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Matching Wood Stains Color,How To Build A Baby Crib,How To Make A Barrel Liquor Cabinet - Review

10.06.2015 admin
Blending oil stains to match a previously stained surface requires trial and error, but by learning some simple techniques, you can reduce the error part. Use these stain-matching tips to replace broken or missing parts, or to make new furniture match existing furniture or trimwork.
Wood is unpredictable.Those three words account for the vast majority of the problems we encounter while attempting to change the color of a board using stains. When we are fortunate, the piece of wood we are staining is of the same species as that we are matching, such as when we bring home an unfinished oak dresser to match a finished oak bed. Even when the two boards are of the same type, we oftentimes discover that the same stain does not produce the same results.
Grain PatternsEven when working with two boards of the same type, other factors enter which can complicate the stain matching process.
Humidity Levels Another factor which influences the final color is the amount of moisture in the cell walls of each pore. All of this is mentioned simply because it is only by removing or reducing the differences in natural color, grain pattern, moisture and age between two boards can we have any hope of achieving a near perfect stain match. When selecting a color of Minwax® stain for your project, bear in mind that the color samples printed on the can or in one of our brochures, or shown in the online stain guide can only be an approximation of the color your board will be. Stain BlendingAnd speaking of mixing stains, keep in mind that even though Minwax® offers an array of both oil-based and water-based colors, you may find that the perfect color for your project is a blend of two or more colors which you custom mix. Controlling Stain IntensityThe final color of the board will also be affected by how long you allow the stain to be absorbed by the pores before you wipe off the excess liquid. Lighting ConditionsOne other factor to consider when matching stains is the light under which you are working.
Minwax® offers a variety of easy-to-use products to help clean and repair wood that is chipped, cracked, scratched, even decayed, to its original beauty. Natural and synthetic bristle brushes specifically designed for use with Minwax® wood finishing products.


Wood is made up of millions of cells we rely on to absorb pigments and dyes - the absorption rate and capacity of which are affected by an astonishing number of factors - which is why, when it comes to staining, wood is unpredictable. Very often, the color is in another piece of wood, but sometimes the inspiration comes from fabric, draperies, upholstery, even artwork. When we are not as fortunate, the piece being brought home is of a different species or, worse yet, consists of more than one species of wood. The cells which form the pores of an oak board, for instance, vary in their natural color from red oak, which has a natural pinkish tint, to white oak, which is actually tan. Wood which is extremely dry is naturally going to be able to absorb more dyes and pigments than one which has a higher percentage of moisture. While the photography utilized in reproducing the colors of our stains is of the highest possible quality, wood remains unpredictable. When you are testing your stain, time various samples and compare the color of that left on for one minute versus that left on for three or five minutes. Bear in mind that a color viewed under three common yet different lighting conditions, namely natural sunlight, incandescent bulbs and fluorescent tubes, can have three different color tones. Minwax® preparation products are the first step to ensure your wood surfaces show their most beautiful colors and smoothest finishes.
Turn to Minwax® to add rich color and durable protection to your wood project in a single step.
Most furniture grade woods are kiln dried until the moisture level is stabilized at 6%-8%, but since wood shares many of the same attributes as a dry sponge, that percentage of moisture can change dramatically in direct proportion to the conditions in which it is stored.
The first is to realize that you should not apply any stain to your wood until you have tested it on either scraps of the same wood or in an inconspicuous spot, such as the underside of an unfinished chair seat or portion of flooring which will be covered by the piano.
For that reason, I recommend buying two or three of the smallest cans available of the color tones which you are wanting to achieve. The difference may not be immediately obvious, but two colors which seem to match under a florescent light in your workshop may not actually match when brought into your dining room.


But when it comes to matching stains, subtle differences can mean the difference between a success matching and one which leaves everyone disappointed. When you line up different pairings on the rims, small windows in the inner wheel show how the blend creates a third color.
Since the Minwax® stains we apply are intended to reveal, not disguise the natural grain of the wood, the inherent color of the pores is going to affect the final color after we have applied our stain. It is this grain pattern, combined with the natural color of the wood, which enables us to distinguish oak from maple or cherry from mahogany. For it to be effective, the test has to take place on the identical -- not just similar -- piece of wood. Once you determine which stain -- or combination of stains -- provides you with the color you want on your particular board, you can, if necessary, return to the store and buy it in a larger container.
The rule of thumb is simple: apply your stain under the same lighting conditions as the room where the piece will be. Learning about the qualities of wood, meticulous staining experimentation and some creativity are the keys to success.
The most well-known example is American cherry, a wood which has been favored by cabinetmakers and homeowners for centuries.
The differences in grain pattern become even more obvious when a stain is applied, for the dyes and pigments magnifying the grain pattern of each board, making it difficult to match two oak boards if each has a different grain pattern. Treasured for its subtle grain pattern and natural reddish hue, cherry begins to change its color on the day it is first cut.



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