Vitals
- Products: The Office
- Franchises: The Office
- Genres: Sitcom
- Notable Characters: Dwight Schrute, Jim Halpert, Michael Scott, Pam Beesly
- Associated Luminaries: Greg Daniels, Ricky Gervais
- Cast Members: Jenna Fischer, John Krasinski, Rainn Wilson, Steve Carell
- Network: NBC
- Studio: Reveille Productions
Okay. I'll admit, I
was surprised by the turn of events in The Office's "Body Language." One the one hand, all of the elements that
have been dragging the Dunder Mifflin crew down over the past season remained
just as prevalent as ever, but The Office has a way of managing to surprise
you, whether or not new story developments are earned.
Donna (Amy Pietz) was introduced painfully enough in "Happy
Hour" through the same tired joke of Michael being too naïve to function as an
adult, but she seemed relatively endeared by him. Whereas Jan Levinson never took Michael seriously enough and
Holly Flax probably took him too seriously, Donna in her brief appearance,
seemed to offer the best of both worlds.
It disappointed me to think that we might discard her flirting
as a way of getting printer discounts, but by the end we're surprised to find
her genuine affection for Michael, even if the writing seems to turn on a
dime. Especially with the news of Steve
Carell only interested in one more season, Michael's long overdue for some
happiness with a fresh relationship.
But The Office has always mined its best humor from pure
awkwardness and cringe-worthy stupidity and "Body Language" doesn't fall
short. Perhaps the instinct to turn
away stems from the fact that we feel like Michael should know better than to
awkwardly kiss a woman so clearly resistant, but it's one of the more effective
reactions The Office has garnished in some time.
Elsewhere, no one's being quite as mean as last week, but
the laughs are few and far between. Jim
and Pam always doing their talking head intereviews/missions together
feels a bit stale, but that's what happens when TV couples get together too
soon.
One question I can't help asking...does Pam really care about
her job? We've alluded to her being a
poor salesman and watching her give away the sale to Michael, while
well-intentioned, does beg the question of where her character can go. She tried and failed art school and hasn't
had any real goals of her own outside of Jim.
Even Jim once inadvertently revealed his desire to be a sportswriter,
so are PB&J forever doomed to their miserable paper-selling existences?
I like the idea of putting Kelly in a minority executive
training program at odds with Dwight, but I'm not going to count my chickens
that this power shift won't be neatly resolved within two or three weeks, as The
Office often does. Darryl coming
upstairs has been a welcome addition, but hasn't gone anywhere.
True change and The Office are rarely good
bedfellows.