Amanda Plummer's Honey Bunny sure had fire and drive, but what exactly was it that led Tim Roth's Pumpkin to think she'd be a good partner during a robbery?
It's not a problem that reveals itself til the end of the film. For the purposes of this prologue, her unprintable shout to the diner patrons, held freeze-frame and slam into Dick Dale's "Misirlou" (resurrecting surf rock for a new generation) is the perfect way to begin this wonderful piece of pulp fiction.
