title: Irene and Vernon Castle partnering each other

text: Castle, Vernon, 1887-1918

text: Castle, Irene, 1893-1969

type: topic

text: Ballroom dancing

text: United States

text: photographs by Moffett.

abstracts: Vernon and Irene Castle, in two different settings, demonstrate turns and other dance movements. He dressed in waist-length dinner jacket and she in two different three-quarter length dresses made of light translucent fabric.

text: Photographs

extent: 6 photographic prints : b&w ; 24 x 20 cm. or smaller.

rights: Can be sold through 3rd party print partner (e.g., New York Times)

rights: Can be used in products created by NYPL for commercial gain (e.g., Library Shop, CDs, DVDs, etc.)

rights: Vernon Castle died in Texas in 1918 (term of 50 years after death for right of publicity). Irene died in Arkansas in 1969. As of 2015 there is no right of publicity statute for protections post mortem in that state.


mmsType: Item

field: dateCreated

title: Sofonisba Angusciola Pittrice' [Sofonisba Anguissola]

sourceSystem: mms

namePart: Baillie, William

authority: ulan

usage: primary

type: name

nameType: personal

authority: naf

text: Anguissola, Sofonisba, ca. 1532 or 3-1625

type: bibliography

text: Muller, Frederick. [Muller & Co.] Les femmes artistes. Catalogue d'une collection unique de dessins, gravures et eaux-fortes composes ou exécutés par des femmes. [Amsterdam, 1884]

type: citation/reference

text: Muller 828

type: statement of responsibility

text: William Baillie (British, 1723-1818)

rights: Can be used inside free NYPL exhibition catalogs and in free NYPL brochures

rights: Can be used in advertising for NYPL exhibitions, on catalog covers, in press kits, or fundraising activities

rights: Over 3000 images of etchings, lithographs and drawings from European artists from the 16th through 19th centuries. The details for all images include the names of the creator and other persons associated with the work, and also the life dates of these people. Seventy years has passed from the death date of all persons associated with these images. Therefore, all are in the public domain.

rights: We believe that this item has no known US copyright restrictions. The item may be subject to rights of privacy, rights of publicity and other restrictions. Though not required, if you want to credit us as the source, please use the following statement, "From The New York Public Library," and provide a link back to the item on our Digital Collections site. Doing so helps us track how our collection is used and helps justify freely releasing even more content in the future.

collectionTitle: Samuel Putnam Avery Collection


keyDate: yes

point: start

point: end

title: "Me licet haud vincat Cytherea senecta colores / Quam cito, me febres et Libitina rapit!

callNumber: MEZAT

namePart: Bary, Hendrik, ca. 1640-1707

namePart: Borch, Gerard ter, 1617-1681

type: personal

authority: local

text: Koker, Anna Maria de, ca. 1650-1698

text: Muller 866

text: Gerard Terborch II (Dutch, 1617-1681) (After)

title: Anna Maria de Koker


title: Elizabeth Sophie Chéron femme de Jacques le Hay....

namePart: Chéreau, François, 1680-1729

namePart: Chéron, Elisabeth Sophie, 1648-1711

text: Chéron, Elisabeth Sophie, 1648-1711

text: Muller 841

text: Elisabeth Sophie Chéron (French, 1648-1711) (After)


title: "Music has charms"

namePart: Cosway, Maria Hadfield, 1759-1838

namePart: Cosway, Richard, 1740-1821

text: Grolier 93

text: Maria Louisa Catherine Cecilia Cosway (British, 1759-1838)

title: "Music has charms"

abstracts: The cupid is a portrait of Cosway's daughter, Louisa Paolina Angelica


title: Nancy - A woman of colour or negro

callNumber: Sc MG 76

title: Nancy - A woman of colour or negro

supplied: yes

authority: lctgm

text: Correspondence

collectionTitle: Miscellaneous American letters and papers.


title: The Foundling

namePart: André, Madame, active late 18th century

namePart: Spencer, Lavinia

text: Grolier 4

text: Madame André (French, active late 18th century), Countess Lavinia Spencer (British, 1762-1831) (After)

title: The Foundling


title: Margeurite Le Comte, des académies de peinture, et de belles letres de Rome, Boulogne, Florence et de Parme

callNumber: MESG

namePart: Lempereur, Louis Simon

namePart: Watelet, Claude-Henri

donor: Anonymous

namePart: Lempereur, Louis Simon, 1728-1807

namePart: Watelet, Claude-Henri, 1718-1786

text: Le Comte, Marguerite

text: Portalis & Beraldi 23

type: admin

text: Louis Simon Lempereur (French, 1725-1796)

text: Prints

text: Portraits


field: dateIssued

title: Citizens that have been arrested

nameType: corporate

text: United Mine Workers of America

authority: lcsh

text: Coal miners

type: geographic

text: West Virginia

text: Coal mines and mining

text: West Virginia

title: Portraits of the coal miners

title: Citizens that have been arrested

text: Portraits

collectionTitle: Paint Creek district, West Virginia, Conditions in


title: Young girl

namePart: Cosway, Maria Hadfield

text: NYPL 2

title: Young girl

text: Prints

collectionTitle: Maria Coswayprints


title: Shepherd

text: NYPL 1

title: Shepherd

text: Prints


title: Alfred. VR del. & lith. Jan. 30, 1846

namePart: Victoria, Queen of Great Britain

donor: Miss A. Scott-Elliot

namePart: Victoria, Queen of Great Britain, 1819-1901

text: Scott-Elliot 90

text: Queen Victoria  of England (British, 1819-1901)

type: acquisition

text: Gift of Miss A. Scott-Elliot

text: Kept with her etchings

title: Alfred. VR del. & lith. Jan. 30, 1846


title: Ridley BuildingPlate 106

namePart: Jackson Architectural Iron Works

type: corporate

text: Edward Ridley & Sons

text: Department stores

type: numbering

text: 739549 A

title: Ridley Building Plate 106

partNumber: Plate 106

abstracts: Cast-iron front executed by Jackson Architectural Iron Works. From designs of William Shears, architect.

text: Prints

collectionTitle: Jackson Architectural Iron Works


title: Woman of the Fualu clan (east coast of New Caledonia), of pure Melanesian raceFig. 153, page 498

namePart: Deniker, Joseph, 1852-1918

namePart: Ellis, Havelock, 1859-1939

text: Melanesians

text: New Caledonia

text: Photo by E. Robin

title: Woman of the Fualu clan (east coast of New Caledonia), of pure Melanesian race Fig. 153, page 498

text: Book illustrations

collectionTitle: The races of manan outline of anthropology and ethnography


title: Tahitian woman of Papeete, twenty-six years old. Pure Polynesian raceFig. 154, page 502

namePart: Bonaparte, Roland, prince, 1858-1924

text: Tahitians

text: French Polynesia

text: Papeete

text: Tahitians

text: Women

text: Photo by Prince Roland Bonaparte.

title: Tahitian woman of Papeete, twenty-six years old. Pure Polynesian race Fig. 154, page 502

typeOfResource:
still image
text

text: Book illustrations


title: Tahitian of Papeete, pure Polynesian raceFig. 156, page 504

text: Tahitians

text: French Polynesia

text: Papeete

text: Tahitians

text: Men

title: Tahitian of Papeete, pure Polynesian race Fig. 156, page 504

text: Book illustrations


title: Mortgaging the farm

namePart: Lane, Fitz Henry, 1804-1865

namePart: Pendleton's Lithography

text: Farmers

text: Farms

text: Fitz Hugh Lane (American, 1804-1865)

title: Mortgaging the farm

text: Prints


title: Pretty pet

text: Cats in art

text: Children and animals

text: Fitz Hugh Lane (American, 1804-1865)

title: Pretty pet

text: Prints


title: The love letter: typescript, 1921

oclc: Local - AREV Theatre Scripts

namePart: Jacobi, Viktor, 1883-1921

namePart: Molnár, Ferenc, 1878-1952

namePart: LeBaron, William, 1883-1958

text: Molnár, Ferenc, 1878-1952

type: titleInfo

text: The phantom rival

type: creation/production credits

text: Adapted by William LeBaron from "The Phantom Rival" by Ferenc Molnar. Produced by Charles Dillingham at the Globe Theatre (NY), October 4, 1921.

type: source note

text: Forms part of the Burnside-Frohman Collection.

title: The love letter: typescript, 1921

text: Typescripts

authority: aat

text: scripts

collectionTitle: Billy Rose Theatre Collection scripts


title: Chelsea Fire Club record book

callNumber: MssCol 638

namePart: Chelsea Fire Club

donor: J. Pierpont Morgan

text: Fire clubs (Cooperative societies)

text: Connecticut

text: Norwich

text: Fire prevention

text: Connecticut

text: Norwich

text: Norwich (Conn.)

text: History

type: temporal

text: 18th century

type: occupation

text: Fire fighters

text: Donated by J. Pierpont Morgan, 1899, as part of the Ford collection.

type: funding

text: Digitization was made possible by a lead gift from The Polonsky Foundation.

title: Chelsea Fire Club record book

abstracts: The Chelsea Fire Club of Norwich, Connecticut was a voluntary association instituted on December 11, 1788 to protect the waterfront district of Chelsea, or Norwich Landing, from fire. The Club's first elected officers were Ebenezer Whiting, chairman, and Ebenezer Huntington, secretary. Participants included Jabez Huntington, Levi Huntington, and members of the Coit, Howland and Perkins families, among others. The Chelsea Fire Club record book, dated 1788 to 1796, contains the Club's by-laws, meeting minutes, and an account of fines paid by members. Minutes dated 1788 December 11 to 1796 May 6 concern attendance, membership, and the election of officers; Club regulations; maintenance of fire-fighting equipment; procedures for fire alarms; and petitioning local government for support. The possible dissolution of the Club was raised at the annual meeting of December 22, 1795, and on May 6, 1796 the Club voted to transfer the care of its fire engine, engine house and apparatus to Norwich's Second Ward fire company.

text: bylaws

text: minutes


title: Preface excerpt with appearance of Hebrew

type: topic

text: Bible O.T.: Psalms, Metrical

text: Bay Psalm book, 1640

text: prefaces

collectionTitle: Bible. Psalms. English. 1640


title: Hugh Gaine receipt book

callNumber: MssCol 1102

namePart: Gaine, Hugh

donor: Anderson Galleries

text: Booksellers and bookselling

text: New York (State)

text: New York

text: Papermakers

text: New York (State)

text: Printers

text: New York (State)

text: New York

text: Publishers and publishing

text: New York (State)

text: New York

text: Real property

text: New York (State)

text: Real property

text: New York (State)

text: New York

text: New York (N.Y.)

text: History

text: New York (N.Y.)

text: History

text: Colonial period, ca. 1600-1775

text: Purchased from Anderson Galleries, 1919.

type: biographical/historical

text:
Hugh Gaine (1726 or 1727-1807) was a prominent American printer, bookseller, and newspaper publisher who maintained a flourishing shop in New York City from 1752 to 1804. From 1752 to 1783 he printed and published the New-York Mercury, later the New-York Gazette, and the Weekly Mercury. Gaine acquired additional wealth through his real estate holdings in Manhattan and upstate New York, and was a founding partner of the Onderdonk paper mill on Long Island, New York in 1773. Although he supported American interests throughout most of the year 1776, his decision to continue publishing his newspaper as a Loyalist during the British occupation of New York tainted his reputation among patriot contemporaries.

Hugh Gaine was a native of Portglenone in the Parish of Ahogill, County Antrim, Ireland. Beginning in 1740 he was an apprentice to Samuel Wilson and James Magee, printers in Belfast. After their partnership dissolved in 1744, he emigrated to New York and worked for James Parker, a printer. In 1752 he established his own printing and bookshop, settling at Hanover Square in 1757. Gaine carried a broad stock at the sign of the "Bible and Crown," including almanacs, Bibles, instructional books, medical and law books, and literature. He also sold stationery, lottery and theater tickets, and a selection of general merchandise. Hugh Gaine was an active supporter of theater in New York throughout his career.

When British forces captured New York in September 1776, Gaine fled to Newark, New Jersey. He printed the New-York Gazette, and the Weekly Mercury there in support of American interests, while British authorities used his shop press to publish a paper under the same name. Unable to succeed due to the unsettled conditions in New Jersey, Gaine returned to New York and resumed printing at his Hanover Square shop in early November. Although he ceased publication of his newspaper in late 1783, he continued his usual business operations, now at the sign of "the Bible."

Prior to the American Revolution, Gaine was an official printer for the Province of New York and the City of New York, and he resumed such work after the war. With paper always in short supply, in 1773 Gaine invested in a paper mill at Hempstead Harbor, Long Island with Hendrick Onderdonk and Henry Remsen, while acquiring paper from other parties as well.

In the 1790's Gaine moved his shop to 148 Pearl Street, and by the end of the decade he was advertising under the partnership of Gaine & Ten Eyck. Hugh Gaine ceased printing in 1800, although the bookshop continued to operate into 1804. According to newspaper notices in November of that year, the firm had recently dissolved and the shop’s stock was sold. Also during this time Gaine promoted the formation of professional book trade associations and book fairs.

Hugh Gaine remained active in business affairs until shortly before his death. Over the years Gaine amassed real estate holdings in Manhattan and acquired land in upstate New York. At one time he served as a tax assessor for the City. Gaine attended St. Paul's Chapel and Trinity Church, and supported various civic and philanthropic organizations, including the New York Society Library and New York Hospital. Hugh Gaine was married twice, to Sarah Robbins in 1759, and to Cornelia Wallace in 1769, and had five children.

type: content

text:
The Hugh Gaine receipt book, dated 1767 to 1799, contains entries written and signed by recipients of money from Hugh Gaine for expenses relating to his printing and bookselling business, his real estate holdings and, to a lesser extent, his personal and family life.

Brief entries from 1767 November 16 to 1799 November 12 identify the services, goods, and settlement of accounts for which payment was received. There are no entries between 1776 June 16 and 1777 February 8, during which time Gaine left the City for Newark and returned. On 1772 May 4 and 1784 April 24, Hugh Gaine signed his name to acknowledge settlement of accounts.

Hugh Gaine's business activities are shown in freight charges for shipments from England, some handled by John Harris Cruger, and dealings with members of notable New York families, such as the Bleecker, Verplanck, Duyckinck, Van Dam, Ten Eyck, Colden and Lenox families. Transactions with those notably connected with the printing or publishing trades include Mathew Carey (on his own account and for others in Philadelphia), James Parker's widow Mary Parker, William Young, Peter R. Maverick, Ebenezer Larkin for Isaiah Thomas, and Jedidiah Morse. The name of British cartographer Bernard Ratzer also appears in the volume. There are payments for merchandise purchased by or consigned to Gaine, such as beaver hats, instruments and, in 1776, drums and fifes from the father of John Falkenhan.

There are numerous entries for the purchase, freight or sale of paper signed by various parties, and dealings with Hendrick and Andrew Onderdonk and Henry Remsen regarding the paper mill on Long Island. Services for labor are represented in payments for salaried staff, newspaper carriers and domestic workers, and in payments for the labor of African-Americans, presumably to slave owners. There are many payments for masonry and other services relating to his properties, especially during the postwar period.

The receipt book also documents the ownership or rental of various properties in Manhattan, the purchase of land in upstate New York, and other investments. Notably, rental charges paid by Gaine for a playhouse and adjoining land on John Street (the John Street Theatre) are listed from 1768 through the early 1790s.

Personal items include occasional payments by Gaine for pew rentals and donations to St. Paul’s Chapel and Trinity Church, a subscription to the New York Society Library, his personal grooming (shaving and the purchase of wigs), and expenses such as tutoring, board and medical care for his son John.

title: Hugh Gaine receipt book

abstracts: Hugh Gaine (1726 or 1727-1807) was a prominent American printer, bookseller and newspaper publisher who maintained a flourishing shop in New York City from 1752 to 1804. From 1752 to 1783 he printed and published the New-York Mercury, later the New-York Gazette, and the Weekly Mercury. The Hugh Gaine receipt book, dated 1767 to 1799, contains entries written and signed by recipients of money from Hugh Gaine for expenses relating to his printing and bookselling business, his real estate holdings and, to a lesser extent, his personal and family life.

text: account books

text: receipts

rights:
No evidence of an authorized publication of material after 1923.

Digitization was made possible by a lead gift from The Polonsky Foundation. (funding)


title: Gymnastische Künste

originInfo: 18301839Berlinbei Winckelmann & Söhne

callNumber: *MGZFH Acr 1

namePart: Winckelmann und Söhne

text: Acrobatics

text: Dance

text: Germany

text: 19th century

text: Rope dancing

text: Number 54, lower left corner.

title: Gymnastische Künste

abstracts: Nineteen acrobats and tightrope walkers, including a couple dancing on a high wire; a young man suspended from a tightrope by his ankle, a doll hanging from his teeth; a rope dancer with a balancing pole, a child suspended from each ankle; a man pushing a wheel barrow up a high wire.

text: Prints

collectionTitle: Prints depicting dance


title: American home scenes

originInfo: 1861New York

callNumber: *MGZFH Ame 1

text: Dance, Black

text: United States

text: A double-page illustration from Harper's Weekly.

title: American home scenes

abstracts: Six vignettes captioned The apple cut, The dance, Quilting, Husking corn, The breakdown, and Raffling.  Upper center a family is dancing in a small, plain room to the music of a fiddler.

abstracts: Lower center two slaves dance to the accompaniment of a banjo.  A dozen friends are sitting or standing in the background.

text: Prints


title: Le feu

originInfo: 17401749Parischez la veuve de F. Chereau

callNumber: *MGZFH Aud B Feu 1

namePart: Audran, Benoit, 1698-1772

namePart: Lancret, Nicolas, 1690-1743

text: Folk dancing

text: Musicians

text: Fires

text: N. Lancret pinxit; B. Audran sculp.

text: Eight lines of poetry in French.

title: Le feu

abstracts: Nine villagers dance in an outdoor setting; a musician sits at left playing a reed instrument, spectators look down from a balcony at right; a fire and clouds of smoke in background, referring to the fire in the hearts of the dancers.

abstracts: One of a set of four figurative plates symbolizing the four elements.

text: Prints


title: Bal chinois donné par l'empereur une fois tous les ans aux jours gras

originInfo: 17801789Parischez Jacques au desous de la Fontaine St. Severin

callNumber: *MGZFH Bal C 1

text: Costume

text: China

text: Clowns

text: Caption [printed in reverse]: Bal chinois.

text: A version of *MGZFD  Bal C  1, with variant publisher information and coloring.

abstracts: A bare-breasted girl dances at center, her partner is costumed as a hunchbacked fool. Guests in oriental attire sitting or standing in a semi-circle at back; musicians playing string and wind instruments at right.

text: Prints

extent: Engraving, colored, image: 30.1 x 44 cm.


title: Le Château des Fleurs

originInfo: 18701879ParisA. F. Lemaitre

callNumber: *MGZFH Bet J Châ 1

namePart: Bettannier, Joseph

namePart: Vernier, Charles, 1831-1887

text: Dance

text: France

text: 19th century

text: pleasure gardens

text: Ch. Vernier del., Bettannier lith.

title: Le Château des Fleurs

abstracts: Various people at the pleasure garden Le Château des Fleurs, with the principal couple foreground center. The woman, dancing with sultry, half-closed eyes, leans forward on her left foot, her right leg extended behind her. She is wearing a bonnet, off-the-shoulder blouse, and skirt with three tiers of flounces. The man is poised on his right foot, his left knee raised to front. He holds her left hand.

text: Prints

extent: Lithograph, colored, image: 31 x 23 on sheet 50.7 x 38 cm.


title: Mabille

originInfo: 18701879ParisD'Amerval, Editeur

callNumber: *MGZFH Bet J Mab 1

text: Dance

text: France

text: 19th century

text: pleasure gardens

text: Below image: Hyacinthe del., Bettannier lith.

text: Print no. 5 in the series Paris au bal.

title: Mabille

abstracts: Three Couples execute a swirling dance at the Bal Mabille dancing gardens. At right is a tropical tree hung with lights.

text: Prints

extent: Lithograph, colored, image: 31 x 24 on sheet 54 x 38.5 cm.


title: [Branle]

originInfo: 16501659Parisle Blond execud avec privilege

callNumber: *MGZFH Bos A Bra 1

namePart: Bosse, Abraham, 1602-1676

text: Branle (Dance)

text: Four stanzas of Alexandrine poetry.

type: publications

text: Cf. *R-*MGR  Vuillier, Gaston.  A history of dancing, 1898, p. 79. Reproduction.

title: [Branle]

abstracts: Outdoor village wedding celebration. Several couples dance a branle at center; elderly man at right peers through glasses at his wife, who dances with another man. Two musicians play wind instruments at left. Women wear high-waisted dresses; men wear wide-brimmed hats, lace collars, short-waisted doublets, loose pants. A church, trees and houses in background.

text: Prints

extent: Engraving, including legend and border: 26 x 33 cm.


title: [Courante]

originInfo: 16501659ParisLe Blond execud avec privilege du roy

callNumber: *MGZFH Bos A Cou 1

text: Courante (Dance)

text: Musicians

type: statement of responsibility

text: Bosse sc. et fe.

text: Four stanzas of Alexandrine poetry.

text: Cf. *R-*MGR  Vuillier, Gaston.  A history of dancing, 1898, p. 80. Reproduction.

title: [Courante]

abstracts: Large room with tapestries on walls. Three musicians play stringed instruments at background left. Couple advance at center, side-by-side, dancing a courante. Guests converse or watch. Men wear lace collars, short-waisted doublets, broad-brimmed hats with feathers; women wear high-waisted dresses with puffed sleeves.

text: Prints

extent: Engraving, including legend and border: 26 x 34 cm.


title: Brevets de danse

callNumber: *MGZFH  Bre 1-2

text: Male dancers

text: Dance

text: France

text: 19th century

text: The engraving was printed by Fournier, Paris.

text: The lithograph is credited to the Fabrique d'Estampes de Gaugel, Metz. It is hand-colored, with gold pigment applied over the glazing.

title: Brevets de danse

abstracts: Dance diplomas, each depicting a man in military uniform dancing at the center of an audience of men and women. The engraving printed by Fournier has been filled in and includes the date, 21 Novembre 1841. The man performs with a stick in a room decorated with chandeliers, candelabra, and draperies; a five-man orchestra plays in a box behind him. In the lithograph, the man dances on a veranda; in the background are pillars adorned with bunting, and views of a city and mountains beyond; an orchestra plays in a box at left. The picture's border incorporates the words, reading clockwise from center, "Graces et décence. Légèreté. Vif au plaisir ardent au travail. Agilité."

text: Prints

extent: 1 print : engraving, etching, col. ; 25 x 34 cm.

extent: 1 print : lithograph with glazed surface, metallic pigment, col. ; 32 x 49 cm.


title: [Ancient dancing]

callNumber: *MGZFH Can A 1

namePart: Canova, Antonio, 1757-1822

type: personal

namePart: Boni, Giovanni Martino dei, b. 1753

text: Dance

text: History

text: To 1500

text: A. Canova inv., Gio. Martino de Boni inc.

title: [Ancient dancing]

abstracts: Depicted are two barefooted women wearing belted diaphanous dresses.  The woman on the left, viewed in profile, is striking a triangle.  The dancer on the right is poised on her left foot, her hands on her hips.

text: Prints


title: [Ancient dancing]

callNumber: *MGZFH Can A 2

namePart: Cunego, Luigi, d. 1823

text: Dance

text: History

text: To 1500

text: Canova inv., Luigi Cunego inc.

title: [Ancient dancing]

abstracts: Two women are dancing, viewed full length to the front.  They are both wearing sleeveless Grecian dresses.  The woman on the left is holding her skirt with both hands.  The other woman stands on her left foot, her left wrist at her waist.  On the ground are a tambourine and a stake to which two hand cymbals are attached.

text: Prints


title: [Ancient dancing]

callNumber: *MGZFH Can A 3

text: Dance

text: History

text: To 1500

text: Canova inv., Gio. Martino de Boni inc.

title: [Ancient dancing]

abstracts: A young woman in Grecian attire, full length to front, in bare feet, balanced on her left foot, her right foot behind.  Her hands are held above her head.

text: Prints


title: [Ancient dancing]

callNumber: *MGZFH Can A 4

text: Dance

text: History

text: To 1500

text: Canova inv., Luigi Cunego inc.

title: [Ancient dancing]

abstracts: A young woman dancing, balanced on her left foot, her right leg behind, looking left, holding hand cymbals above her head.  She is barefooted and is wearing a semi-sheer sleeveless dress.

text: Prints


title: [Ancient dancing]

callNumber: *MGZFH Can A 5

text: Dance

text: History

text: To 1500

text: Canova inv., Gio. Martino de Boni inc.

title: [Ancient dancing]

abstracts: A young woman dancing, full length to slight right, looking right, poised on her left foot, her right foot behind.  She is holding a scarf that billows above her head.

text: Prints


title: Hommage à la Liberté

callNumber: *MGZFH Che J Hom 1

namePart: Chereau, Jacques-François, 1742-1794

text: Dance

text: France

text: History

text: Revolution, 1789-1799

text: Dance

text: France

text: 18th century

text: Bastille Day

text: A Paris chez J. Chereau Rue St. Jacques aux 2 Colonnes No. 257. Lower left and right: Verse 6 of La Marseillaise. Possibly engraved by Jacques-François Chereau.

type: reproduction

text: Cf. *MGS (French) 89-2194. Chazin-Bennahum, Judith. Dance in the shadow of the guillotine, 1988. Reproduction, p. 101.

title: Hommage à la Liberté

abstracts: Depicts a symbolic fête around a statue of Liberty. People offer wreaths, garlands and baskets of roses, singing La Marseillaise. A red Revolutionary cap has been placed on the staff in Liberty's right hand.

text: Prints

extent: Engraving, hand-colored, image: 28 x 39 cm.


title: Ici l'on dansevue de la décoration et Illumination faite sur le terrein de la Bastille pour le jour de la fête de la Confédération française le 14 Juillet 1790

callNumber: *MGZFH Che J Ici 1

text: Dance

type: geographic

text: France

text: History

text: Revolution, 1789-1799

text: Dance

text: France

text: 18th century

text: Bastille Day

text: Caption above image: Ici l'on danse.

text: A Paris chez J. Chereau Rue St. Jacques pres la Fontaine St. Severin aux Colonnes No. 257.

text: Possibly engraved by Jacques-François Chereau.

text: Cf. *MGS (French) 89-2194. Chazin-Bennahum, Judith. Dance in the shadow of the guillotine, 1988. Reproduction, p. 83.

title: Ici l'on danse: vue de la décoration et Illumination faite sur le terrein de la Bastille pour le jour de la fête de la Confédération française le 14 Juillet 1790

abstracts: A great crowd is gathered to celebrate on the site of the Bastille, which is decorated as a huge dance pavilion. Depicts one of the Fêtes Révolutionnaires which took place on the first anniversary of the storming of the Bastille.

text: Prints

extent: Engraving, hand-colored, image: 23 x 36 cm.


title: [Costume chart]

callNumber: *MGZFH Cos 1

text: Commedia dellartearte

text: Costume

title: [Costume chart]

abstracts: Twenty vignettes, including a Pierrot, Arlequin, Polichinelle, Napolitaine, Matelot, and Espagnol.  No. 10, upper right corner.

text: Prints


title: Strauss Mechanical Toys. Alabama Coon Jiggerpage 43

namePart: Ferdinand Strauss, Inc

text: Toys

text: Mechanical toys

title: Strauss Mechanical Toys. Alabama Coon Jigger page 43

partNumber: page 43

text: Periodicals

collectionTitle: Playthings


title: Tinkerblox. A thousand thoughts are in the boxpage 17

namePart: Tinkertoy, Inc.

text: Toys

title: Tinkerblox. A thousand thoughts are in the box page 17

partNumber: page 17


title: Over the top for 1918page 44-45

namePart: A.C. Gilbert Company

text: Toys

text: War toys

title: Over the top for 1918 page 44-45

text: Periodicals


title: [Garden landscape with figure seated in house and two standing figures]

title: Mu dan ting huan hun ji p. 20

collectionTitle: Huan hun ji


title: [Four figures standing in garden landscape]

title: Mu dan ting huan hun ji p. 10


title: Jerome of Prague, in fetters, between two soldiersf. 142

namePart: Richental, Ulrich von, ca. 1365-1437?

type: name

text: Jeroným, Pražský, ca. 1380-1416

title: Jerome of Prague, in fetters, between two soldiers f. 142

text: chronicles

text: Miniatures (Illuminations)

collectionTitle: Chronik des Konstanzer Konzils


title: Adolph Philipse estate records

callNumber: MssCol 2412

namePart: Reade, Joseph

donor: Scott & O'Shaughnessy, Inc.

namePart: Reade, Joseph, 1694-1771

text: Philipse, Adolphus, 1665-1750

text: Estate

text: Executors and administrators

text: Landowners

text: Merchants

text: Politicians

text: Inventories of decedents' estates

text: New York (State)

text: Personal property

text: New York (State)

text: Slavery

text: New York (State)

text: New York (State)

text: History

text: Colonial period, ca. 1600-1775

text: Sleepy Hollow (N.Y.)

text: History

text: Adolph Philipse (1665-1750) was a wealthy New York City merchant and politician with extensive landholdings in the lower Hudson River Valley. Baptised Adolphus, he was the second son of New York City merchant Frederick Philipse, first Lord of the Manor of Philipsborough in Westchester County, known as Philipsburg Manor.The manor extended from Spuyten Duyvil up to the Croton River, along the east bank of the Hudson River. Upon his father's death, Adolph Philipse inherited the upper portion of the manor, northwards from Dobbs Ferry, while his nephew Frederick Philipse inherited the lower portion. The "Upper Mills," located at present-day Sleepy Hollow, was an important hub of farming and mercantile activity. Philipse also held a large tract of land to the north called the Highland Patent, then part of Dutchess County. In addition to managing his business affairs and land holdings, Adolph Philipse held important positions in the provincial government, serving as a member of the Governor's Council and as Speaker of the General Assembly. He died intestate on January 20, 1749 (1750 New Style). Joseph Reade (1694-1771), the estate's administrator, was a merchant, a member of the Governor’s Council, and the husband of Adolph Philipse's niece Anna French.

text:
The Adolph Philipse estate records, dated 1749 to 1767, consist of a bound notebook maintained by Joseph Reade as administrator of the estate of Adolph Philipse, from January 24, 1749 (1750 New Style) to August 19, 1763, comprising a detailed inventory of his personal estate at properties in Manhattan and at Philipsburg Manor in Westchester County, with related accounts. The inventory lists cash and other valuables, outstanding debts, household belongings, and other property. Individual slaves at both locations are identified. Reade attested the records in 1767.

 The inventory of the goods, rights, chattel and credits of the estate begins at New York, dated January 24, 1749 (1750 New Style). It lists cash and other valuables, outstanding debts, slaves, and household belongings and other goods pertaining to a house, its yard, and a storehouse in New Street. The inventory continues February 12, 1749 "on the manour of Philipsburgh." A list of slaves and livestock is followed by the belongings and goods in each room of a working residence, the mill, and other buildings at the Upper Mills. The inventory was signed by Joseph Reade at New York two months later, on April 24, 1750. The accounts identify expenditures and receipts from January 25, 1749 (1750 New Style) to settlement of the accounts on April 19, 1763. Items include estate expenses, debt payments, transactions with tenants, and the sale of many of the items listed in the inventory. These include silverware, furnishings, cloth and clothing, working equipment, farm produce and livestock, and wampum, reflecting Philipse's mercantile and farming endeavors, and associated wealth. The sale of slaves and expenses for their livelihood are also recorded. Enslaved persons at both locations are listed by name, gender and sometimes age.

text: Digitization was made possible by a lead gift from The Polonsky Foundation.

text: In the store house in New Street folio 16: The page includes the list of enslaved at the upper mills site including men, women, boys, a girl, men unfit to work.

type: admin

text: Capture id 5152236 (folio 16r): Photo Order: 53246

title: Adolph Philipse estate records

abstracts: Adolph Philipse (1665-1750) was a wealthy New York City merchant and politician with extensive landholdings in the lower Hudson River Valley. Baptised Adolphus, he was the second son of New York City merchant Frederick Philipse, first Lord of the Manor of Philipsborough in Westchester County, known as Philipsburg Manor. Adolph Philipse held important positions in the provincial government, serving as a member of the Governor's Council and as Speaker of the General Assembly. He died intestate on January 20, 1749 (1750 New Style). Joseph Reade (1694-1771), the estate's administrator, was a merchant, a member of the Governor's Council, and the husband of Adolph Philipse's niece Anna French. The Adolph Philipse estate records, dated 1749 to 1767, consist of a bound notebook maintained by Joseph Reade as administrator of the estate of Adolph Philipse, from January 24, 1749 (1750 New Style) to August 19, 1763, comprising a detailed inventory of the estate at properties in Manhattan and at Philipsburg Manor, with related accounts. The inventory lists cash and other valuables, outstanding debts, household belongings, and other property. Individual slaves at both locations are identified. Reade attested the records in 1767.

text: account books

text: estate administration records

text: estate inventories


title: Objections to the abolition of the slave trade, with answers to which are prefixed structures on a late publication intitled, "Considerations on the emancipation of Negroes, and the abolition of the slave trade, by a West India planter"

originInfo: 1788LondonJ. Philips

callNumber: Sc Micro R-1101

namePart: Ramsay, James

namePart: Ramsay, James, 1733-1789

text: Slave trade

text: Great Britain

text: Slavery

text: West Indies, British

text: Microfilm. New York Public Library, 1969. 1 microfilm reel ; 35 mm. (MN *ZZ-8162)

text: Abolition of the Transatlantic Slave Trade.

text: Pages missing

text: by the Rev. James Ramsay.

title: Objections to the abolition of the slave trade, with answers: to which are prefixed structures on a late publication intitled, "Considerations on the emancipation of Negroes, and the abolition of the slave trade, by a West India planter"

text: Books


title: Bible. Judith. Hebrew. 1784

originInfo: 1784Furth, GermanyItsak ben David

callNumber: *PFD (Bible. O.T. Ma'aseh Yehudit. 1784)

text: Judith (Jewish heroine)

text: Judith (Biblical figure)

title: Ma'aseh Yehudit

title: Bible. Judith. Hebrew. 1784

type: uniform

text: Books


title: Coats of arms of Eastern archbishops and bishopsff. 380-381

text: Bishops

text: Heraldry

title: Coats of arms of Eastern archbishops and bishops ff. 380-381

text: chronicles

text: Miniatures (Illuminations)


title: The dancing lesson, pt. 1, the 1st position

originInfo: 1835-08-01Londonpub'd by Tho's McLean, 26 Haymarket

callNumber: *MGZFH Cru G Dan 1

namePart: Cruikshank, George, 1792-1878

namePart: Thomas MacLean (Firm)

type: corporate

text: Dance

text: Caricatures and cartoons

text: Ballet technique

text: Dance teachers

text: Lower left: Etch. by G. Cruik.

text: Cf. *MGTI  New York Public Library. Dance Collection. Images of the dance, 1965. Reproduction and commentary.

abstracts: Young girl at left facing dancing master playing a pochette, young boy bowing in doorway; all standing in first position.

text: Prints

extent: Etching, colored, line border: 12 x 16 cm.


title: The dancing lesson, pt. 2, the minuet

callNumber: *MGZFH Cru G Dan 2

text: Minuet (Dance)

text: Dance

text: Caricatures and cartoons

text: Dance teachers

text: Turnout devices

text: Lower left: G. Cruikshank fect.

text: Cf. *MGTI  New York Public Library.  Dance Collection. Images of the dance, 1965. Reproduction and commentary.

title: The dancing lesson, pt. 2, the minuet

abstracts: A young boy and girl dancing a minuet, looking at dancing master who plays a pochette; plump girl stands in wooden box to improve turn-out.

text: Prints

extent: Etching, colored, line border: 12.2 x 16 cm.


title: The dancing lesson, pt. 3, L'été

callNumber: *MGZFH Cru G Dan 3

text: Lower left: G. Cruikshank fect.

text: Cf. *MGTI  New York Public Library.  Dance Collection. Images of the dance, 1965.  Reproduction and commentary.

title: The dancing lesson, pt. 3, L'été

abstracts: A young girl dances the pas d'été with her dancing master; she holds her dress with both hands; he holds the tails of his coat; two boys watch in background.

text: Prints

extent: Etching, colored, line border: 12.5 x 16.2 cm.


title: The dancing lesson, pt. 4, the sailors' hornpipe

callNumber: *MGZFH Cru G Dan 4

text: Hornpipe (Dance)

text: Dance

text: Caricatures and cartoons

text: Dance teachers

text: Lower left: G. Cruikshank fect.

abstracts: A dancing master plays his pochette, a young boy dances the hornpipe, cane under left arm, right arm above head; a young girl stands foreground right with arms wrapped around wooden back support.

text: Prints

extent: Etching, colored, line border: 12.5 x 16.3 cm.


callNumber: *MGZFH Cru G Dan 5

text: Dance

text: Caricatures and cartoons

text: Turnout devices

text: Dance teachers

text: Lower left: Etch. by G. Cruik.

text: An uncolored version of *MGZFH  Cru G  Dan 1.

text: Prints


title: The dancing lesson, pt. 2, the minuet

callNumber: *MGZFH Cru G Dan 6

text: Minuet (Dance)

text: Dance teachers

text: Dance

text: Caricatures and cartoons

text: Lower left: G. Cruikshank fect.

text: An uncolored version of *MGZFH  Cru G  Dan 2.

title: The dancing lesson, pt. 2, the minuet

text: Prints


title: The dancing lesson, pt. 3, L'été

callNumber: *MGZFH Cru G Dan 7

text: Dance

text: Caricatures and cartoons

text: Dance teachers

text: Lower left: G. Cruikshank fect.

text: An uncolored version of *MGZFH  Cru G  Dan 3.

title: The dancing lesson, pt. 3, L'été

text: Prints


callNumber: *MGZFH Cru G Dan 8

text: Hornpipe (Dance)

text: Dance

text: Caricatures and cartoons

text: Dance teachers

text: Lower left: G. Cruikshank fect.

text: An uncolored version of *MGZFH  Cru G  Dan 4.

text: Prints


title: The dance on Dun-Can

originInfo: 1786Londonpublish'd by E. Jackson

callNumber: *MGZFH Dan 1

text: Highland fling (Dance)

text: Dance

text: Caricatures and cartoons

title: The dance on Dun-Can

abstracts: Two men on a hill dancing a highland fling to a bagpipe accompaniment.  One man is wearing kilts. A social or political satire with four lines of text below the image.

text: Prints


title: Dancing a cotillion

callNumber: *MGZFH  Dan 3

text: Ballroom dancing

text: 18th century

text: Ballroom dancing

text: Caricatures and cartoons

text: Quadrille (Dance)

title: Dancing a cotillion

abstracts: Representation of two dancing couples and a lone woman. The exaggerated faces and expressions of the dancers suggest that this print may have been meant as a caricature.

text: Prints

form: etching engraving

extent: 1 print : etching, engraving, b&w ; 30 x 55 cm., plate mark 27 x 53 cm.


title: Décoration du Feu d'Artifice

callNumber: *MGZFH Dec Feu 1

text: Dance

text: France

text: 18th century

text: Inscribed beneath image: Décoration du Feu d'Artifice, Elevé près l'Hôtel de Ville de Paris, à l'occasion de la Naissance de Monseigneur le Dauphin, par les Ordres et sous la Prevôté de Mr. de Caumartin; et l'Artifice exécuté en présence de Leurs Majestés, le Lundi vingt-un Janvier mil sept cent quatre-vingt-deux.

title: Décoration du Feu d'Artifice

abstracts: Spectators gathered at an imposing architectural site to witness a celebration of the birth of an heir to the throne. Fire is used as a symbolic element in the ritual.

text: Prints


title: École de danse

originInfo: 1785Parischez Bance Graveur

callNumber: *MGZFH Deq F Eco 2

namePart: Dequevauviller, François Nicolas Barthélemy, 1745-1807

namePart: Lafrensen, Niklas, 1737-1807

text: Dance teachers

text: France

text: 18th century

text: gravé par F. Dequevauviller.

text: Captions beneath title: Gravé d'àprès le tableau original de même grandeur; peint à la gouache par N. Lavreince [Niklas Lafrensen] peintre du roi de Suede et de l'Académie royale de Stockholm; le tableau apparlient à Mr. Joffret.

type: acquisition

text: lot #37.

text: Purchase at auction; Mme. Gilberte Cournand; 1998/02/26;

title: École de danse

abstracts: Image depicts the activities of a French dance school.  A girl dances at the center of the room, stepping on right foot, right arm raised; she wears a bonnet, dress with tight bodice and calf-length skirt.  Eight similarly attired girls sit and watch.  The dance master sits, clapping time.  A young fiddler sits on a table.   Another girl stands looking over her shoulder, her foot resting on an ottoman, tightening her garter.

text: Prints

extent: 1 print : engraving, b&w ; image 28 x 37 cm., on sheet 40 x 50 cm.


title: La danse des Deruis

callNumber: *MGZFH Der 1

namePart: Picart, Bernard, 1673-1733

namePart: Folkema, Fopje, 1690-1752

text: Dervishes

text: Mevleviyeh

text: Whirling dances

text: Trance dances

text: Dance

text: Turkey

text: B. Picart delin. 1731; F. Folkema sculp.

type: source note

text: Probably a plate from Picart's multi-volume publication Cérémonies et coutumes religieuses de tous les peuples du monde, 1723-37.

title: La danse des Deruis

abstracts: A small circular room with a balustrade and musicians' loft. Twelve men at center perform a trance dance. A group of men are seated behind the balustrade.

text: Prints

extent: Engraving, colored, plate mark: 34.5 x 42 cm.


title: Egyptian deitiesno better Turkish cigarette can be made

callNumber: *MGZFH Egy 1

text: St. Denis, Ruth, 1880-1968

text: Cigarettes

text: Typed caption label on original mat: "This is the actual poster that Ruth St. Denis saw while having an ice cream soda in a Buffalo, New York, drug store. This cigarette poster would act as a catalyst that would create a whole new concept in American dance."

text: Ruth St. Denis, an unfinished life : an autobiography / Ruth St. Denis. New York : Harper and brothers, 1939, p. 51-53. Poster reproduced opp. p. 51.

title: Egyptian deities: no better Turkish cigarette can be made

subTitle: no better Turkish cigarette can be made

abstracts: Poster depicts a bare-breasted woman with a skirt and headdress in ancient Egyptian style, seated in the doorway of a tomb-like monument. At the base of the tomb are stylized flowers and an image of a cigarette box with the text "S. Anargyros famous cigarettes Egyptian Deities."

text: Prints

text: Posters


title: La danse

originInfo: 1738Parischez Surugue graveur du Roy

callNumber: *MGZFH Fil P Dan 1

namePart: Filloeul, Pierre

namePart: Pater, Jean-Baptiste Joseph, 1695-1736

text: Ballroom dancing

text: After a painting by Jean Baptiste Pater. Paterre pinxit; Filloeul sculp 1738.

text: Eight lines of poetry in French.

title: La danse

abstracts: Six members of the court at Versailles in an outdoor setting. One couple dances at left, three women and a man watch at right; musician playing reed instrument.

text: Prints

text: Poetry

extent: Engraving, colored, plate mark: 49 x 36 cm.


title: [The dancing lesson]

callNumber: *MGZFH Fli G Dan 1

namePart: Flipart, Charles Joseph, 1721-1797

namePart: Longhi, Pietro, 1702-1785

text: Dance teachers

text: Ballroom dancing

type: temporal

text: 18th century

text: Pietro Longhi, Veneto, pin., Giusep. Flipart sculp. Wagner dir. et vende Venezia.

title: [The dancing lesson]

abstracts: An elegant drawing room.  The dance instructor is wearing a Ramillies wig with two queues down the back, and a frock coat flared out in the skirt.  His youthful pupil is wearing a cap and a panniered gown with a square, low-in-front neckline.  A young man plays the violin while a woman sitting at right watches the lesson.

text: Prints


title: Slave trade papers

originInfo: 1851PhiladelphiaJ. Rakestraw, printer

callNumber: Sc Rare 326.1-F (Friends, Society of. Exposition of the African slave trade)

namePart: Philadelphia Yearly Meeting of the Society of Friends

namePart: United States. Dept. of State

text: Slave trade

text: The LCNAF listing for this author is Philadelphia Yearly Meeting of the Religious Society of Friends, as noted in the book title

text: Abolition of the Transatlantic Slave Trade.

text: Based chiefly on the "Slave trade papers" presented to and published by the Parliament of Great Britain, with additional material from the official communications of foreign ministers and officers of the U.S. cf. Pref.

title: An exposition of the African slave trade, from the year 1840, to 1850, inclusive. Prepared from official documents, and published by direction of the representatives of the Religious Society of Friends, in Pennsylvania, New Jersey, and Delaware

text: Books


title: Nat Turner's insurrection

callNumber: Sc Rare Sc 326.975-H (Higginson, T. W. Nat Turner's insurrection)

namePart: Higginson, Thomas Wentworth, 1823-1911

text: Turner, Nat, 1800?-1831

text: Southampton Insurrection, 1831

text: Slaves

text: Slave insurrections

text: African Americans

text: Virginia

text: History

title: Nat Turner's insurrection

text: articles


title: Les livres sacrés de l'Orient, comprenant: le Chou-king ou le Livre par excellence: les Sse-chou ou les Quatre livres moraux de Confucius et de ses disciples: les Lois de Manou...: le Koran de Manomet: traduits ou Revus et publiés par G. Pauthier

originInfo: 1840ParisFirmin Didot frères

callNumber: *OAS (Pauthier, J. P. G. Livres sacrés de l'Orient. 1840)(Locked cage)

namePart: Pauthier, G. (Guillaume)

namePart: Pauthier, G. (Guillaume), 1801-1873

text: Sacred books

text: Photo services images: 15 pages of Introduction were scanned. Only text, no illustrations in this book.   There seem to be additional image_ids, but images not showing up

text: Books


title: The abolition of the African slave trade to Brazil

namePart: Hill, Lawrence F. (Lawrence Francis)

namePart: Hill, Lawrence F. (Lawrence Francis), 1890-

text: Latin America

text: History

text: Slavery

text: Brazil

text: Slave trade

text: Africa

text: Great Britain

text: Foreign relations

text: United States

text: Foreign relations

text: Brazil

text: Slave trade

text: Brazil

text: $100  fee for ten years.

text: Article

collectionTitle: The Hispanic American historical review


title: A concise statement of the question regarding the abolition of the slave trade

originInfo: 1807LondonPrinted by Brooke. Pater-noster Row for J. Hatchard and Longman, Hurst, Rees and Orme4th

callNumber: Sc Rare F 91-17 no. 26

namePart: Brougham and Vaux, Henry Brougham, Baron, 1778-1868

text: Slave trade

text: Haiti

text: History

text: Revolution, 1791-1804

text: Slave trade

text: West Indies

text: Books


title: An inquiry into the causes of the insurrection of the Negroes in the island of St. Domingo : to which are added, observations of M. Garran-Coulon on the same subject, read in his absence by M. Guadet, before the National Assembly, 29th Feb. 1792

originInfo: 1792LondonRe-printed and sold by Joseph Crukshank

callNumber: Sc Rare F 91-9

namePart: Garran de Coulon, Jean-Philippe

namePart: Crukshank, Joseph

namePart: Crukshank, Joseph, 1746?-1836

namePart: Garran de Coulon, Jean-Philippe, 1749-1816

namePart: Guadet, Marguerite-Élie, 1758-1794

text: Slavery

text: Slave insurrections

text: Haiti

text: History

text: Revolution, 1791-1804

text: France

text: Colonies

text: America

text: Administration

text: "... decree respecting the colonies": p. [37]-39.

text: Error in paging: p. 36 misnumbered 35.

text: Half-title.

text: Includes bibliographical references.

text: Includes some translations.

text: 2 pages, 9 and 10, missing from book.

text: Pamphlets


title: A Thanksgiving sermonpreached January 1, 1808 in St. Thomas's, or the African Episcopal Church, Philadelphia, on account of the abolition of the African slave trade on that day, by the Congress of the U.S. [Microform]

originInfo: 1808PhiladelphiaFry and Kammerer

callNumber: Sc Micro R-6200

namePart: Jones, Absalom

namePart: Fortune, Michael

namePart: St. Thomas Church (Philadelphia, Pa.) Church (Philadelphia, Pa.)

namePart: Fortune, Michael, fl. 1808

namePart: Jones, Absalom, 1746-1818

text: Free African Americans

text: African Americans

text: Slaves

text: Emancipation

text: United States

text: Anniversaries, etc

text: Slave trade

text: United States

text: "New Year's Anthem, written by Michael Fortune" on final two pages.

title: A Thanksgiving sermon: preached January 1, 1808 in St. Thomas's, or the African Episcopal Church, Philadelphia, on account of the abolition of the African slave trade on that day, by the Congress of the U.S. [Microform]

text: sermons


title: The constitution of the New Jersey Society for Promoting the Abolition of Slavery; to which is annexed, extracts from a law of New Jersey, passed the 2d March, 1786, and supplement to the same, passed the 26th November, 1788

originInfo: 1793BurlingtonPrinted for the Society by Issac Neale

callNumber: Sc Rare 326.6-N

namePart: New-Jersey Society for Promoting the Abolition of Slavery

text: Slavery

text: New Jersey

text: Antislavery movements

text: United States

text: Societies, etc.

text: Also available on microfilm in: Sc Micro R-2462

text: The law passed March 2, 1786 was: An act to prevent the importation of slaves into the State of New Jersey, and to authorize the manumission of them under certain restrictions, and to prevent the abuse of slaves.

text: Pamphlets


title: La fontaine de la régénérationsur les débris de la Bastille, le 10 Août 1793

callNumber: *MGZFH Mon C Fon 1

namePart: Monnet, Charles, 1732-1809?

namePart: Helman, Isidore-Stanislas, 1743-1809

text: David, Jacques Louis, 1748-1825

text: Gardel, Pierre, 1758-1840

type: titleInfo

text: Fête de l'Unité et de l'Indivisibilité de la République (Choreographic work)

text: Dance

text: France

text: History

text: Revolution, 1789-1799

text: Dance

text: France

text: 18th century

text: Inscribed lower left: Dessiné par Monnet. Inscribed lower right: Gravé par Helman, l'An 5. Inscribed lower center: A Paris chez l'Auteur, rue Honoré No. 1497, Section Butte des Moulins.

text: Tableau vivant from La Fête de l'Unité et de l'Indivisibilité de la République, staged by Jacques-Louis David and Pierre Gardel, on the first anniversary of the seizing of the Tuileries and the arrest of the king.

type: citation/reference

text: Cf. *MGS (French) 89-2194. Chazin-Bennahum, Judith. Dance in the shadow of the guillotine, 1988. Reproduction, p. 107,

title: La fontaine de la régénération: sur les débris de la Bastille, le 10 Août 1793

abstracts: Large crowd gathered around a monumental statue of Egyptian goddess Isis. Milk, symbolizing Liberty, sprays from the breasts into a large basin below the statue and a cup being held by a spectator, probably De Seychelles, president of the Convention. On the site of the Bastille.

text: Prints


title: [Le bal masqué]

callNumber: *MGZFH Mor J Bal 1

namePart: Moreau, Jean Michel, 1741-1814

type: topic

text: Ballrooms

text: Dance

text: France

text: 18th century

text: Masquerades

text: Designed and engraved by Moreau le jeune.

type: funding

text: Purchased with funds from the Committee for the Jerome Robbins Dance Division.

title: [Le bal masqué]

abstracts: An engraving commemorating a ball given by the "king and queen" of the city of Paris, January 23, 1782, in honor of the Dauphin and Marie Antoinette. Dancers, some masked and in commedia dell'arte attire, mill about, probably in the great ballroom of the Hotel de Ville, Paris. Musicians play on a raised platform in the background and guests look down from a balcony.

text: Prints


title: La N'Bitta

originInfo: 1845ParisGoupil & Vibert

callNumber: *MGZFH N'Bi 1

namePart: Goupil & Vibert

text: Folk dancing

text: Turkey

text: tambourines

title: La N'Bitta

abstracts: A couple performing what is probably a spirited Turkish dance in a barren outdoor setting.  The woman, who is holding castanets, is wearing a white scarf, jacket, and a full striped skirt with a sheer overskirt.  Her partner is striking a tambourine held above his head.  He is wearing a turban, short jacket, wide sash, and pants gathered below the knee.

text: Prints

extent: Lithograph on tinted ground, octagonal, colored, image: 37.4 x 29 cm.


title: [Peasant dance]

callNumber: *MGZFH Ped F 1

namePart: Pedro, Francesco, 1749-1806

namePart: Cavalli, Nicolo, 1730-1822

namePart: Maggiotto, Francesco

namePart: Horace

text: Folk dancing

text: Italy

text: Musicians

text: On plate: Fran. Maiotto pinx., Fran. Pedro sculp. apud Nic. Caualli Venetijs.

type: content

text: Latin quotation from Horace in lower margin.

title: [Peasant dance]

abstracts: Peasant couple dancing before an inn, man at left, right arm raised at shoulder level, left arm at waist; woman at right, holding apron; four spectators: seated man with pitcher, boy playing a recorder, seated woman holding tambourine, young boy.

text: Prints


title: Polnischer Tanz

originInfo: 18501859BerlinF. Sala & Co.

callNumber: *MGZFH Pol 1

namePart: Waldow, H.

namePart: F. Sala & Co.

text: Mazurka (Dance)

text: Costume

text: Poland

text: Folk dancing

text: Poland

text: Druck v. H. Waldow jun.

text: Six couples, probably dancing a mazurka, outside an inn. The dancers wear brightly colored costumes. Two musicians play at right, an old man sits on an overturned keg.

text: Cf. *MGT  Kirstein, Lincoln.  Movement & metaphor, 1970, p. 167. Reproduction.

title: Polnischer Tanz

text: Prints


title: Polnischer Tanz(Wesele w oycowie)

callNumber: *MGZFH Pol 2

text: Mazurka (Dance)

text: Costume

text: Poland

text: Druck v. H. Waldow jun.; New York, Max Jacoby & Zeller.

type: publications

title: Polnischer Tanz: (Wesele w oycowie)

subTitle: (Wesele w oycowie)

abstracts: Six couples, probably dancing a mazurka, outside an inn. The dancers wear brightly colored costumes. Two musicians play at right, an old man sits on an overturned keg.

text: Prints

extent: 1 lithograph : colored ; 34.5 x 41.5 cm. (image 27 x 39 cm.)


title: Vue de l'intérieur de la salle du Théâtre-Cirque de St. Pétersbourg

originInfo: 1850ParisImp. Paul Petit

callNumber: *MGZFH Pre L The 1

namePart: Premazzi, Luigi, 1814-1891

text: Horsemanship

text: Theaters

text: Russia (Federation)

text: Saint Petersburg

type: statement of responsibility

text: Signed on stone: L. Premazzi.

abstracts: A view of the ornate theater as seen from the stage. The theater consists of a traditional stage, an arena, two tiers of boxes, and a gallery. A capacity crowd watches an equestrian display, as a man performs on five horses.

text: Prints

extent: Lithograph on tinted ground, image: 24.2 x 40.2 cm.


title: [Le bal Bullier]

originInfo: 18601869Parisimp. Auguste Bry

callNumber: *MGZFH Pro Bal 1

namePart: Provost, A

type: personal

namePart: Bry, Auguste, b. 1805

text: Ballrooms

text: France

text: Dancers

text: France

text: Lower left: Provost.

title: [Le bal Bullier]

abstracts: Couples in a vigorous dance at the Closerie des Lilas, popularly known as the Bal Bullier. Women wearing floor-length dresses and grisettes in foreground wearing calf-length dresses and boots.

text: Prints


title: [Le Bal Mabille]

originInfo: 18601869Parisimp. Auguste Bry, rue du Bac

callNumber: *MGZFH Pro Bal 2

text: Ballrooms

text: France

text: pleasure gardens

text: Lower left: Provost del. et lith.

title: [Le Bal Mabille]

abstracts: Dancers at the Bal Mabille. Woman at center kicking hat off head of partner.

text: Prints


title: Closerie des lilas

callNumber: *MGZFH Rég C Clo 1

namePart: Regnier, Claude

namePart: Vernier, Charles, 1831-1887

namePart: Bettannier, Joseph

namePart: Morlon, A

namePart: Becquet frères

namePart: Hautecoeur frères

text: Dance

text: France

text: 19th century

text: Peint par Ch. Vernier; imp. Becquet, Paris; lith. par Régnier, Bettannier et Morlon.

title: Closerie des lilas

abstracts: Depicts a night at the pleasure garden La Closerie des lilas (Jardin Bullier), which opened to the public in April 1847. Two couples in a spirited dance -- perhaps the quadrille naturaliste -- as two roués ogle one of the women. The patrons generally wear attire of the bourgeoisie. An outdoor setting with Oriental style archways and gas lamps.

text: Prints


title: The curious and uncommon performances of a monkeyas they will be introduced every evening at Sadlers Wells by Signor Spinacuta

callNumber: *MGZFH Rop 1

text: Dance

text: England

text: 19th century

text: Rope dancing

text: Monkeys

title: The curious and uncommon performances of a monkey: as they will be introduced every evening at Sadlers Wells by Signor Spinacuta

abstracts: Eighteen vignettes of one or more monkeys in scenes from their tightrope act. At upper center is a full length portrait of Signor Spinacuta wearing a turban with feathers, frock coat and knee breeches.

text: Prints


title: A French family

originInfo: 1792-11-05LondonS. W. Fores, no. 3 Piccadilly

callNumber: *MGZFH Row T C 2

namePart: Rowlandson, Thomas, 1756-1827

namePart: Alken, Samuel, 1756-1815

text: Dance

text: Caricatures and cartoons

text: T. Rowlandson delin., S. Alken fecit.

text: Gift; John Taras; 2004.

title: A French family

abstracts: Two couples dancing in a shabby room; man in foreground wears a wig and tattered shirt, his partner has a plumed headdress. Man seated at left striking tambourine as dogs dance. Man seated at right plays fiddle; barefoot child standing in third position, lifting nightshirt.

text: Prints


title: Dance of nautch girls

originInfo: 1858Londonpublished by Smith, Elder & Co.

callNumber: *MGZFH Rud L Nau 1

namePart: Rudder, Louis Henri de, 1807-1881

text: Dance

text: India

text: Musicians

text: Prince A. Solykoff del., De Rudder lith., printed by Auguste Bry, Paris.

title: Dance of nautch girls

abstracts: Two girls dance in a large room lit only by floor lamps; a half dozen musicians accompany them; several spectators, including a wealthy or noble family, seated on a cloth at right; a large platter of fruit on floor, foreground center.

text: Prints

extent: Lithograph on tinted ground, image: 32 x 47.5 cm.


title: Danse des Camacans

callNumber: *MGZFH Sey A Dan 1

namePart: Seyffer, August, 1774-1845

namePart: Bittheuser, Johann Pleikard, 1774-1859

namePart: Wied, Maximilian, Prinz von, 1782-1867

text: Indians of South America

text: Indian dance

text: Brazil

text: Die Landschaft von A. Seyffer in Stuttgardt, die Figuren von J. P. Bittheuser in Würzburg.

text: Legend: Voyage du prince de Neuwied en Bresil. II. vol.

title: Danse des Camacans

abstracts: Fifteen naked or lightly clad natives of both sexes, four carrying children, performing a circle dance around a fire and cauldron. Their left hands are held at the sides of their faces. Large tropical plants, huts with thatched roofs.

text: Prints


title: A dance in Otaheite

callNumber: *MGZFH She J Dan 1

namePart: Sherwin, J. K. (John Keyse), 1751-1790

text: Dance

text: French Polynesia

text: Tahiti

text: J. Webber del., J. K. Sherwin sc.

text: Plate 28 from James Cook: A voyage to the Pacific Ocean. London, 1784, II.

type: reproduction

text: Cf. *MGTI  New York Public Library. Dance Collection. Images of the dance, 1965, p 24-25. Reproduction and commentary.

type: biographical/historical

text: An engraving after John Webber's drawing of a dance presented in Captain James Cook's honor, Tahiti, 1777.

title: A dance in Otaheite

abstracts: Two women in a dance employing rippling arms and swaying hips, performed on a stage of straw squares. Two men in squatting positions on each side of the women. Men beating drums in background, spectators at sides of stage. Women wearing floor-length dresses, pompons at breasts, pleated fan-shaped panels at back.

text: Prints


title: A young woman of Otaheite dancing

callNumber: *MGZFH She J You 1

text: Dance

type: geographic

text: French Polynesia

text: Tahiti

text: J. Webber del., J. K. Sherwin sc.

text: An engraving after a drawing by John Webber, sketched during Captain James Cook's visit to Tahiti, 1777.

text: Basis for the costume worn by Marie Jeanne in the Tahitian sequence in Eugene Loring's 1937 ballet Yankee Clipper.

text: Plate 29 from James Cook: A voyage to the Pacific Ocean. London. 1784, II.

title: A young woman of Otaheite dancing

abstracts: Young dancer wearing floor-length dress, pompons at breasts, pleated, fan-shaped panels at back, hat decorated with stars.

text: Prints


title: Bal de la Bastille

callNumber: *MGZFH Swe J Bal 1

namePart: Swebach de Fontaine, Jacques François Joseph, 1769-1823

namePart: Le Coeur, Louis, fl. 1780-1806

text: Dance

text: France

text: History

text: Revolution, 1789-1799

text: Swebach Desfontaines del. Le Coeur sculp.

text: Caption: Ce fut précisément sur les ruines de cet affreux monument du despotisme que le Français célébra le premier anniversaire de la liberté. La célérité des préparatifs de cette fête dut étonner sans doute, mais comment exprimer le sentiment qu'on éprouvait en lisant cette inscription: Ici l'on danse.

title: Bal de la Bastille

abstracts: A nighttime scene. In the open air a great crowd is gathered to dance. On the edge of the throng a small group forms in a circle dance. Musicians perform under a red, white and blue awning at left. Masses of candles illuminate the scene and rows of lanterns are strung from arbors above.

text: Prints


title: Le tohu-bohu plaisant

originInfo: 18601869ParisImp. Lemercier

callNumber: *MGZFH Tei F Cha 1

namePart: Teichel, Franz, b. 1816

namePart: Imprimerie Lemercier et cie

namePart: Bettannier frères

text: Dance

text: France

text: 19th century

text: Ballet

text: Study and teaching

text: Peint par Teichel, lith. par Bettannier Frères.

title: Une chambrée de Rats

title: Le tohu-bohu plaisant

type: alternative

abstracts: A small room in which a ballet master is instructing five women who are executing battement relevé à la seconde.  In the foreground, two men are socializing with two young dancers.  One couple is leaning against a free-standing ballet barre.

text: Prints

extent: Lithograph on tinted ground, colored, image: 22.6 x 29.2 cm.


title: Autre esquisse de coupe

callNumber: *MGZFH  The 1

namePart: Michilinot

namePart: Dumont, Gabriel Pierre Martin, ca. 1720-ca. 1790

text: Theater architecture

text: Dumont, delineavit ; Michilinot, sculp.

text: Caption title.

text: Gift; Lincoln Kirstein.

text: The Victoria & Albert Museum in London holds a similar plate, from Dumont's Parallèle des plans des plus belles salles de spectacle d'Italie et de France avec des détails de machines théatrales (ca. 1774), which may also be the source of this print. He also wrote Parallèle de plans des plus belles salles de spectacles d'Italie; avec des détails de machines théatrales (1763).

title: Autre esquisse de coupe

abstracts: Cross-section of a theatre designed by the French architect Gabriel Pierre Martin Dumont.

abstracts: Beneath the title are four sentences of descriptive text beginning: Sur la profondeur du Projet de Salle de Spectacle du Sieur Dumont ...

text: Prints


title: A plan of Her Majesty's Theatre

originInfo: 18501859Londonpublished at Jullien's Royal Conservatory of Music

callNumber: *MGZFH The Lon 1

namePart: M. & N. Hanhart Chromo Lith.

type: name

text: Her Majestys Theatre (London, England)s Theatre (London, England)

text: Theaters

text: England

text: London

authority: tgm

text: Seating charts

text: M & N Hanhart lith. printers.

title: A plan of Her Majesty's Theatre

abstracts: A seating plan for Her Majesty's Theatre, Haymarket.

text: Prints

extent: Photomechanical process, printed in color, image: 31.5 x 32.5 cm.


title: Theatre imp. et roy. du Fauxbourg de la Vienne (Vienne)

originInfo: 18001899VienneArtaria et Comp.

callNumber: *MGZFH  The Vie 1

namePart: Artaria & Co

type: corporate

text: Theater an der Wien

text: Theater architecture

text: Austria

text: Vienna

type: numbering

text: At upper right: 22.

text: Gift; Antony Tudor.

text: Opened in 1801 by Emanuel Schikaneder, the Theater an der Wien has been a venue for drama, opera, music, and ballet. Ludwig van Beethoven served as its director of music and resident composer for a time, and several of his works, including his opera Fidelio, were premiered there.

title: Schauspielhaus an der Wien

title: (Wien) Kaiserl. Konigl. Schauspielhaus an der Wien

abstracts: Exterior view of the building now known as the Theater an der Wien, in Vienna, Austria. The fashions worn by the people in the streets suggest a date in the early 19th century.

text: Prints

extent: 1 print : etching, hand-colored ; 46 x 58 cm., plate mark 33 x 45 cm.


title: Scène de carnaval

originInfo: 1965ParisÉditions Epic

callNumber: *MGZFH Tie G Car 1

namePart: Tiepolo, Giovanni Domenico, 1726?-1804

text: Carnival

text: Masquerades

text: A color reproduction of a mid-18th century painting in the Louvre. An outdoor setting with the sea visible in the background. Musicians and masked revelers are crowded into the small area, as an elegantly dressed couple dances at center. Most of the masks are of grotesque characters.

title: Scène de carnaval

text: Prints

extent: Unidentified photographic process, color, image: 34.8 x 47.4 cm.


title: La danza de cani

callNumber: *MGZFH Tie G Dan 1

text: Dance

text: Caricatures and cartoons

text: Musicians

text: Dogs

text: Title, attribution, and verse handwritten below image in sepia ink: Gio. Dom'co Tiepolo inv. Se can s'innalza sopra gli altri un poco, Ognun' l'applaude, e a lui fà festa e gioco....

title: La danza de cani

abstracts: A crone dances vigorously to her own tambourine accompaniment as six dogs watch her and dance on their hind legs. A man plays a bagpipe as several villagers or peasants watch. At right two elaborately attired women and a man also observe the performance.

text: Prints

extent: Engraving, partially colored, plate mark: 29.2 x 37.5 cm.


title: Bal d'Asnières

originInfo: 18601869ParisMaison Martinet

callNumber: *MGZFH Ver C Bal 1

namePart: Vernier, Charles, 1831-1887

namePart: Godard, A

namePart: Maison Martinet (Paris, France)

text: Dance

text: France

text: pleasure gardens

text: Signed on stone: Ch. Vernier. Lower right: Lith. de Godard à Paris.

text: Number one of a set of prints.

title: Bal d'Asnières

abstracts: A couple dancing in the Parc d'Asnières pleasure garden. Girl wearing low-cut gown with four flounces. Man wearing top hat and short jacket. People conversing in background.

text: Prints


title: Bal du grand vainqueur

callNumber: *MGZFH Ver C Bal 2

text: Ballrooms

text: France

text: Dance

text: 19th century

text: Number two of a set of prints.

title: Bal du grand vainqueur

abstracts: Couples dancing in a Paris dance hall; men in military uniforms; musicians playing on a balcony, background left.

text: Prints

extent: Lithograph, colored, image: 26.4 x 20.2 cm.


title: Afbeelding van het prachtige bal, op. de zaal van het Stadhuis, gegenen door de Ed. Achtb. Regering der stad Amsteldam [second line of legend cropped]

callNumber: *MGZFH Vin R Afb 1

namePart: Vinkeles, Reinier, 1741-1816

text: Ballrooms

text: Balls (Parties)

text: Dance

text: Netherlands

text: 18th century

text: Lower left: R. Vinkeles, ad viv. del. et fecit.

abstracts: An official ball in an ornate hall. A row of couples at center, possibly dancing a minuet. The majority of guests converse or watch the dancers. Musicians on two balconies in background.

text: Prints


title: Ninfe leggiadre e i fidi lor pastori trovan ne' boschi ancor gioie e piacerie tra suoni e tra danze e tra i bicchieri stringono i nodi d'innocenti amori

callNumber: *MGZFH Vol G Nin 1

namePart: Volpato, Giovanni, 1735-1803

namePart: Maggiotto, Francesco

text: Folk dancing

text: Italy

text: Venice

text: Musicians

text: C. P. E. S. Fran'us Maggiotto inv., Jo. Volpato sculp. Venetiis.

title: Ninfe leggiadre e i fidi lor pastori trovan ne' boschi ancor gioie e piaceri: e tra suoni e tra danze e tra i bicchieri stringono i nodi d'innocenti amori

abstracts: A couple dancing in an inn. The man is on left leg, holding hat in right hand, his partner's forearm in his left hand. Girl on right leg, lifting apron with both hands. Two men seated at right, one playing a guitar, the other looking at the girl's ankles.

text: Prints


title: Vue brillante de l'anniversaire du 14 juillet 1801

callNumber: *MGZFH Vue Bri 1

text: Bastille Day

text: Anniversaries, etc

text: Caption title.

text: Printed below title: "du 25 Messidor de l'An 9. Feu d'Artifice tiré a l'Etoille [sic] des Champs Eliseés [sic], sous le Consul Buonaparte premier de la Republique Francaise."

text: At upper left: 115.

text: At upper right: 101.

title: Vue brillante de l'aniversaire du 14 juillet 1801

abstracts: Depiction of a fireworks display in Paris in celebration of Bastille Day, watched by a large crowd. At center, a sculpture of a winged female figure, possibly Nike, the Greek personification of victory, stands atop a globe balanced on rocks. A hot-air balloon hovers in the sky at upper right.

text: Prints

extent: 1 print : etching, col. ; 33 x 54 cm., visible image 30 x 39 cm.


title: Vüe du Champ de Marsdit de la Fédération à la Journée mémorable du 14 Juillet 1790 au moment de l'arriveé de l'Assembleé Nationale des Deputés de tous les Départements du Royaume et des Corps Militaire de Terre et de Mer

callNumber: *MGZFH Vue Cha 1

text: Dance

text: France

text: History

text: Revolution, 1789-1799

text: Dance

text: France

text: 18th century

text: Bastille Day

title: Vüe du Champ de Mars: dit de la Fédération à la Journée mémorable du 14 Juillet 1790 au moment de l'arriveé de l'Assembleé Nationale des Deputés de tous les Départements du Royaume et des Corps Militaire de Terre et de Mer

abstracts: Depicts a vast parade ground surrounded by spectators. A ceremony involving military troops and other officials in celebration of the first anniversary of the storming of the Bastille. A key identifying the various parts of the picture appears under the image.

text: Prints

extent: Engraving, hand-colored ; 40.5 x 50.5 cm.


title: Vue de la montagne elevée au champ de la Reunion pour la fête qui y a êté célebrée en l'honneur de l'Etre Suprême le decadi 20 prairial de l'an 2.me de la République française

originInfo: 1794A ParisChez Chéreau rue Jacques, aux Deux Colonnes, près la Fontaine Severin, no. 257

callNumber: *MGZFH  Vue Mon 1

namePart: Chéreau, Jacques-Simon, d. 1808

namePart: David, Jacques Louis, 1748-1825

text: Robespierre, Maximilien, 1758-1794

text: Art patronage

text: Liberty trees

text: France

text: Paris

text: Processions

text: France

text: Paris

text: Festivals

text: France

text: Paris

text: Paris (France)

text: History

text: France

text: History

text: Revolution, 1789-1799

text: France

text: History

text: Reign of Terror, 1793-1794

abstracts: The print depicts the Festival of the Supreme Being, ordered by Robespierre and designed by Jacques-Louis David, celebrated in Paris on the twentieth day of Prairial in Year II (June 8, 1794). A procession comprised of members of the Convention ascends a mountain, topped by a liberty tree, in the Champ-de-la-Réunion (Champ-de-Mars).

text: Prints

extent: 1 print : etching, hand col. ; plate mark 30 x 44 cm., on sheet 36 x 54 cm.


title: City of New York City Planning Commission Master Plan of Brooklyn Civic Center & Downtown Area

namePart: Lewis, Harold Mac Lean, 1889-

text: City planning

text: New York (State)

text: Downtown Brooklyn (New York, N.Y.)

text: Maps

authority: lcgft

text: Zoning maps

collectionTitle: Local planning and zoning: a manual of powers and procedures for citizens and governmental officials


title: The Great Tournament in Vienna

callNumber: MEOG

namePart: Jost Amman (Swiss, 1539-1591)

namePart: Georg Rüxner (German, active 16th century)

namePart: Sigmund Feyerabend (German, 1528-1590)

namePart: Simon Hüter (German, active 1563-1583)

text: Andresen 69(ii); Bartsch 21; New Hollstein (book illustrations) II:30.26

type: version identification

text: ii/v

title: The Great Tournament in Vienna

text: Prints

collectionTitle: German master prints


title: The History of Adam and Eve

text: Andresen 25; Becker 48; Hollstein p. 25; Straus 23

title: The History of Adam and Eve

text: Prints


title: Hunt for Water Fowl

text: Andresen 87; Becker 94.6; Hollstein p. 17; New Hollstein 148

title: Hunt for Water Fowl

text: Prints


title: Hans Sachs

text: Andresen 11; Becker 116; Hollstein p. 12; New Hollstein 141

title: Hans Sachs

text: Prints


title: Coat of Arms of the Holzschuher Family

text: Andresen 226; Becker 123; Hollstein p. 21; New Hollstein 180(ii)

text: ii/ii

title: Coat of Arms of the Holzschuher Family

text: Prints


title: A Gentleman on Horseback Riding to the Left and Looking Right

text: Andresen 246.37; Becker 39b; New Hollstein 210.38

text: Prints


title: A Man and a Woman Together on a Horse Seen from Behind, Galloping to the Right [recto]; A Lady on a Rearing Horse, to the Left [verso]

text: Andresen 246.72 and 92; Becker 39b; New Hollstein 210.73 and 93

type: date

text: recto, 1581; verso, 1576

text: Prints


title: A Gentleman on Horseback, Riding to the Right and Looking Back to the Left at a Woman on Foot Next to Him

text: Andresen 246; Becker 39b; New Hollstein 210

text: Prints


title: Initial C, with Bellerephon and the Chimera (?)

text: Andresen 201 [1578 ed., p. 327]; New Hollstein 139.103

text: Prints


title: A Nymph and a Bear Playing a Bagpipe

text: Andresen 237.38; Becker 27.10v; New Hollstein ; TIB 4.20 (368)

title: A Nymph and a Bear Playing a Bagpipe

text: Prints


title: Initial D, with Apollo and Daphne

text: Andresen 201 [1578 ed., p. 327]; New Hollstein 139.99(?)

title: Initial D, with Apollo and Daphne

text: Prints


title: Initial P, with a Soldier with Spear and Medusa-Shield

text: Andresen 201 [1578 ed., p. 327]; New Hollstein 139.53(?)

text: Prints


title: Initial P

title: Initial P

text: Prints


title: The Resurrection of Christ

namePart: Anonymous

text: Bartsch X: 125, no. 8

title: The Resurrection of Christ

text: Prints


title: Circular ornamental design with Roman numerals 1-12 and 13-24 in reverse as on a dial

text: Bartsch X: 166, no. 53A

text: Prints

extent: Image (diameter): 1 1/2 x 1 1/2 in. (3.8 x 3.8 cm), Paper / Sheet (diameter): 1 1/2 x 1 1/2 in. (3.8 x 3.8 cm)


title: Judgment of Paris

text: Bartsch X: 134 (4A)

title: Judgment of Paris

text: Prints


title: Cherub on a helmet

text: Bartsch X:142, no. [7 bis]

title: Cherub on a helmet

text: Prints


title: Madonna and Child being Crowned by Two Angels

text: Bartsch X: 126, no. 11

text: Prints


title: Albertus Durerus Noricus Inter Pictores [Portrait of Albrecht Dürer]

namePart: Hans Schwarz (German, 1492-after 1535)

text: Prints


title: Coat of Arms of Ebert Eberhart

title: Coat of Arms of Ebert Eberhart

text: Prints


title: Ex-libris of Bishop Balthasar Brennwald of Chur

text: S. IX. 2040m; Wegmann, Schweizer Exlibris, 1233

text: Prints


title: The Creation of Eve

namePart: Heinrich Aldegrever (German, 1502-ca. 1561)

text: Bartsch 1; Illustrated Bartsch 1; Hollstein 1

title: The Creation of Eve

text: Prints


title: God Forbidding Adam and Eve to Eat from the Tree of Knowledge

text: Bartsch 2; Illustrated Bartsch 2; Hollstein 2

text: Prints


title: The Temptation of Adam and Eve

text: Bartsch 3; Illustrated Bartsch 3; Hollstein 3

title: The Temptation of Adam and Eve

text: Prints


title: Adam and Eve Hide Themselves

text: Bartsch 4; Illustrated Bartsch 4; Hollstein 4

title: Adam and Eve Hide Themselves

text: Prints


title: The Expulsion from Paradise

text: Bartsch 5; Illustrated Bartsch 5; Hollstein 5

title: The Expulsion from Paradise

text: Prints


title: Adam and Eve at Work

text: Bartsch 6; Illustrated Bartsch 6; Hollstein 6

title: Adam and Eve at Work

text: Prints


title: The Adoration of the Shepherds

text: Bartsch 39; Illustrated Bartsch 39; Hollstein 39

title: The Adoration of the Shepherds

text: Prints


title: The Virgin and Child on a Cresent Moon

text: Bartsch 50; Illustrated Bartsch 50; Hollstein 50

title: The Virgin and Child on a Cresent Moon

text: Prints


title: The Virgin and Child at the Foot of a Tree

text: Bartsch 55; Illustrated Bartsch 55; Hollstein 55

text: Prints


title: Leda with the Swan and Hercules as a Child

text: Bartsch 83; Illustrated Bartsch 83; Hollstein 83

text: Prints


title: The Fight with the Nemean Lion

text: Bartsch 84; Illustrated Bartsch 84; Hollstein 84

title: The Fight with the Nemean Lion

text: Prints


title: Hercules Killing Cacus

text: Bartsch 85; Illustrated Bartsch 85; Hollstein 85

title: Hercules Killing Cacus

text: Prints


title: Hercules Fighting the Hydra of Lerna

text: Bartsch 86; Illustrated Bartsch 86; Hollstein 86

title: Hercules Fighting the Hydra of Lerna

text: Prints


title: Hercules and Cerberus

text: Bartsch 87; Illustrated Bartsch 87; Hollstein 87

title: Hercules and Cerberus

text: Prints


title: Hercules Squeezing Antaeus to Death

text: Bartsch 88; Illustrated Bartsch 88; Hollstein 88

title: Hercules Squeezing Antaeus to Death

text: Prints


title: Hercules Fighting the River-God Achelous

text: Bartsch 89; Illustrated Bartsch 89; Hollstein 89

text: Prints


title: Hercules Killing the Dragon Ladon

text: Bartsch 90; Illustrated Bartsch 90; Hollstein 90

title: Hercules Killing the Dragon Ladon

text: Prints


title: Hercules and Atlas

text: Bartsch 91; Illustrated Bartsch 91; Hollstein 91

title: Hercules and Atlas

text: Prints


title: Hercules Preventing the Centaurs from the Rape of Hippodameia

text: Bartsch 92; Illustrated Bartsch 92; Hollstein 92

text: Prints


title: Hercules Killing Nessus

text: Bartsch 93; Illustrated Bartsch 93; Hollstein 93

title: Hercules Killing Nessus

text: Prints


title: The Pillars of Hercules

namePart: Aldegrever, Heinrich, 1502-

text: Bartsch 94; Illustrated Bartsch 94; Hollstein 94

title: The Pillars of Hercules

text: Prints


title: Hercules and the Hind

text: Bartsch 95; Illustrated Bartsch 95; Hollstein 95

title: Hercules and the Hind

text: Prints


title: Master of Ceremonies with a Dog

text: Bartsch 160; Illustrated Bartsch 160; Hollstein 160

title: Master of Ceremonies with a Dog

text: Prints


title: Two Torch-Bearers

text: Bartsch 161; Illustrated Bartsch 161; Hollstein 161

title: Two Torch-Bearers

text: Prints


title: Dancing Couple

text: Bartsch 162; Illustrated Bartsch 162; Hollstein 162

title: Dancing Couple

text: Prints


title: Dancing Couple

text: Bartsch 163; Illustrated Bartsch 163; Hollstein 163

title: Dancing Couple

text: Prints


title: Dancing Couple

text: Bartsch 164; Illustrated Bartsch 164; Hollstein 164

title: Dancing Couple

text: Prints


title: Couple Embracing

text: Bartsch 165; Illustrated Bartsch 165; Hollstein 165

title: Couple Embracing

text: Prints


title: Dancing Couple

text: Bartsch 166; Illustrated Bartsch 166; Hollstein 166

title: Dancing Couple

text: Prints


title: Dancing Couple

text: Bartsch 167; Illustrated Bartsch 167; Hollstein 167

title: Dancing Couple

text: Prints


title: Dancing Couple

text: Bartsch 168; Illustrated Bartsch 168; Hollstein 168

title: Dancing Couple

text: Prints


title: Dancing Couple

text: Bartsch 169; Illustrated Bartsch 169; Hollstein 169

title: Dancing Couple

text: Prints


title: Dancing Couple

text: Bartsch 170; Illustrated Bartsch 170; Hollstein 170

title: Dancing Couple

text: Prints


title: Three Trombonists

text: Bartsch 171; Illustrated Bartsch 171; Hollstein 171

title: Three Trombonists

text: Prints


title: Philip Melanchthon

text: Bartsch 185; Illustrated Bartsch 185; Hollstein 185

title: Philip Melanchthon

text: Prints


title: Self-Portrait

text: Bartsch 188; Illustrated Bartsch 188; Hollstein 188 (ii/ii)

title: Self-Portrait

text: Prints


title: Frieze with Children Fighting Bears

text: Bartsch 262; Illustrated Bartsch 262; Hollstein 262 (ii/ii)

title: Frieze with Children Fighting Bears

text: Prints


title: Lot with His Daughters

text: Bartsch 17; Illustrated Bartsch 17; Hollstein 17

title: Lot with His Daughters

text: Prints


title: Lot and His Family Fleeing from Sodom

text: Bartsch 16; Illustrated Bartsch 16; Hollstein 16

title: Lot and His Family Fleeing from Sodom

text: Prints


title: Patience

text: Bartsch 119; Illustrated Bartsch 119; Hollstein 119

title: Patience

text: Prints


title: Wrath

text: Bartsch 126; Illustrated Bartsch 126; Hollstein 126

title: Wrath

text: Prints


title: Patience

text: Bartsch 114; Illustrated Bartsch 114; Hollstein 114

title: Patience

text: Prints


title: Sophonisba Drinking Poison

text: Bartsch 62; Illustrated Bartsch 62; Hollstein 62

title: Sophonisba Drinking Poison

text: Prints


title: Ornamental Design with a Bat in the Center

text: Bartsch 282; Illustrated Bartsch 282; Hollstein 282

text: Prints


title: Medea Presents a Statue of an Armed Man to Jason

text: Bartsch 65; Illustrated Bartsch 65; Hollstein 65

text: Prints


title: Rape of a Woman by a Satyr

text: Bartsch 67; Illustrated Bartsch 67; Hollstein 67 (ii/ii)

title: Rape of a Woman by a Satyr

text: Prints


title: Jupiter

text: Bartsch 78; Illustrated Bartsch 78; Hollstein 78

title: Jupiter

text: Prints


title: Diligence

text: Bartsch 123, Illustrated Bartsch 123, Hollstein 123

title: Diligence

text: Prints


title: Intemperance

text: Bartsch 132; Illustrated Bartsch 132; Hollstein 132

title: Intemperance

text: Prints


title: Fortune

text: Bartsch 143; Illustrated Bartsch 143; Hollstein 143

title: Fortune

text: Prints


title: Two Musicians Playing the Violin and the Lute

text: Bartsch 144; Illustrated Bartsch 144; Hollstein 144

text: Prints


title: Dancing Couple, Back to Back

text: Bartsch 145; Illustrated Bartsch 145; Hollstein 145

title: Dancing Couple, Back to Back

text: Prints


title: Dancing Couple

text: Bartsch 147; Illustrated Bartsch 147; Hollstein 147

title: Dancing Couple

text: Prints


title: Dancing Couple

text: Bartsch 148; Illustrated Bartsch 148; Hollstein 148

title: Dancing Couple

text: Prints


title: Dancing Couple

text: Bartsch 149; Illustrated Bartsch 149; Hollstein 149

title: Dancing Couple

text: Prints


title: Couple Embracing

text: Bartsch 151; Illustrated Bartsch 151; Hollstein 151

title: Couple Embracing

text: Prints


title: Dancing Couple

text: Bartsch 150; Illustrated Bartsch 150; Hollstein 150

title: Dancing Couple

text: Prints


title: Three Musicians Playing Crumhorns

text: Bartsch 152; Illustrated Bartsch 152; Hollstein 152 (ii/ii)

title: Three Musicians Playing Crumhorns

text: Prints


title: Dancing Couple

text: Bartsch 153; Illustrated Bartsch 153; Hollstein 153 (ii/ii)

title: Dancing Couple

text: Prints


title: Dancing Couple

text: Bartsch 154; Illustrated Bartsch 154; Hollstein 154 (ii/ii)

title: Dancing Couple

text: Prints


title: Dancing Couple

text: Bartsch 155; Illustrated Bartsch 155; Hollstein 155 (ii/ii)

title: Dancing Couple

text: Prints


title: Dancing Couple

text: Bartsch 159; Illustrated Bartsch 159; Hollstein 159 (ii/ii)

title: Dancing Couple

text: Prints


title: A Vase Between Two Chimeric Figures

text: Bartsch 287; Illustrated Bartsch 287; Hollstein 287

title: A Vase Between Two Chimeric Figures

text: Prints


title: Susanna Accused of Adultery

text: Bartsch 31; Illustrated Bartsch 31; Hollstein 31

title: Susanna Accused of Adultery

text: Prints


title: Daniel Cross-Examining the Elders

text: Bartsch 32; Illustrated Bartsch 32; Hollstein 32 [i/ii]

title: Daniel Cross-Examining the Elders

text: Prints


title: The Good Samaritan Putting the Traveller on His Donkey

text: Bartsch 42; Illustrated Bartsch 42; Hollstein 42

text: Prints


title: The Good Samaritan Paying the Innkeeper for the Care of the Wounded Man

text: Bartsch 43; Illustrated Bartsch 43; Hollstein 43 (copy A)

text: Prints


title: The Rich Man Transported to Hell

text: Bartsch 47; Illustrated Bartsch 47 [NYPL impression differs from illustration]; Hollstein 47 [NYPL impression differs from illustration]

title: The Rich Man Transported to Hell

text: Prints


title: Sol (with Phaeton)

text: Bartsch 74; Illustrated Bartsch 74; Hollstein 74

title: Sol (with Phaeton)

text: Prints


title: The Annunciation

text: Bartsch 38; Illustrated Bartsch 38; Hollstein 38

title: The Annunciation

text: Prints


title: The Rich Man on His Deathbed

text: Bartsch 46; Illustrated Bartsch 46; Hollstein 46

title: The Rich Man on His Deathbed

text: Prints


title: The Virgin and Child in a Courtyard

text: Bartsch 53; Illustrated Bartsch 53; Hollstein 53 (ii/ii)

title: The Virgin and Child in a Courtyard

text: Prints


title: Dagger Sheath with a Lady Holding a Pink Above [top portion with lady only]

text: Bartsch 216; Illustrated Bartsch 216; Hollstein 216

text: Prints


title: Wilhelm V. Duke of Julich, Cleve and Berg

text: Bartsch 181; Illustrated Bartsch 181; Hollstein 181 (i/iii)

text: Prints


title: Ornamental Design with Foliage Supported by a Seated Child

text: Bartsch 244; Illustrated Bartsch 244; Hollstein 244

text: Prints

extent: Plate mark: 2 3/4 x 2 in. (7 x 5.1 cm), Paper / Sheet: 2 3/4 x 2 in. (7 x 5.1 cm)


title: Madonna and Child in a Landscape

namePart: Albrecht Altdorfer (German, ca. 1480-1538)

text: Bartsch 17; Illustrated Bartsch 17; Hollstein 19; New Hollstein e.19; Waldmann 23

title: Madonna and Child in a Landscape

text: Prints


title: The Drummer

text: Bartsch 51; Illustrated Bartsch 51; Hollstein 65; New Hollstein e.65 (copy); Waldmann 15 (copy)

title: The Drummer

text: Prints


title: St. George and the Dragon

text: Bartsch 20; Illustrated Bartsch 20; Hollstein 22; New Hollstein e.22; Waldmann 39

title: St. George and the Dragon

text: Prints


title: Pyramus and Thisbe

text: Bartsch 44; Illustrated Bartsch 44; Hollstein 51; New Hollstein e.51; Waldmann 43

title: Pyramus and Thisbe

text: Prints


title: Horatius Cocles

text: Bartsch 29; Illustrated Bartsch 29; Hollstein 19; New Hollstein e.; Waldmann 62

title: Horatius Cocles

text: Prints


title: Judith with the Head of Holofernes

text: Bartsch 1; Illustrated Bartsch 1; Hollstein 1; New Hollstein e.1; Waldmann 47

title: Judith with the Head of Holofernes

text: Prints


title: Dido

text: Bartsch 42; Illustrated Bartsch 42; Hollstein 48; New Hollstein e.48; Waldmann 61

title: Dido

text: Prints


title: The Revenge of Virgil

text: Bartsch 43; Illustrated Bartsch 43; Hollstein 50; New Hollstein e.50; Waldmann 73

title: The Revenge of Virgil

text: Prints


title: The Small Crucifixion

text: Bartsch 7; Illustrated Bartsch 7; Hollstein 8; New Hollstein e.8; Waldmann 38

title: The Small Crucifixion

text: Prints


title: Rinceaux Pattern

text: Bartsch 65; Illustrated Bartsch 65; Hollstein e.93; Waldmann 78

title: Rinceaux Pattern

text: Prints


title: Martin Luther

namePart: Lucas Cranach the elder (German, 1472-1553)

text: Bartsch 61; Illustrated Bartsch 61; Hollstein 80; New Hollstein e.80; Waldmann 42

title: Martin Luther

text: Prints


title: St. Christopher Bearing the Christchild

text: For Derschau, see MMA Bull., vol. 17, no. 8 (Aug., 1922): 184-5 [MDGZ Altdorfer]

text: Bartsch 53; Illustrated Bartsch 53; Dodgson II, 55; Hollstein 56; New Hollstein w.56

title: St. Christopher Bearing the Christchild

text: Prints


title: St. Jerome in a Cave

text: Bartsch 57; Illustrated Bartsch 57; Dodgson II, 58; Hollstein 60; New Hollstein w.60

title: St. Jerome in a Cave

text: Prints


title: The Annunciation to Joachim

text: Bartsch 4; Illustrated Bartsch 4; Dodgson II, 4; Hollstein 4; New Hollstein w.4

title: The Annunciation to Joachim

text: Prints


title: Fall of Man

text: Bartsch 1; Illustrated Bartsch 2; Dodgson II, 1; Hollstein 1; New Hollstein w.1 (II/III)

title: Fall of Man

text: Prints

extent: Plate mark: approx. 2 13/16 x 1 15/16 in. (7.2 x 4.9 cm), Paper / Sheet: approx. 3 x 2 1/16 in. (7.6 x 5.2 cm)


title: The Expulsion from Paradise

text: Bartsch 2; Illustrated Bartsch 2; Dodgson II, 2; Hollstein 2; New Hollstein w.2 (II/III)

title: The Expulsion from Paradise

text: Prints


title: Joachim's Offering Refused

text: Bartsch 3; Illustrated Bartsch 3; Dodgson II, 3; Hollstein 3; New Hollstein w.3 (II/III)

title: Joachim's Offering Refused

text: Prints


title: The Meeting of Joachim and Anne

text: Bartsch 5; Illustrated Bartsch 5; Dodgson II, 5; Hollstein 5; New Hollstein w.5 (II/III)

title: The Meeting of Joachim and Anne

text: Prints


title: The Annunciation to Joachim

text: Bartsch 4; Illustrated Bartsch 4; Dodgson II, 4; Hollstein 4; New Hollstein w.4 (II/III)

title: The Annunciation to Joachim

text: Prints


title: Presentation of the Virgin

text: Bartsch 6; Illustrated Bartsch 6; Dodgson II, 6; Hollstein 6; New Hollstein w.6 (II/III)

title: Presentation of the Virgin

text: Prints


title: Annunciation

text: Bartsch 7; Illustrated Bartsch 7; Dodgson II, 7; Hollstein 7; New Hollstein w.7 (II/III)

title: Annunciation

text: Prints


title: Visitation

text: Bartsch 8; Illustrated Bartsch 8; Dodgson II, 8; Hollstein 8; New Hollstein w.8 (II/III)

title: Visitation

text: Prints


title: Adoration of the Magi

text: Bartsch 10; Illustrated Bartsch 10; Dodgson II, 10; Hollstein 10; New Hollstein w.10 (II/III)

title: Adoration of the Magi

text: Prints


title: The Nativity

text: Bartsch 9; Illustrated Bartsch 9; Dodgson II, 9; Hollstein 9; New Hollstein w.9 (II/III)

title: The Nativity

text: Prints


title: Circumcision

text: Bartsch 11; Illustrated Bartsch 11; Dodgson II, 11; Hollstein 11; New Hollstein w.11 (II/III)

title: Circumcision

text: Prints


title: Presentation in the Temple

text: Bartsch 12; Illustrated Bartsch 12; Dodgson II, 12; Hollstein 12; New Hollstein w.12 (II/III)

title: Presentation in the Temple

text: Prints


title: Flight into Egypt

text: Bartsch 13; Illustrated Bartsch 13; Dodgson II, 13; Hollstein 13; New Hollstein w.13 (II/III)

title: Flight into Egypt

text: Prints


title: Christ among the Doctors

text: Bartsch 14; Illustrated Bartsch 14; Dodgson II, 14; Hollstein 14; New Hollstein w.14 (II/III)

title: Christ among the Doctors

text: Prints


title: Transfiguration

text: Bartsch 15; Illustrated Bartsch 15; Dodgson II, 15; Hollstein 15; New Hollstein w.15 (II/III)

title: Transfiguration

text: Prints


title: Christ Taking Leave of His Mother

text: Bartsch 16; Illustrated Bartsch 16; Dodgson II, 16; Hollstein 16; New Hollstein w.16 (II/III)

title: Christ Taking Leave of His Mother

text: Prints


title: The Entry into Jerusalem

text: Bartsch 17; Illustrated Bartsch 17; Dodgson II, 17; Hollstein 17; New Hollstein w.17 (II/III)

title: The Entry into Jerusalem

text: Prints


title: Last Supper

text: Bartsch 18; Illustrated Bartsch 18; Dodgson II, 18; Hollstein 18; New Hollstein w.18 (II/III)

title: Last Supper

text: Prints


title: Agony in the Garden

text: Bartsch 19; Illustrated Bartsch 19; Dodgson II, 19; Hollstein 19; New Hollstein w.19 (II/III)

title: Agony in the Garden

text: Prints


title: The Betrayal

text: Bartsch 20; Illustrated Bartsch 20; Dodgson II, 20; Hollstein 20; New Hollstein w.20 (II/III)

title: The Betrayal

text: Prints


title: Christ Before Caiaphus

text: Bartsch 21; Illustrated Bartsch 21; Dodgson II, 21; Hollstein 21; New Hollstein w.21 (II/III)

title: Christ Before Caiaphus

text: Prints


title: Christ Before Pilate

text: Bartsch 22; Illustrated Bartsch 22; Dodgson II, 22; Hollstein 22; New Hollstein w.22 (II/III)

title: Christ Before Pilate

text: Prints


title: Flagellation

text: Bartsch 23; Illustrated Bartsch 23; Dodgson II, 23; Hollstein 23; New Hollstein w.23 (II/III)

title: Flagellation

text: Prints


title: Crowning with Thorns

text: Bartsch 24; Illustrated Bartsch 24; Dodgson II, 24; Hollstein 24; New Hollstein w.24 (II/III)

title: Crowning with Thorns

text: Prints


title: Ecce Homo

text: Bartsch 25; Illustrated Bartsch 25; Dodgson II, 25; Hollstein 25; New Hollstein w.25 (II/III)

title: Ecce Homo

text: Prints


title: Christ Delivered to the Jews

text: Bartsch 26; Illustrated Bartsch 26; Dodgson II, 26; Hollstein 26; New Hollstein w.26 (II/III)

title: Christ Delivered to the Jews

text: Prints


title: Bearing of the Cross

text: Bartsch 27; Illustrated Bartsch 27; Dodgson II, 27; Hollstein 27; New Hollstein w.27 (II/III)

title: Bearing of the Cross

text: Prints


title: Nailing to the Cross

text: Bartsch 28; Illustrated Bartsch 28; Dodgson II, 28; Hollstein 28; New Hollstein w.28 (II/III)

title: Nailing to the Cross

text: Prints


title: Raising of the Cross

text: Bartsch 29; Illustrated Bartsch 29; Dodgson II, 29; Hollstein 29; New Hollstein w.29 (II/III)

title: Raising of the Cross

text: Prints


title: Crucifixion

text: Bartsch 30; Illustrated Bartsch 30; Dodgson II, 30; Hollstein 30; New Hollstein w.30 (II/III)

title: Crucifixion

text: Prints


title: Descent from the Cross

text: Bartsch 31; Illustrated Bartsch 31; Dodgson II, 31; Hollstein 31; New Hollstein w.31 (II/III)

title: Descent from the Cross

text: Prints


title: Lamentation of the Virgin

text: Bartsch 32; Illustrated Bartsch 32; Dodgson II, 32; Hollstein 32; New Hollstein w.32 (II/III)

title: Lamentation of the Virgin

text: Prints


title: Entombment

text: Bartsch 33; Illustrated Bartsch 33; Dodgson II, 33; Hollstein 33; New Hollstein w.33 (II/III)

title: Entombment

text: Prints


title: Descent into Limbo

text: Bartsch 34; Illustrated Bartsch 34; Dodgson II, 34; Hollstein 34; New Hollstein w.34 (II/III)

title: Descent into Limbo

text: Prints


title: Resurrection

text: Bartsch 35; Illustrated Bartsch 35; Dodgson II, 35; Hollstein 35; New Hollstein w.35 (II/III)

title: Resurrection

text: Prints


title: Christ Appears to the Magdalen

text: Bartsch 36; Illustrated Bartsch 36; Dodgson II, 36; Hollstein 36; New Hollstein w.36 (II/III)

title: Christ Appears to the Magdalen

text: Prints


title: Ascension

text: Bartsch 37; Illustrated Bartsch 37; Dodgson II, 37; Hollstein 37; New Hollstein w.37 (II/III)

title: Ascension

text: Prints


title: Death of the Virgin

text: Bartsch 38; Illustrated Bartsch 38; Dodgson II, 38; Hollstein 38; New Hollstein w.38 (II/III)

title: Death of the Virgin

text: Prints


title: Last Judgment

text: Bartsch 39; Illustrated Bartsch 39; Dodgson II, 39; Hollstein 39; New Hollstein w.39 (II/III)

title: Last Judgment

text: Prints


title: Coronation of the Virgin

text: Bartsch 40; Illustrated Bartsch 40; Dodgson II, 40; Hollstein 40; New Hollstein w.40 (II/III)

title: Coronation of the Virgin

text: Prints


title: Fall of Man

text: Bartsch 1; Illustrated Bartsch 1; Dodgson II, 1; Hollstein 1; New Hollstein w.1 (II/III)

title: Fall of Man

text: Prints


title: The Expulsion from Paradise

text: Bartsch 2; Illustrated Bartsch 2; Dodgson II, 2; Hollstein 2; New Hollstein w.2 (II/III)

title: The Expulsion from Paradise

text: Prints


title: Joachim's Offering Refused

text: Bartsch 3; Illustrated Bartsch 3; Dodgson II, 3; Hollstein 3; New Hollstein w.3 (II/III)

title: Joachim's Offering Refused

text: Prints


title: The Annunciation to Joachim

text: Bartsch 4; Illustrated Bartsch 4; Dodgson II, 4; Hollstein 4; New Hollstein w.4 (II/III)

title: The Annunciation to Joachim

text: Prints


title: The Meeting of Joachim and Anne

text: Bartsch 5; Illustrated Bartsch 5; Dodgson II, 5; Hollstein 5; New Hollstein w.5 (II/III)

title: The Meeting of Joachim and Anne

text: Prints


title: Presentation of the Virgin

text: Bartsch 6; Illustrated Bartsch 6; Dodgson II, 6; Hollstein 6; New Hollstein w.6 (II/III)

title: Presentation of the Virgin

text: Prints


title: Annunciation

text: Bartsch 7; Illustrated Bartsch 7; Dodgson II, 7; Hollstein 7; New Hollstein w.7 (II/III)

title: Annunciation

text: Prints


title: Visitation

text: Bartsch 8; Illustrated Bartsch 8; Dodgson II,8; Hollstein 8; New Hollstein w.8 (II/III)

title: Visitation

text: Prints


title: The Nativity

text: Bartsch 9; Illustrated Bartsch 9; Dodgson II, 9; Hollstein 9; New Hollstein w.9 (II/III)

title: The Nativity

text: Prints


title: Adoration of the Magi

text: Bartsch 10; Illustrated Bartsch 10; Dodgson II, 10; Hollstein 10; New Hollstein w.10 (II/III)

title: Adoration of the Magi

text: Prints


title: Circumcision

text: Bartsch 11; Illustrated Bartsch 11; Dodgson II, 11; Hollstein 11; New Hollstein w.11 (II/III)

title: Circumcision

text: Prints


title: Presentation in the Temple

text: Bartsch 12; Illustrated Bartsch 12; Dodgson II, 12; Hollstein 12; New Hollstein w.12 (II/III)

title: Presentation in the Temple

text: Prints


title: Flight into Egypt

text: Bartsch 13; Illustrated Bartsch13; Dodgson II, 13; Hollstein 13; New Hollstein w.13 (II/III)

title: Flight into Egypt

text: Prints


title: Christ Among the Doctors

text: Bartsch 14; Illustrated Bartsch 14; Dodgson II, 14; Hollstein 14; New Hollstein w.14 (II/III)

title: Christ Among the Doctors

text: Prints


title: Transfiguration

text: Bartsch 15; Illustrated Bartsch 15; Dodgson II, 15; Hollstein 15; New Hollstein w.15 (II/III)

title: Transfiguration

text: Prints


title: Christ Taking Leave of His Mother

text: Bartsch 16; Illustrated Bartsch 16; Dodgson II, 16; Hollstein 16; New Hollstein w.16 (II/III)

title: Christ Taking Leave of His Mother

text: Prints


title: The Entry into Jerusalem

text: Bartsch 17; Illustrated Bartsch 17; Dodgson II, 17; Hollstein 17; New Hollstein w.17 (II/III)

title: The Entry into Jerusalem

text: Prints


title: Last Supper

text: Bartsch 18; Illustrated Bartsch 18; Dodgson II, 18; Hollstein 18; New Hollstein w.18 (II/III)

title: Last Supper

text: Prints