title: Portrait

originInfo: 18401849Paris]Chez Aubertsingle unit

callNumber: *MGZFB Ler P P 1

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Signed on stone: M. Alophe.

text: Plate from Galerie de la presse, de la litérature & des beaux arts.

text: Three-quarter length to left, facing front; arms crossed at waist. Wearing a simple gown.

text: Gift of Lillian Moore.

title: Pauline Leroux. [Lithograph by] M[arie Alexandre] Alophe. Imp. d'Aubert & Cie.

text: Prints


mmsType: Item

field: dateIssued

title: Révolte au sérail.

callNumber: *MGZFB Ler P Rév 1

sourceSystem: mms

namePart: Leroux, Pauline, 1809-1891

type: personal

usage: primary

namePart: Maleuvre, active 1823-1837

type: titleInfo

text: Révolte au sérail (Choreographic work : Taglioni, F)

type: topic

text: Ballet

authority: local

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Lower right: Maleuvre s.

type: biographical/historical

text: Leroux in Taglioni's ballet La révolte au sérail, premiered at the Paris Opéra, Dec. 4, 1833.

type: content

text: Full-length, slightly to the right, head in profile to right. Wearing oriental costume, turban, outer coat with slashed sleeves, narrow trousers, pointed shoes.

title: Costume de Melle. Pauline Leroux, rôle de Zéïr, dans La révolte au sérail, ballet, Académie royale de musique.

script: Cyrl

type: uniform

authority: lctgm

text: Prints

form: Engraving, vignette in line border, colored,

rights: Can be used inside free NYPL exhibition catalogs and in free NYPL brochures

rights: Can be sold through 3rd party print partner (e.g., New York Times)

rights: Can be used in products created by NYPL for commercial gain (e.g., Library Shop, CDs, DVDs, etc.)

rights: We believe that this item has no known US copyright restrictions. The item may be subject to rights of privacy, rights of publicity and other restrictions. Though not required, if you want to credit us as the source, please use the following statement, "From The New York Public Library," and provide a link back to the item on our Digital Collections site. Doing so helps us track how our collection is used and helps justify freely releasing even more content in the future.

collectionTitle: Prints depicting dance


title: Tentation.

originInfo: 1832Parischez Hautecoeur Martinetsingle unit

callNumber: *MGZFB Ler P Ten 1

text: Tentation (Choreographic work : Coralli)

text: Ballet

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Lower right: Maleuvre s.

text: Leroux in Jean Coralli's divertissement, interpolated in Halévy's opera La tentation, premiered at the Paris Opéra, June 20, 1832.

text: Full length to front, looking right, right hand outstretched, palm up; wearing calf-length costume.

title: Costume de Melle. Pauline Leroux, rôle de Marie, dans La tentation, ballet opéra, Académie royale de musique, acte 1er.

text: Prints


title: Unidentified ballet.

originInfo: 1844Parispublié par J. Bulla et F. Delaruesingle unit

callNumber: *MGZFB Ler P U 1

namePart: Desmaisons, Emilien, 1812-1880

authority: naf

namePart: Guérard, Eugène Charles François, 1821-1866

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Guérard del., E. Desmaisons lith., imp. par Lemercier.

text: Full length to left, bent forward, yellow under-skirt with blue and white over-skirt and bodice, holding staff with flowers behind her, small hat with flowers on head, bushes, hills and building in background.

type: funding

text: Purchased with funds from the Committee for the Jerome Robbins Dance Division.

title: Melle Pauline Leroux. Pas villagèois.

title: Melle Pauline Leroux. Pas villagèois.

text: Prints

form: Hand-colored lithograph on tinted ground,


title: Maria Ley.

originInfo: 1924WienGesellschaft für Vervielfältigende Kunstsingle unit

callNumber: *MGZFB Ley M 1

namePart: Pollak, Max, 1886-

type: name

text: Ley-Piscator, Maria, 1905-

text: Variety dancing

type: statement of responsibility

text: Max Pollak.

text: Print depicts dancer Maria Ley, pioneer of the "free dance."  She appears mid-movement, one leg lifted at the knee and one arm raised above her head, her gaze slightly downward.  She wears a long-sleeved dress with a full skirt.

text: On recto, beneath etching: Max Pollak, Maria Ley. Originalradierung.  Druck der Staatsdruckerei.  Verlag der Gesellschaft für Vervielfältigende Kunst, Wien.

type: acquisition

text: Gift; Sylvia de Cuevas; 2007.

title: Maria Ley.

text: Prints

text: Prints-20th century.

text: Drypoints.

form:
1 print
drypoint with areas of mezzotint, red


title: Portrait.

originInfo: 1860ParisHeugel et Cie editeurssingle unit

callNumber: *MGZFB Liv E P 1

namePart: Bertauts

namePart: Heugel et Cie (Firm)

type: corporate

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Imp. Bertauts Paris.

text: An oval lithograph on India paper, mounted within a heliographed floral border which, in turn, is mounted on a larger sheet.

text: Livry half length, looking left, right arm resting on a pedestal; wearing an afternoon dress, lace fichu, insect necklace.

text: Lincoln Kerstein Collection.

title: Emma Livry.

title: Emma Livry.

text: Prints


point: start

point: end

title: Portrait

originInfo: 18001899Parissingle unit

callNumber: *MGZFB Maf C P 1

namePart: Mafleurai, Clotilde, 1776-1826

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Anonymous etching. Bust portrait to left, looking front. Hair in tight curls; wearing ruffled collar.

title: Melle. Clotilde.

title: Melle. Clotilde.

text: Prints


title: Veuve de quinze ans

originInfo: 1846ParisMartinet-Hautecoeursingle unit

callNumber: *MGZFB Mar D Veu 1

namePart: Marquet, Delphine, 1824-1878

namePart: Lacauchie, Alexandre

authority: ulan

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Incidental dances

text: Ballet

text: Signed on stone: A. Lacauchie.

text: Caption: Théâtre des Variétés.

text: Imp. J. Rigo et Cie.

text: Full-length, looking to her left, right arm bent to waist, in travesty.

title: Melle Marquet, rôle du marquis, dans La veuve de quinze ans.

text: Prints


title: Portrait

originInfo: 1823Parissingle unit

callNumber: *MGZFB Mar G P 1

namePart: Martin, Geneviève Gosselin, -1819

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Lower left: D. F. 1823.

text: Bust to right, looking left, rose in hair.

text: Lillian Moore Collection

title: Mme. Martin née Gosselin, première danseuse de l'Académie royale de musique.

text: Prints


title: Dieu et la bayadère.

originInfo: 1860ParisImp. Auguste Brysingle unit

callNumber: *MGZFB Mar L Die 1

namePart: Marquet, Louise, 1830-1890

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Opera ballet

text: Ballet

text: Lithograph by Marie-Alexandre Alophe [i.e. Adolphe Menut]

text: Full-length to front with right arm to waist, heel of back foot raised, white and gold skirt with blue over-skirt, darker blue bodice, elaborate jewelry.

title: Melle Marquet, dans le ballet du dieu et la bayadère.

text: Prints


title: Elfes.

originInfo: 1856Parislith. Godardsingle unit

callNumber: *MGZFB Mar L Elf 1

namePart: Godard, A.

text: Elfes (Choreographic work : Mazilier)

text: Ballet

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: On stone: A[lexandre] L[acauchie]

text: Full-length, looking right. Louise Marquet in Mazilier's ballet Les elfes, premiered at the Paris Opéra, Aug. 11, 1856.

title: Melle. Marquet, dans Les elfes, Théâtre de l'Opéra.

text: Prints

form: Lithograph, vignette, colored on tinted ground,


title: Unidentified ballet.

originInfo: 1845London]M. & N. Hanhartsingle unit

callNumber: *MGZFB Mars M U 1

namePart: Marshall, Mary Ann

text: Marshall, Joseph

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Depicts two people dancing in a village scene; Mr. Marshall facing front bows to Miss Marshall on his right; Miss Marshall also facing front acknowledges his bow with a slight curtsey, right arm bent at elbow and extended up, fingers also extended delicately upward, left foot extended in front of right foot. Both wearing peasant costumes. Several women sitting in the background, some of them asleep.

text: Cia Fornaroli Collection.

title: mazurka song. Written by Edward J. Gill, arranged by S. Nelson.

text: Prints


title: Unidentified ballet.

originInfo: 1843Edinburghsingle unit

callNumber: *MGZFB Mars M U 2

namePart: Ebsworth, Joseph Woodfall, 1824-1908

text: Marshall, Joseph

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Signed and dated on stone: Joseph Ebsworth delt et lith.

text: Depicts two people dancing; Miss Marshall on left, Mr. Marshall on right, both wearing peasant costumes.

text: Gift of Lillian Moore.

title: Mr & Miss Marshall in their celebrated Pas styrien. As danced by them at the Theatres - Royal - Covent Garden & Drury Lane, London.

text: Prints


title: Unidentified ballet.

originInfo: 1845Londonsingle unit

callNumber: *MGZFB Mars M U 3

text: Marshall, Joseph

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Music title-page.

title: Master & Miss Marshall.

title: Master & Miss Marshall.

text: Prints


title: Portrait.

originInfo: 18701879Parissingle unit

callNumber: *MGZFB Mau R P 1

namePart: Mauri, Rosita, 1856-1923

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Imp. Maurel, Paris. Initialed on stone: P. M.

text: Caption: Les étoiles des théâtres de Paris.

text: Portrait, face in profile to left, wearing lace shawl, flower behind left ear.

title: Rosita Mauri.

title: Rosita Mauri.

text: Prints


title: [Portrait].

originInfo: 1892ParisG. Richardsingle unit

callNumber: *MGZFB Mau R P 2

namePart: Lalauze, Adolphe, 1838-1906

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Signed in plate and also in pencil, lower right: A. Lalauze.

text: Mauri, wearing a tutu, standing in repose, fingers interlocked; torso slightly to the left, eyes front.

text: Facsimile testimonial with signature below: "Je rends hommage aux vertus du vin Mariani que m'a souvent rendu mes jambes, Rosita Mauri."

text: Annotation, in pencil: Album Mariani, Paris, G. Richard, 1892, 2me serie.

title: [Portrait].

text: Prints

extent: line border 17 x 10 cm. on sheet 28.5 x 18.5 cm.


title: Rosita Mauri.

originInfo: 18501899single unit

callNumber: *MGZFB Mau R P 3

nameType: personal

text: Mauri, Rosita, 1856-1923

text: Ballet

text: Image depicts French ballerina Rosita Mauri in a full, classical tutu, standing in repose, fingers interlocked; torso slightly to the left, eyes front.

text: Signed in plate, lower right: A. Lalauze.

text: lot #98.

text: Purchase at auction; Mme. Gilberte Cournand; 1998/02/26;

title: Rosita Mauri.

text: Prints

text: Prints-19th century.

form:
1 print
engraving, b&w


title: Faust

originInfo: 1855Milanosingle unit

callNumber: *MGZFB May A Fau 1

namePart: Maywood, Augusta, 1825-1877?

namePart: Teia, Casimiro

text: Faust (Choreographic work : Cortesi)

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Signed on stone: Teia. Lower right: Lit. F. Chapusot.

text: Maywood costumed as Margherita in Antonio Cortesi's ballet Faust, Teatro Regio, Turin, season of 1855-1856.

text: Three-quarter length to front; Maywood clasping scarf or shawl to bosom; flowers and a ribbon in hair.

text: Newspaper cutting from Il Trovatore, December 29, 1855.

text: Lillian Moore Collection.

title: Augusta Maywood.

title: Augusta Maywood.

text: Prints


title: Portrait.

originInfo: 1851Italy]Litografia, Via Ponte di Ferro 1055, Minardi lit.single unit

callNumber: *MGZFB May A P 1

namePart: Calza, G.

namePart: Minardi, Tommaso, 1787-1871

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: On stone: G. Calza dis. dal vero. Minardi lit.

text: Half length to left, wearing a high-necked dress, ruffle around collar.

text: Gift of Lillian Moore.

title: Augusta Maywood [fac. sig.].

title: Augusta Maywood [fac. sig.].

text: Prints


title: [Portrait].

originInfo: 1853AnconaLitog. Maggisingle unit

callNumber: *MGZFB May A P 3

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Augusta Maywood, imparegiabile danzatrice, in Ancona nella Primavera del 53.

text: Maywood three-quarter length to slight left, wearing an unadorned dress with half sleeves on upper arm.

title: [Portrait].

text: Prints


title: Mr. Mazurier, rôle de Frisac dans Denise & André, ballet.

originInfo: 18101819LyonBrunetsingle unit

callNumber: *MGZFB Maz C Den 1

namePart: Brunet

text: Mazurier, Charles

text: Épreuve villageoise (Choreographic work : Milon)

text: lith. de Brunet à Lyon.

text: Mazurier in profile, facing to his left, left hand to hat, right arm lifted behind him, left leg raised in low attitute forward. Far left background is a maypole, far right background is a carnival pole, both with clusters of people. Lithograph has the appearance of a charcoal or pencil sketch.

text: Possibly depicts a scene from Jacques Milon's ballet, Épreuve villageoise, which was rehearsed under the title André et Denise, performed at the Paris Opéra, 1815.

text: Prints

text: Lithographs.

form:
1 art print
lithograph, b&w


title: Jocko

originInfo: 1826Paris]chez Martinetsingle unit

callNumber: *MGZFB Maz C Joc 1

namePart: Mazurier, Charles

namePart: Engelmann, G. (Godefroy), 1788-1839

namePart: Valentini, Alexandre de, active 1825-1842

text: Ballet

text: Incidental dances

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ale. de V. [i.e., Alexandre de Valentini]; lith. de G. Engelmann.

text: Mazurier as Jocko, the role he danced with enormous success during the 1826 season at the Théâtre de la Porte-Saint-Martin. Depicts Mazurier costumed as an ape, sitting on a rock at left; a young boy at right reaches toward him.

text: Lincoln Kirstein Collection.

title: Mazurier, rôle de Joko.

title: Mazurier, rôle de Joko.

text: Prints


title: Jocko.

originInfo: 18201829Paris]single unit

callNumber: *MGZFB Maz C Joc 2

namePart: Fauconnier.

namePart: Villain.

namePart: Gihaut.

text: Mazurier, Charles

text: Bordes, Mlle

text: Gobert, Mons

text: Jocko, the Brazilian ape (Choreographic work)

text: Fauconnier, del. ; lith de Villain ; chez Gihaut frères, éditeurs, Boulevard des Italiennes, no. 5.

text: Handwritten in pencil on lower border: Mazurier, Mlle. Bordes, Mr. Gobert.

text: Jocko [in ape costume] raises himself from ground; child kneels behind him, left hand on ape's shoulder, right arm gestures to background of rocks and tropical trees. Male adult figure stands in front of Jocko, looking down at him.

title: Jocko.

text: Prints

text: Lithographs.

form:
1 art print
lithograph, col.


title: Mazurier dans le ballet de Meuniers.

originInfo: 18201829single unit

callNumber: *MGZFB Maz C Meu 1

text: Mazurier, Charles

text: Meuniers (Choreographic work : Taglioni, F)

text: lith. de G. Engelmann.

text: Mazurier stands in a pastoral setting, wearing a white jacket and breeches. He faces to his right, looking up, arms low. A ladder rests on the ground in front of his feet. In left background a windmill; in right middle ground a man wearing hat and coat walks or dances, holding a lantern and basket.

title: Mazurier dans le ballet de Meuniers.

text: Prints

text: Lithographs.


title: Monsieur de Pourceaugnac.

originInfo: 1826Parischez Martinetsingle unit

callNumber: *MGZFB Maz C Mon 1

text: Théâtre de la Porte Saint-Martin (Paris, France)

text: Monsieur de Pourceaugnac (Choreographic work : Coralli, J)

text: Dance

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Al. de V. [i.e., Alexandre de Valentini]; lith. de Engelmann.

text: Mazurier in Jean Coralli's ballet Monsieur de Pourceaugnac, premiered at the Théâtre de la Porte-Saint-Martin, Jan. 28, 1826.

text: Mazurier wearing periwig, elaborate justaucorps, large cuffs, lace cravat, sword. Full-length, viewed from back; Mazurier, left hand on hip, looking down at man in prompter's box who has just shot him with an air gun. Men with air guns running in background.

text: Lillian Moore Collection.

title: Mazurier dans le ballet de Pourceaugnac.

text: Prints


title: Nathalie; ou La laitière suisse

originInfo: Parischez Noël ainé et Cie.[1823?]

callNumber: *MGZFB Maz C Nat 1

namePart: Marin-Lavigne, Louis Stanislas, 1797-1860

namePart: Noël, Francisque

nameType: corporate

text: Laitière suisse (Choreographic work : Titus)

text: Prints (Graphic arts) -- Ballet -- 19th century

authority: lcsh

text: Ballet -- France -- 19th century

text: Lithograph designed by Louis Marin-Lavigne, drawn on stone by Francisque Noël.

text: Full length to left, right arm up to left, left arm extended to left, wearing gray short pants, white shirt, wine-colored hose and vest, hat with feathers on head, holding a musical instrument in left hand. Background of rocks, trees and river.

title: Mazurier artiste du Théâtre de la Porte St. Martin. Rôle de Beterse dans La laitière suisse

text: Prints


title: Portrait

callNumber: *MGZFB Maz C P 1

namePart: Cardon, H., active 1809-1830

namePart: Dubouloz, Jean Auguste, 1800-1870

text: Polichinel vampire (Choreographic work : Blache)

text: Ballet -- France -- 19th century

text: Dubouloz del't., Cardon sculp't.

text: Bust to right, looking front. Portrait in circular frame, depicting parts of Mazurier's costume for Polichinel; pedestal in the form of a scene from J. B. Blache's ballet Polichinel vampire, created for Mazurier's debut at the Théâtre de la Porte-Saint-Martin, May 27, 1823.

title: Mazurier, artiste de la Porte St. Martin

text: Prints


title: Polichinel vampire

originInfo: Parisca. 1823

callNumber: *MGZFB Maz C Pol 1

namePart: Motte, Charles Etienne Pierre, 1785-1836

text: Ballet -- France -- 19th century

text: Lower right: Lith. de C. Motte.

text: Mazurier in costume, full-length to right, looking front, walking with legs far apart. In background, reduced image of Mazurier executing a split.

title: Mr. Mazurier dans le rôle de Polichinel vampire, Théâtre de la porte St. Martin

text: Prints


title: Polichinel vampire

originInfo: Paris]chez Martinet[1823?]

callNumber: *MGZFB Maz C Pol 2

text: Acrobatic dancing

text: Clowns and fools

text: Ballet -- France -- 19th century

text: Lower right: Lith. de G. Engelmann. Mazurier in his Pulcinella costume for the title role in Frédéric Blache's ballet-pantomime Polichinel vampire. The acrobatic dancer, executing a split, waves at a smaller version of himself in the background. The smaller figure, a stilt lashed to his left leg, his right leg in the air, returns the greeting.

title: Mazurier rôle de Polichinelle vampire

title: Mazurier rôle de Polichinelle vampire

text: Prints


title: Visite à Bedlam

callNumber: *MGZFB Maz C Vis 1

namePart: Maleuvre, active 1823-1837

text: Visite à Bedlam (Choreographic work : Coralli)

text: Ballet -- France -- 19th century

text: Caption: Th. de la Porte St. Martin. Scène dernière, Pas populaire des grecs.

text: Mazurier in Coralli's ballet-pantomime, premiered at the Théâtre de la Porte-Saint-Martin, Sept. 19, 1826.

text: Full length, to left, looking right, wearing a Greek costume.

title: Costume de Mazurier, rôle de Gavatino dans Une visite à Bedlam. Ballet pantomime: Maleuvre s

subTitle: Maleuvre s

text: Prints


title: Diable boiteux

originInfo: Parischez Hautecoeur-Martinet[1836]

callNumber: *MGZFB Maz J Dia 1

namePart: Mazilier, Joseph, 1797-1868

text: Diable boiteux (Choreographic work : Coralli)

text: Ballet -- France -- 19th century

text: Lower right: Maleuvre s.

text: Mazilier in Coralli's ballet-pantomime Le diable boiteux, first performed at the Paris Opéra on June 1, 1836.

text: Full-length to front, looking right, right arm extended to side. Mazilier wearing wide lace collar, cape, knee breeches.

title: Costume de Mazilier, rôle de Don Cleophas, dans Le diable boiteux, ballet, Académie royale de musique

text: Prints

form: Engraving, colored, vignette in line border,


title: Révolte au sérail

originInfo: Parischez Hautecoeur-Martinet[1834?]

callNumber: *MGZFB Maz J Rév 1

text: Révolte au sérail (Choreographic work : Taglioni, F)

text: Ballet -- France -- 19th century

text: Lower right: Maleuvre s.

text: Mazilier in Filippo Taglioni's ballet La révolte au sérail, premiered at the Paris Opéra, Dec. 4, 1833.

text: Full-length to slight right, looking left, left hand to side, palm down. Mazilier wearing oriental costume with turban.

title: Costume de Mazilier, rôle d'Ismaïl, dans La révolte au sérail, ballet, Académie royale de musique

text: Prints


title: Tarentule

originInfo: Parischez Hautecoeur-Martinet[1839]

callNumber: *MGZFB Maz J Tar 1

text: Tarentule (Choreographic work : Coralli)

text: Prints (Graphic arts) -- Ballet -- 19th century

text: Ballet -- France -- 19th century

text: Mazilier in Coralli's ballet, premiered at the Paris Opéra, June 24, 1839.

text: Full length to right, looking right, hands at waist. Wearing pointed hat with feather at side, lace collar, cravat, short jacket, knee breeches, boots.

title: Costume de Mazilier, rôle de Luidgi, dans La tarentule, ballet, Académie royale de musique, actes I et II

text: Prints


title: Tempest

originInfo: Parischez Hautecoeur-Martinet[1834]

callNumber: *MGZFB Maz J Tem 1

text: Tempest (Choreographic work : Coralli)

text: Ballet -- France -- 19th century

text: Lower right: Maleuvre s.

text: Mazilier in Jean Coralli's ballet La tempête; ou L'ile des génies, premiered at the Paris Opéra, Sept. 15, 1834.

text: Full-length to right, right leg crossed in front of left, torso to front, Mazilier looking left, left arm extended to side. Wearing doublet with slashed sleeves, tights, ankle boots.

title: Costume de Mazilier, rôle de Fernando, dans La tempête, ballet, Académie royale de musique

text: Prints


title: [Unidentified ballet]

originInfo: BostonPendleton's lithography[1826?]

callNumber: *MGZFB McB C U 1

namePart: McBride, Cecilia.

namePart: Pendleton, John B., 1798-1866

text: Ballet -- United States -- 19th century

text: The only ballet lithograph of Cecilia McBride (d. 1846).

text: Full-length to the right, looking over right shoulder, left arm raised; wearing crown of stars, dress with star pattern.

text: Cf. *MGTI  New York Public Library. Dance Collection. Images of the dance. 1965, p. 53. Reproduction and commentary.

title: [Unidentified ballet]

text: Prints


title: [Unidentified ballet]

callNumber: *MGZFB McB C U 2

text: Ballet -- United States -- 19th century

text: Full-length to the right, looking over right shoulder, left arm raised; wearing crown of stars.

text: An un-colored version of *MGZFB  McB C  U 1.

title: [Unidentified ballet]

text: Prints


title: Caricature.

originInfo: 1823London]pub'd by G. Humphrey, 24 St. James St. & 74 New Bond St.single unit

callNumber: *MGZFB Mer M C 1

namePart: Mercandotti, Maria.

namePart: Humphrey, G., active approximately 1820

namePart: Cruikshank, Robert, 1789-1856

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Dance

text: Lower left: R. C. [i.e., Isaac Robert Cruikshank] fecit. Lower right: M. H. A satirical print prompted by Mercandotti's rejections and eventual acceptance of Hughes Ball's offers of financial security and matrimony.

text: Outdoor setting. Left to right: Hughes Ball holding a check in one hand and a bag of money in the other ("Can you resist these golden charms ... "). A kneeling woman holds a broom or stick over which Mercandotti leaps ("The Ball is yours, lose not one moment to take the leap ... "). The young dancer, leaping in the air, reaches for the check ("Such tempting arms, to them I'll fly for life"). The Earl of Fife, generally believed to be Mercandotti's father, dances a jig ("I am glad you are gone, tol lol la ... ").

text: On the ground is an abridged version of Mercandotti's note to John Ebers, manager of the King's Theatre, in which she notified him of her imminent retirement.

text: Gift of Lillian Moore.

title: M-RC-N.TI'S leap from the Opera, or the Ballet turned into a Ball.

text: Prints

extent: image, including frame-border, 23.8 x 34.5 cm.


title: Caricature.

originInfo: 1823London]J. Fairburn, Broadway Ludgate hill, pub'd April 7thsingle unit

callNumber: *MGZFB Mer M C 2

namePart: Cruikshank, George, 1792-1878

namePart: J. Fairburn (Firm)

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Dance

text: Lower right: G. C'k [i.e., George Cruikshank]. A satirical print prompted by Mercandotti's sudden abandoning of her stage career in order to marry her wealthy suitor Hughes Ball.

text: Mountainous setting. Mercandotti, at center, dances for Hughes Ball. She is on left pointe, her right leg extended to front. She holds the end of a lasso, labeled "matrimonial noose," which is around Ball. He is sitting on a sack, with two large bags of money between his legs. Lord Fife, Mercandotti's patron and, purportedly, her father, sits on a trunk and plays a fife. Cf. Ballet [London], May 1948, vol. 5, no. 5, p. 33. Reproduction.

text: Gift of Lillian Moore.

title: The wedding Ball; or Ma'am'selle M-rcandot-i's highland fling into high life.

text: Prints

form: Etching, colored, image, including frame-border,


title: Caricature.

originInfo: 18301839Londonsingle unit

callNumber: *MGZFB Mer M C 3

text: Taglioni, Marie, 1804-1884

text: Noblet, Lise, 1801-1852

text: Hullin, Joséphine, 1808-1838

text: Ballet

text: Dance

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: A reception room with seven female dancers in costume and eight male visitors. Foreground (left to right): The Earl of Fife, patron of Maria Mercandotti, and Hughes Ball, her most assiduous suitor, observing the dancer. Mercandotti, wearing her costume for the title role in Albert's ballet Cendrillon (first danced in London by Mercandotti on March 12, 1823), on right pointe, left leg extended to side. Lise Noblet, weight on left foot, right foot pointe tendue, in costume for André Deshayes' ballet La paysanne supposée (premiered at the King's Theatre, April 10, 1821). Joséphine Hullin, in a costume for an unidentified ballet, full length to front, looking right, weight on left foot, right foot behind, her right arm raised above head.

text: The costume portraits of Mercandotti, Noblet, and Hullin are based on 1822-23 engravings by Robert Cooper. Lord Petersham stands at extreme right.

text: Background center: Marie Taglioni, costumed as Zoloé in the opera ballet Le dieu et la bayadère (first performed in Paris, October 13, 1830). Portrait of Marie Taglioni, lower right margin of engraving. Cf. Ballet [London], May 1948, vol. 5, no. 5, p. 33. Reproduction.

title: Caricature.

title: Caricature.

text: Prints


title: Caricature.

callNumber: *MGZFB Mer M C 4

text: Taglioni, Marie, 1804-1884

text: Noblet, Lise, 1801-1852

text: Hullin, Joséphine, 1808-1838

text: Ballet

text: Dance

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: A foyer with seven female dancers in costume and eight male visitors. Foreground (left to right): The Earl of Fife, father of Maria Mercandotti, and Hughes Ball, her future husband, observing the dancer. Mercandotti, wearing her costume for the title role in Albert's ballet Cendrillon, on right pointe, left leg extended to side. Lise Noblet, left foot back, right foot pointe tendue, in costume for an unidentified ballet, full length to front, her right arm raised above head, left hand behind her back. Lord Petersham stands at extreme right.

text: Background center: Marie Taglioni, sur les pointes, costumed as Zoloé in the ballet interpolated in Auber's opera Le dieu et la bayadère. Portrait of Marie Taglioni, lower right margin of engraving. A hand-colored version of *MGZFB  Mer M  C 3.

title: Caricature.

title: Caricature.

text: Prints


title: Caricature.

originInfo: 1825-06Londonpub'd by G. Humphrey, 24 St. James's St.single unit

callNumber: *MGZFB Mer M C 5

text: Dance

text: Ballet

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Lower left: Don Juan fecit. [i.e., Isaac Robert Cruikshank]. A satire on the social elevation of two theatrical celebrities through their husbands. A lord-in-waiting in court attire stands framed in a doorway. He says to two approaching ladies, "May I trouble you for your cards ladies?"

text: Maria Mercandotti (Mrs. Hughes Ball), in costume, on right pointe. She holds up in one hand a golden ball, and in the other a card inscribed B. At left, the actress Harriot Mellon (Mrs. Coutts) advances, her train held up by the (future) Duke of St. Albans (a paper so inscribed hanging from his pocket). Mrs. Coutts, a corpulent woman, is much jeweled and feathered; her dress is bordered with cornucopias showering coins, a cross hangs from her neck. She proffers a card inscribed C.

text: Gift of Lillian Moore.

title: A visit to court, or "All the world's a stage, and men and woman merely players," Shakespeare.

text: Prints


title: Cinderella.

originInfo: 1822Londonsingle unit

callNumber: *MGZFB Mer M Cin 1

namePart: Cooper, Robert, active 1795-1836

namePart: Sharp, Michael William, -1840

text: Cinderella (Choreographic work : Albert)

text: Ballet

text: Prints (Graphic arts)

text: Ballet

text: 19th century

type: creation/production credits

text: Painted by M. W. Sharp, engraved by Rob't Cooper.

text: Mercandotti in Albert's ballet, first performed at the King's Theatre, London, on March 26, 1822.

text: Full-length to left, in fourth position croisée, back to public, looking over left shoulder.  Wearing headpiece of feathers, calf-length dress.

text: Proof on India paper.  An uncolored version of *MGZFB  Mer M  Cin 2.

title: Mad'lle Mercandotti in Cendrillon.

title: Mad'lle Mercandotti in Cendrillon.

text: Prints


title: Cinderella.

callNumber: *MGZFB Mer M Cin 2

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Full-length to left, in fourth position croisée, back to public, looking over left shoulder. A colored version of *MGZFB  Mer M  Cin 1.

text: Lincoln Kirstein Collection.

title: Mad'lle Mercandotti in Cendrillon.

title: Mad'lle Mercandotti in Cendrillon.

text: Prints


title: Marco Spada.

originInfo: 1857Parisimp. Auguste Bry, r. du Bacsingle unit

callNumber: *MGZFB Mér Z Mar 1

namePart: Mérante, Zina Richard, 1832-1890

namePart: Bry, Auguste, b. 1805

text: Marco Spada; ou La fille du bandit (Choreographic work : Mazilier)

text: Ballet

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Lower left: Alophe del. et lith.

text: Mérante full-length to front, head inclined slightly to right, hands clasped in front, left foot forward.

title: Melle. Zina Richard dans Marco Spada.

title: Melle. Zina Richard dans Marco Spada.

text: Prints


title: Trilby

originInfo: 1846ParisMartinet-Hautecoeursingle unit

callNumber: *MGZFB Mér Z Tri 1

namePart: Lacauchie, Alexandre

text: Trilby (Choreographic work : Ragaine)

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Lithograph by Alexandre Lacauchie. Initialed on stone: A. L.

text: Caption: Théâtre de la Porte St. Martin.

text: Mérante in Ragaine's ballet Trilby, premiered at the Théâtre de la Porte-Saint-Martin, Jan. 10, 1846.

text: Full-length to front, left leg bent, left arm raised above head, right arm at waist, wearing short pants.

text: Lillian Moore Collection.

title: Melle Richard dans Trilby. Imp. J. Rigo et Cie.

subTitle: Imp. J. Rigo et Cie.

text: Prints


title: Portrait.

originInfo: 1830Parissingle unit

callNumber: *MGZFB Mil L P 2

namePart: Milon, Louis Jacques Jessé, 1765-1849

namePart: Vigneron, Pierre Roch, 1789-1872

namePart: Lasteyrie, C. de (Charles), 1759-1849

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Bust portrait to right.

text: From Journal des spectacles.

text: Version of *MGZFB  Mil L  P 1.

title: M. Milon. Académie Royale de Musique. Vigneron del. Lith. de C. de Lasteyrie.

subTitle: Vigneron del. Lith. de C. de Lasteyrie.

text: Prints

extent: 14.7 x 11.6 cm., on tinted ground, 16 x 13 cm.


title: Pages du duc de Vendôme.

originInfo: 1820Parissingle unit

callNumber: *MGZFB Mil L Pag 1

namePart: Engelmann, G. (Godefroy), 1788-1839

namePart: Garneray, Auguste Siméon, 1785-1824

text: Pages du duc de Vendôme (Choreographic work : Aumer)

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: On stone: A[uguste] G[arneray]. Lith. de G. Engelmann.

text: Full-length to slight right, left hand at hip, holding gloves in right hand. Milon in Aumer's ballet, premiered at the Paris Opéra, Oct. 18, 1820.

title: M'r Milon, le c'te de Murer dans Les pages du duc de Vendôme, ballet pantomime en 1 acte, Académie r'le de musique.

text: Prints


title: Miroir aux alouettes.

originInfo: 18701879ParisAncienne M[ais]on Martinetsingle unit

callNumber: *MGZFB  Mir 1

namePart: Maison Martinet (Paris, France)

text: Entertainers

text: Printed below image: Composé par M. Robin.

text: Printed below title: 36.

text: [Printed by] Imp. Lemercier et Cie., Paris.

text: Possibly part of the Nouvelle Galerie Dramatique, published from 1873 into the 1880s.

text: Purchased with funds from the Committee for the Jerome Robbins Dance Division.

text: Purchase; Ballet Shop, 1988.

text: The printing and publishing house of Maison Martinet was founded in 1796 by Aaron Martinet, 1762-1841, who became well-known for publishing satirical prints. In 1822 the firm assumed the name Hautecoeur-Martinet, after Martinet's son-in-law Hermenégilde Hautecoeur, who became its head after Martinet's retirement in 1824. The brothers Eugène and Alfred Hautecoeur, the Hautecoeur Frères, managed the business from 1843 to 1867. Jules Hautecoeur, Alfred's son and the great-grandson of the founder, later became the sole proprietor of Ancienne Maison Martinet.

title: Miroir aux allouettes [sic].

title: Miroir aux alouettes.

type: alternative

abstracts: Depiction of a female performer, possibly a dancer, in costume. Her knee-length white dress is decorated with deep pink latticework and flowers, echoing the hue of her underskirt.

text: Prints

text: Lithographs.

form: lithograph on tinted ground, hand-colored


title: The apach's dance.

originInfo: 1908Parisimp. H. Minotsingle unit

callNumber: *MGZFB Mis 1

namePart: Mistinguett, 1875-

text: Dearly, Max

text: Dance

text: Apache dancers

text: Prints (Graphic arts)

text: 20th century

text: Sheet music cover (with music) for Charles Dubourg's "Valse chaloupée," published 1908 by Choudens.

text: Upper left corner: portraits of Mistinguett and Dearly within a double circle. Music cover depicts a bistro, two apache dancers foreground center; a burly bartender, arms folded across chest, background left; dancers suggested, background right.

title: Valse chaloupée. "The Apach's dance,": créée et reglée par M. Max Dearly, dansée par Mistinguett et Max Dearly dans "La Revue du Moulin."

title: The apach's dance.

text: Prints


title: Almée.

originInfo: 1847New YorkAtwill, publishersingle unit

callNumber: *MGZFB Mon A Alm 1

namePart: Monplaisir, Adèle.

namePart: Trobriand, A. de

namePart: Sarony & Major

text: Monplaisir, Ippolito Giorgio, 1821-1877

text: Almée (Choreographic work : Bartholomin)

text: Ballet

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: A. de Trobriand fecit., Sarony & Major's lith.

text: Sheet music cover. Ippolito Monplaisir to left, right foot extended to side, supporting with left hand Adèle Monplaisir, on pointe, right arm outstretched.

title: zingarilla, as danced by Mad. & Mons. Monplaisir, in the grand Asiatic ballet of L'almée. as performed under the direction of Mons. V. Bartholomin, at the Broadway Theatre.

text: Prints


title: Melle B. Montaubry.Faust

originInfo: 18801889Paris]imp. Bertautssingle unit

callNumber: *MGZFB Mon B Fau 1

namePart: Bertauts

text: Montaubry, Blanche

text: Opera ballet

text: Image depicts female figure, full-length.  She wears a Middle Eastern-style costume: a sheer white gown with a fringed striped cloth tied at her hips, a striped cloth headdress and large earrings.  She holds a blue vessel in one hand; the other hand rests on her hip.  The background is of a natural setting with a waterfall, palm trees, and a lake or river.

text: Caption, upper l.: Le Théâtre Illustré.  Possibly a plate from a book or journal.

text: Signed on plate: Theo.

text: lot #98.

text: Purchase at auction; Mme. Gilberte Cournand; 1998/02/26;

title: Melle B. Montaubry. Faust

subTitle: Faust

text: Prints

text: Prints-19th century.

form:
graphic
1 print
engraving, hand col.


title: Caricature.

originInfo: 1851n.psingle unit

callNumber: *MGZFB Mon L C 1

text: Dance

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Caption: Europe farewell! America I come.

text: Lola Montez, blowing a kiss, on pointe in a small swan-shaped boat. A blond-headed Cupid at the stern shooting an arrow at weeping monarchs standing on the shore.

title: Lola coming!

title: Lola coming!

text: Prints


title: Caricature.

callNumber: *MGZFB Mon L C 2

namePart: Johnston, David Claypoole, 1799-1865

text: Dance

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Lithograph by David Claypoole Johnston.

text: Caption: Enthusiastic reception of Lola by an American audience.

text: Caricature of Lola Montez, in first arabesque, viewed from upstage; the house manager, behind a piece of scenery, has a contract in his pocket stating Manager agreement half the house; the only two spectators--one in a stage box, the other in the front row--ogle the dancer.

text: Lillian Moore Collection.

title: Lola has come.

title: Lola has come.

text: Prints


title: Lola Montez, Countess of Mansfeldt.

originInfo: 18501859Londonsingle unit

callNumber: *MGZFB Mon L C 3

text: Dance

text: Prints (Graphic arts)

text: 19th century

text: A caricature of Lola Montez, full length to front, looking left, wearing a crown and holding a whip in her left hand.  Attached to a leash is King Ludwig of Bavaria, depicted as a dog standing on its hind legs.  A book illustration.

text: Gift of Lincoln Kirstein.

title: Lola Montez, Countess of Mansfeldt.

text: Prints


title: Jour de carnaval à Séville.

originInfo: 1852N.Ylith. & pub. by N. Currier, 152 Nassau St. cor. of Sprucesingle unit

callNumber: *MGZFB Mon L Jou 1

namePart: Currier, Nathaniel, 1813-1888

text: Jour de carnaval à Séville (Choreographic work : Smith)

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Lola Montez as Donna Inez in George Washington Smith's ballet. The name of the character was soon changed to Mariquita.

text: Full-length to the left, facing front, wearing knee-length ballet skirt, holding castanets; roses scattered at her feet.

text: Cf. *MGZA  Dance perspectives, no. 15. 1962. p. 21. Reproduction and commentary.

title: Lola Montez as Mariquita, in the ballet Un jour de carneval of Seville.

text: Prints


title: Jour de carnaval à Séville.

originInfo: 1852Boston?single unit

callNumber: *MGZFB Mon L Jou 2

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Newspaper cutting from Gleason's pictorial review; engraving based on Nathaniel Currier's 1852 lithograph, *MGZFB  Mon L  Jou 1, image reversed.

text: Three-quarter length to the right, facing front, holding castanets.

text: Cf. *MGYB (Montez) 72-517 Foley. The divine eccentric. 1969. p. 156. Reproduction and original caption.

text: Prints


title: Portrait.

originInfo: 18401849Leipzigsingle unit

callNumber: *MGZFB Mon L P 1

namePart: Hüssener, Auguste, 1789-1877

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Lower right: Auguste Hüssener sc.

text: After a portrait by Jules Laure, exhibited at the Paris Salon of 1845.

text: Half-length to left, wearing black riding jacket, white blouse.

title: Gräfin von Landsfeld (Lola Montez).

title: Gräfin von Landsfeld (Lola Montez).

text: Prints


title: Portrait.

originInfo: 1857Parispublié par G. Havard, imp. de Mangeon, 67 r. St. Jacq.single unit

callNumber: *MGZFB Mon L P 2

namePart: Carey, Charles Philippe Auguste, 1824-1873

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Half-length to the right; standing against a background of trees, wearing mantilla, holding riding crop in left hand.

text: Plate to Eugène de Mirecourt's book Lola Montès, 1857.

title: Lola Montès. Carey sc

subTitle: Carey sc

title: Lola Montès. Carey sc

text: Prints


title: Aladin.

originInfo: 1822ParisChez Martinetsingle unit

callNumber: *MGZFB Mon Lou Ala 1

namePart: Montjoie, Louis Stanislas, 1789-1865

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Opera ballet

text: Initialed on stone: AG [i.e. Auguste Garneray]

text: Caption: Acade. Rle. de Musique.

text: Full length to right, head in profile, right arm raised above head, Arabian costume.

title: Pas noble du 1er ballet (Mr. Montjoie) dans La lampe merveilleuse, opéra. Lith. de G. Engelmann

subTitle: Lith. de G. Engelmann

text: Prints


title: Île des pirates.

callNumber: *MGZFB Mon Lou Ile 1

namePart: Maleuvre, active 1823-1837

text: Île des pirates (Choreographic work : Henry)

text: Ballet

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Lower right: Maleuvre s.

text: Montjoie in Louis Henry's ballet L'île des pirates, premiered at the Paris Opéra, August 12, 1835.

text: Full-length to front, looking right, right hand at scimitar in belt; wearing oriental costume with fez, long  slashed sleeves, pleated tunic.

title: Costume de Montjoie, rôle d'Ackbar, dans L'île des pirates, ballet, Académie royale de musique, actes II, III.

text: Prints


title: Portrait.

originInfo: 1828Parissingle unit

callNumber: *MGZFB Mon Lou P 1

namePart: Feillet

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Vigneron; lith. de Feillet.

text: Bust portrait to left.

title: Montjoie, Academie royale de musique.

title: Montjoie, Academie royale de musique.

text: Prints


title: Astolphe et Joconde.

originInfo: 1827Parischez Hautecoeur Martinetsingle unit

callNumber: *MGZFB Mon P Ast 1

namePart: Montessu, Pauline Paul, 1805-1877

text: Astolphe et Joconde (Choreographic work : Aumer)

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Lower right: Maleuvre s.

text: Montessu in a bleak outdoor setting; full-length to slight right, looking left, left arm behind back. Wearing wide-brimmed hat, calf-length dress. Smaller figure in background, showing back of costume. Montessu in Aumer's ballet Astolphe et Joconde; ou Les coureurs d'aventures, premiered at the Paris Opéra, Jan. 29, 1827.

title: Costume de Mme. Montessu, rôle de Jeannette, dans Astolphe et Joconde, ballet pantomime, Académie royale du musique.

text: Prints


title: Ipsiboé.

originInfo: 1824Paris]chez Martinetsingle unit

callNumber: *MGZFB Mon P Ips 1

text: Opera ballet

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Lower right: Maleuvre.

text: Montessu in Pierre Gardel's ballet in Rudolphe Kreutzer's opera Ipsiboé, premiered at the Paris Opéra, March 31, 1824.

text: Full-length to slight right, looking left, left arm extended to side.

title: Costume de Madame Montessu, premiere danseuse, dans Ipsiboé, opéra, Th. de l'Académie roy'le de musique.

text: Prints


title: Gustave III.

originInfo: 1833Parischez Hautecoeur Martinetsingle unit

callNumber: *MGZFB Mon P Gus 1

text: Opera ballet

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Maleuvre s.

text: Montessu in Filippo Taglioni's act V ballet in Auber's opera Gustave III, premiered at the Paris Opéra, Feb. 27, 1833.

text: Full-length to left, on right foot, left foot pointed, holding apron with both hands.

title: Costume de Mme. Montessu en fiancée Dalécarlienne, dans Gustave III; ou le bal masqué, opéra, Académie royale de musique, acte V.

text: Prints


title: Juive

originInfo: Parischez Hautecoeur-Martinet[1835]

callNumber: *MGZFB Mon P Jui 1

text: Opera ballet

text: Prints (Graphic arts) -- Ballet -- 19th century

text: Ballet -- France -- 19th century

text: Maleuvre s.

text: Montessu in Filippo Taglioni's divertissement in Halévy's opera La Juive, premiered at the Paris Opéra, Feb. 23, 1835.

text: Full-length to left, looking left, on right foot, left foot extended to side.

title: Costume de Mme. Montessu, femme d'Artisan, dans La Juive, opéra, Académie royale de musique

text: Prints


title: Huguenots.

callNumber: *MGZFB Mon P Hug 1

text: Opera ballet

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Lower right: Maleuvre s.

text: Montessu in Filippo Taglioni's ballet in Meyerbeer's opera Les Huguenots, premiered at the Paris Opéra, Feb. 29, 1836.

text: Full-length to right, hands on hips.

title: Costume de Mme. Montessu, en Bohémienne, dans Les Huguenots, opéra, Académie royale de musique.

text: Prints


title: Portrait

originInfo: Parischez Ostervald aîné, rue Christine[183-]

callNumber: *MGZFB Mon P P 1

namePart: Vigneron, Pierre Roch, 1789-1872

text: Vigneron, rue Cadet no. 13; imp. lith. de Villain.

text: Half-length to right, seated, looking front, left elbow on cushion, holding rose in left hand. Hair in groups of curls, Montessu wearing jewelry in hair and at forehead, earrings, necklace, brooch, bracelets; gown.

title: Mme. Montessu, lithographée d'après nature par Vigneron

text: Prints


title: [Portrait

originInfo: Paris]chez Chaillon-Potrelle[184-?]

callNumber: *MGZFB Mon P P 3

text: Prints (Graphic arts) -- 19th century

text: Lithographiée d'après nature par Vigneron.

text: Montessu is depicted half-length to the right, wearing a low-cut afternoon dress with puffed sleeves. Her hair is arranged in three groups of finger curls. She is holding a rose in her left hand.

title: Portrait

text: Prints


title: Regina Monti.

originInfo: 17631764single unit

callNumber: *MGZFB  Mon R P 1-2

namePart: Houbraken, Jacobus, 1698-1780

text: Monti, Regina -- Portraits

text: Regina Monti, who may also have used the last name Nieri, is listed as a prima ballerina on Italian opera libretti from ca. 1771-1780. According to Marian Hannah Winter's The Pre-Romantic ballet (1975), she came from a "largish" dancing family surnamed Monti. From the evidence of these prints, she spent some time in the 1760s dancing in Amsterdam.

text: Jacobus Houbraken was a Dutch engraver and etcher who specialized in portraits.

text: Cataloging funds provided by Friends of Jerome Robbins Dance Division.

title: Regina Monti.

abstracts: Two portraits of the dancer Regina Monti. The three-quarter-length portrait engraved by Jacobus Houbraken depicts her at a window, facing front with her body turned towards the left. At bottom is an eight-line poem in Dutch, initialed G.B., which mentions not only the dancer's name, Monti, but that of the artist Xavery. A half-length portrait appears to reverse the same image, so that her body is turned to the right.

text: Prints

text: Portraits.

form:
graphic
2 prints
engraving, b&w


title: Africaine

originInfo: 1865ParisMon. Martinetsingle unit

callNumber: *MGZFB Mor C Afr 1

namePart: Morando, Carlotta

namePart: Lamy, A.

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Opera ballet

text: Ballet

text: Signed on stone: A. Lamy.

text: Caption: Théatre de l'Opéra.

text: Morando in Saint-Léon's opera ballet l'Africaine, premiered at the Paris Opéra, April 28, 1865.

text: Full length to front, blue and white costume, holding sashes in hands.

title: Melle Morando rôle d'une danseuse dans l'Africaine. Lith. Ch. Fernique, Paris

subTitle: Lith. Ch. Fernique, Paris

text: Prints

form: Hand-colored lithograph, on tinted ground,


title: The celebrated cancan dance executed by M'lls Morlacchi and Baretta.

originInfo: 1868BostonOliver Ditson & Co.single unit

callNumber: *MGZFB  Mor G Can 1

text: Morlacchi, Giuseppina, 1836-1886

text: Mlle, Baretta

text: Cancan (Dance)

text: John H. Bufford's Lith.

text: Born and trained as a dancer in Italy, the ballerina Giuseppina Morlacchi toured widely in Europe and the United States, sometimes with her own troupe. In 1867 she arrived in Boston, Massachusetts, which became a base for her, and she is said to have introduced the cancan to the city.

abstracts: Music cover depicting dancers Giuseppina Morlacchi and Leopoldina Baretta (en travesti) facing each other in a dance pose. They stand in a leafy landscape with a large building, its spires suggesting a cathedral, in the distance.

text: Prints

text: Sheet music covers.

form:
graphic
1 print
lithograph, b&w


title: Unidentified ballet.

originInfo: 18601869New YorkH. A. Thomassingle unit

callNumber: *MGZFB Mor G U 1

namePart: Morlacchi, Giuseppina, 1836-1886

namePart: Thomas, Henry Atwell, 1834-1904

text: Ballet

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Full-length to front, looking left, fingers interlocked in front, hair in braids.

title: Giuseppina Morlacchi.

title: Giuseppina Morlacchi.

text: Prints


title: Unidentified ballet.

originInfo: 1868Boston]G. D. Russellsingle unit

callNumber: *MGZFB Mor G U 3

namePart: Baker, Joseph E.

text: Morlacchi Ballet Troupe.

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: On stone: J. E. Baker del.

text: Sheet music cover. Morlacchi full-length to slight right, looking left, right foot forward, hands at throat, fingertips touching. Set in a glen.

title: Morlacchi's Ballet Troupe.

title: Morlacchi's Ballet Troupe.

text: Prints


title: Unidentified ballet

originInfo: 16901699Parischez J. Mariette ure St. Jacques aux colonnessingle unit

callNumber: *MGZFB Mor U 1

namePart: Moreau, Mlle.

namePart: Mariette, Jean, 1660-1742

text: Ballet

text: Prints (Graphic arts)

text: Ballet

text: 17th century

text: Full-length to front, right leg forward, holding upper tier of dress in both hands. Wearing plumed headpiece, ankle-length dress.

title: Mademoiselle Moreau dansant a L'Opéra.

title: Mademoiselle Moreau dansant a L'Opéra.

text: Prints


title: Charles Müller als Carlo in Satanella.phantastisches Ballet in 3 Acten von Paul Taglioni (Musik von Pugni and Hertel).

originInfo: 1859BerlinEduard Bloch, Brüder-Strasse, No. 2single unit

callNumber: *MGZFB Mue C Sat 1

namePart: Müller, Charles, 1828-1907

text: Satanella; or Metamorphoses (Choreographic work : Taglioni, P)

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: A plate from Eduard Bloch's Album der Bühnen-Costüme. Caption: Königliches Opernhaus (Ballet) zu Berlin. A hand-colored lithograph after a photograph by R. Marowsky.

text: Charles Müller as the student Carl in Paul Taglioni's ballet Satanella. Full length to slight right, eyes left, his right hand at waist. Wearing hat with plume, lace collar, jerkin, breeches fastened below knee, boots with lace tops.

text: Contributions For Dance Fund.

title: Charles Müller als Carlo in Satanella. phantastisches Ballet in 3 Acten von Paul Taglioni (Musik von Pugni and Hertel).

text: Prints


title: Femme espagnole dansant la quarache, dans la Muette de Portici. Opéra, Académie Royale de Musique. Ballet du premier acte.

originInfo: 1828Parischez Hautecoeur Martinet Librairesingle unit

callNumber: *MGZFB Muet 1

namePart: Maison Martinet (Paris, France)

text: Auber, D. F. E. (Daniel François Esprit), 1782-1871

text: Guaracha (Dance)

text: Spanish dancing

text: Maleuvre s[culpsit].

text: Caption title.

text: At upper right: No. 618.

text: Gift; Lincoln Kirstein.

text: La muette de Portici, an opera with music by Daniel Auber and divertissements by Filippo Taglioni, was first presented at the Académie Royale de Musique [Paris Opéra] in 1828.

text: This print was published as part of the series Petite galerie dramatique.

text: The printing and publishing house of Maison Martinet was founded in 1796 by Aaron Martinet, 1762-1841, who became well-known for publishing satirical prints. In 1822 the firm assumed the name Hautecoeur-Martinet, after Martinet's son-in-law Hermenégilde Hautecoeur, who became its head after Martinet's retirement in 1824.

abstracts: Depiction of a female dancer in Spanish costume, performing the quarache (also called the guaracha) in the first act of the opera La muette de Portici.

text: Prints

text: Engravings.

form:
graphic
1 print
engraving, hand-colored


title: Unidentified dance

originInfo: 1858ParisMon. Martinetsingle unit

callNumber: *MGZFB Nel U 1

namePart: Nelson, Mlle.

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Caption: Théâtre des Folies Dramatiques.

text: Full-length to front, looking to right, right hand raised, pink and white costume with diamond motif on skirt and bodice, diamond shaped crown, necklace and bracelets.

text: Slightly stained.

text: Lincoln Kirstein Collection.

title: Melle Nelson, rôle de la dame de Carreau. dans Vive la joie. Lithograph. Imp. Lemercier, Paris.

subTitle: Lithograph. Imp. Lemercier, Paris.

text: Prints


title: Lituana

originInfo: 1845Copenhagen]Em. Baerentzen & Co. Lith. Inst.single unit

callNumber: *MGZFB Nie A Lit 1

namePart: Nielsen, Augusta, 1822-1902

namePart: Baerentzen, Emilius Ditlev, 1799-1868

text: Lituana (Choreographic work)

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Full length to right, arms folded across at waist; leaning on left leg, right leg pointed to back. Wearing a plain skirt, jacket trimmed with braid. Hair in long braids.

text: Gift of Lillian Moore.

title: Augusta Nielsen i la Lithuanienne. Em. Baerentzen fecit.

subTitle: Em. Baerentzen fecit.

text: Prints


title: Lituana

originInfo: 1845London?]Chr. J. Catos. Lith. Etabl.single unit

callNumber: *MGZFB Nie A Lit 2

text: Lituana (Choreographic work)

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Full-length to left, balanced on right foot, left leg extended in front to left. Right hand at waist, left arm raised above head. Wearing a white skirt, red jacket trimmed with gold braid. Hair in long braids.

text: Color version, smaller, of *MGZFB  Nie A  Lit 3.

text: Gift of Lillian Moore.

title: Augusta Nielsen. (La Lithuanienne).

title: Augusta Nielsen. (La Lithuanienne).

text: Prints


title: Lituana.

originInfo: 1845n.psingle unit

callNumber: *MGZFB Nie A Lit 3

text: Lituana (Choreographic work)

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Full-length to left. Balanced on right foot, left leg to front. Left arm raised above head. Wearing a military costume. Hair in long braids.

text: Black and white version, enlarged, of *MGZFB  Nie  A  Lit 3.

text: Gift of Lillian Moore.

title: [La Lituana].

title: [La Lituana].

text: Prints


title: Portrait.

originInfo: 18501859n.psingle unit

callNumber: *MGZFB Nie A P 1

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Anonymous half-length version of Emilius Baerentzen's three-quarter length Danish portrait and lithograph, *MGZFB  Nie A  P 2.

text: Half-length to right, in off-the-shoulder dress with lace fichu.

title: Augusta Nielsen.

title: Augusta Nielsen.

text: Prints


title: Portrait.

originInfo: 18501859Copenhagen]Em. Baerentzen & Co. Lith. Inst.single unit

callNumber: *MGZFB Nie A P 2

text: Prints (Graphic arts)

text: Ballet

text: 19th century

text: Ballet

text: Three-quarter length to right, seated on couch, low-cut gown with lace collar, hands clasped across front of waist.

title: Augusta Nielsen. Em. Baerentzen fecit.

title: Augusta Nielsen. Em. Baerentzen fecit.

text: Prints


title: Vaslav.

originInfo: 19001950n.psingle unit

callNumber: *MGZFB Nij V P 1

namePart: Leibowitz, L.

text: Nijinsky, Waslaw, 1890-1950

text: Prints (Graphic arts)

text: Ballet

text: 20th century

text: Signed in pencil lower right: L. Leibowitz. Number 9 of an edition of 20. Portrait of Nijinsky lower left; a Petrouchka head behind the portrait. At right is a male dancer in costume for Les sylphides.

text: Gift of Merrill Shaw, 1967.

title: Vaslav.

text: Prints


title: [Vaslav Nijinsky in Schéhérazade.

originInfo: 19201929Berlin?single unit

callNumber: *MGZFB Nij V Sch 1

namePart: Grunenberg, Arthur, 1886-

text: Nijinsky, Waslaw, 1890-1950

text: Ballets russes

text: Schéhérazade (Choreographic work : Fokin)

text: Prints (Graphic arts)

text: Ballet

text: 20th century

text: Numbered 33/100 and signed by the artist: A. Grunenberg.

text: Depicts the dancer in a kneeling position to the left, back arched, arms over head, face obscured by left arm; wearing harem pants, upper torso bare.

title: Vaslav Nijinsky in Schéhérazade.

text: Prints

extent: plate mark 24 x 21.2 cm. on sheet 31 x 25 cm.


title: Le spectre de la rose.

callNumber: *MGZFB Nij V Spe 1

namePart: Hugo, Valentine, 1887-1968

text: Nijinsky, Waslaw, 1890-1950

text: Spectre de la rose (Choreographic work : Fokine)

text: Prints (Graphic arts)

text: Ballet

text: 20th century

text: VG lower left.

text: Depicts Nijinsky in leafy costume of the Spectre. The dancer executes a leap, legs assembled in the air and body curved to his right. The name Nijinsky is cut into the block and appears left.

title: Le spectre de la rose.

text: Prints


title: [Nijinsky als Geist der Rose].

originInfo: 19201929single unit

callNumber: *MGZFB Nij V Spe 2

text: Nijinsky, Waslaw, 1890-1950

text: Ballets russes

text: A. Grunenberg.

text: Image depicts Vaslav Nijinsky from behind in Fokine's Spectre de la rose.  He stands on demi-pointe, leaning slightly forward, his arms raised over head.  His back is covered in gauzy wisps; his head piece, tinted pink, evokes a rose.

text: Most likely from a portfolio set by Arthur Grunenberg, Phoenix: 10 Radierungen zum Russishen Ballet (Munich: Othman Kern, ca. 1922).

text: Gift; N.D. Lobanov; 1969.

title: [Nijinsky in Spectre de la rose].

title: [Nijinsky als Geist der Rose].

text: Prints

text: Prints-20th century.

form:
graphic
1 print
etching, hand col.

extent: plate mark 24 x 21 cm., on sheet 31 x 25 cm.


title: Les sylphides

originInfo: 1910single unit

callNumber: *MGZFB Nij V Syl 1

text: Nijinsky, Waslaw, 1890-1950

text: Sylphides (Choreographic work : Fokin)

text: Prints (Graphic arts)

text: Ballet

text: 20th century

text: VG lower left.

text: Depicts Vaslav Nijinsky posed center in fifth position relevé, with épaulement to the left, arms raised to the side and palms down. Two sylphs kneel to either side, regarding the danseur. The name Nijinsky is carved into the block and appears upper left.

text: Paper in area of the image has faded to gray.

title: Les sylphides

text: Prints

form:
Woodcut within line border,
black ink on blue paper,


title: [Doris Niles at Radio City.

originInfo: 19301939single unit

callNumber: *MGZFB Nil D 1

text: Niles, Doris

text: Prints (Graphic arts)

text: Ballet

text: 20th century

text: Troy Kinney's last etching. Doris Niles posed for it at Radio City Music Hall, ca. 1934.

text: Full-length, twisted to the right, head in profile; arms bent at shoulder level. Wearing Middle Eastern costume with harem trousers, finger cymbols. Background: three musicians playing instruments and sitting on checkered floor.

text: Signed lower left: Troy Kinney.

text: Gift of Lillian Moore.

title: Doris Niles at Radio City.

text: Prints


originInfo: Parischez Hautecoeur Martinet[1827]

callNumber: *MGZFB Nob L Ast 1

namePart: Maleuvre, active 1823-1837

text: Astolphe et Joconde (Choreographic work : Aumer)

text: Prints (Graphic arts) -- Ballet -- 19th century

text: Ballet -- France -- 19th century

text: Lower right: Maleuvre s.

text: Noblet in Aumer's ballet Astolphe et Joconde; ou Les coureurs d'aventures, premiered at the Paris Opéra, Jan. 29, 1827.

text: Full length to left, left foot forward, holding tambourine in right hand; outdoor setting, mill in background.

title: Costume de Melle. Noblet, rôle d'Edile (en Bohémienne) dans Astolphe et Joconde, ballet pantomime, Académie royale de musique

text: Prints


title: Astolphe et Joconde; ou Les coureurs d'aventures

originInfo: ParisChez Martinet[ca. 1827]

callNumber: *MGZFB Nob L Ast 2

namePart: Potdevin

text: par Potdevin d'après Hte. L. Lith. de Engelmann.

text: Caption: Acade. Rle. de Musique.

text: Full-length to front, right arm extended to right, long dress to mid-leg, wearing large hat with plume.

title: Edile 2e costume (Mlle Noblet.) Dans Joconde, ballet

text: Prints


title: Belle au bois dormant

callNumber: *MGZFB Nob L Bel 1

text: Sleeping beauty (Choreographic work : Aumer)

text: Ballet -- France -- 19th century

text: Lise Noblet in costume for role of Iseult in La belle au bois dormant, first performed Apr. 17, 1829, Paris Opéra.

text: Full length to front, looking left, with large red and yellow striped hat with large plumes, white gown trimmed in yellow with red jewels.

title: Costume de Melle. Noblet, rôle d'Iseult, dans La belle au bois dormant: Ballet pantomime, Académie Royale de Musique. Maleuvre del. s

text: Prints


title: Cendrillon

callNumber: *MGZFB Nob L Cen 1

namePart: Sharp, Michael William, -1840

namePart: Cooper, Robert, active 1795-1836

text: Cinderella (Choreographic work : Albert)

text: Ballet -- England -- 19th century

text: Full length to left, in fourth position, pointe tendue devant; wearing empire style gown, brownish yellow with mauve bodice, pink slippers.

text: Cf. *MGO  Enciclopedia dello spettacolo. Noblet. Vol. 7, col. 1192. Reproduction.

title: Madlle Noblet in Cendrillon: Painted by M. W. Sharp. Engraved by Robt. Cooper

text: Prints


title: Cendrillon

callNumber: *MGZFB Nob L Cen 2

text: Full length to left, in fourth position, pointe tendue devant.

text: Uncolored version of *MGZFB  Nob L  Cen 1.

title: Madlle. Noblet in Cendrillon: Painted by M. W. Sharp. Engraved by Robt. Cooper

text: Prints


title: Dieu et la bayadère

callNumber: *MGZFB Nob L Die 1

text: Opera ballet

text: Ballet -- France -- 19th century

text: Lower right: [Engraving by] Maleuvre.

text: Lise Noblet as Fatmé in the opera ballet Le dieu et la bayadère, choreographed by F. Taglioni and first performed at the Paris Opéra Oct. 13, 1830.

text: Full length to front, her left foot pointed forward, right arm upraised; wearing white skirt trimmed in green and red bands with flowers, blue bodice, headdress suggesting peacock feathers.

title: Costume de Melle. Noblet, rôle de Fatmé, dans Le dieu et la bayadère: Opéra. Académie Royale de Musique

subTitle: Opéra. Académie Royale de Musique

text: Prints


title: Fille du Danube

callNumber: *MGZFB Nob L Fil 1

text: Fille du Danube (Choreographic work : Taglioni, F)

text: Ballet -- France -- 19th century

text: Lower right: Maleuvre s.

text: Lise Noblet in costume of a lady of the court in the ballet La fille du Danube, presented at the Paris Opéra, 1836-44.

text: Full length to front, on pointe, looking right, holding apron with both hands; wearing elaborate yellow knee-length gown, strapless with tiered sleeves, flowers in hair.

title: Costume de Melle. Noblet, (Dame de la cour) dans La fille du Danube, ballet, Académie Royale de Musique. Acte II

text: Prints


title: Gustave III

callNumber: *MGZFB Nob L Gus 1

namePart: Wattier, Emile, 1800-1868

namePart: König, Mme

text: Opera ballet

text: Prints (Graphic arts) -- Ballet -- 19th century

text: Ballet -- France -- 19th century

text: Dessiné par [Emile?] Wattier; gravé par Mme. König.

text: Noblet in Filippo Taglioni's opera ballet Gustave III, premiered at the Paris Opéra, Feb. 27, 1833.

text: Full length, looking right, left foot forward, right hand at hip; costumed as a female jester holding fool's scepter.

text: Printed commentary from Galerie théâtrale included with engraving.

title: Melle. Noblet, rôle de Folie, dans Gustave III; ou Le bal masqué, Acc'ie r'le de musique

text: Prints

form: Stipple engraving, vignette in line border,


title: Gustave III

originInfo: Parischez Hautecoeur-Martinet[1833]

callNumber: *MGZFB Nob L Gus 2

text: Opera ballet

text: Ballet -- France -- 19th century

text: Lower right: Maleuvre s.

text: Full length to front, looking left, sur les demi-pointes, right foot front, arms outstretched.

title: Costume de Melle. Noblet en Folie, dans Gustave III; ou Le bal masqué, opéra, acte V, Académie royale de musique

text: Prints


title: Lac des fées

callNumber: *MGZFB Nob L Lac 1

text: Opera ballet

text: Ballet -- France -- 19th century

text: Noblet in Jean Coralli's opera ballet Le lac des fées, premiered at the Paris Opéra, April 1, 1839.

text: Full length, to left, arms outstretched.

title: Costume de Melle. Noblet dans Le lac des fées, opéra, Académie royale de musique

text: Prints


title: Muette de Portici

originInfo: Parischez Aumont rue J. J. Rousseau no. 10[1828?]

callNumber: *MGZFB Nob L Mue 1

namePart: Devéria, Achille, 1800-1857

namePart: Aumont (Firm)

text: Opera ballet

text: Ballet -- France -- 19th century

text: A. Deveria del., lith. de Lemercier. Signed on stone: Deveria.

text: Noblet as Fenella in Aumer's opera ballet La muette de Portici, premiered at the Paris Opéra, Feb. 29, 1828.

text: Full length to front, looking left, holding part of sash in right hand. Wearing peasant costume with puffed sleeves, apron, bows in hair; standing on a terrace.

title: Melle. Noblet, caractère de la muette, ballet de La muette de Portici, Théâtre de l'Opéra

text: Prints


title: Muette de Portici

originInfo: Parischez Hautecoeur Martinet[1828]

callNumber: *MGZFB Nob L Mue 3

text: Opera ballet

text: Ballet -- France -- 19th century

text: Lower right: Maleuvre s.

text: Noblet in Aumer's opera ballet La muette de Portici, premiered at the Paris Opéra, Feb. 29, 1828.

text: Full length to front, looking right, holding end of sash in left hand.

title: Costume de Melle. Noblet, rôle de Fenella, dans La muette de Portici, opéra, Académie royale de musique

text: Prints


title: Portrait

originInfo: Parischez Chaillou-Potrelle, rue St. Honoré no. 140[182-]

callNumber: *MGZFB Nob L P 1

namePart: Bichebois, Alphonse, 1801-1850

namePart: Grévedon, Henri, 1776-1860

namePart: Chaillou-Potrelle (Firm)

text: Lith. de Bichebois ainé. Signed on stone: H. Grevedon.

text: Half length to front, wearing afternoon dress with belt and puffed sleeves, elaborate hat of lace, flowers and ribbons.

title: Melle Noblet de l'Académie royale de Musique

text: Prints


title: Portrait

callNumber: *MGZFB Nob L P 2

text: Full length facing front, resting left arm on back of chair. Wearing an ankle length gown with puffed sleeves. Hat with flowers and ribbons on her head.

title: Melle. Noblet

title: Melle. Noblet

text: Prints


title: Portrait

originInfo: Paris]lith de C. de Lasteyrie[ca. 1830]

callNumber: *MGZFB Nob L P 3

namePart: Vigneron, Pierre Roch, 1789-1872

text: Vigneron del.

text: Half length to left, facing front.

title: Melle. Noblet, Académie royale de musique

text: Prints


title: Portrait

originInfo: Parischez Rittner et Goupil[183-]

callNumber: *MGZFB Nob L P 4

namePart: Bodmer, Gottlieb, 1804-1837

namePart: Rittner et Goupil (Firm)

text: Lithographiée d'après Grevedon par Bodmer.

text: Half length portrait; Noblet wearing an afternoon dress, large puffed hat with two feathers.

title: Melle. Noblet

title: Melle. Noblet

text: Prints


title: Portrait

originInfo: Leipzig]Cacile Brandt[ca. 183-]

callNumber: *MGZFB Nob L P 5

namePart: Kneisel, August.

text: Prints (Graphic arts) -- Ballet -- 19th century

text: Half-length portrait. Wearing a low-cut gown; lace hat with flowers and ribbons.

title: Mlle. Noblet, Solo-Tänzerin an der grossen Oper zu Paris: Steindr. v. A. Kneisel

subTitle: Steindr. v. A. Kneisel

text: Prints


title: Paysanne supposée

originInfo: London]published by H. Berthoud, jun'r, March 14th1822

callNumber: *MGZFB Nob L Pay 1

namePart: Waldeck, Frédéric de, 1766-1875

text: Paysanne supposée (Choreographic work : Deshayes)

text: Ballet -- England -- 19th century

text: Painted by F. Waldeck; engraved by R. Cooper.

text: Noblet in André Deshayes' ballet La paysanne supposée, premiered at the King's Theatre, London, April 10, 1821.

text: Full length to right, looking front, right foot forward, right arm behind back, holding apron in left hand.

text: A colored version of *MGZFB  Nob L  Pay 2.

title: Mlle. Noblet, in the ballet of La paysanne supposée

text: Prints

form: Stipple engraving, colored, vignette in line border,


title: Paysanne supposée

callNumber: *MGZFB Nob L Pay 2

text: Ballet -- England -- 19th century

text: Full length to right, looking front, right arm behind back.

text: An uncolored version of *MGZFB  Nob L  Pay 1.

text: Prints

publisher: published by H. Berthoud, jun'r, March 14th


title: Révolte au sérail

originInfo: Parischez Hautecoeur-Martinet[1834]

callNumber: *MGZFB Nob L Rev 1

text: Révolte au sérail (Choreographic work : Taglioni, F)

text: Ballet -- France -- 19th century

text: Lower right: Maleuvre s.

text: Noblet in Filippo Taglioni's ballet La révolte au sérail, premiered at the Paris Opéra, Dec. 4, 1833.

text: Full length to slight left, looking left, plucking harp held in left hand.

title: Costume de Melle Noblet, danseuse, dans La révolte au sérail, ballet, act II, Académie royale de musique

text: Prints


title: Sylphide

callNumber: *MGZFB Nob L Syl 1

text: Sylphide (Choreographic work : Taglioni, F)

text: Ballet -- France -- 19th century

text: Noblet in Filippo Taglioni's ballet La sylphide, premiered at the Paris Opéra, March 12, 1832.

text: Full length to front, head tilted to right, bow and flowers in hair.

title: Costume de Melle Noblet, rôle d'Effie, dans La sylphide. Ballet. Academie Royale de Musique: Maleuvre s

text: Prints


title: Zapateado

originInfo: Paris]Lith. Cabochè[1838]

callNumber: *MGZFB Nob L Zap 1

namePart: Lassalle, Louis

text: Zapateado (Dance)

text: Signed on stone.

text: Full length to front, balanced on left foot, right foot pointed in front. Castanets in hands, flowers in hair.

title: Melle. Noblet: [Lithograph] Louis Lassalle

subTitle: [Lithograph] Louis Lassalle

text: Prints

form: Lithograph, including borders and caption,


title: Zapateado

originInfo: BonnChez N. Simrock[ca. 1840]

callNumber: *MGZFB Nob L Zap 2

text: Mme, Dupont, Alexis, 1807-1877

text: Zapateado (Dance)

text: Ballet -- France -- 19th century

text: Music title-page and piano score (3 p.).

text: Depicts two dancers, facing each other and wearing Spanish costumes, castanets in hands, flowers in hair.

title: El zapateado, pas espagnol dansé par Mlle. Noblet et Mme. A. Dupout [sic] pour le piano par A. Thys

text: Prints


title: Portrait

originInfo:
Paris]

    Publiée par Blaisot
    [ca. 1825]

callNumber: *MGZFB Nov J P 4

namePart: Noverre, Jean Georges, 1727-1810

namePart: Midy, Adolphe, 1797-1874

text: Prints (Graphic arts) -- Ballet -- 19th century

text: On stone: A. Midy [i.e. Adolphe Midy]

text: Note: caption wrongly attributes this portrait to be Gardel; for comparison see: *MGZFB  Nov J  P 3.

text: Bust portrait to right.

title: Gardel. Artiste de l'Academie Royale de Musique: Lith. de Ducarme

subTitle: Lith. de Ducarme

text: Prints


title: Portrait

originInfo:
Paris?]

    Mr. Imbert
    1782

callNumber: *MGZFB Nov J P 5

namePart: Sherwin, J. K. (John Keyse), 1751-1790

text: Prints (Graphic arts) -- Ballet -- 18th century

text: Drawn and engraved by John Keyse Sherwin.

text: Mottled.

text: Bust portrait to right.

text: Version of *MGZFB-18  Nov J  P 2.

title: Du feu de son génie il anima la danse

title: Du feu de son génie il anima la danse

text: Prints


title: Portrait

callNumber: *MGZFB Nov J P 6

text: Cropped and mounted on sheet. Bust portrait to left.

text: Version of *MGZFB-18  Nov J  P 3.

title: Noverre (in pencil)

title: Noverre (in pencil)

text: Prints


title: Portrait

callNumber: *MGZFB Nov J P 7

text: On stone: A. Midy [i.e. Adolphe Midy]

text: Note: Caption wrongly attributes this portrait to be Gardel.

text: Version of *MGZFB  Nov J  P 4.

text: Prints


title: Portrait

originInfo:
Milano

    Ricordi
    1822

callNumber: *MGZFB Pal A P 1

namePart: Pallerini, Antonia, 1790-1870

text: L. Rados inc.

text: Six lines of text in Italian.

text: Bust portrait to left, Pallerini looking front.

title: Antonietta Pallerini

title: Antonietta Pallerini

text: Prints


title: Portrait

callNumber: *MGZFB Pal A P 2

text: Engraved by Luigi Rados, 1773-1840.

text: Bust protrait to left, Pallerini looking front.

text: A version of *MGZFB Pal A P 1, without titling.

title: Antonietta Pallerini

title: Antonietta Pallerini

text: Prints


title: Unidentified ballet

originInfo:
London

    V. Dobrowolski sen'r, music publisher
    [187-?]

callNumber: *MGZFB Pal E U 1

namePart: Palladino, Emma.

namePart: Spalding, William.

text: Ballet -- United States -- 19th century

text: Ballet -- England -- 19th century

text: Wm. Spalding lith. I. Packer imp.

text: Facsimile inscription lower right: Yours truly, Emma Palladino.

text: Sheet music cover. Palladino half length to front, looking right, seated, right arm across waist, supporting left elbow, fingers of left hand at chin. Wearing tutu decorated with flowers.

title: Palladino valse par V. S. de Dobrowolski

text: Prints

form: Lithograph, colored, corners rounded within line border,


title:
A
    peep at the Parisot with Q in the corner

originInfo:
London

    S. W. Fores, no. 50 Piccadilly
    May 7, 1796

callNumber: *MGZFB Par C 1

namePart: Parisot, Mlle, fl. 1795-1806

namePart: Fores, S. W.

namePart: Cruikshank, Isaac, 1756?-1811?

text: Ballet -- England -- 18th century

text: Dance -- Caricatures and cartoons

text: Signed lower left: I. Cruikshank.

text: A corner of the opera house, Mlle Parisot poised on right toe while she leans forward, both arms extended, her left leg extended horizontally toward the audience. Those in the pit are peering under her skirt. In the front row of the pit sit (l. to r.) the Duke of Queensberry peering through an opera-glass, R. B. Sheridan and Charles Fox; William Pitt standing. Among the heads behind are Burke on the extreme right and Bedford next to him.

text: Prints


title: Mrs. Parker in a Scotch dance

callNumber: *MGZFB Par Sco 1

namePart: Parker, Mrs, active approximately 1818-1823

text: Ballet -- United States -- 19th century

text: Lower right: Maguire sculpt.

text: Possibly the Mrs. Parker who danced in the Scotch ballet entitled The Highland laddie, arranged as a circus entertainment by Mr. Parker and presented in New York, 1823. Cf. Odell, George. Annals of the New York stage. Vol. III, p. 82.

text: Full length to right, looking over right shoulder, arms raised, holding garland. Wearing high-waisted dress, sash swirling around waist, fillet in hair.

title: Mrs. Parker in a Scotch dance

text: Prints


title: [Pas grec]

callNumber: *MGZFB  Pas 1

namePart: Laprairie, Mlle.

namePart: Leroux, Pauline, 1809-1891

namePart: Desmaisons, Emilien, 1812-1880

namePart: Guérard, Eugène Charles François, 1821-1866

text: Ballet dancers -- France -- 19th century

text: Title devised by cataloger.

text: Gift; Lillian Moore.

text: This print is a reversal of the image of Mlle. Laprairie in the pas grec, lithographed by E. Desmaisons after Guérard, and published as no. 2 in Les Annales de l'Opéra; ou Recueil des premières danseuses, in Paris in 1844. There are differences in the drawing of the dancer's face, the foliage on either side, and the structure on the hill, which appears to be a ruined Greek temple in the Laprairie print. A note in an unknown hand on the verso of this print states that it probably represents the dancer Pauline Leroux rather than Mlle. Laprairie.

title: [Pas grec]

abstracts: Portrayal of a female ballet dancer in ethnic costume, performing a dance with castanets or finger cymbals in an outdoor setting, with a view of a house on a distant hill. She is poised in arabesque on pointe, her body facing left, although she turns her head to face front.

text: Prints

authority: gmgpc

text: Lithographs.

form:
graphic
1 print
lithograph, hand-colored


title: Aladin

originInfo:
Paris]

    chez Martinet
    [1822]

callNumber: *MGZFB Pau A Ala 1

namePart: Paul, Antoine J., called L'aérien, ca. 1797-1871

namePart: Garneray, Auguste Siméon, 1785-1824

text: Opera ballet

text: Ballet -- France -- 19th century

text: Initialed on stone: AG [i.e. Auguste Garneray]

text: Full length to slight right, looking left, in Oriental costume with plumed turban.

text: Paul in Gardel's opera ballet Aladin, premiered at the Paris Opéra, Feb. 6, 1822.

text: Colored version of *MGZFB  Pau A  Ala 2.

title: Pas gracieux du 1er ballet. (Mr. Paul) Dans La lampe verveilleuse, opéra, Acad'e R'le de musique

text: Prints


title: Aladin

originInfo:
Paris

    Chez Martinet
    1822

callNumber: *MGZFB Pau A Ala 2

text: Prints (Graphic arts) -- Ballet -- 19th century

text: Opera ballet

text: Full length to right, looking left, in Oriental costume with plumed turban.

text: Version of *MGZFB  Pau A  Ala 1.

title: Pas gracieux du 1er ballet. (Mr. Paul.) Dans La lampe merveilleuse. Opera, (Acade. Rle. de Musique.): Lith: de G. Engelmann

subTitle: Lith: de G. Engelmann

text: Prints


title: Astolphe et Joconde; ou Les coureurs d'aventures

originInfo:
Paris

    Chez Martinet
    1827

callNumber: *MGZFB Pau A Ast 1

namePart: Potdevin

text: Astolphe et Joconde (Choreographic work : Aumer)

text: par Potdevin d'après Hte. L. Lith. de Engelmann.

text: Full-length to front, looking left, left arm extended to left, plumed hat.

title: Joconde 1er costume (Mr. Paul.) Dans Joconde, ballet. (Acade. Rle. de Musique.)

text: Prints


title: Clari; ou La promesse de mariage

originInfo:
Paris

    1820?

callNumber: *MGZFB Pau A Cla 1

namePart: Engelmann, G. (Godefroy), 1788-1839

text: Clari; ou La promesse de mariage (Choreographic work : Milon)

text: Ballet -- France -- 19th century

text: Lith. de Engelmann.

text: Full length to slight left, head turned to right, arms raised, on left foot.

title: Le 1er danseur Mr. Paul dans Clary, ballet, Adad'e R'le de musique

text: Prints


title: Clari; ou La promesse de mariage

originInfo:
Paris

    chez Bance
    1820?

callNumber: *MGZFB Pau A Cla 2

namePart: Prud'hon, Jean, 1778-

namePart: Coeuré, Sebastien, 1778-

text: Ballet -- France -- 19th century

text: Dessiné par Coeuré, gravé par Prud'hon, imprimé par Langlois.

text: Paul in Milon's ballet Clari, premiered at the Paris Opéra, June 19, 1820.

text: Full length to front, looking right, arms raised, on right pointe, left leg extended to side. Wearing pink and green costume, hat with feathers.

text: Purchased with funds from the Committee for the Jerome Robbins Dance Division.

title: Mr. Paul dans Clary, ballet pantomime, Académie royale de musique

text: Prints


title: Mort du Tasse

originInfo:
Paris

    chez Martinet
    1821

callNumber: *MGZFB Pau A Mor 1

text: Opera ballet

text: Ballet -- France -- 19th century

text: Lith. de G. Engelmann. Initialed on stone: AG[i.e. Auguste Garneray]

text: Paul in Louis Milon's opera ballet La mort du Tasse, premiered at the Paris Opéra, Feb. 7, 1821.

text: Full length to front, looking right, right foot forward.

text: Colored version of *MGZFB  Pau A  Mor 2.

title: Noble de Ferrare (Mr. Paul) dans La mort du Tasse, opéra en 3 actes, Acad. r'le de musique

text: Prints


title: Portrait

originInfo:
Paris

    182-

callNumber: *MGZFB Pau A P 1

namePart: Paul, Antoine J., called L'aèrien, ca. 1797-1871

namePart: Vigneron, Pierre Roch, 1789-1872

text: Vigneron; lith. de C. Constans.

text: Bust to right, looking left.

title: M. Paul de l'Académie royale de musique

title: M. Paul de l'Académie royale de musique

text: Prints


title: Portrait

originInfo:
Venezia

    Istituto litografico di Giuseppe Deyè
    [1828]

callNumber: *MGZFB Pau A P 2

namePart: Prepiani, Gerolamo

namePart: Butteraz, active 1828

namePart: Deyè, Giuseppe

text: Ballet -- Italy -- 19th century

text: [Gerolamo] Prepiani dis., Butteraz lit.

text: Caption: Carnovale 1828.

text: Bust to left, surrounded by clouds; wearing beret with three plumes.

title: Paul, tu di Tersicore sei figlio, sì; tu sei lo Zeffiro de' nostri dì

text: Prints


title: Aladin

callNumber: *MGZFB Pau Ala 1

namePart: Paulin, Mlle.

text: Opera ballet

text: Initialed on stone by A.G. [i.e. Auguste Garneray]

text: Full length to front, looking left, both arms extended out, Arabian costume.

title: Themire. (Mlle Paulin) dans La lampe merveilleuse, opera (Acade. Rle. de Musique): Lith: de G. Engelmann

text: Prints


title: Déserteur

originInfo:
Paris

    chez F. Noël et Cie.
    [ca. 1824]

callNumber: *MGZFB Pau Z Dés 1

namePart: Paul, Zélie Molard

namePart: Marin-Lavigne, Louis Stanislas, 1797-1860

namePart: Noël, Francisque

text: Théâtre de la Porte Saint-Martin (Paris, France)

text: Prints (Graphic arts) -- Ballet -- 19th century

text: Ballet -- France -- 19th century

text: Lith. de F. Noël. On stone: L. Marin.

text: Full length to left, hands outstretched, cross with ribbon in right hand. Stone wall, chains and a bolted door in background.

text: A colored version of *MGZFB  Pau Z  Dés 2.

title: Mlle. Zélie Molard, artiste du Théâtre de la Porte St. Martin, rôle de Louise dans Le déserteur

text: Prints


title: Déserteur

originInfo:
Paris

    chez Fque. Noël et Cie
    [184-]

callNumber: *MGZFB Pau Z Dés 2

text: Déserteur (Choreographic work : Gardel, M)

text: Ballet -- France -- 19th century

text: Signed on stone: L. Marin.

text: Caption: Portraits des artistes des théâtres de Paris.

text: Full length to left, hands outstretched, cross with ribbon in her right hand.

text: Version of *MGZFB  Pau Z  Dés 1.

title: Mlle. Zélie Molard. Artiste du Théâtre de la Porte St. Martin. Rôle de Louise dans Le déserteur: Lith. de F. Noël

subTitle: Lith. de F. Noël

text: Prints


title: [Gavotte Pavlova

callNumber: *MGZFB Pav A 1

namePart: Pavlova, Anna, 1881-1931

text: Volinin, Aleksandr Emel'ianovich, 1882-1955

text: Gavotte Pavlova (Choreographic work : Clustine)

text: Prints (Graphic arts) -- Ballet -- 20th century

text: Signed lower left: Troy Kinney.

text: Aleksandr Volinin partners Pavlova in the Gavotte Pavlova, arranged by Ivan Clustine to Paul Lincke's "Glowworm" music from the operetta Lysistrata. Both dancers are costumed in the Directoire style of ca. 1800. Pavlova wears a deep poke bonnet tied under the chin with a long ribbon, chemise gown with a train gathered up and attached to the left wrist. Volinin wears high-waisted breeches, coat with wide lapels.

text: Unnumbered impression from an edition of 200, with 14 trial proofs. Reproduced in the catalogue raisonné of the etchings and drypoints of Troy Kinney, published by Doubleday & Co. in 1929.

title: Gavotte Pavlova

text: Prints


title: Bacchanale

callNumber: *MGZFB Pav A Bac 1

namePart: Oppler, Ernst, 1867-1929

text: Pavlova, Anna, 1881-1931

text: Mordkin, Mikhail, 1881-1944

text: Signed below image: Ernst Oppler. Dated lower right margin: 26. I. 21. Number 10 of an edition of 100.

text: Depicts Anna Pavlova and Mikhail Mordkin in abbreviated costumes. The dancers are viewed in profile to the right, poised on their left foot, their right knee raised to front. Mordkin holds a wine urn in his raised right hand.

title: Bacchanale

text: Prints

extent: plate mark 17 x 18 cm. on sheet 25.5 x 35 cm.


title: [Anna Pavlova in Les sylphides

originInfo:
Berlin?

    192-

callNumber: *MGZFB Pav A Syl 1

namePart: Grunenberg, Arthur, 1886-

text: Pavlova, Anna, 1881-1931

text: Sylphides (Choreographic work : Fokin)

text: Numbered 5/100 and signed by the artist: A. Grunenberg.

text: Depicts Anna Pavlova in third arabesque, wearing headband, tutu with red, yellow, and blue highlights.

title: Anna Pavlova in Les sylphides

text: Prints

extent: plate mark 23.7 x 18 cm. on sheet 31 x 25 cm.


title: Portrait

callNumber: *MGZFB Pep P 1

namePart: Durán y Ortega, Josefa, 1830-1871

namePart: Weger, August, 1823-1892

text: Folk dancing -- Spain

text: Weger & Singer 51 Lpzg.

text: Half length to right, looking right; ribbon in hair, three bows in vertical line down front of bodice.

title: Pepita de Oliva [facsimile signature]

title: Pepita de Oliva [facsimile signature]

text: Prints


title: Portrait

callNumber: *MGZFB Pep P 2

text: Cropped.

text: Pepita depicted half length to right, wearing a low-cut bodice, four strands of pearls with cross around her neck.

title: La Sennora Pepita De Oliva

title: Sennora Pepita De Oliva

text: Prints


title: Unidentified dance

callNumber: *MGZFB Pep U 1

text: Prints (Graphic arts) -- Ballet -- 19th century

text: Folk dancing -- Spain

text: Anonymous print. Pepita full length to right, looking left, right hand at hip, holding skirt with left hand, left foot pointed. Background of shrubs and water.

title: Pepita

title: Unidentified dance

text: Prints


title: Unidentified dance

callNumber: *MGZFB Pep U 3

text: Full-length to right, facing front. Right foot pointed in front. Wearing a low-cut gown with a tiered skirt. Castanets in hands.

title: Pepita de Oliva

title: Unidentified dance

text: Prints


title: El ole. Pepita de Oliva

originInfo: WienBureau der Theaterzeitung[ca. 185-]

callNumber: *MGZFB Pep U 4

text: Ballet -- Austria -- 19th century

text: The dancer Pepita depicted full length to left; right foot pointed to left.  Both arms raised above head, hands holding castanets.

title: El ole. Pepita de Oliva

text: Prints


title: Unidentified dance

originInfo: WienH. F. Müller's Witwe[185-]

callNumber: *MGZFB Pep U 5

text: Ballet -- Austria -- 19th century

text: K.K. Hof-Lithogr. u. Steindr. v. A. Grube, Wien.

text: Music title-page and piano score (3 p.).

text: Full-length to left; right foot pointed to left. Both arms raised above head, hands holding castanets.

title: olé: Spanischer Nationaltanz ausgeführt von Sennora Pepita de Oliva. Arrangement für das Piano

text: Prints


title: Unidentified dance

originInfo: KjöbenhavnIversen & Solens Lith. Etablissement[185-]

callNumber: *MGZFB Pep U 6

text: Ballet -- Denmark -- 19th century

text: Full length to left, right foot pointed to left. Both arms raised above head, hands holding castanets.

title: Spanische Tänze für's Pianoforte. El jaleo de Xerexs. Getanzt v. Sign. Pepita de Oliva

text: Prints


title: Unidentified dance

originInfo: WienF. Glöggl[ca. 1855]

callNumber: *MGZFB Pep U 7

text: Music title-page and piano score (4 p.).

text: Full length to left, on right pointe, left leg extended behind; both arms raised, holding castanets.

title: Pepita Album. Spanische Nationaltänze im k.k. priv. Carl-Theater in Wien, aufgeführt v. Senora Pepita de Oliva: Lith. Anst. v. G. Wegelein, Wien

subTitle: Lith. Anst. v. G. Wegelein, Wien

text: Prints

form: Lithograph, vignette including part of the caption,


title: Unidentified dance

originInfo: HamburgA. Cranz[185-]

callNumber: *MGZFB Pep U 8

text: Ballet -- Germany -- 19th century

text: Full length to left; right foot pointed to left. Both arms raised above head, hands holding castanets.

title: Spanische Tänze für's Pianoforte

title: Spanische Tänze für's Pianoforte

text: Prints


title: L'Aragoneza. Pepita de Oliva. (fac.sig.)

originInfo: BerlinJ. Hesse1853

callNumber: *MGZFB Pep U 9

namePart: Bartsch, Gustav, 1821-

text: Ballet -- Germany -- 19th century

text: Signed and dated on stone.

text: Full length to right; the dancer Pepita balanced on left foot on pointe, right leg extended to right in front of her; both arms to left, holding castanets.

text: Prints

form: Hand-colored lithograph on tinted ground, vignette,


title: Filleule des fées

callNumber: *MGZFB Per J Fil 1

namePart: Perrot, Jules, 1810-1892

text: Filleule des fées (Choreographic work : Perrot)

text: Ballet -- France -- 19th century

text: Full length to front, looking left, hands together in front, holding cap.

title: Théâtre de la Nation. Perrot, rôle d'Alain, dans La filleule des fées: Imp. Decan

subTitle: Imp. Decan

text: Prints


title: Mr. Perrot. Acad[ém]ie R[oya]le de Musique. Ballet de Nathalie

callNumber: *MGZFB  Per J Nat 1

namePart: König, Mme

namePart: Lacauchie, Alexandre

text: Perrot, Jules, 1810-1892

text: Laitière suisse (Choreographic work : Taglioni)

text: dessiné par A. Lacauchie ; gravé par König.

text: Series caption title: Galerie théâtrale, pl. 20.

text: Purchased with funds from the Committee for the Jerome Robbins Dance Division.

text: Purchase; Paul Prouté, Paris, 2002.

text: The dancer-choreographer Jules Perrot was a member of the ballet company of the Académie Royale de Musique, or Paris Opéra, from 1830-1835 and in 1849. Filippo Taglioni's ballet Nathalie, ou la laitière suisse was originally created in Vienna in 1821, and staged at the Opéra in 1832. Perrot did not dance a named role, but he was listed among the ensemble in a review in Le Constitutionel of Nov. 9, 1832, quoted by Cyril Beaumont in his Complete book of ballets (1938). He appears in the costume depicted in this print, dancing with Pauline Leroux, in a drawing by Le Faget, reproduced in Ivor Guest's Jules Perrot: master of the Romantic ballet (1984).

abstracts: Portrayal of Jules Perrot in costume, standing in an insouciant pose, one leg crossed over the other.

text: Prints

text: Engravings.

form:
graphic
1 print
engraving, b&w


title: Révolte au sérail

originInfo: Parischez Hautecoeur-Martinet[1834]

callNumber: *MGZFB Per J Rév 1

namePart: Maleuvre, active 1823-1837

text: Révolte au sérail (Choreographic work : Taglioni, F)

text: Prints (Graphic arts) -- Ballet -- 19th century

text: Ballet -- France -- 19th century

text: Lower right: Maleuvre s.

text: Perrot in Filippo Taglioni's ballet La révolte au sérail, premiered at the Paris Opéra, Dec. 4, 1833.

text: Full length to left, looking right, on right foot, left leg turned out to side, right hand raised.

text: Cf. *MGZA  Dance index, Dec. 1945, v. IV, p. 215. Reproduction.

title: Costume de Pérrot, danseur, dans La révolte au sérail, ballet, act 1er, Académie royale de musique

text: Prints

form: Engraving, colored, vignette in line border,


title: Zingaro

originInfo: Parischez Hautecoeur-Martinet[1840]

callNumber: *MGZFB Per J Zin 1

text: Ballet -- France -- 19th century

text: Opera ballet

text: Perrot in his opera ballet Le zingaro, premiered at the Théâtre de la Renaissance, Paris, Feb. 29, 1840.

text: Full length to left, looking left, left arm raised.

text: Cf. *MGZA  Dance index, Dec. 1945, v. IV, p. 218. Reproduction.

title: Costume de Perrot, rôle de Zingaro, dans la pièce de ce nom, opéra, Th. de la Renaissance

text: Prints


title: Zingaro

originInfo: Parispublié par Marchant[1840]

callNumber: *MGZFB Per J Zin 2

namePart: Rigo Frères

text: Opera ballet

text: Ballet -- France -- 19th century

text: Alexandre Lacauchie; litho. Rigo frères.

text: Jules Perrot in his opera ballet Le zingaro, premiered at the Théâtre de la Renaissance, Paris, Feb. 29, 1840.

text: Full length to slight right, looking left, right hand grasping handle of sheathed dagger.

title: Perrot

title: Zingaro

text: Prints


title: Portrait

originInfo: ParisMartinet[ca. 1854]

callNumber: *MGZFB Per M P 1

namePart: Perea, Manuela.

text: Ballet -- France -- 19th century

text: Initialed on stone: A. L. [i.e. Alexandre Lacauchie]

text: Full length, to left, left foot forward, right hand at waist, left hand holding a fan.

text: Pulled for Flamenco Exhibit December 2012. Currently not available for patron use.

title: Théâtre du Cymnase [sic] Dramatique. La Senora Perea Nena: Lith. Destouches. Paris

subTitle: Lith. Destouches. Paris

text: Prints


title: Unidentified dance

callNumber: *MGZFB Per M U 1

text: Ballet -- England -- 19th century

text: Anonymous artist. Full length to left, holding castanets, left arm over head. Man with tambourine kneeling in background; outdoor setting.

title: Pera Mena

title: Unidentified dance

text: Prints


title: Filleule des fées

callNumber: *MGZFB Pet L Fil 1

namePart: Petipa, Lucien, 1815-1898

text: Filleule des fées (Choreographic work : Perrot)

text: Ballet -- France -- 19th century

text: Signed on stone: A. Lacauchie [i.e. Alexandre Lacauchie]  On stone: Imp. Decan.

text: Full-length to front, looking right, left arm down, right hand to chest.

title: Théâtre de la Nation. Petipa, rôle du comte de Provence, dans La filleule des fées

text: Prints


title: Portrait

callNumber: *MGZFB Pet L P 1

namePart: Valette, C.

text: Prints (Graphic arts) -- Ballet -- 19th century

text: Signed on stone: C. Valette.

text: Lithograph on India paper, mounted.

text: Petipa seated, half-length portrait to right, looking right, left arm over back of chair.

title: Petipa

title: Portrait

text: Prints


title: Péri

callNumber: *MGZFB Pet L Pér 1

namePart: Bertauts

text: Péri (Choreographic work : Coralli)

text: Ballet -- France -- 19th century

text: Imp. Bertauts.

text: Caption: Les beaux arts.

text: Petipa in Coralli's ballet La péri, premiered at the Paris Opéra, July 17, 1843,

text: Full length to right, holding dagger in right hand; wearing Moorish costume.

title: Costume de Mr. Petipa (La péri)

title: Costume de Mr. Petipa (La péri)

text: Prints


title: Péri

callNumber: *MGZFB Pet L Pér 2

text: Péri (Choreographic work : Coralli)

text: Ballet -- France -- 19th century

text: Full length to left, looking left, in oriental costume with cape, right arm extended downward, left arm over chest.

title: Costume de Petipa, rôle d'Achmet, dans La péri, ballet, acte II, Académie royale de musique

text: Prints


title: Laitière suisse

originInfo:
Paris

    chez F'que Noël et Cie., editeurs, rue des deux Portes
    [1823?]

callNumber: *MGZFB Pie L Lai 1

namePart: Pierson, Louise

namePart: Colin, Alexandre Marie, 1798-1875

text: Théâtre de la Porte Saint-Martin (Paris, France)

text: Laitière suisse (Choreographic work : Titus)

text: Ballet -- France -- 19th century

text: Dessiné d'après nature par Colin, lith. de F. Noël. Signed on stone: A. Colin.

text: Louise Pierson in Titus's ballet-pantomime La laitière suisse, based on Filippo Taglioni's ballet of the same name, premiered at the Théâtre de la Porte Saint-Martin, Paris, Sept. 25, 1823.

text: Full length to front, looking left into large standing mirror.

text: An earlier, uncolored version of *MGZFB  Pie L  Lai 2.

title: Mle. L'se Pierson, artiste du Théâtre de la Porte St. Martin, rôle d'Yda dans le ballet de La laitière suisse

text: Prints


title: Laitière suisse

originInfo:
Paris

    chez Noël, rue de Naugirard no. 34
    [1824?]

callNumber: *MGZFB Pie L Lai 2

namePart: Noël, Francisque

text: Ballet -- France -- 19th century

text: Lith. de F. Noël. On stone: A. Colin.

text: Louise Pierson in Titus's ballet-pantomime La laitière suisse, based on Filippo Taglioni's ballet of the same name.

text: Colored version of *MGZFB  Pie L  Lai 1.

title: Mlle Louise Pierson, artiste du théâtre de la porte St. Martin, rôle d'Ida dans le ballet de La laitière suisse

text: Prints


title: Portrait

originInfo:
Wien

    1825

callNumber: *MGZFB Pie L P 1

namePart: Teltscher, Josef Eduard, 1801-1837

text: Carnaval de Venise; ou La constance à l'épreuve (Choreographic work : Milon)

text: On stone: J. Teltscher.

text: Pierson in costume for Milon's ballet Le carnaval de Venise, first performed at the Paris Opéra, Feb. 22, 1816.

text: Half-length, back to viewer, looking over left shoulder; wearing Polish square hat, fur-edged cape.

title: Louise Pierson, dans le ballet Le carnaval de Venise: Ged. Lith. Institut in Wien

subTitle: Ged. Lith. Institut in Wien

text: Prints


title: Pierson et Mlle Aline dans le Sergent polonais

originInfo:
Paris

    chez Martinet
    [182-?]

callNumber: *MGZFB Pie Pas 1

namePart: Pierson, Mons

text: Dance -- France -- 19th century

text: Prints (Graphic arts) -- 19th century

text: Incidental dances

text: Below image: Clément del., Boullay sc. Pierson in the pas cosaque from Rigau's melodrama, performed at the Théâtre de la Porte St. Martin. In the foreground is Pierson, full length to the right, standing on his left foot, his hands clenched in fists. He is wearing voluminous pants.

text: Prints


title: Chaste Suzanne

originInfo:
Paris

    chez Martinet
    [1818?]

callNumber: *MGZFB Pie Suz 1

namePart: Boullay, active 1820

namePart: Charles, Charles, active 1820-1845

text: Chaste Suzanne (Choreographic work : Blache, F)

text: Ballet -- France -- 19th century

text: Prints (Graphic arts) -- Ballet -- 19th century

text: Boullay sc., Ch. [del]

text: M. Pierson, actor and mime, active ca. 1813-1826, in Fréderic Auguste Blache's ballet-pantomime La chaste Suzanne, premiered at the Théâtre de la Porte Saint-Martin during the 1817 season.

text: Full length, looking upward, head in profile, both arms to right; bearded, wearing grey and purple toga and sandals.

text: Cf. *R-MGTI  Victoria and Albert Museum. Ballet designs. 1967. Reproduction and commentary.

title: Pierson dans Suzanne, ballet de M'r Blache. Acte 1r., scène 1re, Th. de la Porte St. Martin

text: Prints


title: [Unidentified ballet]

originInfo:
Verona

    1857

callNumber: *MGZFB Pit G U 1

namePart: Pitteri, Giovannina.

text: Ballet -- Italy -- 19th century

text: Lower right: Penuti fece dal vero.

text: Pitteri in attitude front on left pointe, her left hand under her chin. Her skirt is decorated with ribbons attached to her waist. Two quatrains below image.

text: Reproduced in Dance perspectives, no. 53, 1973, p. 37.

title: [Unidentified ballet]

text: Prints


title: Enfant prodigue

originInfo:
Paris

    maison Martinet
    [1851]

callNumber: *MGZFB Plu A Enf 1

namePart: Plunkett, Adeline, 1824-1910

text: Opera ballet

text: Ballet -- France -- 19th century

text: Lith. Decan. On stone: A. L[acauchie].

text: Plunkett in the mime role of Lia in Saint-Léon's opera ballet, premiered at the Paris Opéra, Dec. 6, 1850.

text: Full-length to front, looking left, on left pointe, right leg raised behind, holding scarf in right hand.

title: Melle. Plumkett [sic], rôle de Lia, dans L'enfant prodigue, Théâtre de l'Opéra

text: Prints

form: Lithograph, colored, vignette in line border,


title: Favorite

originInfo:
Paris

    imp. Auguste Bry
    [ca. 1860]

callNumber: *MGZFB Plu A Fav 1

namePart: Bry, Auguste, b. 1805

text: Ballet -- France -- 19th century

text: Opera ballet

text: Alophe del. et lith.

text: Plunkett in Albert's opera ballet La favorite, first performed at the Paris Opéra, Dec. 2, 1840.

text: Full length to right, looking left, on left foot, right foot pointed, holding castanets.

title: Melle. Plunkett, dans La mañola de La favorite

text: Prints