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Jan Howard, and check out Jan Howard on Wikipedia, Youtube, Google News, Google Books, and Twitter on Digplanet.
This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Lula Grace Johnson (born March 13, 1929), known professionally as Jan Howard, is an American country music singer and Grand Ole Opry star.
Howard's biggest hit and signature song was the 1966 country hit "Evil on Your Mind", which peaked at number five on the Billboard country charts. Harlan persuaded Jan to make a demonstration (demo) tape of one of the songs he wrote, "Mommy For a Day". In 1959, under the name Jan Howard, she released the single "Yankee Go Home", which failed to hit the country charts. Meanwhile, painfully shy Jan was suffering from the psychological scars of her youth, as well as the anxiety of beginning a new adventure. Howard appeared on ABC-TV's Jubilee USA on February 6, 1960, and later that year she won Billboard magazine's Most Promising Female Country Award. Between 1967 and 1972, Howard chalked up a number of solo of top 40 hits, such as "Roll Over and Play Dead" (1967), "Any Old Way You Do" (1967), and "I Still Believe in Love" (1968). In 1970, Howard and Anderson's record "If It's All the Same to You" hit number two on the country charts that year, just missing the top spot.
In 1978, Howard began occasionally performing as a background vocalist for her friend Tammy Wynette.
Since March 27, 1971, Howard has been a member of the Grand Ole Opry.[3][4] She has toured every state in the United States, and has also toured in 21 countries.
A typical program included a mix of vocal and instrumental performances, comedy routines, square dancing and an occasional novelty act. Carl Perkins, singing "Blue Suede Shoes", made his TV debut on the series, which showcased hundreds of popular artists performing everything from rockabilly, country and Western, bluegrass and honky tonk to the Nashville sound, gospel and folk. The Jubilee was canceled after almost six years as rock and roll grew in popularity, and in part because of publicity surrounding tax evasion charges against Foley[citation needed], who was later acquitted. The first (and first live) country music program on network television was Village Barn, broadcast from 1948a€“50 by NBC from a New York City nightclub.
Ozark Jubilee was the first network TV program to feature America's top country music stars, and as a result, was the first country music program to attract a significant national viewership.[7] At five years, eight months it also holds the record for the longest-running country music series on network television[citation needed] (Hee Haw was syndicated after two years on CBS, and Austin City Limits presents a much broader variety of music[citation needed]). By 1956, Springfield, with two other ABC shows,[15] ranked behind only New York and Hollywood for originating network television programming. The Ozark Jubilee cast was originally headlined by Wanda Jackson, Norma Jean, Bobby Lord, Webb Pierce, Marvin Rainwater, Porter Wagoner and Slim Wilson, who was also front man for both the Tall Timber Trio, made up of "Speedy" Haworth (guitar), Bob White (bass guitar) and "Doc" Martin (steel guitar); and the Jubilee Band, composed of Haworth, Martin, White, Johnny Gailey (drums), Paul Mitchell (piano) and Zed Tennis (fiddle). The versatile Wilson was also half of the show's Flash and Whistler (with Floyd "Goo Goo" Rutledge); and Rutledge was half of Lennie and Goo Goo (with Lennie Aleshire), both country music comedy duos.
For a more complete list and year(s), see List of personalities who appeared on Ozark Jubilee. Virtually every country music star of the day appeared on the Jubilee[citation needed] with the notable exception of Hank Snow, who maintained an allegiance to Nashville's Opry.
On February 23, 1956,[26] 11-year-old Brenda Lee, living in Augusta, Georgia, turned down $30 to sing on a Swainsboro radio station to see Foley and a visiting Jubilee promotional unit at Bell Auditorium. Jubilee Producer-Director Bryan Bisney contacted her stepfather, Buell "Jay" Rainwater, who mailed him a tape recording of Lee singing "Jambalaya" on an Augusta radio show with a snapshot of Lee in Cincinnati, Ohio with Jimmie Skinner (who had appeared on the show in 1955). The New York Journal American's Jack O'Brien began his April 1 column with, "Didn't catch the name of the 9-year-old [sic] singer on last night's Ozark Jubilee but she belts a song like a star."[28] The show received three times the usual fan mail with nearly every letter asking to see her again, and Lee's family soon moved to Springfield.
Carl Perkins and the Perkins Brothers Band made their television debut on Ozark Jubilee on March 17, 1956, performing Perkins' No.
Both Perkins and Presley were fans of the Jubilee.[32] In 1955, Presley saw Charlie Hodge, his eventual friend and stage assistant, perform on the program.
Patsy Cline made frequent appearances on the Jubilee, which gave her the opportunity to choose her own material for a national audience.[34] She first appeared in January 1956,[35] returning on April 21. Every fourth Saturday from March 31 through September 15 (and on December 13), 1956, a special edition of Ozark Jubilee showcased young country music performers.
Foley periodically asked viewers to contribute to various charities, including the March of Dimes, Easter Seals, Community Chest, and aid following the 1960 Great Chilean earthquake.

She attained popular success as a country female vocalist during the 1960s and early 1970s and was twice nominated for the Best Female Country Vocal Performance Grammy award. The song is included in the book Heartaches By the Number: The 500 Greatest Country Music Singles. She recorded her first song that year called "Yankee Go Home", along with the Harlan Howard composition, "Pick Me Up on Your Way Down" (which was once recorded by Charlie Walker). In 1960, the Howards went to Nashville, Tennessee, where they appeared on The Prince Albert Show, the Grand Ole Opry segment carried nationally by NBC Radio. In 1962, she charted successfully on the country charts at number 27 with, "I Wish I Was a Single Girl Again".
Her first Decca record, "What Makes a Man Wander", hit the top 25 on the country charts; 1966's "Evil on Your Mind" was the biggest solo hit of Howard's career, hitting number five on the Billboard chart.
Top 20 hits from this time include "My Son" (1969) and "We Had All the Good Things Going" (1969). This devastated Howard, still reeling from her older son's death in Vietnam four years earlier, and she seriously considered quitting the music industry. This song stayed at number 1 for 4 weeks.Jan Howard - I'd Rather Be SorryJAN HOWARD - "MY SON"A MOTHER'S MESSAGE TO HER SON - IN 1968 JAN HOWARD'S SON WAS IN THE MILITARY IN VIET NAM. Several now-legendary session musicians provided accompaniment at times during the show's run, including Grady Martin, Hank Garland, Bob Moore, Charlie Haden, Cecil Brower, Tommy Jackson and Bud Isaacs. On September 24, 1960, the final telecast, like the first in 1955, opened with Foley singing "Hearts of Stone".
In 1946 he replaced Roy Acuff as emcee of the Grand Ole Opry segment carried by NBC Radio, and his popularity during the following eight years was credited with establishing it as the number one country music show[citation needed].
Top Talent was booking Jubilee artists across the country, and that April, the Jubilee had finished third among men.[16] According to The St. Featured vocalists included Leroy Van Dyke, Suzi Arden, Chuck Bowers, Sonny James, Tommy Sosebee and Tabby West.[19] Singers Hawkshaw Hawkins and Jean Shepard, who met on the show, later married. The on-camera announcer was Joe Slattery, a former Pan Am and US Army Air Forces pilot who later became president of AFTRA. Willie Nelson and his eventual third wife, Shirley Simpson, both auditioned for the show, but only Simpson (given the stage surname Caddell) made it.[23] Many of the regular cast were natives or residents of the Ozarks. A young Wayne Newton performed with his brother as the Rascals in Rhythm.[24] On January 14, 1956, the program's first anniversary, Tennessee Gov.
One foot started patting rhythm as though she was stomping out a prairie fire but not another muscle in that little body even as much as twitched. He booked her network debut for March 31, 1956 to sing "Jambalaya" on the second "Junior Jubilee" edition of the show.
Although her five-year contract with Top Talent was broken by a 1957 lawsuit brought by her mother and her manager,[29] she made regular appearances on the program throughout its run. In 1957, she appeared on February 9; and on June 22 (the Oklahoma State Fair remote) she performed "Walkin' After Midnight" and "Try Again". On November 7, 1959, she sang "Walkin' After Midnight" and "Come on In", then "Let's Go to Church" as a duet with Slim Wilson.
In the late 1960s and early 1970s, she dueted with Bill Anderson on a number of top-10 hits, including the number-one hit "For Loving You". After dealing with two unsuccessful marriages, she moved to Los Angeles, California, where she met aspiring songwriter Harlan Howard. She soon worked as a demo singer for her husband, singing demos for other country artists, such as Buck Owens and Tex Ritter.
Their 1970 album Bill and Jan or Jan and Bill spawned two more top-10 country singles, "Someday We'll Be Together" (1970) and "Dis-Satisfied" (1971). She did limit her personal appearances for many years, retiring from the Bill Anderson touring show and ultimately replaced by Mary Lou Turner.
In 1984, Howard released the album Tainted Love, and that same year she published her autobiography, Sunshine and Shadow. Big names such as Patsy Cline, Eddy Arnold, Johnny Cash and Faron Young were interspersed with a regular cast, including a group of young talent the Jubilee brought to national fame: 11-year-old Brenda Lee, Porter Wagoner, Wanda Jackson, Sonny James, Jean Shepard and The Browns. The genial Foley closed each show from the Jewell Theatre in downtown Springfield with a "song of inspiration" or a recitation from his Keepsake Album;[5] and his sign-off was "Goodnight mama, goodnight papa", before walking into the audience to shake hands as the credits rolled.

Three months later, in July 1954, ABC-TV agreed to buy the Jubilee;[13] and by August, was carrying a radio version hosted by Foley that had begun in July on KWTO.
Foster, known by cast and crew as "the Skipper", made an appearance on the final broadcast of Jubilee USA, singing "Woodman, Spare that Tree".
Louis Post-Dispatch that February, "Springfield has become the recognized center of the country music world. And when she did that trick of breaking her voice, it jarred me out of my trance enough to realize I'd forgotten to get off the stage.
The group included Perkins (lead guitar and vocalist), Jay Perkins (rhythm guitar), Clayton Perkins (bass guitar) and W.S. On August 10, 1957 she sang her new single, "Three Cigarettes (In an Ashtray)" and "Try Again". On December 7, she sang her "Got a Lot of Rhythm in My Soul" and "Lovesick Blues", released in January 1960; and sang duets with Ferlin Husky ("Let it Snow") and Foley ("Winter Wonderland"). Titled "The One You Slip Around With", the song was Howard's first significant country hit, hitting the top 15, peaking at number 13 on the Billboard country music chart and earning her several Most Promising Female Vocalist awards (over, among others, another newcomer, Loretta Lynn).
She dreamed in 1968 that her son, who was fighting in the Vietnam War, would be killed in battle, which came true. In 1973, she left Decca Records (shortly after it changed into MCA Records) and recorded for several smaller labels, hitting the back of the country charts several times into the late 1970s. Her hometown of West Plains, Missouri, pays homage to Howard by observing a Jan Howard Day annually. Other featured cast members were Webb Pierce, Bobby Lord, Leroy Van Dyke, Norma Jean and Carl Smith. The series was voted Best Country Music Show by Fame magazine's annual TV critics poll in 1957 and 1960. NBC and later ABC also aired Midwestern Hayride.[6] The shows, however, were generally short-lived summer replacements and had few if any well-known performers.
In fact, it is generally agreed in television, recording and radio circles, that Springfield, now a city of 90,000, has shaken Nashville, Tennessee, home of The Grand Ole Opry and long-time mecca of hillbilly musicians, to its very foundations."[17] But the 1957 departures of Porter Wagoner and Brenda Lee to the Music City signaled the shift would not be permanent, and Springfield never generated the business or revenues of Nashville.
Although Foley appeared, 10-year-old singer Libby Horne of McAlester, Oklahoma was the ostensible emcee.[37] Little Johnny Edwards 6-year-old singer of Sarcoxie, Missouri 1956. One evening, she was singing while washing dishes in her kitchen and Harlan heard her sing for the first time, and liked what he heard.
Occasional appearances on the Grand Ole Opry led to friendships with several country singers, including Patsy Cline. Howard began recording duets with singer Bill Anderson and joined his syndicated television show and touring act as his "girl singer". In 1976, she began appearing with Johnny Cash's touring show, performing as a soloist and as a backup member of the Carter Family, until being fired by Cash in 1980.
According to Cline's 1980 biography, Honky Tonk Angel, Cline originally yelled at Howard after a performance on the Opry stage. ET (Presley first performed the song February 11 on Stage Show).[31] An automobile accident en route to New York prevented the group from next appearing on The Perry Como Show on March 24. The duo went on to have several top 10 songs, including the 1967 number one hit, "For Loving You". Perkins returned to the Jubilee on February 2, 1957 to again sing "Blue Suede Shoes" and his then-current hit, "Matchbox".
Cline then said to Howard, "Anybody who stands up to Cline is all right, we're gonna be good friends." The two were good friends until Cline's death in 1963. In 1966, she wrote the Kitty Wells hit "It's All Over But the Crying", and in 1970 she wrote the Bill Anderson hit "Love Is a Sometimes Thing".

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