for Dialogue Match via Product Portal. If you do not have Product Portal, you will be prompted through a window to download Product Portal. Dialogue Match checks once a day for new updates.

Authorization

Displays your current authorization status. Below are options related to checking for updates:

Option	Description
Authorize	Click to launch the Dialogue Match authorization window. This option will be available if you are in Demo mode.
Remove Authorization	Click to deauthorize Dialogue Match and to remove the authorization from your machine. This option only works if your Dialogue Match product is already authorized.
More info	Click to launch the iZotope support webpage regarding authorization.

Authorization Information

Visit the Authorization section for more information.

Glossary

Band

Short for “frequency band” which is a range or interval in the frequency spectrum often divided into low, mid or high-frequencies.

Bandwidth

Describes the range of frequencies being affected by a signal processor. Inversely proportional to Q.

Composite Curve

A curve that displays the combined filter response of all enabled bands.

Filter

Audio filters are frequency dependent amplifier circuits that boost (amplify), cut (attenuate), or pass ranges of the audible frequency spectrum.

Filter Response Curve

A curve that displays the response of the spectrum for the currently selected band node.

HUD (Heads-Up Display)

A floating panel that provides additional information or control.

Impulse

A short, transient, electric or acoustic signal.

Profile

The data learned from an audio clip.

Q

In an equalizer, Q is the center frequency divided by bandwidth. For a band node, a high Q results in a small bandwidth, and a low Q results in a high bandwidth.

Customer Care

Purchasing Dialogue Match

If you are using the demo version of Dialogue Match and would like the full version, you can purchase Dialogue Match direct from the iZotope online store: www.izotope.com/store

Once your purchase is complete, you will be sent an email confirmation and a full version serial number that can be used to fully authorize your current installation of Dialogue Match.

iZotope Customer Care policy

iZotope is happy to provide professional technical Customer Care to all registered users absolutely free of charge. https://support.izotope.com/hc/en-us

We also offer valuable pre-sales technical Customer Care to customers who may be interested in purchasing an iZotope product. Before contacting iZotope Customer Care, you can search our
Product Knowledgebase to see if the solution to your problem has already been published.

How long does iZotope provide customer support for purchased products?
- You can email us with any question for 12 months after you buy any iZotope product. Past 12 months, we’ll still help you with your account and authorization but will not provide technical support for in-depth product questions. If you need more detailed help on how to use the product, please check out our FAQs and Tutorials.
How long does iZotope support its products?
- Although we can’t guarantee it, we do our best to keep our products up to date with the operating systems and plug-in hosts that we support. Sometimes, other companies make changes that we’re not able to support, but we actively work with other companies to avoid these sorts of compatibility problems. We also do our best to address bug fixes within the product itself to ensure our products operate in accordance with our specifications.

We will provide software updates for 12 months from product release. After 12 months, no software updates will be provided.

For details on what operating systems and plug-in host software are officially supported for a product, please check that product’s Specs page.

Contacting iZotope Customer Care

For additional help with Dialogue Match:

Check out the Customer Care pages on our web site at support.izotope.com
Contact our Customer Care department at support@izotope.com

iZotope’s highly trained Customer Care team is committed to responding to all requests within one (1) business day and frequently respond faster. Please try to explain your problem with as much detail and clarity as possible. This will ensure our ability to solve your problem accurately, the first time around. Please include all system specs and the build/version of Dialogue Match that you are using.

Once your Customer Care request is submitted, you will receive a confirmation email from iZotope Customer Care. If you do not receive this email within a few minutes, please check your spam folder and make sure our responses are not getting blocked. To prevent this from happening please add support@izotope.com to your list of allowed email addresses.

International distribution

Customer Care is also available from our international distributors worldwide for any customers who purchased their iZotope products through a certified iZotope distributor.
Check with your local distributor for availability. If you would like help locating your local distributor please contact iZotope Customer Care.
Thanks for using Dialogue Match!

The iZotope Team

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The name of the author may be used to endorse or promote products derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

Mesa 3-D graphics library Version: 7.0

Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the “Software”), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:

The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL BRIAN PAUL BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

Permission is hereby granted, free of charge, to any person obtaining a copy of this software and/or associated documentation files (the “Materials”), to deal in the Materials without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Materials, and to permit persons to whom the Materials are furnished to do so, subject to the following conditions:

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gsl

This code is licensed under the MIT License (MIT).

The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

IcoMoon

IcoMoon-Free licensed under: CC BY 4.0

JsonCpp

Version 1.2.1

The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

LibXML2

Version 2.7.8

Except where otherwise noted in the source code (e.g. the files hash.c, list.c and the trio files, which are covered by a similar licence but with different Copyright notices) all the files are:

Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the “Software”), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is fur- nished to do so, subject to the following conditions:

The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FIT- NESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE DANIEL VEILLARD BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CON- NECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

Except as contained in this notice, the name of Daniel Veillard shall not be used in advertising or otherwise to promote the sale, use or other deal- ings in this Software without prior written authorization from him.

Material Docs Theme

The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

nanomsg

Version 0.5-beta

The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

“nanomsg” is a trademark of Martin Sustrik

readerwriterqueue

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.

Skia

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
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Neither the name of Google Inc. nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

TinyXML

This software is provided ‘as-is’, without any express or implied warranty. In no event will the authors be held liable for any damages arising from the use of this software.

Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it freely, subject to the following restrictions:

The origin of this software must not be misrepresented; you must not claim that you wrote the original software. If you use this software in a product, an acknowledgment in the product documentation would be appreciated but is not required.
Altered source versions must be plainly marked as such, and must not be misrepresented as being the original software.
This notice may not be removed or altered from any source distribution.

Tipue Search

The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

vectorize

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
Neither the name of the nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

Yoga

Version 1.9.0

MIT License

The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

ZeroMQ

Copyright © 2007-2015 iMatix Corporation Copyright © 2009-2011 250bpm s.r.o. Copyright © 2010-2011 Miru Limited Copyright © 2011 VMware, Inc. Copyright © 2012 Spotify AB Copyright © 2013 Ericsson AB Copyright © 2014 AppDynamics Inc.

Distributed under the GNU Lesser General Public License v3 (LGPLv3) with the following “Static linking exception”:

The copyright holders give you permission to link this library with independent modules to produce an executable, regardless of the license terms of these independent modules, and to copy and distribute the resulting executable under terms of your choice, provided that you also meet, for each linked independent module, the terms and conditions of the license of that module. An independent module is a module which is not derived from or based on this library. If you modify this library, you must extend this exception to your version of the library.

Full text of the license is available here: https://www.gnu.org/licenses/lgpl-3.0.txt

To receive a copy of the source code for the ZeroMQ library distributed with this product under the under the terms of the LGPLv3 please contact devsupport@izotope.com.

zlib

This software is provided ‘as-is’, without any express or implied warranty. In no event will the authors be held liable for any damages arising from the use of this software.

Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it freely, subject to the following restrictions:

The origin of this software must not be misrepresented; you must not claim that you wrote the original software. If you use this software in a product, an acknowledgment in the product documentation would be appreciated but is not required.
Altered source versions must be plainly marked as such, and must not be misrepresented as being the original software.
This notice may not be removed or altered from any source distribution.

Jean-loup Gailly jloup@gzip.org

Mark Adler madler@alumni.caltech.edu

End User License Agreement

READ CAREFULLY THE TERMS AND CONDITIONS OF THIS AGREEMENT (“AGREEMENT”) BEFORE YOU CLICK ON THE “ACCEPT” BUTTON OR OTHERWISE USE THE PRODUCT. CLICKING ON THE “ACCEPT” BUTTON OR OTHERWISE DOWNLOADING, INSTALLING AND/OR USING THE LICENSED SOFTWARE OR ANY TECHNOLOGY, IDEA, DATA AND DATABASES, ALGORITHM OR INFORMATION CONTAINED THEREIN OR PROVIDED THEREWITH (COLLECTIVELY, THE “SOFTWARE”), ESTABLISHES A BINDING AGREEMENT BETWEEN YOU AS THE PERSON LICENSING THE SOFTWARE, EITHER ON BEHALF OF YOURSELF OR ANY THIRD PARTY ENTITY (“YOU” OR “LICENSEE”) AND IZOTOPE, INC. (“IZOTOPE”), YOU (WHETHER AN INDIVIDUAL OR FORMAL LEGAL ENTITY) (HEREINAFTER REFERRED TO AS “YOU”), AGREE TO BE BOUND BY THE TERMS AND CONDITIONS OF THIS AGREEMENT WITH RESPECT TO YOUR USE OF THE SOFTWARE.

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GENERAL. The export of the Software from the United States and re-export from any other country is governed by the U.S. Department of Commerce under the export control laws and regulations of the United States and by any applicable law of such other country, and the Software may not be exported or re-exported in violation of any such laws or regulations. This Agreement is the complete and exclusive statement of the agreement between you and iZotope and supersedes any proposal or prior agreement, oral or written, and any other communications relating to the subject matter of this Agreement. This Agreement will be governed by and interpreted under the laws of the Commonwealth of Massachusetts, United States of America, without regard to conflicts of law provisions. The application of the United Nations Convention of Contracts for the International Sale of Goods is expressly excluded. This Agreement is in the English language only, which language will be controlling in all respects, and all versions of this Agreement in any other language will be for accommodation only.

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January 2018

Dialogue Match Help Documentation

Introduction

Getting Started

Overview

Authorization

Trial Mode

Demo Mode

Authorization Methods

Accessing Dialogue Match

Working in AudioSuite

Input Options

Output Options

Navigating the Interface

Global Header Controls

Resize Window

Expand/Collapse

Profiles

Advanced view

Matching Dialogue

Overview

Creating a Match

Profiles

Reference Profile

Default Reference Profiles

Reference Preview

Access Reference Preview

Audition Reference Preview

Apply To Profile

EQ

Overview

Module

Advanced View

EQ Controls

Band Controls

Add Bands

Filter Shape Menu

Readouts

Adjusting EQ Band Parameters

Reverb

Overview

Module

Advanced View

Reverb parameters

Early Reflections

Reverb Tail

HUD

Reverb Type Options

Output Filter Options

Ambience

Overview

Module

Advanced View

Snapshots

Overview

Snapshot Controls

Capture Snapshots

Access Snapshots

Snapshot Folder Locations

Options

Overview

Options Window Settings

Dialogue Match Version

General

Updates

Check for Updates

Authorization

Glossary

Band

Bandwidth

Composite Curve

Filter

Filter Response Curve

HUD (Heads-Up Display)

Impulse

Profile

Q

Customer Care

Purchasing Dialogue Match

iZotope Customer Care policy

Contacting iZotope Customer Care