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In the early 1980’s, electronic music equipment became way more available and affordable.
Like dub, it combined noodling with electronic equipment and existing music, in this case disco.
Then in 1990, Madonna released “Vogue.” While still a pop track, the song was a huge international hit, and it brought house music into the mainstream.
Last Saturday, Walshy Fire of Major Lazer dropped a new mix for 2014.  A lot of new Major Lazer exclusives and high energy tracks.
Aussie dance legends The Potbelleez recently teamed up with Zoe Badwi for one of the most addicting tracks to come out of their post yet. Better yet, a set of remixes from artists like Teddy Cream, Avon Stringer, Kid Kenobi, and Ryan Riback, have taken the track and successfully transitioned it into a number of different electronic subgenres. YourEDM has teamed up with Hussle, an imprint of Ministry of Sound, The Potbelleez, and Blenders Eyewear for a chance for you to win a free pair of Blenders sunglasses! In the mean time, have a listen to The Potbelleez original track “Horny” as well as the remixes below! Plan A Entertainment, the record label of A Pink in Korea, announced that the girl group will release their new Japanese single within the next two weeks on August 3.
In Japan, A Pink are signed under Universal Music Japan, the record label that will be releasing and distributing the group’s upcoming single.
You will find here information on artists and bands, reviews, news, upcoming concerts, as well as other tidbits on music and culture. Ray LaMontagne photographed by Wesley Mann on April 29, 2014 at Q Division Studios in Somerville, Mass. It's just after noon on April 29, and Ray LaMontagne's new album, "Supernova," is sitting at No. The online extension of Billboard Magazine, is the essential online destination for the music business. While making her new EP, This Side Of Paradise, the musician and actress Hayley Kiyoko took part in a time-honored tradition: she headed to her parents' garage.
But how did house music go from a Chicago dance floor to topping the charts around the world?
In this instance, it started when DJs at a club called The Warehouse in Chicago started to mix in some really weird versions of popular disco tracks.
Saunders did something totally new, and that’s what house latched onto: synthesizers and drum machines, with a focus on the beat and not on the vocals.
There’s the original Chicago house, then there’s Euro house, electro house, ambient house, tech house, french house, and the list goes on and on.

GRAND BENDERS follows the exploits of the Rapaport family — Mickey, Nancy and Justin — owners of Cocos, a one-of-a-kind hotel, nightclub, restaurant and bar located along the strip in Grand Bend, Ontario. With more of an old school disco vibe paired with Badwi’s funky vocals, “Horny” is one of those tracks you will always find yourself dancing to. Featuring only the best EDM videos, music, mp3s, free downloads, sets, events, and news for all EDM heads.
Concert stops in between include their performances in Tokyo from July 9 to 10, July 16 in Osaka, and July 18 in Fukuoka. Working there -- along with the producer and multi-instrumentalist James Flannigan -- she wrote and recorded the EP's five songs, drawing on the thick, bubbling textures of '80s pop and injecting them with modern flavor. In an interview on the day of this comeback he expressed his love for all the songs listed in his first solo album, “Mr. And it just goes to show that if you want to change music, it all starts with the dance floor. He has just wrapped a photo shoot outside of his home in western Massachusetts, and is more preoccupied with getting back to rehearsals for his first live show in two years, which starts in slightly more than 48 hours. And the accolades, which range from a rave review from "Rolling Stone" to praise from "The Wall Street Journal," are just starting to pour in.
This Side Of Paradise is her second solo EP."The outcome of this EP is worth so much more to me because it was really built from the ground up," Kiyoko tells Billboard. And hope they're beautiful."All the hubbub over "Supernova" is due in part to its producer, The Black Keys' Dan Auerbach, who lends the project a hazy, psychedelic vibe that loosens up an artist best-known for folky torch songs.
The galloping "Feeding The Fire" is especially vigorous -- rubbery, galloping, hard-headed. And LaMontagne, 40, seems to have reluctantly embraced making himself more accessible to go along with the album's breezy sound, the latest in a series of "firsts" on this project. He has recently filmed his first music video for the album's lead single and title track, which is about to cross over at radio from triple A to adult top 40 and alternative (another first). In April, he inked his first major brand deal with Citi for a series of intimate concerts for card members showcasing the new material.
I've been with the same girl since I was 15, 16 years old,' " says LaMontagne of his wife (and high school sweetheart), Sarah Sousa. Well, who's 'Jolene'?"Such is the paradox of LaMontagne, who has built his career on soul-baring songs while divulging very little of his own life.
As he tells a fan during the Reddit Q&A, "Trouble" was "a writing exercise" inspired more by his love for 1960s soul than any specific struggle. There's also 2010's Grammy-nominated "Beg, Steal or Borrow," which serves more as a vocal tribute to heroes like Joni Mitchell and Van Morrison than it does a tear-soaked confessional.

Even a song like "Supernova"'s "Ojai," in which LaMontagne sings of a desire to get away from the city life, appears to be a work of fiction.
I'm still decoding these songs and figuring out where they came from."If LaMontagne's dirty secret is that he has a happy home life, well, that's the point.
Michael McDonald, LaMontagne's longtime manager at Mick Management, says other circumstances in the singer's life have allowed him to imbue his music with such authentic pain and emotion, but those moments rarely inspire pen to paper. Born one of five children to impoverished parents in Lewiston, Maine, LaMontagne has lived everywhere from Nebraska to Portland, Ore., to Utah to New Hampshire, where he built a cabin for his family intentionally free of electricity or running water.
Though he has put in more than enough road work and scored plenty of film and TV synchs to keep the lights on now, LaMontagne prefers the country life. After an exhaustive two-plus years of touring in support of 2010's "God Willin' and the Creek Don't Rise" (which earned Grammy nominations for album and song of the year in 2011), he found himself burnt out, uninspired and ready to quit performing altogether. I just wasn't sure what that would be."His multi-album contract with RCA was one particular roadblock to going too far down that alternate path. But a year off from touring coupled with investing in his home life (he and Sousa share a farm in Massachusetts with their teenaged sons) and hobbies like colonial ironwork helped reignite the creative spark. Soon enough, he had "two batches of tunes" that he began to whittle down before assembling what became "Supernova." "The songs just started coming to me, one after another, and I was just looking up at the sky and saying, 'Thank you. We didn't know if it was going to work, so we figured we'd give it a shot."The result is LaMontagne's most joyous, playful work to date, filled with references to his love for 1970s Laurel Canyon rock as well as all sorts of new names who probably don't have real-life counterparts ("Julia," "Supernova"'s "Zoe"). The album's first previews seem to have befuddled some of LaMontagne's fans on YouTube, who come off as divided over his newly upbeat sound in the comments section for the official clip of "Supernova." "Ray, what happened? Another defends the LaMontagne-Auerbach union: "They're writing songs with a lot of genre consolidation, and making it easy for everyone to enjoy it. Once I start hearing the record in my head and it sounds beautiful to me, I take the next step and try to make the record and hope it sounds like it does in my head."RCA's Corson couldn't be more thrilled to have a LaMontagne hit on his hands, especially as the label looks to beef up its roster of rock and folk talents with acts like Foo Fighters, Elle King and Tom Odell.
Artists have to evolve, and I applaud Ray for a guy as insular and enigmatic as he is, for having a game plan that's obviously working and showing thoughtfulness and ambition. He's not going to make that last album over again."Indeed, LaMontagne says he's already bouncing around ideas for his next project, which could very well start up once touring for "Supernova" slows down after a tour of amphitheaters (his biggest run yet) this summer. The only catch for RCA and Mick Management in plotting those next moves will be finding their star client."There have been three-day periods where people are waiting for him to sign off on stuff," says McDonald, "and short of driving up to his house, which is three-and-a-half hours away, I can only write, text or call.

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