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Best Movie Ever: The Nightmare Before Christmas

What's this? What's this? Just evidence that Tim Burton, Henry Selick and Danny Elfman can turn a holiday mashing tale into the best movie ever.


Where is the common ground between goth girls and Disney store moms? It's here in the Town of Halloween!

Take some old Christmas TV specials, have them ferment in the mind of Tim Burton, let it flow through the hands of Henry Selick, out of the mouth of Danny Elfman and what do you get? Well, you get a really forced metaphor, that's what you get. But, you also have the instant classic stop-motion animated film about cultural misunderstanding, The Nightmare Before Christmas.

Coming out August 30th in its nine hundredth repackaging (this time with the Blu-ray, DVD, digital download and 3D Blu-ray all in one spot) we thought it a good idea to hitch our bright-nosed, ghost dog to our coffin sleigh and remind everyone why The Nightmare Before Christmas is the best movie ever.

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The Nightmare Before Christmas
The Nightmare Before Christmas Credit: The Walt Disney Company

Frog's Breath

You have to wonder why Dr. Finklestein didn't keep his spells, potions and charming agents better locked up. Sally, his rag doll creation, was very upfront about her desire to escape his evil fortress and live a free life. Here, she is laying into one of the canned goods - excuse me, canned BADS - that is readily accessible: frog's breath.

While on the topic of the good doctor, you should know that he was voiced by one of Hollywood's all time great That Guys, William Hickey. Depending on your station in life, you know him from the John Huston film Prizzi's Honor or from The Jerky Boys (let's split the difference and celebrate the beloved-by-all Gore Verbinski film Mouse Hunt, in which he plays Rudolf Smuntz).

The Nightmare Before Christmas
The Nightmare Before Christmas Credit: The Walt Disney Company

Town Meeting!

All gooey and disgusting eyes are on Jack as he lays out his new plan to rescue Christmas Town from the evil, lobster-like monster known as Sandy Claws.

The Nightmare Before Christmas knowingly winks to classic cinema at this point, as it is not the first motion picture to let the misunderstanding of Santa Claus' name guide the narrative.

I refer, of course, to Sam Wood's film, A Night At The Opera - an important motion picture about the rise of fascism in Europe. Let's take a look at some dialogue between two young Marxists who went by the curious names of Groucho and Chico:

Otis P. Driftwood: "If any of the parties participating in this contract are shown not to be in their right mind the entire agreement is automatically nullified." It's all right it's in every contract. That's what they call a sanity clause.

Fiorello: Heh, you no fool me. There ain't no Sanity Claus!

The Nightmare Before Christmas
The Nightmare Before Christmas Credit: The Walt Disney Company

Lock, Shock and Barrell

This triumvirate of terror harmonizes all the way to Christmas Town and back (by way of Easter Town) to kidnap poor St. Nicholas for Jack's nefarious albeit well-meaning deeds.

One has to wonder what in his previous dealings with Lock Shock and Barrell led him to believe they wouldn't bring Santa to Oogie Boogie just because he told them not to. We, the audience, have just met these three little monsters and we already know not to trust them. Jack, on the other hand, has probably known them their whole lives!

Between not quite understanding the real meaning of Christmas and this blunder of misplaced trust, perhaps there's a side to Jack that isn't much discussed: is the Pumpkin King a moron?

The Nightmare Before Christmas
The Nightmare Before Christmas Credit: The Walt Disney Company

Making Christmas

The entire town (including this crazy snake-head, clam-face, striped guy, whatever the heck he is) pitches in to help Jack realize his dream. Isn't that what the spirit of Christmas is all about? Just overlook the stuff about kidnapping and terrorizing children.

The Nightmare Before Christmas
The Nightmare Before Christmas Credit: The Walt Disney Company

Oogie Boogie

Oy.

The best scene in The Nightmare Before Christmas - the best visuals and song - is also the one that makes me the most uncomfortable.

Inspired by Cab Calloway's performance in an old Betty Boop cartoon, the Oogie Boogie Man, as performed by Ken Page, definitely dips his toes in some racially charged waters.

Not that you asked for my opinion, but here it is: the Oogie Boogie man sequence is not, in itself, racist. However, part of what makes The Nightmare Before Christmas so magical is that it has trace elements from great artwork that came before it. There's Rankin, Bass and Chas Addams. Yes, there's even some Bourbon Street minstrelsy that, when it was first created, may not have had been born from the most progressive minds.

Usually when a reference to this pops up, it is in the context of parody, like on The Simpsons's "Itchy and Scratchy" to show us how backward we were back then. Does that exist in The Nightmare Before Christmas? Maybe not. But, then again, this isn't set in Louisiana - this is set in the Town of Halloween. The issue, therefore, is far from a distinct black and white. According to a footnote on The Nightmare Before Christmas' Wikipedia page, Elfman was concerned about the issue. I suppose he decided to do like Oogie Boogie and roll the dice.

See More: Best Movie Ever | The Nightmare Before Christmas | Danny Elfman | Henry Selick | Tim Burton