Five desperate French soldiers during The Battle of the Somme shoot themselves, either by accident or with purpose, in order to be invalidated back home. Having been "caught" a court-martial convenes and determines punishment to be banishment to No Man's Land with the objective of having the Germans finish them off. In the process of telling this tale each man's life is briefly explored along with their next of kin as Methilde, fiancée to one of the men, tries to determine the circumstances of her lover's death. This task is not made any easier for her due to a bout with polio as a child. Along the way she discovers the heights and depths of the human soul. From the commander who wantonly and secretly destroys the men's pardon, to the amazing lengths one condemned man's friend goes to in an effort to save at least some of them. This movie operates at many levels. A love story. A mystery. A testament to brutality of "The War to End All Wars" and most particularly the men, women, and children affected by this dark and disturbing time in world history. Technically the cinematography (by Bruno Delbonnel) is amazing. Many scenes will have you asking how that was shot. The use of color, the score, the authenticity of the costume, the portrayal by the actors, the effects, and the story itself all combined to make a delightful feast of sound and vision. Look for a long cameo of Jody Foster. Amazing! Jean-Peirre Jeunet is a master.