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DV Mag was given access to Avid’s Webinar earlier this week, in preparation for what we knew was going to be a big launch.
To better explain the thinking behind 10’s significant overhaul, Avid’s product experts first of all pointed out a few home truths, specifically that slow local storage and NAS formats were performing inadequately, that the inability to use multiple file formats within the same session was hugely restrictive, and that 64-bit integration was an absolute must.
The issue with using mixed file formats within a session has been amended for starters, which, along with new support for 32-bit Floating plug-ins brings Pro Tools up to date with its peers.
We mentioned input monitoring briefly up the page, but the obvious significance of that is that you can use PT’s functionality rather than having to use third-party plug-ins for the same job – a much simpler way of handling your monitoring.
Clip gain, for instance, is pretty darn cool, allowing you to, as Avid puts it, “dial in your mix to speed up editing and mixing.” Working at the pre-insert stage when adjusting individual gain settings, one example that was given in terms of practical use was driving a compressor harder in some places than others before you’ve actually gotten into the ‘real’ mixing duties. AudioSuite’s plug-in window has had an overhaul too – specifically you can now open multiple windows with separate settings. Pro Tools 10 has been granted improved disk scheduler drivers, which, while obviously not as fast as using pure RAM, should apparently help to get better performance out of your slow local and NAS storage. This is a good time to mention that while in theory Pro Tools HD has more functionality than ‘just’ Pro Tools 10, that gap can be bridged by owners of the latter if they’re willing to drop extra cash on the Complete Production Toolkit 2 (CPTK2). There’s a huge amount about the new Pro Tools release, then, that not only meets the challenge of other DAWs on the market, but puts Avid’s baby back in pole position, too.
That accolade fell to the announcement of the jaw-dropping Pro Tools HDX, effectively an incredibly souped-up hybrid that combines the huge benefits of Pro Tools HD with native technology, designed to take the weight of any major CPU demands and ensure consistency throughout. Better still, the HDX card combines the core and processing duties – you no longer need two separate cards, and you can install three HDX cards per machine.
Avid is also quick to point out that this is the lowest latency yet, so you’ll be operating with near zero lag even with the huge amount of channels potentially in operation.


More big news in the announcement of HDX’s new plug-in format called AAX, which is seen as an eventual replacement to RTAS and TDM, although the former is still fully compatible with HDX. So, we’re faced with a brand new set of products and some brand new production rules too, to get started, hit the button below to look at one of the more basic packages (although it must be said that Avid have chosen to price this new range of products incredibly competitively) for starters – alternative products down the side of the page will direct you to the bigger HDX packages.
Having spent his life changing strings in guitar shops, writing and editing news and reviews of the latest music gear and gigging in admittedly-short-lived bands, Rob's particular passions lie with all things six-string and the bodger's world of home production. While he is perhaps not hugely rock and roll, his efforts as a biographer of those who are allow him to at least live a little vicariously through them, which is almost as good. Feel free to drop him a line for help, advice, or just to chat, but be warned: he does go on a bit. Video editing has become a colossal industry along with the advancements in cinema, television, and with animated cartoons. If you have ever heard of the Pro Tools software then you might know a bit about large-scale video editing. The most popular topics on SpyreStudios are: Minimalism, Typography, Tutorials, Inspirational, CSS, jQuery, Usability, UX, Design, Illustrator, Photoshop, Resources, Tools. The announcement of a further advancement into making PT10 64-bit compatible is also one that’s very much welcomed. We can certainly see the benefit of working with clip gain on the front line as opposed to having to go back and make more traditional retrospective edits, and you can also transform your clip gains into volume automations and vice versa – neat. Better than that, you can save individual windows, so that they’ll recall your parameters instantly when fired back up.
What’s more than a little insane was that, from a pro point of view, this wasn’t even the big news!
Well, the HDX card provides up to five times the DSP acceleration than the original HD Accel card, and can cope with four times as many voices, four times as much delay compensation, a colossal 1000dB of extra plug-in processing headroom and twice as many channels.
It’s a plug-in that’s designed to operate with both native and DSP-accelerated systems without needing a different version for each, and is already backed by a huge number of third-party developers too.


Online video streaming has allowed anyone with the proper skillset to develop their own web series and upload to YouTube or even produce with a company such as Netflix. The following graphic provides beneficial keyboard shortcuts you can memorize to start really learning more about the process.
You can grab the main RSS feed, follow us on Twitter, like us on Facebook and even get new articles delivered by email. Before we get too excitable about what came at the end of the presentation, though, let’s take a look at the first part of the announcement – Pro Tools 10 is here, and it’s utterly mindblowing. It was described as what will be an FX-chain style of operation, which should certainly go down well with producers looking for straight-forward efficiency.
This may be one reason for Avid’s more cultured entrance into the 64-bit realm, due to limitations in its older technologies, and the complexities involved in porting them over.
It was created by Video Symphony which is also an excellent website to study video editing techniques.
However, once RTAS and TDM are completely phased out, Pro Tools will become the native 64-bit powerhouse that users are expecting, and when this happens, companies like Waves will follow suit –  big news indeed. If you have even the slightest interest to understand production-level video editing then do yourself a favor and check out this amazing infographic. The new ability to use the software without using an Avid specific interface – it can run from an iLok.



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