WEBVTT

NOTE Transceiver Design, Filters, and DSP

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<v Narrator>Making an SSB signal. Two stages, and the pool asks both.

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<v Pool>Question. What output is produced by a balanced modulator?

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<v Pool>Answer. Double-sideband modulated RF.

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<v Narrator>A balanced modulator multiplies audio by a carrier and cancels the carrier, leaving two sidebands and no carrier, double sideband suppressed carrier.

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<v Pool>Question. What circuit is used to select one of the sidebands from a balanced modulator?

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<v Pool>Answer. Filter.

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<v Narrator>A sharp filter removes one sideband. Balanced modulator plus filter gives single sideband, the carrier cancelled by the balance, the unwanted sideband removed by the filter. Recovering one.

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<v Pool>Question. How is a product detector used?

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<v Pool>Answer. Used in a single sideband receiver to extract the modulated signal.

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<v Narrator>A product detector is a mixer supplied with a locally generated carrier at the frequency the transmitter suppressed. Multiply the incoming sideband by that reinserted carrier and the audio comes back out.

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<v Narrator>This is why an SSB receiver's tuning must be accurate: the reinserted carrier's frequency is the reference, and an error of 100 Hz shifts every audio frequency by 100 Hz. It is why the RIT control exists.

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<v Narrator>Frequency generation.

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<v Pool>Question. Which of the following is characteristic of a direct digital synthesizer (DDS)?

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<v Pool>Answer. Variable output frequency with the stability of a crystal oscillator.

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<v Narrator>A DDS builds a waveform numerically from a single crystal reference.

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<v Narrator>You get arbitrary frequency in tiny steps with crystal stability, a combination that used to be impossible, and the reason a modern radio can be both accurate and continuously tunable. Filter specifications.

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<v Narrator>Four terms, each describing a different part of a filter's response, and the pool asks all four. Term, Insertion loss; What it describes, attenuation inside the passband.

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<v Narrator>Term, Cutoff frequency; What it describes, where output power falls to half the passband level. Term, Ultimate rejection; What it describes, maximum attenuation outside the passband.

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<v Narrator>Term, Bandwidth; What it describes, between the upper and lower half-power frequencies.

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<v Pool>Question. What term specifies a filter's attenuation inside its passband?

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<v Pool>Answer. Insertion loss.

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<v Narrator>Even a good filter costs you something in the band you want. That cost is insertion loss, and it matters most in a receiver's front end, where it adds directly to the noise figure.

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<v Pool>Question. What is the frequency above which a low-pass filter's output power is less than half the input power?

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<v Pool>Answer. Cutoff frequency.

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<v Narrator>Half power is −3 dB. The half-power point is the convention for every filter edge, which is why:

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<v Pool>Question. The bandwidth of a band-pass filter is measured between what two frequencies?

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<v Pool>Answer. Upper and lower half-power.

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<v Narrator>Both edges at −3 dB. Any bandwidth figure quoted at a different point is measuring something else and should say so.

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<v Pool>Question. What term specifies a filter's maximum ability to reject signals outside its passband?

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<v Pool>Answer. Ultimate rejection.

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<v Narrator>How far down the stopband gets, eventually. A filter with steep skirts and poor ultimate rejection lets very strong signals through from far away. Receiver sensitivity.

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<v Pool>Question. Which parameter affects receiver sensitivity? A. Input amplifier gain. B. Demodulator stage bandwidth. C. Input amplifier noise figure. D. All these choices are correct.

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<v Pool>Answer. All these choices are correct.

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<v Narrator>All three enter the same calculation. Noise figure is how much the receiver adds; bandwidth is how much noise it admits; antenna gain is how much signal arrives.

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<v Narrator>A low-noise preamplifier in front of a wide filter gains you less than narrowing the filter does. Digital signal processing.

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<v Pool>Question. Which of the following is an advantage of a digital signal processing (DSP) filter compared to an analog filter?

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<v Pool>Answer. A wide range of filter bandwidths and shapes can be created.

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<v Narrator>An analogue filter's response is fixed by its components.

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<v Narrator>A DSP filter's response is a set of numbers, so one piece of hardware provides every bandwidth from 50 Hz to 3 kHz, with shapes no analogue filter of reasonable cost could achieve. Software-defined radio.

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<v Pool>Question. What is the phase difference between the I and Q RF signals that software-defined radio (SDR) equipment uses for modulation and demodulation?

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<v Pool>Answer. 90 degrees.

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<v Narrator>Two versions of the signal, ninety degrees apart, in-phase and quadrature. Together they capture both the amplitude and the phase of the signal, which is complete information about it.

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<v Pool>Question. What is an advantage of using I-Q modulation with software-defined radios (SDRs)?

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<v Pool>Answer. All types of modulation can be created with appropriate processing.

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<v Narrator>Because I and Q carry everything, any modulation is a matter of processing rather than circuitry. One hardware front end handles SSB, FM, digital voice, and modes not yet invented.

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<v Pool>Question. Which of these functions is performed by software in a software-defined radio (SDR)? A. Filtering. B. Detection. C. Modulation. D. All these choices are correct.

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<v Pool>Answer. All these choices are correct.

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<v Narrator>That is the definition. What was a chain of tuned circuits becomes a program, and the hardware reduces to converting between RF and numbers as accurately as it can.

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<v Narrator>The SDR lab in the practicum track is where this stops being abstract. Check yourself. What two stages generate an SSB signal from audio, and what does each remove? A filter is specified as 2.4 kHz wide.

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<v Narrator>Between which two points? Why can one SDR front end handle modes that did not exist when it was built?

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<v Narrator>A balanced modulator cancels the carrier, leaving double sideband; a filter removes the unwanted sideband. The upper and lower half-power (−3 dB) frequencies.

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<v Narrator>It captures I and Q, 90 degrees apart, which together contain the signal's full amplitude and phase information. Everything after that is software.
