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TRAVELLER
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day off a week in Japan,” recalls our instructor while
laying the table for lunch. “People would be so tired
I’d see them sleeping standing up in the street.” With
that, he tests the temperature of the fish and declares,
“Service!”, before setting up a “pass” (the counter where
food is served from) and walking us through the all-
important plating up. “Be creative – you’re the chef,” he
says, as he artistically assembles our artichoke starter,
garnishing it with crispy flecks of thinly cut pork belly
we’ve crisped up in the oven.
I look at what we’ve created, surveying the plates of
food with a new level of awareness for every part of the
dish, from the hand-minced rosemary on the croutons
to the tiny, orange, cockle tongues in the seafood
sauce. We eat at the wooden surface next to the pass,
which Morat electronically lowers, transforming it
from a work station into a dining table in seconds.
“It’s like ze James Bond lair, eh?” he quips, and I
must agree. Then again, I’d expect nothing less from
the cookery school of a jet-setting superstar chef.
PHOTOS © PIERRE MONETTA, JAMES BEDFORD