NEW STUFF
A SELECTION OF RECENT ARRIVALS

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New for July 2025


CornCornelius: The Merry Life of a Wretched Dog
by Marc Torices
Want to read some great comics?  Look no further!  This full color, 384 page, 8” x 11” hardcover is packed with them.  Marc Torices knows his way around comics – and how to make them.  The "wretched dog," Cornelius is a self-conscious, cowardly bumbler and deluded procrastinator who functions as an anti-superman everyman.  These characteristics work to impede over-identification on the part of the reader, performing double-duty as a distanciation device to reinforce the readers' focus on the formal experimentation with representational strategies, which are the real story here.  Torices takes a Warholian approach to visual variations on a theme that incorporates a wide variety of artistic disciplines from commercial design to graffiti and applies it to an approach to comics making that is in part derived from Chris Ware's work, especially his insights into classic Sunday page comics, and incorporates an all-star slate of historical styles from Floyd Gottfredson through Hergé to Michael DeForge, along with drawing in a host of styles that are extraneous to comics... and then uses all of that to inform his own specific goals of exploring the modes of signification and representation with the aim of deconstructing the cartooned anthropomorphization of animals – most notably dogs, and also cats, but plenty more besides (including an obvious nod to Matt Furie's Pepe the Frog).  The comics are then followed by a detailed, 20-page, addendum which takes the form of a satirically ironic history of Cornelius that is beyond apocryphal, situating Cornelius in such a way that the character can be construed as a calculated construction of a cartooned corporate brand, and so also, by extension, of a world assembled from and by such structures.  It's been well over a century since corporations were – at least legally – granted personhood.  Ah, but what kind of person might a corporation be?  Comics Makers of prior generations have offered us naively
fantastic examples such as Batman® and Iron Man® – to name only two. In Cornelius, Torices may have provided us with a more realistic – and apt – answer.  Here's what a couple of copacetic comics makers have to add:  “It seems that Cornelius, like an archetype or a myth, has always existed. This is a comic beyond time in the eternity of dogs, where Italo Calvino rides through Gasoline Alley, in a trolley car. Torices cartoon magically as a shape shifter.” – Matthew Thurber  |  “Using the breadth of comic strip history, Marc Torices builds a monument of irrationality by way of his stooge, Cornelius the Dog.  Like many of us, he can’t help but gnaw off his own leg time and time again in the face of life's perplexities.  Thankfully – for us and Cornelius – the world still turns.” – Charles Forsman. >> D & Q has posted a hi-rez PDF preview HERE.  Check it out!  AND, we've posted a hefty gallery of pages and spreads from the book HERE!
retail price - $39.95  copacetic price - $33.75



HI
Hidden Islands
by Cameron Arthur; introduction by Bill Boichel
Hidden Islands has arrived! This 164-page, magazine-size, squarebound volume collects four of up-and-coming comics champ, Cameron Arthur's neo-classic comics tales along with a new one created specifically for this volume.  Here's an excerpt from the introduction:  Taking to heart some of the key approaches and primary guidelines undergirding the method of his comics mentor, Frank Santoro, Arthur builds his comics from the ground up. Employing gutterless panels laid out in a variety of tiered grids, each story’s layout is designed to both set the narrative pace and provide each aspect of the story with its proper weight. These narratives often feel pervaded by a sense of preordainment that can at times border on fatalism, and the characters in these tales bear the marks of lives emotionally flattened by the pressures of existence, yet each of them remains propelled forward by their own deliberate internal rhythm that moves to the beat inscribed within their beings. These artfully constructed comics work to æstheticize tales of adventure and domesticity, effectively providing insights into the forms as they are employing them. Within the vast ocean of contemporary comics, they are indeed akin to hidden islands and are well worth making the journey to discover.  And, we've posted a gallery of choice bits from the book up on the Copacetic Tumblr, HERE.
retail price - $22.99  copacetic price - $20.00




RC
Raging Clouds
by Yudori
This 364 page black & white hardcover volume is the (print) graphic novel debut of Korean comic book artist, Yudori.  A period drama, Raging Clouds is a tale set in the patriarchal society of 16th-century Holland that centers on an impoverished noblewoman married to an up and coming merchant who then further allies himself to an Asian mistress.  This unlikely pair of women then in turn create an alliance through shared truth telling, and so manage to carve our a space that they can be for themselves within and despite the limitations imposed upon them by the patriarchy, and then use that to move history forward through science.  These two central women are further enmeshed with a pair of servant women with whom they share household duties in a surprisingly egalitarian manner and whose efforts are also crucial to the drama.  Yudori is a talented and skilled drawer with special strengths in rendering faces and figures. In Raging Clouds she plays to her strengths in advancing the drama through imagery and by doing so, embodies its central thesis that the power of personality holds sway over historical forces.  We've posted a gallery of spreads on the Copacetic Tumblr, HERE, to give you a taste of what's in store.  And you can learn more about Yudori and Raging Clouds by reading this short interview with her at Publisher's Weekly, HERE.
retail price - $34.99  copacetic price - $28.75




MsU
Ms. Understood
by Juliette Collet
As capitalism ever further expands its boundaries, manifesting itself in ever more humanoid forms – AI / robots, et al – which are assuming ever more the roles, power and significance of human (re)production, our species' animal function feels ever more diminished and the physical energies of humanity ever more displaced.  As these energies have to go somewhere, they are being transferred elsewhere, with one clearly evident destination that of being translated into the symbolic realm.  Here, in the pages of Ms. Understood, Juliette Collet has chosen the particular corner of the symbolic realm occupied by the pornographic film industry, where it can be seen as a synecdoche for contemporary America. This aspect also serves to highlight and forefront the impact of the inscription of gender roles on the young women – and, in particular, on their bodies and body images – that predominate in its pages.  Ms. Understood and her high spirited supporting cast of characters demonstrate great resilience as they gamely try to make the most of it – although not without sadness – here in these playful, colorful comics that portray a dual displacement of sex and work, with each becoming the other and neither existing independently, in a manner that is hinted at through its cleverly indeterminate, quantum-state title, where what is being shown both is and isn’t what is being said – and vice versa – until the arrival of a decisive moment… which need not necessarily ever arrive.  Ms. Collet can be counted among the most productive young, independent comics makers in America, and this 96 page full color work amply demonstrates both her drive and abilities. 
retail price - $22.00  copacetic price - $19.75




Misery of Love
Misery of Love
by Yvan Alagbe
This 232 page softcover from the creator of The Yellow Negro and Other Imaginary Creatures is hot off the press and now in stock at Copacetic.  It is entirely composed in a series of two landscape-formatted panels per page – so, four per spread – rendered in lush ink washes in a vast multiplicity of tones from off white to black, showing just how much variety – and complexity – it is possible to produce using the opposition between black and white.  Themes include trauma, change, intergenerational trauma, racism/colonialism, and, centrally, patriarchal attitudes and the sexism so engendered – and then how these all intersect and manifest in sexual relations.  The work is largely visual, with limited dialogue and minimal textual interventions.  The back cover blurb makes reference to Richard McGuire's Here, due to the narrative being constructed employing temporal shifts and spatial juxtapositions that largely (but not solely) transpire within a single structure.  We would add that some of the aspects/elements of the visual presentation – the landscape panels, the uniform spread, the lush, painterly rendering – also bring to mind the work of Frank Santoro, particularly PIttsburgh and Pompeii.  Also, it could be argued that the work is better served by it's original French title École de la misère (School of Misery), given both its thematic concerns and the strong focus on physical place and space, but it's probably a safe bet to say that books with "love" in the title sell better than those with "school" (at least here in the USA).  Regardless, this is a rich work that will reward repearted readings
retail price - $29.95  copacetic price - $25.75


Womb Rider



Womb Rider 
by Emil Friis Ernst
Here's the latest from Danish cartooning powerhouse, Emil Friis Ernst:  Womb Rider!  What is it that drives men to race one another, desperate to get there first?  Hmmm.... perhaps Ernst has provided us with the answer in the pages of this 32 page, magazine-size comic book, printed in fluorescent colors on heavy duty newsprint and cardstock cover, that focuses on one supremely focused "rider."
retail price - $12.00  copacetic price - $10.75






BP


Big Pool
by Chris Harnan
Chris Harnan's Big Pool is another European creation that too employs a metaphoric theme, and one that can perhaps be seem as tangential to that of the above.  Encoding a double-helix of visual information that is designed to evolve your consciousness as you turn the pages.  Anyone looking to get out of their head for a bit – and away from linear thinking and cost/benefit analyses – might want to consider diving into this 224-page optical blast.  It's safer than drugs – and cheaper in the long run, as a renewable resource that can be revisited as often as liked.  The work is almost entirely textless; the minimal text present is employed more for effect than narrative purposes and is primarily in English, with the rest in French.  We've posted a generous gallery from the book up on the Copacetic Tumblr, HERE.
retail price - $34.99  copacetic price - $28.75






SW/WD



Sex Work / Working Dogs 
by Bridget Trout
Bridget Trout’s Sex Work / Working Dogs is boldly cartooned satire of the American workplace that posits work as sex as work on the A-side, with a dogs as bosses role reversal on the flipside.  Published by Neoglyphic, its double-sided, digest-sized, 69-format and color saturated artwork printed on newsprint is highly reminiscent – and a welcome revival – of the aesthetic of Ben Jones & Jessica Ciocci’s Cartoon Workshop / Pig Tales.  This is a comic book that makes a mockery of the corporate workplace and has fun while doing it! 
retail price - $14.00  copacetic price - $12.75





Belfaust 7


Belfaust #7 
by David Sandlin
Break out the champagne!  The seventh issue of Belfaust, David Sandlin's trans-Atlantic epic, the love, sex, booze and drugs-fueled masterpiece of sin and salvation (or, as it is here in the States "sell-vation), has arrived! As with all previous issues, this one is a hand printed, four color risograph by the hard working Cram Books – to whom the publishing baton has now also passed; 24 pages + 16-page mini-comic insert. Belfaust!  |  "In America, dreams become real."  |  Another great issue!
retail price - $25.00  copacetic price - $21.75









Existential Comics



Existential Comics 
by R. Crumb; edited/curated by Dan Nadel
Existential Comics: Selected Stories 1979–2004 presents a collection of 25 of R. Crumb's comics from the 25 year span that ended in 2004 – along with a new, one-page comics foreword created specifically for this volume – that has been insightfully curated and introduced by Crumb's biographer, Dan Nadel.  And what's more, this 180 page, full-size edition is both sturdy and handsome, printed on a slightly heavier version of the same cream colored paperstock chosen by Crumb for his Book of Genesis, with stitched signatures quality bound into a heavy duty hardcover designed for a lifetime of reading enjoyment.  We've posted the table of contents along with a sneak preview of some choice panels and pages on the Copacetic Tumblr, HERE.
retail price - $45.00  copacetic price - $38.75






These items and more may also be found at our eCommerce site, HERE.



New for June 2025



CTPCloud Town: Friends in Stormy Weather, Part One (Copacetic Exclusive Limited Special Offer) 
by Daniel McCloskey
Cloud Town: Friends in Stormy Weather, Part One is a self-published, 116-page (7 3/4” x 10”), spiral-bound, “Teen +” graphic novel printed in black & white & blue (and also, occasionally, in other tones as well, as called for; most notably yellow and orange) that has been released in a hand signed and numbered limited edition of 200 copies.  It picks up – more or less – right after the events of the Cloud Town graphic novel published by Amulet Books in 2022 (more about which shortly).  As it is self-published, it is more adventuresome in both form and content than its precursor, starting with the decision to publish it in a spiral-bound edition (complete with a pair of friendship bracelets and sticker sheet!) to better evoke the up-close-and-personal diaristic contents.  The work itself also incorporates elements of collage along with a collagist approach to narrative.  The drama on hand unfolds in the Cloud Town Universe™ as before, with a focus on high school life, friendships, and, in particular, the role of bullying in the school ecosystem and the forging and dissolving or relationships within it – albeit in an alternative reality in which, “high above the Pacific Ocean there’s a chunk of another world jutting from a tear in the fabric of the universe” through which monsters occasionally appear, and which are then battled by human powered mega-roots a la Neon Genesis Evangelion and Pacific Rim; so, a little different.  It’s adventure-filled comics fun! – And there’s a lot of it in this Copacetic Exclusive Limited Special Offer:  Anyone purchasing a copy of Cloud Town: Friends in Stormy Weather, Part One will also receive, a copy of the hardcover edition of the original Cloud Town graphic novel from Amulet – with a new, limited edition alternative dust jacket AND a copy of the 24-page, digest-size, black & white & blue (& orange) Cloud Town Prequel AND a copy of the 12-page, full color, digest-size autobio comic book, Failing to Quit PLUS two full color Cloud Town postcards – all by Daniel McCloskey and ALL AT NO EXTRA COST (aka FREE!).  And, yes, we realize that some of those likely to be most interested in this offer may already have the original Cloud Town graphic novel – but this offer provides the opportunity to pay it forward by gifting one of the surplus copies and so turn a friend or family member onto Cloud Town!  We've posted of gallery of the items along with a few pages and spreads from each book on the Copacetic Tumblr, HERE.
retail price - $71.93  copacetic price - $35.00


CWP

Connor Willumsen Hype*Pup Portfolio
by Connor Willumsen
Hype*Pup hook*up!  We have a very small number of the very small (but unnumbered) edition of Connor Willumsen Hype*Pup Portfolio.  This portfolio reproduces 13  Hype*Pup centerfolds on heavy, coated, glossy, 11" x 17" stock.  All are reproduced in full color, but – important note – six of the originals are black & white ink drawings, the color reproduction allowing for the full subtlety of the drawing to come through; the seven full color works are created in a variety of media.  Not something you see everyday.
copacetic price - $22.50




VP3


Void Packer #3 
by Lale Westvind
It's been a minute, but the third issue of Lale Westvind's single-creator, auteur comics anthology has at long last arrived (and we have been promised a much shorter interval between this issue and the next)!  It's the same format as the first two, with 20 black & white interior pages and color covers (front and back, inside and out) printed on heavy cardstock.  The bulk of this issue is, again, devoted to the ongoing saga, "Life & Limb", with the rest of the issue rounded out with some biological speculations in drawing and text (as well as a heavy Steinbeck quote) and then some wacky hi-jinx with found photographs that – while decidedly different – are not too far removed from some of Julie Doucet's collage-comics.  In short, another funky and far out issue!
retail price - $10.00  copacetic price - $9.50





BF



Butterface
by Matt Seneca
Faced with the abyssal yawn brought on by a sense of the ultimate meaninglessness of life, leading to a nihilistic self-abandonment to the rip tide of social animal  forces, Butterface – billed on the cover as “a kinky dating app noir” – is indeed full on Noir.  Sex as violence as sex.  So, not a comic book to be ventured into lightly (and definitely "Adults ONLY").  It has a rough production that feels deliberately matched to the rough content.  While the glossy full color covers appear professionally printed, the black & white guts – with grey tone screens, bright yellow accents, and unintended smudges scattered throughout its 48, digest-size pages – look like they were printed guerrilla style, on an old high school offset press after hours. And, regardless of the nature of the material and the quality of presentation, this is a comic book jam packed with old school comic book storytelling.
retail price - $8.00  copacetic price - $8.00



WB
Weird Brain 
by Jerome Gaynor
Jerome Gaynor's Weird Brain is an oversize (in between magazine and treasury edition), saddle-stitched, 64-page, black & white publication with full color, cardstock covers.  It is filled with short personal comics ranging in length from one page to sixteen pages, with most being on the shorter end.  Its contents are organized in three sections: autobio tales spanning Gaynor's earlier days, grouped together under the heading "Tales Too True to Tell"; "Italian Folk Tale Illustrations", which are just that; and then a miscellany of uncategorizable stories, including the collection's longest work, the sixteen page, "Cosmic Art Party Dream."  Gaynor is a 50-something St. Louis native with Italian roots that he explored later in life.  His life path led him through punk rock then fatherhood and, evidently, a lot of ups and downs, but through it all he has kept his expressive inner child alive – at least in part through his comics making practice.  The comics here are boldly drawn in a manner that calls to mind a variety of like-minded creators, something along the lines of Dave Kiersch and John Porcellino, seasoned with a bit of Mary Fleener and Fiona Smyth, and with Joe Chiapetta lurking somewhere in the background.  Other comics makers could also be cited, but that should give you an idea.  To get an even better idea, check out the Weird Brain gallery up at the Copacetic Tumblr, HERE.  These are engaging and entertaining comics, pleasingly drawn and well worth reading to anyone predisposed to their themes and substance. 
retail price - $20.00  copacetic price - $17.75



Ktz

Kitz 'n' Katz
by Bob Laughlin
Kitz 'n' Katz is a collection of classic, old school style funny animal comics.  The formats of the work collected here includes the three and four-panel strips that ran weekly in The Comics Buyer's Guide from 1981 to 1985 as well as the comic book format short stories that made up the six issues of the comic book series, with the first issue published by Phantasy Press in 1984, then the next four by Eclipse Comics from 1985 to 1987, and with the final, sixth issue self-published.  Laughlin, who passed away in 2006, was already well into his fifties when Kitz 'n'' Katz began, and the drawing is highly polished.  It's a classic comics concept: a black cat and a white cat go through the pacves from gags to adventures to send-ups and satires. The substance is largely on the silly side, and feels a bit like a misguided mash up of Krazy Kat and Garfield, but there's definitely a lot of love for Herriman here, regardless.  And, the introduction of this volume is by none other than fellow Herriman aficionado, Patrick McDonnell, who, it turns out, had his comics debut in the pages of Kitz 'n' Katz! These were three one-page comics featuring "Tik 'n' Tak", a pair of ticks that lived on Kitz 'n' Katz, and they are included here.  McDonnell completists, please take note.  All in all, a worthy addition to any true blue old school comics fan.
retail price - $17.99  copacetic price - $16.25




KIRBYLate KIRBY Bargain Bonanza! 
by Jack Kirby
WAREHOUSE FIND! – FROM THE ARCHIVES – Here is a collection of twelve different, new, uncirculated comic books from 1981, 1982 & 1983, all released by the original upstart, four color comic book publisher, Pacific Comics who initiated their challenge to the "Big Two" – Marvel and DC – by publishing the creative genius behind both: Jack Kirby!  The big difference was that both the characters and material contained in these comic books was trademarked and copyright by their creators (NOT the publishers), Jack Kirby first and foremost among them (there are also some back-up features sprinkle throughout these issues, including some by none other than Steve Ditko – who, like Kirby, also retained copyright on his work here, including classic tales featuring The Mocker and The Missing Man).  >> The issues included in this collection are:  CAPTAIN VICTORY and the GALACTIC RANGERS #s 2, 4, 5, 6, 7, 8, 9, 10 & 12 + Special No. 1 and SILVER STAR #s 1 & 2 <<  Original editions of amazing, visually spectacular, and historically significant work!  At this late stage in his career, Kirby was communicating primarily through his imagery and also, crucially, through the image making.  As you read these images you can feel the work pouring out of him onto paper – BAM BAM BAM. (To get an idea of the glory that awaits, feast your eyes on the hefty gallery of covers and page spreads from these issues, HERE!)  AND, here's the kicker:  We're offering this collection of all new copies at their original 1980s cover price of $1.00 each ($1.50 for the Special, which is published on glossy paper with an early instance of photographic color reproduction).  So: DEAL!!!
copacetic price - $12.50



D2MoMADrawn to MoMA 
edited by Alex Halberstadt & Arlette Hernandez, 
Since 2019, The Museum of Modern Art has commissioned cartoonists and illustrators to craft stories about their experiences inside and outside the museum. Editors Alex Halberstadt and Arlette Hernandez have gathered together here, in the 184 pages of this horizontally formatted, 6" x 12", full color hardcover, twenty-five of those comics, all taking place in the comp;any of – and inspired by – modern art, primarily that shown in and/or part of the collection of the Museum of Modern Art (MoMA) in New York City (NYC).  These comics have been created by a stellar array of cartoonists, including Jon Allen, Gabrielle Bell, Barbara Brandon-Croft, Jessica Campbell, Roz Chast, Ted Closson, Liana Finck, Ali Fitzgerald, November Garcia, Anna Haifisch, Mari Kanstad Johnsen, Patrick Keck, Lee Lai, Ellen Lindner, John Vasquez Mejias, Danica Novgorodoff, Tommi Parrish, Ben Passmore, Weng Pixin, Anna Sarvira, Walter Scott, Bishakh Som, Karl Stevens, Chris Ware (whose contribution is a stand-alone, pull-out / fold-out poster; of course), and Erin Williams.  The horizontaliity of the format* makes for a reading experience akin to that of reading mammoth sized daily newspaper strips of spectacularly diverse approaches, intents and manifested styles (*Two of the contributing artists – Ben Passmore and John Vasquez Mejias – decided to "flip the script" (read, format), and chose to go vertical instead, necessitating a ninety degree rotation of the book and making for yet another take on the [very] Old School daily strips that also sometimes ran vertically in the paper, as dictated by space requirements).  We will admit to having had some trepidation that the work would veer towards the precious and/or self-consciously arty – but no!  Our concerns were misplaced.  The work presented here largely adheres to the cartoonist ethos and stays true to the comics making / reading  experience.  So, readers whose personal Venn diagrams show a strong overlap between museum going and comics reading have a very good chance of connecting with much of the work that this collection contains.  If that sounds like you, then we  can say, "Recommended!"
retail price - $45.00  copacetic price - $38.75





These items and more may also be found at our eCommerce site, HERE.



New for May 2025



SpentSpent
by Alison Bechdel
Spent, the new Alison Bechdel graphic novel is here!  The top story is the return of (some of) the Dykes to Watch Out For cast – who had been – with one brief exception in 2016  – absent from our universe since 2008.  In the pages of this 272 page, full color hardcover, we have a fictionalized "Alison", author of a graphic memoir titled Death and Taxidermy (an excerpt from which is shown to be very much in the style of Fun Home) – along with her partner, "Holly" mixing it up with a cast of characters of Bechdel's creation – Ginger, Sparrow, Stuart and several additional and adjacent characters from the DtWOF Universe – thus making for a bit of a hall of mirrors of art imitating life imitating art imitating life.  A central accomplishment of the work – and, implicitly, of Bechdel's career – is its simultaneous embodiment and demonstration of the reality that in the interregnum between the conclusion of the original Dykes to Watch Out For run and the publication of Spent, lesbians and lesbianism have successfully fought their way into the mainstream of American life – well, at least in Vermont. Reading Spent, it is self-evident that its cast of characters represent the diligence, ethical behavior, and common decency that we were taught to see as values central to the traditional American identity (as well as being a bit self-satisfied about it all, which, too, is a part of the American identity).  Which brings us to the title itself.  What has been – is being – "spent" here?  Bechdel clearly wants her readers to be considering this question.  The first thing we are presented with upon opening the book is a table of contents revealing that the entire work is organized around chapter headings taken verbatim – if more than a little ironically – from (the English translation of) Karl Marx's Das Kapital (Capital), an illustration of an open copy of which is shown below, as a clue to those who may not be familiar enough with the work to otherwise make the connection. The noun "capital" and the verb "spend" are both multivalent and related:  In addition to financial capital, there is human capital, social capital, sexual capital and creative capital – to name a few – all of which are shown being spent here. The title also seems to bring with it a hint of finality, of something – some or another form of capital – having been depleted; spent, as in nothing left.  One gets the sense upon completing the book, that the conclusion it has reached is that capitalism itself is now in the process of revealing itself to be a spent force. There's a solid sneak preview of the book, that will give you a head start in reading along with a nice look at the vivid color work by Bechdel's partner Holly Rae Taylor (and solid shadowing by CCS faculty member, Jon Chad), available HERE.
retail price - $32.00  copacetic price - $25.75




SGDSalt Green Death
by Katarina Thorsen
Salt Green Death takes its title from a line in James Joyce's Ulysses, further excerpts from which are interwoven throughout and seem to provide something of a template for the meandering stream of consciousness form of the narrative structure of the work, while the expressive distortions of the British painter, Francis Bacon serve as a point of reference for the stunning and haunting visuals created by Thorsen to bring you into the emotional maelstrom that lies at the core of this work.  While the primary focus is on Joseph O'Dwyer, child number four in the O'Dwyer family – who was institutionalized for most of his adult life, during which period the treatment regimes he was subjected to are shown to be largely a series of failures – it can more accurately be described as a chronicle of the entire family, who migrated all together from Ireland to Canada in 1927, in pursuit of a better life. The artistic methods and manner of the portrayal work together throughout this work's 196 full color pages to capture the bleakness that permeates this chronicle of misfortune, ignorance, failure and death that at last provides an empathic reconsideration of what would otherwise be forgotten casualties of the cruelties of the 20th Century.  We've posted a selection of pages from the book HERE to prepare readers for the experience that awaits.  ||  And here are some insightful comments from a pair of fellow comics makers:   This is a remarkable book: a graphic novel that will challenge your notions about the meaning of the genre. In essence, it is an investigation into a history of family trauma but Thorsen’s presentation of the material that has constituted her research turns Salt Green Death into a catalogue of innovations: ingenious compositional turns and strategies make every page a delight, a map of visual possibilities. Doctor’s reports, family letters, administrative records join in a dance with feathers, fur, yarn, bone: you will not find another book so lovingly devoted to textures of such variety. Thorsen has the mind of an archivist, the eye of a painter and the heart of a poet." — Bishakh Som, Apsara Engine  ||  “Katarina Thorsen has pushed creative non-fiction in astonishing new directions. Salt Green Death invites the reader to take an active role in sorting through documents and correspondence, drawing their own conclusions and inferences along the way. And she weaves (sometimes literally) the sorry saga of the O’Dwyer family together with her vivid charcoal drawings and buoyant, color renderings of the natural world, lending poetry and grace to this tale of utter heartbreak.” —Matt Madden, 99 Ways to Tell a Story: Exercises in Style 
retail price - $30.00  copacetic price - $25.75
 


HCAMHow Comics Are Made 
by Glenn Fleishman
Here's a book we've really been looking forward to.   It was self-published last year – with the differently tensed title of How Comics Were Made – and sold out.  Now it has been released in a (lower-priced!) hardcover by Andrews ("Calvin and Hobbes") McMeel. This edition contains the entire contents of the original, with just a few tweaks, so you can get a good idea of what's in store by visiting the author's page for his self-published edition, HERE.  Cool! Right?  And, we've now also posted some pages from the book to help give you an even better idea of what's in store, HERE.  Just to be clear, the term "comics" in How Comics Are Made indicates, specifically, newspaper comicstrips, the "funny pages", and it is the genesis and evolution of the production processes of newspaper comicstrips that is the primary focus of this book.  And while it seems as clear to Fleischman as it does to the rest of us that the vast bulk of work produced for this particular form of printed comics that dawned in the last decade of the 19th Century is likely behind us, and that this form appears to have now entered its twilight years, newspaper comicstrips nevertheless continue to be printed to this day; thus the "were" of the original title being updated by Andrews McMeel – a still active comicstrip collection publisher – to "are".  That said, as is well known by anyone schooled in comics history, comic books originated as reprint collections of newspaper comicstrips that were, at l;east initially, printed on the same or analogous presses using the exact same processes – just adding an extra fold and then staples and glossy covers.  So, while the focus here is entirely on newspaper comics, most of the same production techniques and technologies carried over to comic book production throughout the era of newsprint comic books, which dominated American comic books up to 1980s.  Thus there are plenty of insights into how comic book production evolved to be found here, as well.  How Comics Are Made was designed and illustrated by Mark Kaufman, and has an introduction by Michael Chabon, in which he reveals a personal connection – through his grandfather – to the world of newspaper production.  It also includes an intriguing aside into Watergate-era Doonesbury strips that reminds us of the unique place in comics history occupied by Gary Trudeau's long-running strip.  288 pages | 10 1/2" x 8 1/4" | full color
retail price - $40.00  copacetic price - $35.75


Orson


The Giant: Orson Welles, the Artist and the Shadow 
by Youssef Daoudi
Orson Welles was only 25 years old when he directed Citizen Kane, one the single most important and influential movies of all time – it was ranked "the greatest film of all time" by many film critics for decades (for example, The British Film Institute's Sight & Sound magazine's decennial poll, which gathers the opinions of critics, had "Citizen Kane" at the top for four decades, from 1962 to 2002).  Hard to believe, right?  Think of what you were up to when you were 25.  So, suffice it to say, starting out that big, that early is going to have an effect on anyone's self-perception, and, of course, on the perception that others had of him, in turn.  Youssef Daoudi has already given us an intriguing look at Thelonious Monk that focused on his relationship with Pannonica de Koenigswarter, and here in the 272 pages of The Giant, expressively drawn black & white, he provides a look at the effects that such a level of early success had on the arc of Orson Welles's later life and career. 
retail price - $29.99  copacetic price - $25.75



MS46



Mineshaft #46 
edited by Everett Rand & Gioia Palmieri
Mineshaft #46 has arrived – and it's quite the issue!  Starting with front and back covers by – yes, you guessed it – Drew Friedman, and then filled with contributions from the Mineshaft All-Stars, including Noah Van Sciver, Max Clotfelter, Pat Moriarty, Cristoph Mueller, Glenn Head, David – and James! – Collier, Kim Deitch, and more, along with a one-page strip by Sammy Harkham, eight pages from new-to-us contributor, Simone Baumann – and R. Crumb on... death!  52 pages in all.
retail price - $15.00  copacetic price - $13.75



AS-OS




Arsène Schrauwen
- softcover 
by Olivier Schrauwen
YES!   Olivier Schrauwen's one-of-a-kind masterwork is back in print, in this very nicely done French-flapped softcover edition.  Fantagraphics has done right by this classic, carrying over the production specifics from the hardcover in this softcover: same crisp duo-tone (red & blue) printing, same toothy, flat, off-white paperstock.  Very nice. The one significant difference is that it is printed in a slightly (roughly 15%) smaller size – 7 3/4" x 9 1/2" compared to the 9" x 11 1/4" of the hardcover.  At last, those Copacetic customers who missed out on this during its original release can experience this mind-bending work.retail price - $29.99  copacetic price - $25.75





NWH


Nancy Wears Hats
by Ernie Bushmiller
It's about time!  After a full decade hiatus, Fantagraphics continues its ongoing series collecting Ernie Bushmiller's legendary Nancy dailies.  While Nancy Wears Hats has been produced with a slightly smaller page size than the earlier volumes, and with a standard softcover binding, rather than the flexi-cover of the first three volumes, it is nonetheless a nicely designed edition, also presenting three strips per page on glossy paper, as previously.  Regardless, here we have two complete years of Nancy – 1949 & 1950 – cued up for your delectation; well over 600 strips in all.  We know it's been a long wait, but don't rush through these – take your time and savor each strip in all its glorious absurdity...
retail price - $24.99  copacetic price - $21.75




KI2830

Krazy & Ignatz 1928-1930 
by George Herriman
Here's the latest addition to Fantagraphics' ongoing George Herriman Library: Krazy & Ignatz, 1928-1930.  It's another massive – 3 1/2 pounds –  oversize – 11 1/2" x 14" – hardcover – this time, embossed – volume. It collects the entirety of the Krazy Kat Sunday pages from 1928, 19290 & 1930 – thus, covering that pivotal era that marked the end of The Jazz Age and the beginning of The Great Depression – runs 228 pages almost entirely in black & white – as befits the work – but with a smattering of color where the work requires it.  It is also chock-a-block with informative essays from Bill Blackbeard and other Herriman scholars.  And we can't resist tossing in this quote from the Fantagraphics' website, as we wholeheartedly agree:  "One could argue the claim — confidently, persuasively, and with an all-but-inexhaustible store of ever-fresh evidence — that George Herriman was one of the very great artists, in any medium, of the 20th century." — Michael Chabon
retail price - $49.99  copacetic price - $42.75




These items and more may also be found at our eCommerce site, HERE.



New for April 2025


GRhcGinseng Roots 
by Craig Thompson
It's here – the graphic novel edition of Craig Thompson's epic memoir that centers on his personal relationship with ginseng, Ginseng Roots! While it starts out specifically focusing on his family roots in ginseng cultivation, it gradually spreads out into an in-depth historical biography of the humble plant itself, one that reveals the many unexpected ways in which ginseng's roots are deeply entangled in the history of America – both before and after 1492 – and that in the process touches on international cultures, war, world trade – specifically that between East Asia and the US – Christianity, family values, work ethics and much more.  In short, Ginseng Roots takes readers on a fantastic voyage of discovery that provides a unique cluster of insights into our shared present. While it does collect (nearly*) the entirety of the Ginseng Roots story pages from the twelve-issue series, there are also quite a number of new pages that have been weaved in throughout – *at least a few of which replace pages from the original issue – with the aim of creating a unified work that can be read as a graphic novel rather than simply a collection of the series. Craig worked on Ginseng Roots for over five years, and so, understandably, his conception of the work developed during that period and he could better see by the end of the process how to make the work cohere into an organic whole than he did at the outset; thus the additions/edits/changes to the original issues.  It is worth noting that, on the other hand, most of the bonus / back-up material from the individual issues is not included (but a small smattering is, at the end, in a short bonus section, of sorts).   So... it should be interesting to read this and compare it to the original issues.  We plan to!  But, no matter how you slice it, Ginseng Roots is a masterpiece of the form – as enlightening as it is engaging – and the Copacetic favorite among Craig Thompson's works thus far in his career.  RECOMMENDED!
retail price - $35.00  copacetic price - $29.75




GLT
Goes Like This

OLGOne Little Goat
by Theo Ellsworth & Dara Horn
One Little Goat goes deep down a rabbit hole, but with a singular purpose: that of discovering the history, meaning and origin of Passover.  Through 160 detailed pages of his trademarked mega-level mark-making, Theo Ellsworth brings Dara Horn’s script vividly to life in such a way that the inherent psychological energy of each scene is released into the reader’s consciousness in a series of brain blasts!  It all begins around a contemporary Passover dinner table, where family dynamics take center stage and problems arise – until someone has to take the fall… cue arrival of the (scape)goat, who can take the blame.  Then, once the titular goat has arrived on the scene, look out, things takes one turn after another each riffing on an aspect of the Passover tradition as its history, significance and, finally, origin, until ultimately looping back into the present Passover to bring the story to a close.  This is an all-ages work, published by the Norton Young Reader’s imprint, but adult readers will find it entertaining as well.  And you don’t have to be at all familiar with Passover to savor and appreciate this work.  In fact, it might even be the most fun for readers totally unfamiliar.  Intriguingly, the structure and epic nature of the story arc is not entirely dissimilar from that of an inter-dimensional, star-spanning Marvel comic featuring, say the Silver Surfer or Dr. Strange, but of a pedagogical bent.  The primary appeal for Copacetic customers is, of course, the art of Theo Ellsworth, and One Little Goat provides a heaping helping – and it's a heavy-duty, die-cut hardcover, to boot.  Enjoy!
re
tail price - $18.99  copacetic price - $17.00


AD

Alien Disclosure
by Jim Rugg
Alien Disclosure provides a guided tour through the labyrinth of conspiracy theory thinking.   Leveraging the comic book form to craft a concise – and precise – schematic diagram, by employing a rhythmic variation between image and text that serves to illustrate the paradoxical – and profoundly disorienting – nature of “seeing is believing” when you can no longer trust your own eyes.  As readers will expect, given its title, Alien Disclosure goes straight to the ultimate unified conspiracy: that of aliens controlling everything on earth.  But, crucially to understanding the work's aim and import, bracketing this conspiracy is its flipside – that the conspiracy theory of aliens controlling everything is itself, in turn, a conspiracy employed by a secret, human cabal here on earth in order to manipulate the masses into trading – to this conspiratorial cabal – their personal liberty for (the illusion of) personal safety, allowing the cabal to usurp control of civilization.  By employing this structure, Rugg deftly illustrates the hall of mirrors leading to circular reasoning that lies at the heart of conspiracy theories. Each copy is individually signed on the cover – and, for an added and appropriate touch  – the iconic flying saucer on the cover is hand colored in silver ink, making each, objectively, unique.  A pithy – and potentially profound – document of – and for – our times (also, fun).
retail price - $10.00  copacetic price - $9.25





BW1-3Broken Wires - Complete Set Special #1 - 3
by Cameron Arthur
Cameron Arthur is the master of the slow burn, and with Broken Wires being divided into three issues, he can really stretch out.  In the 81-pages that make up the three Golden-Age-comic-sized issues – each laid out in a four-tier grid that ranges from four to twelve panels per page – we go  through a classically paced story arc from set up, through an action set piece, to denouement and fade out.  This arc moves at staggered paces – think contrapuntal choral parts in a polyphonic arrangement – as it weaves through the POVs of four characters – Marcy, Ben, Ruben and Artie.  All four are met in medias res, in Texas – on the job, on the road or in the home – and each is given two to twelve pages at a stretch in which their portion of the plot – along with their individual characteristics – are revealed – and dissected – in page after page of tightly controlled, well-paced comics.  The story’s primary focus is on the family of Ruben, Marcie and their young, school age son, Artie.  The arc centers on a Christmas pageant in which out of town guest, Ben performs.   How their stories intersect, both in time and space, constitutes the weft and the warp of the work; the melody and the harmony; the pattern of life.  A PIE Premiere™ (that debuted at the 2025 Pittsburgh Indie Expo)!
retail price - $20.00  copacetic price - $15.00



G69-70

Grixly two-fer #69 & ...69? (Actually #70!) 
by Nate McDonough
The wait is over!  Here are the latest issues of Grixly from Nate McDonough (with a little help from his friends*).  While Longboxes strips continue to dominate, and to transpire largely in the mountain states, with different shadings of "local color", these are all post-collection and so appear here in print for the first time.  They are also interspersed throughout with domestic scenes, philosophical reflections, comics digressions, disquisitive observations on dogs in public spaces and voting in presidential elections, and more!  52 jam-packed pages in all.  All for one low price.  Grixly!  > *The front and back covers of #69 are by Victor Cayro and Adam Falp, respectively; the centerfold (in vivid black & white & red) and the back cover of #70 are collaborations with Lyla Maloney, who also has a spot illo in #69.
retail price - $6.00  copacetic price - $5.00






YouAre

You Are a Sacred Place: Visual Poems for Living in Climate Crisis 
by Madeleine Jubilee Saito
Having honed her craft over the years, and devising an Instagram-friendly approach that represents an innovative, 21st-Century update on the classic four-panel daily newspaper comicstrip, Madeleine Jubilee Saito has, in this 180-page, full color, smyth sewn hardcover, adapted her practice to a long form poem-prayer of a graphic novel. >> It has some fans:Madeleine Jubilee Saito has given us a singular gift. At once gentle and piercing, spare and profound, her artistry breaks open hearts, releasing rivers of love for what is — and grief for what is already lost." — Naomi Klein  || "Using a sort of visual 4/4 time signature, Madeleine Jubilee Saito's You Are a Sacred Place is a heartfelt song about the state of our planet. In gentle watercolors and sparse colors, Saito sings to us about love, loss, hope, and our need for one another." — Aidan Koch || "A series of perfect four-panel comics that build toward something vast and beautiful." — Andrew White  ||  Take a moment to check out this hefty preview to get a good idea of what everyone is talking about here.
retail price - $21.99  copacetic price - $18.75



These items and more may also be found at our eCommerce site,
HERE.




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last updated 31 July 2025