|

Performance dates: February 14, 15, 16, 2002
Performance venue: Linesight Theatre
|
SEX,
DRUGS, ROCK & ROLL
We'll
always have a soft spot in our hearts for"Sex, Drugs, Rock &
Roll", as it was the debut production of Theatre On Consignment.
The theatrical venture began in fall 2001, when Becky Lathrop (co-star
of Heaven Sucks, Keep Breathing, and The Putz) began working
as gallery co-ordinator for Linesight, Inc., an Internet development and
hosting firm in the Old Town district of Wichita. Linesight was hoping
to use its extra space as a performing arts center, with art shows, concerts,
and theatre events. Lathrop suggested forming a theatrical group (a pipe
dream for several years within Films On Consignment) to peform less-produced
plays, and we were off and running.
"Glengarry Glen Ross" was our first choice for debut production,
but we quickly realized that it would be wiser to start with something
smaller and less technically challenging. "Sex, Drugs, Rock &
Roll", then, was a natural choice, as it was a series of monologues
with no set (and little in the way of props or costumes) required.
"Sex,
Drugs, Rock & Roll" was originally performed as a one-man show
by author Eric Bogosian, The Obie-Award winning play was first presented
in 1990 at the Orpheum Theater in New York, with author Bogosian performing
all of the monologues. The play was published by Harper Collins and recorded
for SBK records that same year. In 1991, a filmed performance of the production
was released by Avenue Entertainment, directed by John McNaughton (Henry:
Portrait of a Serial Killer).
In Theatre On Consignment's production, each of Bogosian's distinct characters
was portrayed by a different actor. In "Grace of God", an aggressive
panhandler (Bob Thomas) explains, in detail, exactly why he needs money.
In "Benefit", a hypocritical antidrug-crusading English rock
star (Mac Welch) explains his new life on a talk show. A future-shocked,
paranoiac derelict (Nathan Boren) pontificates on the environment in "Dirt".
"The Stud" (Earnest Roberson) reflects on his pathologically
macho lifestyle. In "Stag", a party guy (Jason Crile) relates
the tale of a bachelor party gone wrong. "Bottleman" introduces
us to a mentally handicapped bottle collector (Lonny Quattlebaum). A doctor
(Rebecca Lathrop) prescribes a medication with an alarming number of side
effects in "Medicine". "Rock Law" is a few moments
in the busy day of a wheeling and dealing multiphone-line-juggling executive
(Jason Bailey). A troubled outsider (Brad Anderson) yearns for normalcy
in "Dog Chameleon". And the "Artist" (Michael Carmody),
peaceful and mellow, reflects on the sixties and how things have changed.
Bogosian's
characters play out the battles of our day--consumerism, the environment,
commercialism, sex, violence. "I write about those things I can't
figure out," he says. "The monologues in Sex, Drugs, Rock
& Roll are my open meditation on the conflicts in my life... provocation
in the guise of a good time."
Theatre On Consignment's production opened February 14, 2002, with sold-out
houses for two of the three performances. Jason Bailey directed. Deborah
Berry was costume designer and assistant director, David Bailey was acting
coach, Matt Frank was stage manager and light board operator, and Charity
Jeffries was sound board operator.
|