title: La nuit. Dame de qualité au bal

originInfo: 16901699A ParisChez I. Mariette, rue St. Jacques aux Colonnes d'Hercules

callNumber: *MGZFA-17 Mar J 4

text: Costume designs -- 17th century.

text: Ballet -- France -- 17th century.

text: Costume for a woman.  Full-length facing slightly to right, looking left; left arm low to the side, right arm raised and bent, holding tambourine in right hand.  Wearing a floor-length heavy dress trimmed with lace on decolletage and elbow-length sleeves, and fringe around hem; a fringed drape caught up at right shoulder and in front with ribbons; pearls around neck; ribbons and jewels in hair.  Background includes flat wall and corner decorated with moulding, landscape murals and candle sconce.  In the style of Jean Bérain but not listed as one of his designs.

title: La nuit. Dame de qualité au bal

text: Prints


mmsType: Item

field: dateIssued

point: start

point: end

title: Danceuse de l'opera

originInfo: 16901699A ParisChez J. Mariette, rue St. Jacques aux Colonnes d'Hercules

callNumber: *MGZFA-17 Mar J 5

sourceSystem: mms

namePart: Mariette, Jean, 1660-1742

type: personal

authority: naf

usage: primary

type: topic

authority: local

text: Costume designs -- 17th century.

text: Prints (Graphic arts) -- Ballet -- 17th century.

text: Ballet -- France -- 17th century.

text: Costume for a woman.  Full length to front, head in profile to left. Arms raised, hands holding castanets. Wearing a full-length gown with a tight, low-cut bodice and full sleeves. Hat on head.

title: Danceuse de l'opera

authority: lctgm

text: Prints

rights: Can be used inside free NYPL exhibition catalogs and in free NYPL brochures

rights: Can be used in advertising for NYPL exhibitions, on catalog covers, in press kits, or fundraising activities

rights: Can be sold through 3rd party print partner (e.g., New York Times)

rights: Can be used in products created by NYPL for commercial gain (e.g., Library Shop, CDs, DVDs, etc.)

rights: We believe that this item has no known US copyright restrictions. The item may be subject to rights of privacy, rights of publicity and other restrictions. Though not required, if you want to credit us as the source, please use the following statement, "From The New York Public Library," and provide a link back to the item on our Digital Collections site. Doing so helps us track how our collection is used and helps justify freely releasing even more content in the future.

collectionTitle: Prints depicting dance


title: Habit de masque

originInfo: 16901699A ParisChez J. Mariette rue St. Jacques aux Colonnes d'Hercules avec Privil. du Roy

callNumber: *MGZFA-17 Mar J 6

namePart: Mariette, Jean

text: Costume designs -- 17th century.

text: Ballet -- France -- 17th century.

text: Costume and mask for a man.  Full-length to right, as if walking, holding hands in front.  Wearing a red and blue knee-length coat, ruffled collar and cuffs, feathered hat.  Landscape and low wall in background.

title: Habit de masque

text: Prints


title: Habit de ballet

originInfo: 16901699A ParisChez J. Mariette, rue St. Jacques aux Colonnes d'Hercules avec Priv. du Roy

callNumber: *MGZFA-17 Mar J 7

text: Costume designs -- 17th century.

text: Ballet -- France -- 17th century.

text: Costume and mask for a man.

text: Full-length to front, standing on his left leg, right leg raised slightly; arms outstretched.  Wearing a red, blue and white tonnelet trimmed with silver and gold.  Sword tucked in at waist, feathered hat on head.  A tree, pillar and draperies in background.

title: Habit de ballet

text: Prints


title: Habit de ballet

originInfo: 16901699Parischez J. Mariette rue St. Jacques aux Colonnes d'Hercules

callNumber: *MGZFA-17 Mar J 8

text: Ballet -- France -- 17th century.

text: A man, full length to front, looking left, poised on his left foot, arms outstretched. He is wearing a soft hat with plumes, face mask, sash with a dagger, flared skirt, and knee-high boots.

title: Habit de ballet

text: Prints


title: Flora

callNumber: *MGZFA-17 Par A Flo 1

namePart: Parigi, Alfonso, d. 1656

text: Opera ballet. La flora.

text: Prints (Graphic arts) -- 17th century.

text: Ballet -- Italy -- 17th century.

text: Depicts a scene for the opera held in honor of the marriage of Margherita de Medici, 1628.

text: A wooded scene with a large rock in the center, Berecintia sitting at the base of the rock, Mercury standing on top. Nymphs and satyrs at left and right, foliage and trees in the background.

title: Avviso di Mercurio a Berecintia, dea della terra, et alle ninfe de campi: Alfonsus Parigius deli: et fecit

subTitle: Alfonsus Parigius deli: et fecit

type: uniform

text: Prints


title: Flora

callNumber: *MGZFA-17 Par A Flo 2

text: Opera ballet. La flora.

text: Prints (Graphic arts) -- 17th century.

text: Ballet -- Italy -- 17th century.

text: Pageants -- Italy.

text: A sea scene with Venus riding on a shell surrounded by mythological sea creatures, being led by Zephire. Trees and foliage in either side.

title: Sbarco di Venere e della sua Corte condotta da Zeffiro nelle spiagge Tirrene: Alfonsus Parigius deli: et fecit

text: Prints


title: Flora

originInfo: 1628Firenzeper Pietro Cecconcelli

callNumber: *MGZFA-17 Par A Flo 3

text: Opera ballet. La flora.

text: Ballet -- Italy -- 17th century.

text: Pageants -- Italy.

text: Scene for the opera held in honor of the marriage of Odoardo Farnese and Margherita de Medici, 1628.

text: A tempest scene with rain, lightning and wind; in the foreground are three women at left and a woman and child at right; a mythological creature is floating on a cloud and another is riding in the ocean in the background; foliage and trees on either side.

title: Tempesta commossa da Amore ne campi Toscani: Alfonsus Parigius deli: et fecit

text: Prints


title: Giudizio di Paride

callNumber: *MGZFA-17 Par G Giu 1

namePart: Parigi, Giulio, 1571-1635

text: Ballet -- Italy -- 17th century.

text: Pastorals (Works). Giudizio di Paride.

authority: lcgft

text: Pageants -- Italy.

text: One of six intermezzi for Il giudizio di Paride, performed in honor of the marriage of Cosimo de' Medici and Anna Magdalena of Austria, Florence, 1608.

text: Depicts the temple of peace; large corinthian columns on either side, groups of people playing musical instruments on both sides of altar, several mythological characters floating on clouds, the realms of hell at lower center below the altar.

title: Tenpio [sic] della pace, Intermedio sesto: Come: rapp. nelle nozze del Sermo. Principe de Toscana, Jan. 1608. Giulio Parigi i. et f

text: Prints


title: [Les noces de Pelée et de Thétis]

callNumber: *MGZFA-17 Tor G Noc 6

namePart: Aveline, Pierre, le vieux, 1654-1722

namePart: Torelli, Giacomo, 1608-1678

text: Ballet--France--17th century

text: Set designs -- 17th century.

text: Opera ballet. Le nozze di Peleo e di Teti.

text: Caption reads: La toute la perspective de la grote étant changée à la place d'une longue suite de rochers. On voit une mer tranquille environnée de riuages qui plaisent à laveiie c'est la fin du 1er acte.

text: Below caption: Fait par Aveline avec pivilege du Roy.

text: Engraving of set design after Giacomo Torelli depicts Chiron's ocean cave from the first act of opera ballet Les noces de Pelée et de Thetis.  In the foreground six characters dance, while a seventh, bearing a torch, appears to emerge from the head of a large creature.  On the right, a figure (Pelée?) rides a chariot led by peacocks.  To the left, a female figure (Thétis?) sits at the bottom of a long column of clouds. In the back of the image the cave opens up to the ocean revealling Neptune riding a chariot led by sea horses, surrounded by other sea creatures.  Above, Jupiter looks down with his eagle from the clouds.

type: acquisition

text: lot #4.

text: Purchase at auction; Mme. Gilberte Cournand; 1998/02/26;

type: biographical/historical

text: Les noces de Pelée et de Thétis was performed at the Petit Bourbon Palace, April 14, 1654. Louis XIV appeared in the role of Apollo. Libretto by Francesco Buti, text to the ballet by Isaac de Benserade, music by Carlo Caprioli.

type: ownership

text: Cournand, Gilberte, Former owner.

title: [Les noces de Pelée et de Thétis]

supplied: yes

text: Prints

authority: lcsh

text: Prints--17th century


title: Homme de qualité en habit de bal à l'espagnol

originInfo: 1700Se vend à Parischez Trouvain, rue St. Jacques au grand Monarque

callNumber: *MGZFA-17 Tro A 1

namePart: Trouvain, Antoine, 1656-1708

text: Prints (Graphic arts) -- Ballet -- 17th century.

text: Costume designs -- 17th century.

text: Ballet -- France -- 17th century.

text: Costume for a man, full-length to front; standing on right leg, left leg extended to right, right arm raised; wearing knee breeches and a coat and cape elaborately decorated with lace and embroidery, a periwig and plumed hat on head.  Trees and landscape in background.  The number 312 appears in upper right corner.

type: funding

text: Purchased with funds from the Committee for the Jerome Robbins Dance Division.

text: Prints


title: Madame la Duchesse de Valentinois en habit de bal

originInfo: 16901699ParisChez Trouvain, rue St. Jacques au grand Monarque, avec privil. du Roysingle unit

callNumber: *MGZFA-17 Tro A 2

text: Valentinois, duchesse de

text: Prints (Graphic arts) -- Social dancing -- 17th century.

text: Costume designs -- 17th century.

text: Ballet -- France -- 17th century.

text: Costume for a woman.  Full-length to front; wearing a full-length gown of red and gold with a train, blue feathered hat on head, holding a mask in her right hand, left arm resting on a table with mirror.

text: Prints


title: Dame de qualité en habit de bal

originInfo: 16901699Se vend à Parischez Trouvain, rue St. Jacques au grand Monarque, avec privil. du Roy

callNumber: *MGZFA-17 Tro A 3

text: Costume designs -- 17th century.

text: In the style of Jean Bérain.

text: A woman's costume for a ball.  Full-length to front; weight on left leg, right foot pointed to side, right arm bent and raised forward, left hand holding a tambourine at shoulder level.  Floor-length dress with double over-skirts trimmed in jewels and fringe.  A fringed drape around back is caught up on left shoulder and right hip with jewels.  Lace at decolletage and sleeves, pearls around neck, and curled hair decorated with ribbons and jewels.  Landscape with river, people on and pulling a freight boat in the background.

title: Dame de qualité en habit de bal

text: Prints


title: Mademoiselle Desmastain en Pallas a l'Opera

originInfo: 16901699ParisChez Trouvain, rue St. Jacques au grand Monarque, avec privilege

callNumber: *MGZFA-17 Trou A 4

text: Costume designs -- 17th century.

text: Ballet -- France -- 17th century.

text: Costume portrait of Mlle. Desmatins in the role of Pallas Athena, probably in Lully's Cadmus et Hermione. Full-length to front; wearing a full-length gown with train, feathered headdress; holding a tasselled spear in left hand. Architectural elements in background: estate with terraces, reflecting pool with fountain.

text: Paper is watermarked.

text: From the Frederic R. Halsey Collection, with his stamp on verso (see Lugt 1308). Also on verso in pencil, ...Paris, 1907...

text: Prints

text: Etchings.


title: Mademoiselle du Fort dansant a l'Opera

originInfo: 16901699ParisChez Trouvain, rue St. Jacques au grand Monarque, avec privilege du Roy

callNumber: *MGZFA-17 Trou A 5

text: Dufort, Mlle.

text: Costume designs -- 17th century.

text: Ballet -- France -- 17th century.

text: Costume portrait of Mlle. Dufort, full length to front; wearing a full-length gown with short train, two plumes and feather in hair; playing castanets. In background: pedestals with trees in ornamental vases.

text: Collection mark, JS in a circle, lower right.

title: Mademoiselle du Fort dansant a l'Opera

text: Prints

text: Etchings.


title: Thetis. Dans des fragmens d'operas

originInfo: 1760ParisEsnauts et Rapilly

callNumber: *MGZFA-18  Mar J The 1

namePart: Gaillard, René, 1722-1790

namePart: Martin, Jean-Baptiste

authority: ulan

text: Ballet--France--18th century

text: Thetis (Greek mythology)

type: statement of responsibility

text: B. Martin inv. ; Gaillard sculp.

text: At upper left: aa

text: At upper right: 146

text: Purchase; Ballet Shop, 1988.

text: Probably published as part of Martin's Collection de figures theatrales, 1763.

text: Jean-Baptiste Martin, fl. 1748-1757, was appointed designer at the Paris Opéra in 1748. Examples of his designs were published in his Collection de figures théâtrales, 1763, and the Galerie des modes et costumes français, dessinés d'après nature, [1779]-1781.

title: Thetis. Dans des fragmens d'operas

abstracts: Costume design for Thetis, variously described in ancient Greek mythology as a sea nymph or goddess, and one of fifty Nereids. She is perhaps best known as the mother of Achilles, the hero of Homer's Iliad. Her costume in this print is replete with marine details, including fishes' scales, scallop shells, pearls, and the suggestion of seaweed in her headdress. The object she holds in her right hand appears to be a mirror, perhaps a reference to her ability to change her shape, which she employed in vain when captured by Peleus, who became the  father of Achilles.

text: Prints

text: Costume design drawings.


title: Venus

originInfo: 1770ParisEsnauts et Rapilly

callNumber: *MGZFA-18  Mar J Ven 1

text: Ballet--France--18th century

text: Venus (Roman deity)

text: J.B. Martin inv. et sculp.

text: Caption: Cet habillement sert dans plusieurs fragmens où parroit cette déesse.

text: At upper left: aa.

text: At upper right: 150.

text: Purchase; Ballet Shop, 1988.

text: Probably published as part of Galerie des modes et costumes français, dessinés d'après nature, [1779]-1781.

text: Jean-Baptiste Martin, fl. 1748-1757, was appointed designer at the Paris Opéra in 1748. Examples of his designs were published in his Collection de figures theatrales, 1763, and the Galerie des modes et costumes français, dessinés d'après nature, [1779]-1781.

title: Venus

abstracts: Costume design for Venus, the Roman goddess of love and beauty, known as Aphrodite in Greek mythology. Fashionably dressed and coiffed, she holds in her right hand what appears to be an apple, possibly a reference to the Greek myth of the judgment of Paris, in which she contended with her fellow goddesses Juno (Hera) and Minerva (Athena) for the prize of a golden apple, signifying the fairest among them. As the caption indicates, this costume was worn in various theatrical works that included the appearance of the goddess.

text: Prints

text: Costume design drawings.


title: Fêtes données à Vienne à l'occasion du mariage de Joseph II avec Marie Josephine Antoinette de Baviére, le 23 Janvier 1765

callNumber: *MGZFA-18 Anon Fet 1

type: name

text: Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793

text: Ballet

type: geographic

text: Vienna (Austria)

text: Etching, engraving, done in the early 19th century.   On recto: Dessiné pour Nouguea. Gravét par Mme. Lesueur.  Diagraphe et Pantographe--Gavare.

text: Possibly after an 18th century painting by de Vinck.

type: content

text: Depicts Marie Antoinette as a child, dancing with two of her brothers and eight other children in a pastoral setting. The girl in the foreground, identified as l'Archiduchesse Antoinette (Marie Antionette) dances with her two brothers: l'Archiduc Ferdinand and l'Archiduc Maximilien, who wears wings.

text: The four girls on the left are identified as: Christine de Clary, Thérèse de Clary, Christine d'Auersberg, and Paline d'Auersberg.  The four boys on the right are identified as: Frederic landgrave de Furstemberg, Fois. Xavier Cte. d'Auersberg, Joseph Cte. de Clary, and Venceslas Cte. de Clary.

text: Printed above image at center: 2647.  Printed, upper right: Sie X Son 6.

text: The performance celebrated the 1765 marriage of her Marie Antionette's brother Joseph II to his second wife Marie Josephine Antoinette de Baviére [Maria Josepha, 1739-1767].  This engraving depicts a court ballet performed as part of the wedding festivities at the Imperial Palace in Vienna; the palace is not depicted.

text: Prints

form: Engravings Etchings


title: Moore's engagement to Margery

callNumber: *MGZFA-18 Anon Moo 1

text: Prints (Graphic arts) -- 18th century.

text: Upper third of a sheet of music. A man in a tonnelet glances at a woman at center. She is wearing plumes in her coiffure and a ball gown. Behind her is an older man wearing a plumed headdress, cloak, breastplate, and a tonnelet with a looped overskirt.

title: Moore's engagement to Margery

text: Prints


title: Pastoral dance scenes of the eighteenth century

originInfo: 17501759n.psingle unit

callNumber: *MGZFA-18 Anon Pas 1

text: Musicians

text: Prints (Graphic arts) -- Ballet -- 18th century.

text: Anonymous book illustration: a male dancer in a wooded setting with two female musicians at each side. The man wears a tonnelet with a sunburst decoration on his chest, a cloak, and a helmet with plumes on the comb. He is on his left foot, his right leg extended to the side. The two women, wearing unadorned dresses, play bugles.

text: Numbered lower center: X. 1.

text: Prints


callNumber: *MGZFA-18 Anon Pas 2

text: Musicians

text: Anonymous book illustration: a man dances in a clearing in a wooded area; he is wearing a tonnelet decorated with flowers and holds a staff in his right hand. Three women are seated under trees; one holds a book in her lap, another plays a transverse flute, and the third strikes a triangle.

text: Numbered lower center: X. 2.

text: Prints


callNumber: *MGZFA-18 Anon Pas 3

text: Musicians

text: Anonymous book illustration: a woman dances in a clearing in a wooded area; she is wearing a ball gown decorated with flowers and a sash draped over her right shoulder; she is holding a staff in her right hand. She is accompanied by two men playing a violin and what appears to be a cittern. Numbered lower center: X. 3

text: Prints


callNumber: *MGZFA-18 Anon Pas 4

text: Musicians

text: Castanets

text: Anonymous book illustration: a woman dances in a wooded area; she is wearing an unadorned dress with full skirt and a large cloak which billows behind her. She is poised on her left foot and is playing castanets. Two men accompany her with natural horns. Numbered lower center: X. 4.

text: Prints


title: Representation du théatre ou l'on joue les comédies pour le divertissement du Roy de Tunquin et de son cour

originInfo: 17001799n.psingle unit

callNumber: *MGZFA-18 Anon Thé 1

text: Dance -- Indochina.

text: Prints (Graphic arts) -- 18th century.

text: A book illustration depicting a theatrical production in progress. Several women in ankle-length dresses perform what seems to be a stately dance. Behind them is a river, boat, and oarsmen. Three men are seated on a cloud suspended at back.

text: At right is the loge of the king. The audience consists of men wearing turbans and plain attire.

text: Prints


title: Psyché

callNumber: *MGZFA-18 Bin L Psy 1

text: Lully, Jean-Baptiste, 1632-1687

text: Opera ballet. Psyché.

text: Engraving, probably by Berthet after Binet, of a scene from Lully's opera-ballet Psyché.

text: Depicts Jupiter with crown and scepter, resting on an eagle, among clouds filled with divinities. Beneath him, two ladies attend the little god Amor, holding a bow. In the foreground below, ladies in elaborate dresses and wigs dance holding hands. Costumes feature décolletage, panniers, and decorative garlands. Musicians along the bottom. Style of dress suggests late 18th century, rather than date of original production in 1678.

title: Psyché

text: Prints


title: Psyché, a scene from the ballet

callNumber: *MGZFA-18 Bre L Psy 1

namePart: Berthet, Louis

text: Ballet--France--18th century

text: [Louis Berthet, after L. Binet].

text: Image depicts a scene from an 18th century French production of the ballet Psyché.  Eight dancers, all female, (half women, half seemingly younger girls), appear in two lines on stage; they wear décolloté gowns adorned with flowers.  The celestial stage décor behind the dancers features a godlike king positioned in the center beside an eagle, surrounded by numerous human figures among the clouds.  The heads of orchestra pit musicians, instruments, and music are visible.

text: lot #63.

text: Purchase at auction; Mme. Gilberte Cournand; 1998/02/26;

type: publications

text: Reproduced in: Ballet designs and illustrations, 1581-1940; a catalogue raisonné, by Brian Reade. (Victoria and Albert Museum. Dept. of Prints and Drawings. London: Her Majesty's Stationary Office, 1967), plate 70.

title: Psyché, a scene from the ballet

text: Prints

text: Prints--18th century


title: Masque en habit de paysanC. Pr. S. C. Maj. M. Engelbr. sc. et excud. Aug[ustae] Vind[elicorum]

callNumber: *MGZFA-18 Eng M 1

namePart: Engelbrecht, Martin, 1684-1756

text: Costume designs -- 18th century.

text: Costume for a man, from a set of costume plates published by Engelbrecht.

text: Full-length facing front, on right leg, left leg bent and raised to side, left arm raised to shoulder level and bent at elbow.  Wearing full breeches and wide knee-high boots, full split-sleeve doublet with lace collar, short-brimmed hat with long narrow feathers, and shoulder sachel.

title: Masque en habit de paysan: C. Pr. S. C. Maj. M. Engelbr. sc. et excud. Aug[ustae] Vind[elicorum]

text: Prints


title: Alonso e Cora

originInfo: 1796-05-05LondonPub. by H. Humphrey, New Bond Street

callNumber: *MGZFA-18 Gil J Car 1

namePart: Gillray, James, 1756-1815

namePart: Humphrey, Hannah, fl. 1774-1817

text: Didelot, Charles Louis, 1767-1837

nameType: personal

text: Parisot, Mlle, fl. 1795-1806.

text: Didelot, Marie Rose Paul, -1803.

text: Alonso e Cora (Choreographic work : Onorati)

text: Dance -- Caricatures and cartoons.

text: Ballet -- England -- 18th century.

text: Caricature of a scene from Onorati's ballet Alonso e Cora, premiered at the King's Opera House, Haymarket, on April 2, 1796.

text: Charles Didelot dances between two women, both lightly clad in quasi-classical costumes. He wears a feathered hat, cloak, striped doublet and breeches, and looks toward Mme. Parisot (r.); she is in attitude, her right breast bared. Mme. Rose (l.), Didelot's first wife, also in attitude, her sharp-featured profile turned austerely toward her husband.

title: Modern grace, or The operatical finale to the ballet of Alonzo e Cora

text: Prints


title: Operatical reform, or La dance à l'évêque

originInfo: 1798-03-14LondonH. Humphrey, St. James Street

callNumber: *MGZFA-18 Gil J Car 2

text: Didelot, Marie Rose Paul, d. 1803

text: Dance -- Caricatures and cartoons.

text: Prints (Graphic arts) -- Ballet -- 18th century.

text: Ballet -- England -- 18th century.

text: Three women holding a garland of roses, all wearing short transparent petticoats partly covered by a shorter apron.  The center dancer extending right leg; Mme. Rose (r.) in profile to the right; musical instruments in front of stage.

text: Prints


title: A B the charmers of the age

originInfo: 1782Londonpublished by Rd Livesay at Mrs Hogarth's, Leicester Fields, March 1

callNumber: *MGZFA-18 Hog W C 1

namePart: Hogarth, William

text: Campanini, Barberina, 1721-1799

text: Ballet -- England -- 18th century.

text: Dance -- Caricatures and cartoons.

text: An engraving after a satirical sketch by Hogarth, prompted by the leaps and elevation of La Barberina and Desnoyer when they danced in London, circa 1741.

text: A theatrical setting, standing spectators at boths sides applauding. Barberina Campanini is leaping in the air, both legs thrown out to the sides. Desnoyer, wearing a tonnelet and plumed headpiece, is also jumping, his feet in first position.

text: Dotted lines indicating the height of the jumps and a "scale of feet" permit the viewer to appreciate the relative merits of each dancer.

text: Reproduced in Dance Magazine, September 1950, p. 14.

title: A B the charmers of the age

text: Prints


title: Enfants vendangeurs

callNumber: *MGZFA-18 Hor Enf 1

namePart: Horéolly, fl. 1747

namePart: Marvie, Martin, 1713-1813

text: Véronèse, Camille, 1735-1768

type: titleInfo

text: Enfants vendangeurs (Choreographic work : Sodi)

text: Ballet -- France -- 18th century.

text: Marvie delineavit; Horeolly sculpsit.

text: Caption: four lines of poetry in French.

text: Camille Véronèse and the young dancer Dubois in Pietro Sodi's divertissement Les enfants vendangeurs, which followed the comedy Prince de Salerne, Fontainebleau, November, 1746; spectators and dancers dressed as harvesters; spectators beat time with clappers or bats; set in a glade.

text: Cf. *R-*MGTI  Victoria and Albert Museum.  Ballet designs. 1967. Reproduction.

title: Balet du Prince de Salerne, exécuté à Fontainebleau en novembre 1746

text: Prints


title: Pas de trois

originInfo: 1780Parischez l'auteur rue du Faubourg Mont Martre no. 17

callNumber: *MGZFA-18 Lél P Pas 1

text: Allard, Marie, 1738-1802

text: Dauberval, 1742-1806

text: Guimard, Marie Madeleine, 1743-1816

text: Ballet -- France -- 18th century.

text: On plate, lower left: P. Lélu.

text: Left to right: Marie Guimard wearing plumed hat, calf-length gown, left arm behind Dauberval's back; Dauberval wearing feathered hat, jacket, sash, knee-breeches, holding Marie Allard's right hand in his left; Allard wearing cap, flower-trimmed gown with one flounce; wooded setting.

text: Cf. *MGTI  New York Public Library. Dance Collection. Images of the dance. 1965. Reproduction and commentary.

title: Attitudes de danse exécutées à l'Opéra par le Sr. Doberval et Melles Guimard et Alard en 1779

text: Prints


title: AfricainJ. B. Martin inv. et sculp

originInfo: 17601769Parischez Esnauts et Rapilly

callNumber: *MGZFA-18 Mar J Afr 1

text: Hommes (Choreographic work : Laval, A and M)

text: Costume designs -- 18th century.

text: Ballet -- France -- 18th century.

text: Costume for a man, for the ballet "Les hommes."

text: Full-length looking right, head in profile, left hand on hip, right hand leaning upon a cane, wearing a tonnelet decorated with feathers and beads, train attached at shoulders, plumed turban on head.  Clouds in background.

text: Purchased with funds from the Committee for the Jerome Robbins Dance Division.

title: Africain: J. B. Martin inv. et sculp

subTitle: J. B. Martin inv. et sculp

text: Prints


title: Africain dans Aline, reine de Golconde

originInfo: 1911ParisÉ. Lévy

callNumber: *MGZFA-18 Mar J Afr 3

text: Aline, reine de Golconde (Choreographic work)

text: Prints (Graphic arts) -- 20th century.

text: Ballet -- France -- 18th century.

text: Costume designs -- 18th century.

text: J. B. Martin inv. et sculp. Costume for a man, full length to front, looking right, his left wrist at hip, right hand on cane or walking stick. Wearing an elaborate plumed headdress, cloak, and tonnelet trimmed with feathers.

text: From a series of more than 300 restrikes from the original 18th-century plates, first published by Esnaults et Rapilly, rue St. Jacques.

text: "Costume d'africain, porté par Lelièvre, dans le ballet Les hommes, des Quatre parties du Monde, joué à Fontainebleau le 9 octobre 1764" (from accompanying commentary). A later edition, with variant hand-coloring, of print *MGZFA-18  Mar J  Afr 2.

title: Africain dans Aline, reine de Golconde

text: Prints


title: FauneJ. B. Martin inv. et sculp

originInfo: 17701779Parischez Esnauts et Rapilly

callNumber: *MGZFA-18 Mar J Fau 1

text: Vertumne et Pomone (Choreographic work)

text: Prints (Graphic arts) -- Ballet -- 18th century.

text: Costume designs -- 18th century.

text: Ballet -- France -- 18th century.

text: Costume for a man, for Vertumne et Pomone, given at Versailles, 1763.

text: Full-length to right; arms outstretched, left leg extended to the right par terre; wearing a tonnelet decorated with ribbons, flowers, leaves and animal claws, a crown with plumes on head.  Clouds in background.

title: Faune: J. B. Martin inv. et sculp

text: Prints


title: Faune. Dans la fête de Bacchus, et dans le Ballet du Triomphe de Bacchus, de l'opéra de l'union de l'amour et des artsJ. B. Martin inv. et sculp

callNumber: *MGZFA-18 Mar J Fau 2

text: Union de l'amour et des arts (Choreographic work)

text: Ballet -- France -- 18th century.

text: Costume for a man, full length to right; arms outstretched, left leg extended to the right par terre; wearing a pink, blue and green tonnelet decorated with ribbons, flowers, leaves and animal claws, a multicolored plumed crown on head. Note: the number aa 149 appears on upper edge.

title: Faune. Dans la fête de Bacchus, et dans le Ballet du Triomphe de Bacchus, de l'opéra de l'union de l'amour et des arts: J. B. Martin inv. et sculp

text: Prints


title: Faune

callNumber: *MGZFA-18 Mar J Fau 3

text: Vertumne et Pomone (Choreographic work)

text: Prints (Graphic arts) -- 20th century.

text: Ballet -- France -- 18th century.

text: Costume designs -- 18th century.

text: B. Martin inv. et sculp. Legend: Dans la Fête de Bacchus, et dans le balet du Triomphe de Bacchus, de l'opéra de l'union de l'Amour et des Arts.

text: Man full length to right, looking right, arms outstretched, index fingers touching thumbs, his left leg extended to side par terre. Wearing an elaborate plumed headdress and tonnelet decorated with ribbons, flowers, and animal claws.

text: "Costume porté par Laval et Gardel dans Vertumne et Pommone à Versailles, le 9 février 1763" (from accompanying commentary). A later edition, with variant hand-coloring, of print *MGZFA-18  Mar J  Fau 2.

title: Faune

text: Prints


title: IncasJ. B. Martin inv. et sculp

callNumber: *MGZFA-18 Mar J Inc 1

text: Costume designs -- 18th century.

text: Ballet -- France -- 18th century.

text: Costume for a man, full length to front looking right, left arm extended to left; wearing a tonnelet decorated with chains and feathers, the emblem of the sun on his chest, a plumed hat on his head.  Clouds in the background.  The number 8 in lower left corner.

title: Incas: J. B. Martin inv. et sculp

text: Prints


title: IndienneJ. B. Martin inv. et sculp

callNumber: *MGZFA-18 Mar J Ind 1

text: Costume designs -- 18th century.

text: Ballet -- France -- 18th century.

text: Costume for a woman, full length to front, left arm extended to right, holding a fan in right hand, wearing an ankle-length gown decorated with ribbons, beads and feathers, feathers in hair.  Clouds in background.

title: Indienne: J. B. Martin inv. et sculp

text: Prints


title: Medée, dans l'opéra de Jason et Medée

originInfo: 1779Parischez Esnauts et Rapilly

callNumber: *MGZFA-18 Mar J Med 1

text: Medea and Jason (Choreographic work : Noverre)

text: Ballet -- France -- 18th century.

text: Below image: Martin inv., Gaillard sculp. A woman full length to front, head slightly to right, holding a wand in her right hand, her left hand extended in an imperious gesture. She is wearing an elaborately decorated ball gown with bats and cryptic designs as part of the ornamentation.

text: A plate from a book (24e Cahier des costumes français, 18e suite d'habillemens à la mode.)

text: Reproduced in Lincoln Kirstein's Movement & metaphor, 1970, p. 124.

title: Medée, dans l'opéra de Jason et Medée

text: Prints


title: NeptuneJ. B. Martin inv. Gaillard sculp

callNumber: *MGZFA-18 Mar J Nep 1

text: Costume designs -- 18th century.

text: Ballet -- France -- 18th century.

text: Costume for a man, full length to front looking left, holding a trident in right hand, left arm extended to right, wearing a tonnelet decorated with sea shells and coral, a long train is attached at his shoulders and waist, on his head is a crown with several plumes.  Clouds in background.

title: Neptune: J. B. Martin inv. Gaillard sculp

subTitle: J. B. Martin inv. Gaillard sculp

text: Prints


title: Neptune. Dans différens opéras et fragmensJ. B. Martin inv. Gaillard sculp

originInfo: 17601769A Parischez Esnauts et Rapilly

callNumber: *MGZFA-18 Mar J Nep 2

text: Costume designs -- 18th century.

text: Ballet -- France -- 18th century.

text: Costume for a man, full-length to front looking left, holding a trident in right hand, left arm extended to right, wearing a tonnelet of red, green and yellow decorated with sea shells and coral, a long red train attached at shoulders and waist, on his head is a crown with multicolored plumes.

title: Neptune. Dans différens opéras et fragmens: J. B. Martin inv. Gaillard sculp

text: Prints


title: Paysan galantJ. B. Martin inv. et sculp

callNumber: *MGZFA-18 Mar J Pay 1

text: Costume designs -- 18th century.

text: Ballet -- France -- 18th century.

text: Costume for a man, full length facing right, standing on left leg, right leg bent at knee, both arms raised with left arm bent at elbow; costume decorated with ribbons and flowers, plumes on hat.  Clouds in background.

title: Paysan galant: J. B. Martin inv. et sculp

text: Prints


title: PaysanneJ. B. Martin inv. Gaillard sculp

callNumber: *MGZFA-18 Mar J Pay 2

text: Prints (Graphic arts) -- Ballet -- 18th century.

text: Costume designs -- 18th century.

text: Ballet -- France -- 18th century.

text: Costume for a woman, full length facing left, standing on left leg, right leg crossed over in front of left leg, both arms extended holding her gown with both hands; ankle length gown decorated with ribbons; ribbons in hair; clouds in background.

title: Paysanne: J. B. Martin inv. Gaillard sculp

text: Prints


title: Paysanne galanteJ. B. Martin inv. et sculp

callNumber: *MGZFA-18 Mar J Pay 3

text: Costume designs -- 18th century.

text: Ballet -- France -- 18th century.

text: Costume for a woman, full length to left, standing on right leg left leg extended to right, both arms extended holding an apron; elaborate ankle length gown decorated with ribbons and flowers, clouds in background.

title: Paysanne galante: J. B. Martin inv. et sculp

text: Prints


title: Paysanne galanteOn fait usage de cet habit dans le Ballet de la Provençale et dans plusieurs ballets du même genre. J. B. Martin inv. et sculp

callNumber: *MGZFA-18 Mar J Pay 4

text: Costume designs -- 18th century.

text: Ballet -- France -- 18th century.

text: Costume for a woman, full-length to left, standing on right leg, left leg extended to right, both arms extended holding an apron; elaborate ankle-length gown decorated with ribbons and flowers, small hat on head.

text: Version of *MGZFA Mar J Pay 3.

text: Lincoln Kirstein Collection.

text: Cahier de costumes français

title: Paysanne galante: On fait usage de cet habit dans le Ballet de la Provençale et dans plusieurs ballets du même genre. J. B. Martin inv. et sculp

text: Prints


title: Paysanne galante

callNumber: *MGZFA-18 Mar J Pay 5

text: Prints (Graphic arts) -- 20th century.

text: Ballet -- France -- 18th century.

text: Costume designs -- 18th century.

text: Lower left: J. B. Martin inv. et sculp. Legend: On fait usage de cet habit dans le ballet de la Provençale et dans plusieurs ballets du même genre.

text: From a series of more than 300 restrikes from the original 18th-century plates, first published by Esnaults et Rapilly, rue St. Jacques.

text: Woman full length to front, looking left, on right foot, left leg extended to side. Wearing panniered gown decorated with ribbons, half-length sleeves with ruffles at elbows, and narrow laced bodice, apron which she lifts with both hands, neckband of ribbons, small hat.

text: A colored version or print *MGZFA-18  Mar J  Pay 4.

text: Galerie des modes et costumes français, dessins d'après nature, 1778-1787 ; pl. 99

title: Paysanne galante

text: Prints


title: Paysan galant

callNumber: *MGZFA-18 Mar J Pay 6

text: Prints (Graphic arts) -- 20th century.

text: Ballet -- France -- 18th century.

text: Costume designs -- 18th century.

text: Lower left: J. B. Martin inv. et sculp. Legend: Habit en usage dans plusieurs ballets.

text: Man full length to front, looking right, on his left foot, right leg bent at knee, left arm raised to shoulder level, right arm extended to side. Wearing cocked hat with plumes, jacket with flared panels, vest, knee breeches; entire costume trimmed with ribbons.

text: A colored version of print *MGZFA-18  Mar J  Pay 1.

title: Paysan galant

text: Prints


title: Reine des sylphes, dans le balet des Elémens, &c

callNumber: *MGZFA-18 Mar J Rei 1

text: Éléments (Choreographic work : Deshayes)

text: Prints (Graphic arts) -- 20th century.

text: Ballet -- France -- 18th century.

text: Costume designs -- 18th century.

text: Opera ballet. Dardanus.

text: Costume design for the Queen of the sylphs, probably drawn and engraved by Jean Baptiste Martin. From a series of more than 300 restrikes from the original 18th-century plates, first published by Esnaults et Rapilly.

text: Woman full length to front, looking left, holding a wand in her right hand. She wears an elaborate gown with tight bodice and sleeves to wrist. Skirt is decorated with ribbons, small clouds of gauze, and peacock feathers. Curls to shoulders, a headdress of plumes and jewels.

text: "Costumes portés par dix demoiselles en 'esprits aériens' dans l'opéra de Dardanus, à Fontainebleau, le 8 octobre 1763" (from accompanying commentary).

text: Prints


title: Éléments

originInfo: 17701779A Parischez Esnauts et Rapilly

callNumber: *MGZFA-18 Mar J Sil 1

text: Costume designs -- 18th century.

text: Ballet -- France -- 18th century.

text: Costume for a man, full length facing left in fourth position croisé, arms extended; wearing a short tonnelet and a large feathered hat. Costume possibly for Deshayes' ballet.

text: Lincoln Kirstein Collection.

title: Silphe dans le Ballet des elements: J. B. Martin inv. et sculp

text: Prints


title: Éléments

callNumber: *MGZFA-18 Mar J Sil 2

text: Ballet -- France -- 18th century.

text: Prints (Graphic arts) -- Ballet -- 18th century.

text: Below image: J. B. Martin inv. et sculp.

text: A woman full length to front, looking right, arms extended to sides, thumbs touching index fingers. She is wearing a ball gown with low-cut bodice and wrist-length sleeves. Her hair is arranged in curls and ringlets.

title: Silphide dans Le ballet des éléments

title: Silphide dans Le ballet des éléments

text: Prints


title: Suivante de FloreJ. B. Martin inv. et sculp

callNumber: *MGZFA-18 Mar J Sui 1

text: Costume designs -- 18th century.

text: Ballet -- France -- 18th century.

text: Costume for a woman, full length to front looking right, standing on right leg, left foot pointed to right, both arms outstretched; wearing an ankle length gown decorated with ribbons and flowers.  Clouds in background.

title: Suivante de Flore: J. B. Martin inv. et sculp

text: Prints


title: Suivant de ZéphireJ. B. Martin inv. et sculp

callNumber: *MGZFA-18 Mar J Sui 2

text: Ballet -- France -- 18th century.

text: Costume for a man, full length to front looking left, right leg crossed over in front of left leg, both arms extended, wearing a tonnelet, decorated with ribbons and flowers, and a plumed helmet. Clouds in background.

title: Suivant de Zéphire: J. B. Martin inv. et sculp

text: Prints


title: Ballet des Muses, allegorie, pour les menus plaisirs du Roi

callNumber: *MGZFA-18 Pal P Bal 1

namePart: Palmeus, P. de

text: Dance--France--18th century

text: Prints (Graphic arts) -- 18th century.

text: Ballet -- France -- 18th century.

text: An engraving by Louis Le Grand after a drawing by P. de Palmeus.

text: An idyllic outdoor setting with a waterfall, circular temple and a group of statues on a pedestal. Stylishly attired couples holding garlands or musical instruments dance around the statuary.

text: Prints


title: Ballet des musesallegorie, pour les menus plaisirs du roi

callNumber: *MGZFA-18 Pal P Bal 2

namePart: Legrand, Louis Claude, 1723-1807

text: Ballet--France--18th century

text: Prints--18th century

text: Louis Le Grand sculp.

text: Image depicted within a circle shows an idyllic outdoor setting depicted within a circle, centered on two figures on a statue: a queen and her attendant.  Formally attired couples holding garlands, fruit, or musical instruments dance around the statuary.  In the background a waterfall and a circular temple are visible.

text: Beneath image: Depalmeus P. inv et dir exit.  Par leur très humble et très obéssiant serviteur P.L. Pecquet, Officer du Gobelet du Roi, et Confiseur Ordinaire des menus Plaisirs.

text: lot #62.

text: Purchase at auction; Mme. Gilberte Cournand; 1998/02/26;

title: Ballet des muses: allegorie, pour les menus plaisirs du roi

text: Prints

text: Prints-18th century.

extent: Diam. image 15 cm., on sheet 30 x 24 cm.


title: [Piramo e Tisbe]

callNumber: *MGZFA-18 Pir 1

text: Prints (Graphic arts) -- 18th century.

text: Lower left: Costa inc.

text: Opera singer Signora Schindlerin as Tisbe. She is holding a scarf in her left hand and a small box in her right. She is wearing a richly decorated ball gown and has a long scarf attached to her coiffure.

text: Gift of Lincoln Kirstein.

title: [Piramo e Tisbe]

text: Prints


title: [Piramo e Tisbe]

callNumber: *MGZFA-18 Pir 2

text: Prints (Graphic arts) -- 18th century.

text: Lower left: Costa inc.

text: Opera singer Venanzio Rauzzini as Piramo. He is wearing a turban with feathers, a tonnelet flaring upward on the right side, a large bustle-like drapery attached to the waist at back, and boots.

text: Gift of Lincoln Kirstein.

title: [Piramo e Tisbe]

text: Prints


title: L'Ameriquaine

originInfo: 1748LondonDe La Cour

callNumber: *MGZFA-18 Whi R Ame 1

namePart: White, R.

namePart: De la Cour, William, d. 1767

text: Ballet--18th century

text: R. White, sc., De La Cour, exc.

text: Image depicts female figure, full-length wearing a tiered gown with ruffled sleeves.  Her outstretched gloved hand holds a mask.

text: Plate marked: I.

text: lot #86.

text: Cournand, Gilberte, Former owner.

title: L'Ameriquaine

text: Prints

text: Prints-18th century.


title: La bergere galante

callNumber: *MGZFA-18 Whi R Ber 1

text: Ballet--18th century

text: R. White, sc., De La Cour, exc.

text: Image depicts full-length shepherdess figure wearing a gown and bonnet adorned with flowers.  She extends her arms, a shepherd's crook in one hand.

text: Print is hand colored in some areas with gold, pink, and blue.

text: Plate number, upper right corner: IV.

text: lot #86.

text: Cournand, Gilberte, Former owner.

title: La bergere galante

text: Prints

text: Prints--18th century


title: La Creole

callNumber: *MGZFA-18 Whi R Cre 1

text: Ballet--18th century

text: R. White, sc., De La Cour, exc.

text: Image depicts full-length female figure in a 2-sided headdress or wig with flowers in the center.  She wears a ruffled jacket on top of her gown and holds a mask in her gloved hand.

text: lot #86

text: Cournand, Gilberte, Former owner.

title: La Creole

text: Prints

text: Prints-18th century.


title: L'Espagnolette

originInfo: 1748LondonDe La Cour, exc.

callNumber: *MGZFA-18 Whi R Esp 1

text: Ballet--18th century

text: R. White, sc., De La Cour, exc.

text: Image depicts full-length female figure in a Spanish-style gown and a feather headdress.  One arm is raised, holding a mask; the other extends to the side.

text: Plate number, upper right corner: III.

text: lot #86.

title: L'Espagnolette

text: Prints

text: Prints-18th century.


title: La jardiniere Italienne

callNumber: *MGZFA-18 Whi R Jar 1

text: Ballet--18th century

text: R. White, sculp., De La Cour, exc.

text: Image depicts full-length female figure wearing a gown adorned with flowers and a triangular hat.  She holds a bouquet of flowers in one hand, a basket hanging from her wrist; the other hand holds a mask.

text: Plate number, upper right corner: II.

text: lot # 86.

title: La jardiniere Italienne

text: Prints

text: Prints-18th century.


title: La masquarade

callNumber: *MGZFA-18 Whi R Mas 1

text: Ballet--18th century

text: De La Cour, exc., R. White, sc.

text: Image depicts female figure, full-length.  She wears a gown adorned with theatrical masks and peacock feathers.  Her headpiece is crafted from a theatrical mask (worn to the side of her face), flowers, and feathers.  She holds another mask in her hand, raised above her head.

text: Plate number, upper right corner: V.

text: lot #86.

title: La masquarade

text: Prints

text: Prints-18th century.


title: La Siamoise

callNumber: *MGZFA-18 Whi R Sia 1

text: Ballet--18th century

text: R. White, sc., De La Cour, exc.

text: Image depicts full-length female figure wearing a gown with a jewel-decorated bodice. She wears a beaded headdress and carries a mask in her hand.

text: lot #86.

title: La Siamoise

text: Prints

text: Prints-19th century.


title: La sultane

callNumber: *MGZFA-18 Whi R Sul 1

text: Ballet--18th century

text: R. White, scu., De La Cour, exc.

text: Image depicts female figure, full-length in a fur-trimmed cape worn over a gown.  She wears a crescent shaped headpiece adorned with gems; flowers line the edges of her sleeves. She holds a mask in one hand.

text: Plate number, upper right corner: VII.

text: lot #86.

title: La sultane

text: Prints

text: Prints-18th century.


title: Ballet and opera images on 19th-century music covers

callNumber: *MGZFA-19  Bal 1-11

namePart: Bufford, John Henry, 1810-1870

namePart: Emy, Henri

namePart: Coindre, Victor, fl. 1838-1860

namePart: Jones, T. H.

text: Musicals. Black crook

text: Balfe, M. W. (Michael William), 1808-1870. Bohemian girl.

text: Lutz, Meyer, 1822-1903. Faust up to date. Libretto.

text: Lecocq, Charles, 1832-1918. Fille de Madame Angot.

text: Halévy, F., 1799-1862. Juif errant.

text: Loder, Edward J. (Edward James), 1813-1865. Night dancers.

text: Meyerbeer, Giacomo, 1791-1864. Robert le diable.

text: Aelia et Mysis; ou L'atellane (Choreographic work : Mazilier)

text: Diable á quatre (Choreographic work : Mazilier)

text: Paquita (Choreographic work : Mazilier)

text: Black crook, Juif errant, Paquita Gift; Lillian Moore.

text: Faust up to date Purchase; Norman Crider, 1970.

text: This collection includes images of three ballets by Joseph Mazilier: Aelia et Mysis, ou L'atellane (music, Henri Potier), first performed at the Académie Imperiale de Musique, Paris, in 1853; Le diable à quatre (music, Adolphe Adam), first performed at the Paris Opéra in 1845; and Paquita (music, Edouard Deldevez), first performed at the Paris Opéra in 1846. The operas include M.W. Balfe's The Bohemian girl, first performed at the Theatre Royal, Drury Lane, London, in 1843; Meyer Lutz's opera burlesque Faust up to date, first performed at the Gaiety Theatre, London, in 1888; Charles Lecocq's opéra comique La fille de Madame Angot, first performed at the Théâtre des Fantaisies-Parisiennes, Brussels in 1872; Fromental Halévy's Le Juif errant, first performed at the Paris Opéra in 1852; Edward Loder's The night dancers, based on the ballet Giselle, first performed at the Princess's Theatre, London, in 1846; and Giacomo Meyerbeer's Robert le diable, first performed at the Paris Opéra in 1831. The black crook, considered to be a prototype of the modern musical, was first performed at Niblo's Garden, New York City, in 1866, with a book by Charles M. Barras and music by Giuseppe Operti and others. The production of Faust seen in the print Souvenir de ballet, polka bohemienne de Faust has not been identified.

abstracts: Images of dancers and dance scenes from ballets and operas, as depicted on the covers of sheet music intended for performance in the home. As indicated by the titles, the musical scores (not included in this collection) were often arranged by composers other than the original creators. Both music and pictures were probably meant to be souvenirs or remembrances of performances enjoyed in the theatre. These music covers sometimes reused or recycled images created and published on other musical scores: for example, this collection's music cover for Henri Rosellen's arrangement of the polka from Le diable à quatre utilizes an image by Henri Emy (uncredited here) that illustrated a musical arrangement by Fessy.

text: Prints

text: Sheet music covers.

extent: 10 prints : lithograph, b&w and col. ; 35 x 27 cm. or smaller.

extent: 1 photomechanical print : photolithograph, b&w on tone block ; 32 x 25 cm.


title: La sylphide, Acte 2e(décoration de Ciceri)

callNumber: *MGZFA-19  But E Syl 1

namePart: Buttura, Eugène-Ferdinand

namePart: Cicéri, Pierre-Luc-Charles, 1782-1868

text: Opéra de Paris. Ballet.

text: Sylphide (Choreographic work : Taglioni, F)

text: Buttura.

text: At top: Album de l'Opéra, Planche 3.

text: At lower right: Lith. d'A. Didion.

text: Purchased with funds from the Committee for the Jerome Robbins Dance Division.

text: Purchase; C. Mas, 1995.

text: La sylphide (choreography, Filippo Taglioni; music, Jean Schneitzhoeffer; scenery, Pierre Cicéri; costumes, Eugène Lami), the ballet most closely identified with the Romantic period in dance, was first presented at the Paris Opéra in 1832, with Marie Taglioni, the choreographer's daughter, in the title role. Joseph Mazilier, later an important choreographer in his own right, danced the ill-fated James.

text: Born in Paris of Italian parentage, the painter Eugene Buttura was the son of author Antonio Buttura. Among the subjects he painted were mythological themes and landscapes.

title: sylphide, Acte 2e: (décoration de Ciceri)

subTitle: (décoration de Ciceri)

abstracts: Scene from the second act of Filippo Taglioni's ballet La sylphide, set in the verdant forest that is the sylphides' home. At center is a shadowy male figure, probably James, the ballet's hero. Kneeling before him with her face in her hands is the sylphide. This picture may depict the moment after James has given her an enchanted scarf that was intended to keep her at his side, but has malevolent effects unsuspected by him.

text: Prints

text: Lithographs.


title: Pas berger, Pas hongrois, dansé par les 36 jeunes danseuses viennoises

callNumber: *MGZFA-19  Dan V Pas 1

namePart: Lacauchie, Alexandre

text: Child dancers--19th century

text: A.L.

text: Initialed on stone.

text: Series caption title: Galerie dramatique.

text: Numbered 121 at lower right.

text: Imp. Jules Rigo, [Paris].

text: Gift; Lillian Moore.

text: Les Danseuses viennoises was a troupe of child performers known for their precision dancing, organized by Josephine Weiss, ballet mistress at the Josephstadt Theatre in Vienna. The troupe, composed of thirty-six little girls, made its debut at the Paris Opéra in 1845; one of its numbers was a pas hongrois or Hungarian dance. This print may commemorate this occasion.

text: Alexandre Lacauchie was a French painter, engraver, and lithographer active in the mid-19th century. His numerous prints capture lively images of the dancers, actors, and singers of his time.

abstracts: Portrayal of two pairs of dancers, probably representing larger groups, in two dances performed at the Académie Royale de Musique (Paris Opéra). The boys' roles were danced by little girls.

text: Prints

text: Lithographs.


title: Esmeralda images on 19th-century music covers

callNumber: *MGZFA-19  Esm 1-3

text: Esmeralda (Fictitious character)

text: Hugo, Victor, 1802-1885

text: Esmeralda (Choreographic work : Perrot)

text: Gift; Lillian Moore.

text: Esmeralda, a beautiful and good-hearted gypsy girl, was created by Victor Hugo as the charismatic central figure of his 1831 novel Notre-Dame de Paris, also called The hunchback of Notre Dame. She attracts the love or lust of several of the male characters, among them the hunchback Quasimodo, the sinister archdeacon Claude Frollo, the poet Pierre Gringoire, and the soldier Phoebus de Chateaupers. In 1836 Hugo wrote the libretto for Louise Bertin's opera La Esmeralda, presented at the Académie Royale de Musique in Paris, but it was not a success. Jules Perrot's ballet adaptation, also titled La Esmeralda, was staged at Her Majesty's Theatre in London in 1844. It gave the story a happy ending, and perhaps not coincidentally enjoyed much greater longevity.

abstracts: Music covers depicting the image of the gypsy girl Esmeralda dancing with her pet goat Djali. Although her costume varies, she strikes a similar pose in each image, with her right leg crossed over her left as she holds her tambourine high. Djali dances on its hind legs to her right, responsive to her movement.

text: Prints

text: Sheet music covers.

form:
Lithographs
Chromolithographs
Wood engravings

extent: 1 print : lithograph, b&w ; image 15 x12 cm.

extent: 1 print : chromolithograph ; 31 x 23 cm.

extent: 1 print : wood engraving?, b&w ; 34 x 25 cm.


title: Redowa polka

callNumber: *MGZFA-19  Fra G Red 1

namePart: Franceschini, Girolamo, 1820-1859

text: Borri, Pasquale, 1820-1884

text: Redowa und der gefoppte Bräutigam (Choreographic work : Borri)

text: Girolamo Franceschini dess.

text: Captioned at top: Pasqvale Borri.

text: Captioned at bottom with the dancers' names: H[err?] Frappart, Fle [Fraulein?] Ricci H, Vienna.

text: Probably a scene from Pasquale Borri's comic ballet Redowa und der gefoppte Bräutigam [Redowa and the duped bridegroom] (music, Paolo Giorza and Matthias Strebinger), first presented at the Hoftheater, Vienna, in July 1856. Among the characters were Redowa, danced by Fraulein Ricci; Karol, danced by Herr Vienna; and Paposki, danced by Herr Frappart. The ballet may have included the dance called the Redowa polka, a popular part of Fanny Cerrito and Arthur Saint-Leon's ballet La vivandière, itself a much-imitated work. Borri had created ballets with similar titles (Katty ossia la vivandiera, Ketty la vivandiera, and simply La vivandiera) beginning in 1851, and probably had some knowledge of the original.

title: Redowa polka

abstracts: Portrayal of three dancers in action, dressed in theatricalized folk costumes. The man at left, who has a grotesque profile, seems to be confronting the other two, an attractive young woman and man who appear to be a couple. At the top of the picture is a portrait head of the Italian dancer-choreographer Pasquale Borri.

text: Prints

text: Lithographs.


title: Island of jewels quadrilles by J.H. Tully

originInfo: 1849LondonH. Tolkien

callNumber: *MGZFA-19  Gea J Isl 1

namePart: Gear, J. W. (John William), 1806-1866

text: Planché, J. R. (James Robinson), 1796-1880

text: J.W. Gear lith.

text: [Printed by] Stannard & Dixon, Lith.

text: The island of jewels was staged in December 1849 at the Lyceum Theatre, London, under the management of Charles Mathews and Madame Vestris. Described as "an original grand comic fairy extravaganza," it combined a fairy-tale plot with music, dance (created by Oscar Byrne), and stage spectacle. According to William W. Appleton's Madame Vestris and the London stage (1974), much of the spectacle was the work of the Lyceum's scene painter William Beverly, who designed a finale in which an enormous gilded palm tree opened its branches to reveal a group of fairies supporting a coronet.

text: Cataloging funds provided by Friends of Jerome Robbins Dance Division.

text: Library's copy has been trimmed.

abstracts: Music cover probably depicting the finale of J.R. Planché's Christmas extravaganza The island of jewels.

text: Prints

text: Lithographs.

text: Sheet music covers.


title: Das Fest der HandwerkerPosse mit Gesang von Angely

callNumber: *MGZFA-19  Gei A Fes 1

namePart: Geiger, Andreas, 1765-1856

namePart: Schoeller, Johann Christian, 1782-1851

text: Dance--Germany--19th century

text: Angely, Louis, 1787-1835. Fest der Handwerker.

text: Schöller del. ; And. Geiger sc.

text: Caption title.

text: Printed below title: Hähnchen / die Tanztouren angebend / Chassé en devant.

text: At lower left: Gallerie interessanter und drolliger Scenen 5t. Jahrgang, No. 12.

text: Louis Angely's one-act musical theatre work, sometimes described as a Singspiel or a vaudeville, was first presented in Berlin, ca. 1830. It depicted a convivial gathering of the craftsmen or journeymen of the title. It won great success for Angely, a German actor, director and playwright who specialized in Possen or farces, who was also acclaimed for performing its leading role, the foreman Kluck.

title: Fest der Handwerker: Posse mit Gesang von Angely

subTitle: Posse mit Gesang von Angely

abstracts: Scene from Louis Angely's Das Fest der Handwerker. Within the fence of a beer garden, with a view of a park in the background, three couples assume dance positions, observed by others.

text: Prints

text: Etchings.


title: Esmeralda. Valse dansée dans le ballet, La Foire de Beaucaire

originInfo: 1841ParisAlex. Grus

callNumber: *MGZFA-19 Bero J Foi 1

namePart: Bérot, J.

namePart: Bohlman-Sauzeau, Henri

namePart: Pilati, Auguste, 1810-1877

text: Esmeralda (Fictitious character)

text: Notre-Dame de Paris (Cathedral)

text: Foire de Beaucaire (Choreographic work)

text: arrangee pour le piano ... par Henri Bohlman Sauzeau ; [signed on stone] J. Bérot.

text: Caption title.

text: Lith. & taille-douce, Magnier.

text: Includes the first page of the music score on the verso.

text: Esmeralda, a beautiful and good-hearted gypsy girl, was created by Victor Hugo as the charismatic central figure of his novel Notre-Dame de Paris (1831), known in English as The hunchback of Notre Dame. The story was soon adapted for the stage; Hugo himself wrote the libretto for Louise Bertin's opera La Esmeralda (1836), as well as a play titled La Esmeralda. Jules Perrot's ballet adaptation, also titled La Esmeralda, was staged at Her Majesty's Theatre in London in 1844.

text: According to ballet historian Ivor Guest, Le foire de Beaucaire was a two-act comic ballet presented at the Théâtre de la Porte-Saint-Martin, Paris, in Sept. 1841, with a scenario by the Cogniard brothers [Hippolyte and Théodore] and music arranged by Auguste Pilati. Mlle. Féli, a member of the cast, had previously performed in the same theatre's production of Les jours gras aux enfers, in Feb. 1841.

text: J. Bérot was a French draughtsman, lithographer, and photographer active in the mid-nineteenth century.

title: Esméralda, musique de Pilati. Valse dansée dans le ballet de La Foire de Beaucaire par Melle. Féli

type: alternative

abstracts: Sheet music cover illustration depicting the gypsy Esmeralda dancing with a tambourine, her pet goat Djali beside her, before a crowd of onlookers. In the background is the façade of the cathedral Notre-Dame de Paris.

text: Prints

text: Sheet music covers.

text: Lithographs.


title: Robert der Teufelgrosse Oper von Meyerbeer

callNumber: *MGZFA-19 Gei A Rob 1

text: Prints (Graphic arts) -- Ballet -- 19th century.

text: Opera ballet. Robert le diable.

text: Ballet -- Austria -- 19th century.

text: (Theatralische Bilder-Gallerie No. 2.)

text: Below image: And. Geiger sc.

text: Depicts the cloister scene in Act III of Meyerbeer's opera Robert le Diable. A cemetery in a convent: left of center the dissipated Robert holds a magic branch which he hopes will give him limitless power. The specters of twenty-four nuns, whose sins during life deprived the convent of its sanctity, mill about. The women wear white Romantic tutus, black scapulars and black veils attached to the backs of their heads.

title: Robert der Teufel: grosse Oper von Meyerbeer

subTitle: grosse Oper von Meyerbeer

text: Prints


field: dateCreated

title: Papers on Shelley and Byron prepared for E. J. Trelawnypage 142

namePart: Clairmont, Clara Mary Jane, 1798-1879

text: Byron, George Gordon Byron, Baron, 1788-1824

title: Papers on Shelley and Byron prepared for E. J. Trelawny page 142

partNumber: page 142

text: Manuscripts

collectionTitle: Claire Clairmont manuscript material


keyDate: yes

title: Perspektivnoi vid biblioteki vtorago i tretiago  apartamentov = Perspectivischer Aufriss von der Bibliothec des zweiten und dritten Stockwercks = Prospect de la Bibliotheque qui est au second et trosième Etage[Pl. 12]

namePart: Imperatorskaia akademiia nauk (Russia)

type: corporate

nameType: corporate

text: Kunstkamera (Imperatorskaia akademiia nauk)

text: Imperatorskaia akademiia nauk (Russia). Biblioteka

text: Captions of plates in Russian, German, French and Latin.

type: admin

text: Orphan image ps_slv_142

title: Perspektivnoi vid biblioteki vtorago i tretiago apartamentov = Perspectivischer Aufriss von der Bibliothec des zweiten und dritten Stockwercks = Prospect de la Bibliotheque qui est au second et trosième Etage, [Pl. 12]

text: Engravings

collectionTitle: Palaty Sanktpeterburgskoĭ Imperatorskoĭ akademii nauk biblioteki i kunstkamery ...


title: Paradise losttitle page

text: Orphan image (t.p.) psnypl_berg_989

type: citation/reference

text: First edition, second title-page, with author's name in small capitals ... (Dictionary catalog of the Henry W. and Albert A. Berg Collection of English and American literature. Boston, G. K. Hall, 1969. Vol. 3, p. 273)

title: Paradise lost title page

partNumber: title page

collectionTitle: Paradise lostA poem written in ten books


title: UUarachtighe ende grondighe beschryvinghe van het groot en gout-rijck coningrijck van Guiana, gelegen zijnde in America, by noorden de groote river Orelliana ... in welcke beschryvinge de rechte gelegenthyt vande groote ende rijck hooft-stadt Manoa, Macureguarai, ende andere steden des selvigen coningrijcx, ende van het groot souten meyr Parime ... verclaert wort: jnsghelijcx wat voor rijcke waren daer to lande ende daer ontrent vallen ... Mitsgaders de beschryvinge vande omliggende rijcke lantschappen Emeria, Arromia, Amapaia,  eñ Topago ... mette beschryvinge van 53. groote rivieren ... Alles met groote neersticheyt ontdeck ende beschreven inden jare 1595 ende 1596

originInfo: 1605t'AmstelredamBy C. Claesz.

callNumber: *KB 1605 (Raleigh, W. UUarachtighe ende grondighe beschryvinghe)

namePart: Raleigh, Walter, Sir, 1552?-1618

type: personal

namePart: Kemys, Lawrence

text: Discovery and exploration

text: Guiana

text: Door den E. Heere Walter Ralegh ... ende den vermaerden zeevaerder Capiteyn Laurens Keymis.

text: Each t.-p. has engraved illustration, that on general t.-p. including a map.

text: Folios 13, 39 wrongly numbered 14, 40.

text: [Part 2] has special t.-p.: UUaerachtighe ende grondighe beschryvinghe vande tweede zeevaert der Englischen nae Guiana eñ de omliggende lantschappen ... ontdect, ende beschreven inden iare 1596. Door den cloeckmoedighen ende vermaerden zee-vaerder Capiteyn Laurentium Keymis ...

text: Reprinted from the 1598 edition (q.v.).

text: Other editions have titles beginning "Grondige ende waerachtige beschrijvinge" and "Schheeps-voyagie."

type: numbering

text: Mostly printed in double columns.

text: Lenox.

text: Sabin 67596

text: Tiele: Navigateurs néerlandais, 286

text: Orphan image psnypl_rbk_780

text: UUarachtighe ende grondighe beschryvinghe van het groot en gout-rijck coningrijck van Guiana, gelegen zijnde in America, by noorden de groote river Orelliana ... in welcke beschryvinge de rechte gelegenthyt vande groote ende rijck hooft-stadt Manoa, Macureguarai, ende andere steden des selvigen coningrijcx, ende van het groot souten meyr Parime ... verclaert wort: jnsghelijcx wat voor rijcke waren daer to lande ende daer ontrent vallen ... Mitsgaders de beschryvinge vande omliggende rijcke lantschappen Emeria, Arromia, Amapaia,  eñ Topago ... mette beschryvinge van 53. groote rivieren ... Alles met groote neersticheyt ontdeck ende beschreven inden jare 1595. ende. 1596

title: UUarachtighe ende grondighe beschryvinghe van het groot en gout-rijck coningrijck van Guiana, gelegen zijnde in America, by noorden de groote river Orelliana: ... in welcke beschryvinge de rechte gelegenthyt vande groote ende rijck hooft-stadt Manoa, Macureguarai, ende andere steden des selvigen coningrijcx, ende van het groot souten meyr Parime ... verclaert wort: jnsghelijcx wat voor rijcke waren daer to lande ende daer ontrent vallen ... Mitsgaders de beschryvinge vande omliggende rijcke lantschappen Emeria, Arromia, Amapaia, eñ Topago ... mette beschryvinge van 53. groote rivieren ... Alles met groote neersticheyt ontdeck ende beschreven inden jare 1595 ende 1596

typeOfResource:
text
cartographic
still image

text: Documents


title: Areviewer reviewed

originInfo: 18401849PhiladelphiaG. R. Graham

namePart: Edgar Allan Poe

namePart: Poe, Edgar Allan, 1809-1849

type: creation/production credits

text: "By Walter G. Bowen [Poe's pseudonym]... written for Graham's magazine."

text: Gift of Burton R. Pollin.

title: Areviewer reviewed

rights: It is very likely that this work is in the public domain, but because it may have been published in different versions, I cannot definitively determine that this is public domain. However, we should treat it as such.


title: Salondampfer »George Washington«

namePart: Buttolph, Frank E., Miss (d. 1924)

title: Salondampfer »George Washington«

text: Menus

collectionTitle: The Buttolph collection of menus


title: Dampfer „George Washington"

title: Dampfer „George Washington"

text: Menus


title: Salon-Dampfer »George Washington«

title: Salon-Dampfer »George Washington«

text: Menus


title: Les Adieux

namePart: Saint-Pierre, Bernardin de, 1737-1814

namePart: Didot, Pierre, 1761-1853

namePart: Moreau, Jean Michel, 1741-1814

type: topic

text: Engraving, French

text: Engraving

type: temporal

text: 18th century

text: Drawings

text: France

text: 19th century

title: Les Adieux

authority: aat

text: illustration

text: Trial proofs

text: Engravings

collectionTitle: Paul et Virginie


title: Advertisement. Rich Kip Junr., Upholsterer, at the State Bed New York

callNumber: Broadside +++ 1771 (Kip, Richard)

namePart: Kip, Richard

text: Reverse of Kip's ad - sketches of window and bed curtains for William Laight.

text: Advertisements

text: broadsides


title: The Author's Benefit Pasquin

text: Dobson 59; BM Sat. 2271

title: The Author's Benefit Pasquin

collectionTitle: William Hogarthprints


title: The Company of Undertakers

text: Paulson 144; Dobson 88 (copy); BM Sat. 2301

title: The Company of Undertakers


title: For the Benefit of Joe Miller.  Theatre Royal.  Drury Lane.  The Old Batchelor.

text: Dobson [383]


title: For the Benefit of Spiller (copy)

text: Paulson 2; Dobson 252 (copy); BM Sat. 1815

title: For the Benefit of Spiller (copy)


title: Marriage A-La-Mode.  Plate I.  [The Contract]

text: Paulson 158; Dobson 111; BM Sat. 2689-A


title: Marriage A-La-Mode.  Plate III.  [The Scene with the Quack]

text: Paulson 160; Dobson 113; BM Sat. 2689-A


title: Marriage A-La-Mode.  Plate II.  [The Breakfast Scene]

text: Paulson 159; Dobson 112; BM Sat. 2689-A


title: Marriage A-La-Mode.  Plate IV.  [The Toilet Scene]

text: Paulson 161; Dobson 114; BM Sat. 2689-A


title: Marriage A-La-Mode.  Plate V. [The Death of the Earl]

text: Paulson 162; Dobson 115; BM Sat. 2689-A


title: Marriage A-La-Mode.  Plate VI. [The Death of the Countess]

text: Paulson 163; Dobson 116; BM Sat. 2689-A


title: Benefit ticket for Milward

text: Dobson 235; Paulson 112

title: Benefit ticket for Milward


title: For the Benefit of M. Walker.  Theatre Convent.  Royal Garden.

text: Dobson [pg. 326 bis]


title: Simon Lord Lovat

text: Paulson 166(ii); Dobson 121(ii); BM Sat. 2801(ii)

title: Simon Lord Lovat


title: The Fellow 'Prentices at their Looms [plate 1]

text: Paulson 168; Dobson 123;  BM Sat. 2896(ii)


title: The Industrious 'Prentice performing the Duty of a Christian [plate 2]

text: Paulson 169; Dobson 124;  BM Sat. 2905


title: The Idle 'Prentice at Play in the Church Yard, during Divine Service [plate 3]

text: Paulson 170; Dobson 125(ii);  BM Sat. 2914(ii)


title: The Industrious 'Prentice a Favourite and entrusted by his Master [plate 4]

text: Paulson 171; Dobson 126;  BM Sat. 2926


title: The Idle 'Prentice turn'd away, and sent to Sea [plate 5]

text: Paulson 172; Dobson 127;  BM Sat. 2935


title: The Industrious 'Prentice out of his Time, and Married to his Master's Daughter [plate 6]

text: Paulson 173; Dobson 128(ii);  BM Sat. 2945(ii)


title: The Idle 'Prentice return'd from Sea, and in a Garret with a common Prostitute [plate 7]

text: Paulson 174; Dobson 129(ii);  BM Sat. 2954


title: The Industrious 'Prentice grown rich and Sheriff of London [plate 8]

text: Paulson 175; Dobson 130(ii);  BM Sat. 2963(ii)


title: The Idle 'Prentice betray'd by his Whore, and taken in a Night Cellar with this Accomplice [plate 9]

text: Paulson 176; Dobson 131;  BM Sat. 2971


title: The Industrious 'Prentice Alderman of London, the Idle one brought before him & Impeach'd by his Accomplice [plate 10]

text: Paulson 177; Dobson 132;  BM Sat. 2980


title: The Idle 'Prentice Executed at Tyburn [plate 11]

text: Paulson 178; Dobson 133;  BM Sat. 2989


title: The Industrious 'Prentice Lord-Mayor of London [plate 12]

text: Paulson 179(iii); Dobson 134(ii);  BM Sat. 2997(ii)


title: Ticket for Old Boys Day (reprod.)

text: Dobson 382(bis)

title: Ticket for Old Boys Day (reprod.)


title: Post Coach

text: Dobson [252-B]

title: Post Coach


title: Summers Evening

text: Dobson [252-A]

title: Summers Evening


title: Sarah Malcolm

text: Paulson 129 (copy); Dobson 70

title: Sarah Malcolm


title: The Five Orders of Perriwigs

text: Paulson 209(iii); Dobson 175(ii); BM

title: The Five Orders of Perriwigs


title: Time Smoking a Picture

text: Dobson 176; Paulson 208; BM Sat. 3836; Tilden vol. III: 41[a]

title: Time Smoking a Picture


title: Gulielmus Hogarth

text: Dobson 143; Paulson 181; Tilden I: 1

title: Gulielmus Hogarth


title: Hogarth Painting the Comic Muse

text: Dobson 166(iv); Paulson 204(vii); Tilden I:3

title: Hogarth Painting the Comic Muse


title: Hogarth Painting the Comic Muse

text: Dobson 166(iv); Paulson 204(ii); Tilden I:2

title: Hogarth Painting the Comic Muse


title: AHarlot's Progress, Plate 1 [Her arrival in London]

text: Dobson 62(ii); Paulson 121; BM Sat. 2031; Tilden I:7


text: Dobson 62(ii); Paulson 121; BM Sat. 2031; Tilden I:8


title: AHarlot's Progress, Plate 2 [Quarrels with her Protector]

text: Dobson 63(i); Paulson 122; BM Sat. 2046; Tilden I:10


text: Dobson 63(i); Paulson 122; BM Sat. 2046; Tilden I:9


title: AHarlot's Progress, Plate 3 [Apprehended by a Magistrate]

text: Dobson 64(i); Paulson 123; BM Sat. 2061; Tilden I:11


text: D.64(ii); P.123; BM Sat. 2061; Tilden I:12


title: AHarlot's Progress, Plate 4 [Beating Hemp in Bridewell]

text: Dobson 65(i); Paulson 124; BM Sat. 2075; Tilden I:13


title: AHarlot's Progress, Plate 5 [Her death]

text: Dobson 66(i); Paulson 125; BM Sat. 2091; Tilden I:15

title: AHarlot's Progress, Plate 5 [Her death]


text: Dobson 65(ii); Paulson 124; BM Sat. 2075; Tilden I:14


title: AHarlot's Progress, Plate 5 [Her death]

text: Dobson 66(ii); Paulson 125; BM Sat. 2091; Tilden I:16

title: AHarlot's Progress, Plate 5 [Her death]


title: AHarlot's Progress, Plate 6 [Her funeral]

text: Dobson 67(i); Paulson 126; BM Sat. 2106; Tilden I:17


text: Dobson 67(ii); Paulson 126; BM Sat. 2106; Tilden I:18


title: ARake's Progress, Plate I [O Vanity of Age...]

text: Dobson 76(ii); Paulson 132; BM Sat. 2158; Tilden I:19


title: ARake's Progress, Plate 2d [Prosperity, (with Horlot's smiles...]

text: Dobson 77(ii); Paulson 133; BM Sat. 2173; Tilden I:22


text: Dobson 77(i); Paulson 133; BM Sat. 2173; Tilden I:21


title: ARake's Progress, Plate 3 [Woman, form'd for Social Love...]

text: Dobson 78(ii); Paulson 134; BM Sat. 2188; Tilden I:23


text: Dobson 78(iii); Paulson 134; BM Sat. 2188; Tilden I:24


title: ARake's Progress, Plate 4 [Reason awakes...]

text: Dobson 79(i); Paulson 135; BM Sat. 2202; Tilden I:25


text: Dobson 79(ii); Paulson 135; BM Sat. 2202; Tilden I:26


title: ARake's Progress, Plate 5 [New to ye School of hard Mishap...]

text: Dobson 80(i); Paulson 136; BM Sat. 2211; Tilden I:27


title: ARake's Progress, Plate 6 [Gold, thou bright Son of Phoebus...]

text: Dobson 81(i); Paulson 137; BM Sat. 2223; Tilden I:29


text: Dobson 81(ii); Paulson 137; BM Sat. 2223; Tilden I:30


title: ARake's Progress, Plate 7 [Happy the Man...]

text: Dobson 82(i); Paulson 138; BM Sat. 2236; Tilden I:31


text: Dobson 82(ii); Paulson 138; BM Sat. 2236; Tilden I:32


title: ARake's Progress, [Plate 8; Madness...]

text: Dobson 83(i); Paulson 139; BM Sat. 2246; Tilden I:33

title: ARake's Progress, [Plate 8; Madness...]


title: Marriage A-La-Mode (Plate I) [The Contract]

text: Dobson 111(i); Paulson 158; BM Sat. 2688; Tilden I:35


text: Dobson 111(ii); Paulson 158; BM Sat. 2688; Tilden I:36


title: Marriage A-La-Mode (Plate II) [The Breakfast Scene]

text: Dobson 112(ii); Paulson 159; BM Sat. 2702; Tilden I:38


title: Marriage A-La-Mode (Plate III) [The Scene with the Quack]

text: Dobson 113(i); Paulson 160; BM Sat. 2717; Tilden I:39


text: Dobson 113(ii); Paulson 160; BM Sat. 2717; Tilden I:40


title: Marriage A-La-Mode (Plate IV) [The Toilet Scene]

text: Dobson 114; Paulson 161; BM Sat. 2731; Tilden I:41


text: Dobson 114; Paulson 161; BM Sat. 2731; Tilden I:42


title: Marriage A-La-Mode (Plate V) [The Death of the Earl]

text: Dobson 115(i); Paulson 162; BM Sat. 2744; Tilden I:43


text: Dobson 115(ii); Paulson 162; BM Sat. 2744; Tilden I:44


title: Marriage A-La-Mode (Plate VI) [The Death of the Countess]

text: Dobson 116; Paulson 163; BM Sat. 2758; Tilden I:45


text: Dobson 116(ii); Paulson 163; BM Sat. 2758; Tilden I:46


title: The Fellow 'Prentices at their Looms [plate 1]

text: Dobson 123; Paulson 168; BM Sat. 2896(ii); Tilden I:47[a]


text: Dobson 123; Paulson 168; BM Sat. 2896(ii); Tilden I:47[b]


title: The Industrious 'Prentice performing the Duty of a Christian [plate 2]

text: Dobson 124; Paulson 169; BM Sat. 2905; Tilden I:48[a]


text: Dobson 124; Paulson 169; BM Sat. 2905; Tilden I:48[b]


title: The Idle 'Prentice at Play in the Church Yard, during Divine Service [plate 3]

text: Dobson 125; Paulson 170; BM Sat. 2914; Tilden I:49[a]


text: Dobson 125; Paulson 170; BM Sat. 2914; Tilden I:49[b]


title: The Industrious 'Prentice a Favourite and entrusted by his Master [plate 4]

text: Dobson 126(ii); Paulson 171; BM Sat. 2926; Tilden I:50[a]


text: Dobson 126(i); Paulson 171; BM Sat. 2926; Tilden I:50[b]


title: The Idle 'Prentice turned away and sent to Sea [plate 5]

text: Dobson 127; Paulson 172; BM Sat. 2935; Tilden I:51[a]


text: Dobson 127; Paulson 172; BM Sat. 2935; Tilden I:51[b]


title: The Industrious 'Prentice out of his Time and Married to his Master's Daughter [plate 6]

text: Dobson 128; Paulson 173; BM Sat. 2945; Tilden I:52[b]


text: Dobson 128; Paulson 173; BM Sat. 2945; Tilden I:53[a]


text: Dobson 128; Paulson 173; BM Sat. 2945; Tilden I:53[b]


title: The Idle 'Prentice return'd from Sea, and in a Garret with a common Prostitute [plate 7]

text: Dobson 129(ii); Paulson 174; BM Sat. 2954; Tilden I:54[a]


text: Dobson 129(i); Paulson 174; BM Sat. 2954; Tilden I:54[b]


title: The Industrious 'Prentice grown rich and Sheriff of London [plate 8]

text: Dobson 130(i); Paulson 175; BM Sat. 2963; Tilden I:55[a]


text: Dobson 130(ii); Paulson 175; BM Sat. 2963; Tilden I:55[b]


title: The Idle 'Prentice betray'd by his Whore, and taken in a Night Cellar with this Accomplice [plate 9]

text: Dobson 131; Paulson 176; BM Sat. 2971; Tilden I:56[a]


text: Dobson 131; Paulson 176; BM Sat. 2971; Tilden I:56[b]


title: The Industrious 'Prentice Alderman of London, the Idle one brought before him & Impeach'd by his Accomplice [plate 10]

text: Dobson 132(ii); Paulson 177; BM Sat. 2980; Tilden I:57[a]


text: Dobson 132(ii); Paulson 177; BM Sat. 2980; Tilden I:57[b]


title: The Idle 'Prentice Executed at Tyburn [plate 11]

text: Dobson 133; Paulson 178; BM Sat. 2989; Tilden I:58[a]


text: Dobson 133; Paulson 178; BM Sat. 2989; Tilden I:58[b]


title: The Industrious 'Prentice Lord-Mayor of London [plate 12]

text: Dobson 134(ii); Paulson 179; BM Sat. 2997; Tilden I:59[a]


text: Dobson 134(i); Paulson 179; BM Sat. 2997; Tilden I:59[b]


title: The First Stage of Cruelty

text: Dobson 149; Paulson 187; BM Sat. 3147; Tilden I:60

title: The First Stage of Cruelty


title: The First Stage of Cruelty

text: Dobson 149; Paulson 187; BM Sat. 3147; Tilden I:61

title: The First Stage of Cruelty


title: The Second Stage of Cruelty

text: Dobson 149; Paulson 188; BM Sat. 3153; Tilden I:62

title: The Second Stage of Cruelty


title: The Second Stage of Cruelty

text: Dobson 149; Paulson 188; BM Sat. 3153; Tilden I:63

title: The Second Stage of Cruelty


title: Cruelty in Perfection

text: Dobson 149; Paulson 189; BM Sat. 3159; Tilden I:64

title: Cruelty in Perfection


title: Cruelty in Perfection

text: Dobson 149; Paulson 189; BM Sat. 3159; Tilden I:65

title: Cruelty in Perfection


title: Cruelty in Perfection

text: Dobson 149; Paulson 189/I(i); BM Sat. 3160; Tilden I:66

title: Cruelty in Perfection


title: Cruelty in Perfection

text: Dobson 149; Paulson 189/I(ii); BM Sat. 3160; Tilden I:67

title: Cruelty in Perfection


title: The Reward of Cruelty

text: Dobson 149; Paulson 190; BM Sat. 3166; Tilden I:68

title: The Reward of Cruelty


title: The Reward of Cruelty

text: Dobson 149; Paulson 190; BM Sat. 3166; Tilden I:69

title: The Reward of Cruelty


title: The Reward of Cruelty

text: Dobson 149; Paulson 190/I; BM Sat. 3167; Tilden I:70

title: The Reward of Cruelty


title: W[illia]m Hogarth's Tomb in Chiswick Church-yard Midd[lese]x

text: Tilden I:6[b]


title: Hogarth's Tomb.  In Chiswick Church-Yard, Middlesex.

text: Tilden I:6[a]


title: Self-portrait of William Hogarth

text: Tilden I:4[a]

title: Self-portrait of William Hogarth


title: Self-portrait of William Hogarth

text: Tilden I:4[b]

title: Self-portrait of William Hogarth


title: Tomb of William Hogarth at Chiswick.

text: Tilden I:4[c]

title: Tomb of William Hogarth at Chiswick.


title: AHouse in Leicester Square the residence of the celebrated W[illia]m Hogarth Esq[ui]r[e] now Jacquier's Hotel

text: Tilden I:5[a]


title: William Hogarth [Hogarth's cypher]

text: Paulson 267; Tilden I:5[b]

title: William Hogarth [Hogarth's cypher]


title: The Early Residence of W[illia]m Hogarth

text: Tilden I:5[c]


title: Beer Street

text: Dobson 147(i); Paulson 185(iii/iv); BM Sat. 3126; Tilden II:1

title: Beer Street


title: Beer Street

text: Dobson 147(ii); Paulson 185; BM Sat. 3126; Tilden II:2

title: Beer Street


title: Gin Lane

text: Dobson 148; Paulson 186; BM Sat. 3136; Tilden II:3

title: Gin Lane


title: Morning

text: Dobson 98(i); Paulson 146; BM Sat. 2357; Tilden II:4

title: Morning


title: Morning

text: Dobson 98(ii); Paulson 146; BM Sat. 2357; Tilden II:5

title: Morning


title: Noon

text: Dobson 99(i); Paulson 147; BM Sat. 2370; Tilden II:6

title: Noon


title: Noon

text: Dobson 99(ii); Paulson 147; BM Sat. 2370; Tilden II:7

title: Noon


title: Evening

text: Dobson 100(ii); Paulson 148; BM Sat. 2382; Tilden II:8

title: Evening


title: Evening

text: Dobson 100(iii); Paulson 148; BM Sat. 2382; Tilden II:9

title: Evening


title: Night

text: Dobson 101(i); Paulson 149; BM Sat. 2392; Tilden II:10

title: Night


title: Night

text: Dobson 101(ii); Paulson 149; BM Sat. 2392; Tilden II:11

title: Night


title: AnElection Entertainment. Plate I.

text: Dobson 159(ii); Paulson 198; BM Sat. 3285; Tilden II:12

title: AnElection Entertainment. Plate I.


title: AnElection Entertainment. Plate I.

text: Dobson 159(iii); Paulson 198; BM Sat. 3285; Tilden II:13

title: AnElection Entertainment. Plate I.


title: AnElection Entertainment. Plate I.

text: Dobson 159; Paulson 198; BM Sat. 3285; Tilden II:14

title: AnElection Entertainment. Plate I.


title: AnElection Entertainment. Plate I.

text: Dobson 159(iv); Paulson 198; BM Sat. 3285; Tilden II:15

title: AnElection Entertainment. Plate I.


title: Canvassing for Votes.  Plate II.

text: Dobson 160(ii); Paulson 199; BM Sat. 3298; Tilden II:16

title: Canvassing for Votes.  Plate II.


title: Canvassing for Votes.  Plate II.

text: Dobson 160(iii); Paulson 199; BM Sat. 3298; Tilden II:17

title: Canvassing for Votes.  Plate II.


title: The Polling.  Plate III.

text: Dobson 161(ii); Paulson 200; BM Sat. 3309; Tilden II:18

title: The Polling.  Plate III.


title: The Polling.  Plate III.

text: Dobson 161(ii[?]); Paulson 200; BM Sat. 3309; Tilden II:19

title: The Polling.  Plate III.


title: Chairing the Members.  Plate IV.

title: Chairing the Members.  Plate IV.


title: The Stage-Coach, or the Country Inn Yard

text: Dobson 136(ii); Paulson 167; BM Sat. 2882; Tilden II:21[a]


title: Search Night

text: Paulson 245 [252]; Tilden II:21[b]

title: Search Night


text: Dobson 136(iii); Paulson 167; BM Sat. 2882; Tilden II:21[c]


title: The March to Finchley

text: Dobson 145(iii); Paulson 184; BM Sat. 2639; Tilden II:22

title: The March to Finchley


title: The March to Finchley

text: Dobson 145(iii); Paulson 184; BM Sat. 2639; Tilden II:23

title: The March to Finchley


title: The March to Finchley

text: Dobson 145(vi); Paulson 184; BM Sat. 2639; Tilden II:24

title: The March to Finchley


title: O The Roast Beef of Old England, etc.

text: Dobson 139; Paulson 180; BM Sat. 3050; Tilden II:25

title: O The Roast Beef of Old England, etc.


title: O The Roast Beef of Old England, etc.

text: Dobson 139; Paulson 180; BM Sat. 3050; Tilden II:26

title: O The Roast Beef of Old England, etc.


title: France, Plate 1st

text: Dobson 163; Paulson 202; BM Sat. 3446; Tilden II:27

title: France, Plate 1st


title: England, Plate 2d

text: Dobson 164; Paulson 203; BM Sat. 3454; Tilden II:28

title: England, Plate 2d


title: The Distressed Poet

text: Dobson 87(ii); Paulson 145; BM Sat. 2309; Tilden II:29

title: The Distressed Poet


title: The Enraged Musician

text: Dobson 104(ii); Paulson 152; BM Sat. 2518; Tilden II:30

title: The Enraged Musician


title: The Enraged Musician

text: Dobson 104(iii); Paulson 152; BM Sat. 2518; Tilden II:31

title: The Enraged Musician


title: The Sleeping Congregation

text: Dobson 90(i); Paulson 140; BM Sat. 2285; Tilden II:32[a]

title: The Sleeping Congregation


title: The Sleeping Congregation

text: Dobson 90(ii); Paulson 140; BM Sat. 2285; Tilden II:32[b]

title: The Sleeping Congregation


title: The Sleeping Congregation

text: Dobson 90(ii); Paulson 140; BM Sat. 2285; Tilden II:32[c]

title: The Sleeping Congregation


title: Credulity, Superstition, and Fanaticism.  A Medley.

text: Dobson 177; Paulson 210(2); BM Sat. 1785; Tilden II:33


title: Enthusiasm Delineated

text: Dobson 260(ii); Paulson 210; BM Sat. 2425; Tilden II:34

title: Enthusiasm Delineated


title: ARake's Progress, Plate I [O Vanity of Age...]

text: Dobson 76(iii); Paulson 132; BM Sat. 2158; Tilden I:20


title: Taste in High Life [large version]

text: Dobson 119(ii); Paulson (omitted); BM Sat. (omitted?); Tilden II:35

title: Taste in High Life [large version]


title: Strolling Actresses Dressing in a Barn

text: Dobson 102; Paulson 150; BM Sat. 2403; Tilden II:36

title: Strolling Actresses Dressing in a Barn


title: Southwark Fair (or The Humours of a Fair)

text: Dobson 84; Paulson 131; BM Sat.1960; Tilden II:38


title: Strolling Actresses Dressing in a Barn

text: Dobson 102; Paulson 150; BM Sat. 2403; Tilden II:37

title: Strolling Actresses Dressing in a Barn


title: The Cockpit

text: Dobson 168; Paulson 206; BM Sat.3706; Tilden II:39

title: The Cockpit


title: The Cockpit

text: Dobson 168; Paulson 206; BM Sat.3706; Tilden II:40

title: The Cockpit


title: AMidnight Modern Conversation

text: Dobson 69(ii); Paulson 128; BM Sat.2122; Tilden II:41

title: AMidnight Modern Conversation


title: AMidnight Modern Conversation

text: Dobson 69(ii); Paulson 128; BM Sat.2122; Tilden II:42

title: AMidnight Modern Conversation


title: AMidnight Modern Conversation

text: Dobson 69(iii); Paulson 128; BM Sat.2122; Tilden II:43

title: AMidnight Modern Conversation


title: Before

text: Dobson 91(i); Paulson 141; BM Sat. (omitted?); Tilden II:44

title: Before


title: Before

text: Dobson 91(ii); Paulson 141; BM Sat. (omitted?); Tilden II:45

title: Before


title: After

text: Dobson 92(ii); Paulson 142; BM Sat. (omitted?); Tilden II:46

title: After


title: After

text: Dobson 92(ii); Paulson 142; BM Sat. (omitted?); Tilden II:47

title: After


title: Taste in High Life [small version]

text: Dobson 119; Paulson (omitted); BM Sat. (omitted?); Tilden II:35

title: Taste in High Life [small version]


title: Woman Swearing a Child to a grave Citizen

text: Dobson 85; Paulson (p. 107); BM Sat. 2261(1); Tilden II:48b


text: Dobson 85; Paulson (p. 107); BM Sat. 2261(?); Tilden II:49


title: AnEmerald Vessel

text: Dobson 5; Paulson 28; Tilden II:50[a]

title: AnEmerald Vessel


title: AGreek Patriarchal Crown

text: Dobson 6; Paulson 29; Tilden II:50[b]

title: AGreek Patriarchal Crown


title: ATurkish Bath

text: Dobson 7; Paulson 30; Tilden II:51[a]

title: ATurkish Bath


title: ASilver Mine at Sala - I

text: Dobson 15; Paulson 39; Tilden II:51[b]

title: ASilver Mine at Sala - I


title: ASilver Mine at Sala - II

text: Dobson 15; Paulson 39; Tilden II:51[c]

title: ASilver Mine at Sala - II


title: Parke of the Artillery'

text: Dobson 12; Paulson 36; Tilden II:52[a]

title: Parke of the Artillery'


title: Map of Stockholm

text: Dobson 14; Paulson 38; Tilden II:52[b]

title: Map of Stockholm


title: Plan of a Mosque

text: Dobson 15-18; Paulson 257; Tilden II:52[c]

title: Plan of a Mosque


title: AProcession through the Hippodrome

text: Dobson 9; Paulson 32; Tilden II:53[a]

title: AProcession through the Hippodrome


title: ANative Dance

text: Dobson 8; Paulson 31; Tilden II:53[b]

title: ANative Dance


title: Figures in Turbans

text: Dobson 18a; Paulson 34; Tilden II:54[a]

title: Figures in Turbans


title: The Inside of a Mosque

text: Dobson 10; Paulson 33; Tilden II:54[b]

title: The Inside of a Mosque


title: Charles XII at Bender

text: Dobson 15; Paulson 37; Tilden II:55[a]

title: Charles XII at Bender


title: The Seraglio

text: Dobson 11; Paulson 35; Tilden II:55[b]

title: The Seraglio


title: ADanish Iron Mine

text: Dobson 17; Paulson 41; Tilden II:56a

title: ADanish Iron Mine


title: Five Muscovites (Three Seated)

text: Dobson 18; Paulson 261; Tilden II:56[b]

title: Five Muscovites (Three Seated)


title: Laponia

text: Dobson [not desc.]; Paulson 259; Tilden II:57[a]

title: Laponia


title: ALapland Hut

text: Dobson 18; Paulson 42; Tilden II:57[b]

title: ALapland Hut


title: Banishment

text: Dobson 25; Paulson 73; Tilden II:58[a]

title: Banishment


title: Freemen degraded and sold into slavery

text: Dobson 25; Paulson 72; Tilden II:58[b]

title: Freemen degraded and sold into slavery


title: Issued barley instead of wheat

text: Dobson 25; Paulson 79a; Tilden II:58[c]

title: Issued barley instead of wheat


title: Crucifixion, etc.

text: Dobson 25; Paulson 70; Tilden II:58[d]

title: Crucifixion, etc.


title: Degrading punishments

text: Dobson 25; Paulson 78; Tilden II:58[e]

title: Degrading punishments


title: Taking away the military belt or girdle

text: Dobson 25; Paulson 77; Tilden II:58[f]

title: Taking away the military belt or girdle


title: Cutting off the nose

text: Dobson 25; Paulson 80; Tilden II:58[g]

title: Cutting off the nose


title: Fustigatio

text: Dobson 25; Paulson 67; Tilden II:58[j]

title: Fustigatio


title: Issued barley instead of wheat

text: Dobson 25; Paulson 79; Tilden II:58[h]

title: Issued barley instead of wheat


title: Decimation

text: Dobson 25; Paulson 68; Tilden II:58[i]

title: Decimation


title: Breaking the legs

text: Dobson 25; Paulson 74; Tilden II:58[k]

title: Breaking the legs


title: Hanging by the thumbs

text: Dobson 25; Paulson 81; Tilden II:58[l]

title: Hanging by the thumbs


title: Shameful discharge

text: Dobson 25; Paulson 76; Tilden II:58[m]

title: Shameful discharge


title: Dismemberment, etc.

text: Dobson 25; Paulson 71; Tilden II:58[n]

title: Dismemberment, etc.


title: Beheading

text: Dobson 25; Paulson 69; Tilden II:58[o]

title: Beheading


title: Fustium admonitio

text: Dobson 25; Paulson 75; Tilden II:58[p]

title: Fustium admonitio


title: Frontispiece: A Seated Roman General on a camp stool

text: Dobson 25; Paulson 66; Tilden II:58[q]


title: Cassandra, Frontispiece, Vol. 1

text: Dobson 24; Paulson 58; Tilden II:59[a]

title: Cassandra, Frontispiece, Vol. 1


title: Cassandra, Frontispiece, Vol. 2

text: Dobson 24; Paulson 59; Tilden II:59[b]

title: Cassandra, Frontispiece, Vol. 2


title: Cassandra, Frontispiece, Vol. 3

text: Dobson 24; Paulson 60; Tilden II:59[c]

title: Cassandra, Frontispiece, Vol. 3


title: Cassandra, Frontispiece, Vol. 4

text: Dobson 24; Paulson 61; Tilden II:59[d]

title: Cassandra, Frontispiece, Vol. 4


title: Cassandra, Frontispiece, Vol. 5

text: Dobson 24; Paulson 62; Tilden II:59[e]

title: Cassandra, Frontispiece, Vol. 5


title: The New Metamorphosis (2) [Fantasio at the Feast of St. Theresa]

text: Dobson 20; Paulson 46; Tilden II:60[a]


title: The New Metamorphosis (3) [The Abduction of Camilla]

text: Dobson 20; Paulson 47; Tilden II:60[b]


title: The New Metamorphosis (6) [Cupid and Psyche]

text: Dobson 20; Paulson 50; Tilden II:60[c]


title: The New Metamorphosis (1: Frontispiece) [Apulius and Lucian]

text: Dobson 20; Paulson 45; Tilden II:60[d]


text: Dobson 20; Paulson 48; Tilden II:60[e]


title: The New Metamorphosis (7) [Fantasio and Donna Angela]

text: Dobson 20; Paulson 51; Tilden II:60[f]


title: Gulliver presented to the Queen of Babilary

text: Dobson 54; Paulson 218; Tilden II:61[a]


title: Perseus Slaying Medusa

text: Dobson 53; Paulson 115; Tilden II:61[c]

title: Perseus Slaying Medusa


title: The New Metamorphosis (5) [Fantasio as a Lap-Dog in Donna Theresa's Bedchamber]

text: Dobson 20; Paulson 49; Tilden II:61[d]


title: Perseus Rescuing Andromeda

text: Dobson 52; Paulson 116; Tilden II:61[e]

title: Perseus Rescuing Andromeda


title: The Highland Fair [frontispiece]

text: Dobson 56; Paulson 221; Tilden II:61[f]

title: The Highland Fair [frontispiece]


title: The Highland Fair [frontispiece]

text: Dobson 55; Paulson 220; Tilden II:61[g]

title: The Highland Fair [frontispiece]


title: Corporal Trim reading the sermon upon Conscience [Frontispiece]

text: Dobson 169; Paulson 233; Tilden II:62[a]


title: The Master of the Vineyard [Frontispiece]

text: Dobson 22; Paulson 52; Tilden II:62[b]


title: The Arms of John Holland

text: Dobson 350; Paulson 207; Tilden II:62[c]

title: The Arms of John Holland


title: The Arms of John Holland

text: Dobson 350; Paulson 207; Tilden II:62[d]

title: The Arms of John Holland


title: The Humours of Oxford [frontispiece]

text: Dobson 51; Paulson 217; BM Sat. 1835; Tilden II:62[e]

title: The Humours of Oxford [frontispiece]


title: Hudibras and the Skimmington

text: Dobson 42; Paulson 14; BM Sat.524; Tilden II:63[a]

title: Hudibras and the Skimmington


title: Hudibras visiting Sidrophel

text: Dobson 30; Paulson 16; BM Sat.526; Tilden II:63[b]

title: Hudibras visiting Sidrophel


title: Sidrophel examining the kite through his telescope

text: Dobson 30; Paulson 15; BM Sat.525; Tilden II:63[c]


text: Dobson 30; Paulson 17; BM Sat.527; Tilden II:63[d]


title: Hudibras wooing the Widow

text: Dobson 30; Paulson 18; BM Sat.528; Tilden II:63[e]

title: Hudibras wooing the Widow


title: Hudibras and the Lawyer

text: Dobson 30; Paulson 21; BM Sat.531; Tilden II:63[f]

title: Hudibras and the Lawyer


title: Burning the rumps at Temple Bar

text: Dobson 30; Paulson 20; BM Sat.530; Tilden II:63[g]

title: Burning the rumps at Temple Bar


title: Hudibras catechized

text: Dobson 30; Paulson 19; BM Sat.529; Tilden II:63[h]

title: Hudibras catechized


title: Hudibras' first adventure

text: Dobson 30; Paulson 7; BM Sat.517; Tilden II:64[a]

title: Hudibras' first adventure


title: Hudibras sallying forth

text: Dobson 30; Paulson 6; BM Sat.516; Tilden II:64[b]

title: Hudibras sallying forth


title: Portrait of Samuel Butler [frontispiece]

text: Dobson 30; Paulson 5; Tilden II:64[d]


title: Hudibras and Ralpho disputing

text: Dobson 30; Paulson 13; BM Sat. 523; Tilden II:64[e]

title: Hudibras and Ralpho disputing


title: Trulla attacking Hudibras

text: Dobson 30; Paulson 9; BM Sat.519; Tilden II:64[f]

title: Trulla attacking Hudibras


title: Hudibras vanquished by Trulla

text: Dobson 30; Paulson 10; BM Sat. 520; Tilden II: 64[g]

title: Hudibras vanquished by Trulla


title: Hudibras and Ralpho made prisoners and carried to the stocks

text: Dobson 30; Paulson 11a; BM Sat. 521; Tilden II:64[h]


title: Hudibras in tribulation

text: Dobson 30; Paulson 12; BM Sat. 522; Tilden II: 64[i]

title: Hudibras in tribulation


title: Hudibras [frontispiece]

text: Dobson 31; Paulson 82; BM Sat. 504; Tilden II:65[a]

title: Hudibras [frontispiece]


title: Hudibras Sallying Forth

text: Dobson 32; Paulson 83; BM Sat. 505; Tilden II:65[b]

title: Hudibras Sallying Forth


title: Hudibras' First Adventure

text: Dobson 33; Paulson 84; BM Sat. 506; Tilden II:66[a]

title: Hudibras' First Adventure


title: Hudibras in Tribulation

text: Dobson 36; Paulson 87; BM Sat. 509; Tilden II:66[b]

title: Hudibras in Tribulation


title: Hudibras and the Lawyer

text: Dobson 37; Paulson 93; BM Sat. 515; Tilden II:67[a]

title: Hudibras and the Lawyer


title: Hudibras vanquished by Trulla

text: Dobson 35; Paulson 86; BM Sat. 508; Tilden II:67[b]

title: Hudibras vanquished by Trulla


title: Hudibras catechized

text: Dobson 34; Paulson 90; BM Sat. 512; Tilden II:68[a]

title: Hudibras catechized


title: Hudibras and Sidrophel

text: Dobson 38; Paulson 89; BM Sat.511; Tilden II:68[b]

title: Hudibras and Sidrophel


title: The Committee

text: Dobson 39; Paulson 91; BM Sat. 513; Tilden II: 69[a]

title: The Committee


title: Hudibras triumphant

text: Dobson 40; Paulson 85; BM Sat. 507; Tilden II: 69[b]

title: Hudibras triumphant


title: Hudibras and the Skimmington

text: Dobson 42; Paulson 88; BM Sat. 510; Tilden II: 70

title: Hudibras and the Skimmington


title: Burning the rumps at Temple Bar

text: Dobson 41; Paulson 92; BM Sat. 514; Tilden II: 71

title: Burning the rumps at Temple Bar


title: Burning the rumps at Temple Bar

text: Dobson 41(ii); Paulson 92; BM Sat. 514; Tilden II: 72

title: Burning the rumps at Temple Bar


title: Hudibras and Sidrophel

text: Le Blanc 36; Roux pg. 5

title: Hudibras and Sidrophel


title: The Funeral of Chrysostum

text: Dobson 308; Paulson 94; Tilden II: 74[a]

title: The Funeral of Chrysostum


title: Quixote being cared for by the Innkeeper's wife and daughter

text: Dobson 308; Paulson 95; Tilden II: 74[b]


title: The Adventure of Mambrino's helmet

text: Dobson 308; Paulson 96; Tilden II: 74[c]

title: The Adventure of Mambrino's helmet


title: The Freeing of the galley slaves

text: Dobson 308; Paulson 97; Tilden II: 75[a]

title: The Freeing of the galley slaves


title: Dox Quixote and the Knight of the Rock

text: Dobson 308; Paulson 98; Tilden II: 75[b]

title: Dox Quixote and the Knight of the Rock


title: The Curate and barber disguising themselves

text: Dobson 308; Paulson 99; Tilden II: 75[c]


title: Sancho's feast

text: Dobson 72; Paulson 100; Tilden II: 76[a]

title: Sancho's feast


title: Four Heads from the Raphael cartoons at Hampton Court

text: Dobson 192; Paulson 264; Tilden II: 76[b]


title: Et Spes & ratio Studiorum in Caesare tantum. Just.

text: Dobson 173(iii); Paulson 236; Tilden II: 77[a]


title: Esse quid hoc dicam? -- vivis quod Fama negatur -- Mart.

text: Dobson 174(ii); Paulson 237; Tilden II: 77[b]


title: [Monkey watering dead plants]

title: [Monkey watering dead plants]


text: Dobson 173 (2d. version); Paulson 236; BM Sat. 3808; Tilden II: 77[d]


title: Frontispiece to Kirby's 'Perspective of Architecture' [London: R. Francklin, 1761]

text: Dobson 170; Paulson 235; Tilden II: 78[a]


title: Satire on False Perspective

text: Dobson 157; Paulson 232; BM Sat. 3254; Tilden II: 78[b]

title: Satire on False Perspective


title: Analysis of Beauty, Plate I

text: Dobson 155; Paulson 195; Tilden II: 79

title: Analysis of Beauty, Plate I


title: Analysis of Beauty, Plate II

text: Dobson 156(i); Paulson 196; BM Sat. 3226; Tilden II: 80

title: Analysis of Beauty, Plate II


title: Analysis of Beauty, Plate II

text: Dobson 156(ii); Paulson 196; BM Sat. 3226; Tilden II: 81

title: Analysis of Beauty, Plate II


title: The Lottery

text: Dobson 3(ii); Paulson 53; BM Sat. 1730; Tilden III: 1[a]

title: The Lottery


title: The South Sea Scheme

text: Dobson 4(v); Paulson 43; BM Sat. 1722; Tilden III: 1[b]

title: The South Sea Scheme


title: The Lottery

text: Dobson 3(iv); Paulson 53; BM Sat. 1730; Tilden III: 2

title: The Lottery


title: The Punishment Inflicted on Lemuel Gulliver

text: Dobson 44(ii); Paulson 107; BM Sat. 1797; Tilden III: 3[a]


title: The Mystery of Masonry Brought to Light by the Gormogons

text: Dobson 106(iii); Paulson 55; BM Sat. 2549; Tilden III: 3[b]


title: The Doctors in Labour, or A New Whim-Wham from Guildford

text: BM Sat. 1781; Tilden III: 4[a]


title: Cunicularii, or the Wise Men of Godliman in Consultation

text: Dobson 43; Paulson 106; BM Sat. 1779


title: Berenstadt, Cuzzoni, and Senesino

text: Dobson 27; Paulson [pg. 34, no. 12]; BM Sat. 1768; Tilden III: 5[a]

title: Berenstadt, Cuzzoni, and Senesino


title: The Beggar's Opera' Burlesqued

text: Dobson 49(v); Paulson [pg. 34, no. 9]; BM Sat. 1807; Tilden III: 5[b]

title: The Beggar's Opera' Burlesqued


title: Masquerades and Operas

text: Dobson 21; Paulson 44; BM Sat. 1742; Tilden III: 6[a]

title: Masquerades and Operas


title: AJust View of the British Stage

text: Dobson 26(i); Paulson 57; BM Sat. 1761; Tilden III: 6[b]

title: AJust View of the British Stage


title: Rich's Glory, or his Triumphant Entry into Covent Garden

text: Dobson 61(ii); Paulson [pg. 35, no. 16]; BM Sat. 1899; Tilden III: 6[c]


title: ATrue Picture of the Famous Skreen Describ[e]d in the Lond[o]n Journ[a]l No. 85

text: BM Sat. 1711; Tilden III: 7[a]


title: Cromwell Mortimer

text: Dobson 367; Paulson [pg. 33, no. 4]; BM Sat. 2681; Tilden III: 7[b]

title: Cromwell Mortimer


title: The Prevailing Candidate, or the Election carried by Bribery and the Devil

text: Dobson 371; Tilden III: 7[c]


title: North and South of Great Britain

text: Tilden III: 8[a]

title: North and South of Great Britain


title: ALiving Dog Is Better Than A Dead Lion

text: Tilden III: 8[b]

title: ALiving Dog Is Better Than A Dead Lion


title: The Charmers of the Age

text: Dobson 107; Paulson 153; BM Sat.2569; Tilden III:9[a]

title: The Charmers of the Age


title: Sketches of Quin and Garrick

text: Dobson 261; Tilden III: 9[b]

title: Sketches of Quin and Garrick


title: The Bruiser, C.C. Churchill...

text: Dobson 183(ii); Paulson 215; BM Sat.4084; Tilden III: 10

title: The Bruiser, C.C. Churchill...


title: The Bruiser, C.C. Churchill...

text: Dobson 183(iii); Paulson 215; BM Sat.4084; Tilden III: 11

title: The Bruiser, C.C. Churchill...