Since we no longer have to worry about tape-noise or frying power supplies, this style of cutting to PT is very efficient.
Metering is a visual confirmation that youa€™re doing it right (or not), and what those meters show you can be very important. I prefer a€?linear extendeda€? for the overall, and PPM digital or K-20 for my Master fader(s).A  But I still prefer to use my ears to mix a€“ with eyes closed.
I'm a Pro Audio Solution Specialist focused on Pro Tools, control surfaces & consoles, and using all this stuff to make the world a better place.
L’ultima release, lo ricordiamo, vanta un nuovo engine audio e video, architettura a 64 bit (in grado di sfruttare grandi quantita di memoria RAM), tool di metering migliorati e strumenti per workflow HD. Get multiple times the processing power of Pro Tools 10 to work with way more virtual instruments and effects plug-ins than ever before.
Forget the wait—speed up your final mix delivery with new faster-than-real-time bounce capabilities.
New built-in metering standards provide a variety of scale and ballistics options, so you can be assured that you’re creating the best mix possible. Play MXF HD, Avid DNxHD, and other HD video formats directly in the Pro Tools timeline, without transcoding, using the built-in Avid Video Engine—the same as in Media Composer.
It looks like the scientists behind Pro Tools have been hard at work on the industry’s flagship DAW. The new Avid Audio Engine can accommodate many more plugins and virtual instruments than past versions.
Avid today announced Avid Pro Tools 11, a major upgrade of its industry-leading digital audio workstation that redefines music and audio production for today’s workflows. Pro Tools 11 delivers the features, performance, and workflows professionals need to take on today’s increasingly complex sessions and tighter timelines. New Avid Audio Engine — Delivers multiple times the processing power of Pro Tools 10 on the same hardware configurations. 64-bit architecture — Exponentially increases the number of simultaneous virtual instruments and the performance to handle the most sophisticated sessions. Low-latency input buffer — Ensures ultra-low latency record monitoring without sacrificing plug-in performance. Dynamic host processing — Maximizes plug-in count by reallocating processing resources as needed. Extended standards support — Features a broad range of built-in metering standards, from peak and average to VU and PPM, to maintain adherence to regional broadcast requirements.


Built-in Avid Video Engine — Enables audio post professionals to play and edit a wide range of HD video formats including Avid DNxHD®, directly in the Pro Tools timeline without transcoding, using the same core engine as in Media Composer. Video interface support — Enables monitoring of DNxHD and QuickTime media through Avid Nitris DX, Avid Mojo DX, and other video interfaces. Pro Tools 11 and Pro Tools HD 11 will be available in the online Avid Store and at Avid resellers worldwide later in Q2 2013. For home project recordings I find that $300 is too high of an upgrade price especially when you factor in the loss of paid RTAS plug ins. Forget having to invest in additional plug-ins to get K-system, VU, and other professional audio metering standards.
Try out the all-new Advanced Metering for yourself with your own 30-day free Pro Tools HD 11 trial. Don’t miss more tips and tutorials from the Avid Pro Audio Solutions Specialists team—follow Avid Blogs Pro Tools. This update also includes several improvements and fixes, as you can see on each plug-in page, and it’s entirely free for registered customers!
You can read more about AAX support and Pro Tools versions on our dedicated AAX format page.
Avec la Version 10 de Pro Tools, nous avons une fonction radicalement nouvelle : le gain de Clip audio. Avec la nouvelles fonction de Gain de Clip, nous pouvons ajuster le volume de chaque Clip audio directement dans la fenetre arrangement de nos sessions Pro Tools, et ceci pre-mixer, c?est-a-dire avent tout effet insere dans la piste et avant le fader de volume. Le Gain de Clip nous permet ainsi d?homogeneiser le volume general de nos pistes Clip par Clip, mais egalement a l?interieur de chaque Clip audio, soit en modifiant le volume d?une zone dans le Clip, en se placant au sample pres, ou en creant des courbes avec les memes outils que pour ecrire des lignes d?automation. L?affichage de la forme d?onde du Clip audio reagit en temps reel aux modifications de la courbe de Gain de Clip. Bonjour, quelles sont les thematiques que vous souhaitez avoir en formation Elephorm autour de cette camera Blackmagic ? Oui a chaque mise a jour majeur de Wordpress une nouvelle formation Elephorm est disponible.
On my first mix with him, I was pointed to a big long straight-edge a€?sticka€? that I reluctantly used to set all the faders to -6dB on the console.
With 24bit files at 96k, you can print as conservatively as you like, as youa€™ve gobs of headroom.
In particolare, il nuovo engine audio e l’architettura a 64 bit hanno permesso a detta del produttore di potenziare enormemente l’applicazione a parita di hardware, espandere in modo esponenziale il numero di strumenti virtuali utilizzabili simultaneamente e gestire operazioni molto piu complesse rispetto a prima.


With an all-new, ultra-efficient audio engine, 64-bit performance, and groundbreaking capabilities, Pro Tools 11 enables you to take on the most complex and demanding music and audio post productions with ease, so you can focus on sounding your best.
And with the new 64-bit architecture, you gain the performance you need to handle the most sophisticated sessions—with more memory headroom to go even bigger. This latest version enables audio professionals to take on the most demanding productions with new, high-powered audio and video engines, 64-bit architecture, expanded metering, and direct HD video workflows.
64 bit architecture has to do with how the program accesses RAM (and interacts with the CPU), and has nothing to do with the way audio word lengths are handled. You lose many of the features that 10 gave us (since it was trying to integrate the production tool kit), and now you dont get the benefit of using your production toolkit at all. You now have 17 audio meters built right into the Pro Tools HD 11 interface, enabling you to optimize your mix while adhering to regional broadcast audio regulations. I cut my teeth on the original Sound Tools system and continue to work with all of the latest, including our live and studio consoles as Manager of Avid Pro Audio Solution Specialists.
Cette nouvelle fonction permet une enorme acceleration du Workflow dans Pro Tools en nous evitant tout une serie d?operations d?Automation pour egaliser le volume general de nos pistes avant mixage.
Nous pouvons ainsi utiliser le Gain de Clip sur des Clips audio a l?interieur d?un groupe de Clips, puis optimiser le gain du groupe de Clips. Previously, I had to waste DSP by putting a trim plugin on every track, and dropping levels -15db across the mix. Now, in Pro Tools 11, you have a choice of precision metering a€“ 17 different scales in 11HD, and 4 in non-HD 11. 11 is a mistake and they should revoke it before they go broke from everyone switching over to other DAWs. You can crank up that make-up gain and overdrive an input or output, but clipping is right out.
Pro-Tools has basically been playing catch-up to many of the features that other systems have always had, and their only saving grace was their editing capabilities, but with everything they are putting their customers through with their HD and AAX fiascos, and now with so many of the other features no longer available, I think everyone needs to teach Avid a lesson and not buy 11. Pro Tools HD users also get a gain reduction display on each track meter, when you have a dynamics plugin instantiated. The dynamics plugins even have micro-meters in the a€?insertsa€? section of the mixer a€“ as do all sends in PT11.



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