The films of John Hughes say different things to different people. Indeed, his magnum opus, The Breakfast Club, acts almost as a Durban Conference of American middle class youth cultures. Those mourning his loss the greatest, however, are the unpopular, unaccepted and misunderstood for whom le cinema du Hughes acted as an oasis of triumph in an adolescence of anxiety. The 2010 Oscars saw fit to recognize Hughes for his achievements with a moving eulogy delivered by a cadre of former Brat Packers, whom we recognize here.













