Matt Patches: There's a playfulness to knowing a person for a long time and everyone in this
movie presents themselves that way. You see it especially between you and
Gordon-Levitt
Tom Hardy: Yeah, and
that's the environment that Chris created for us; safe and secure and needed,
and useful. What we had was something that he wanted. He's very interested in
performance. He cares tremendously about actors and he's a very worldly and
intelligent man. Under such stress and distress, and his ability to orchestrate
a massive piece of work, he still created more than...a plethora of space, to
invite us into his space in which we create our own space that we inhabited.
He's a gentlemen and a masterful director.
Matt Patches: You
can tell watching Inception's massive set pieces that it must
have been a rigorous process. How do you strike a balance between your
character performance and performing various stunts? Do you ever find that to
be a challenge?
Tom Hardy: Set
pieces are step by step, broken down to the smallest possible form of action
so...you know; you take as much as you can depending on how much you need to get
for the shot, or depending the time of the shot, or length of the shot you
don't know how much coordination and choreography you need to fill. You just
have to be prepared to wait a bit longer than you may feel comfortable and just
wait for that catch.
On the whole...everything was very safe, the environment was
very secure, and the stunt team was incredible. On the soundstage they rigged
up huge revolving sets, and the world was completely interactive. There was no
green screen. Everything you needed was there. Chris created a dream we went
into and inhabited. Everything was as written, even in performance. We were
breathing life into Chris Nolan's imagination.