Margaret Cho does not suffer well the by-now-clichéd expression, "Don't go there." As Cho remarks near the end of her characteristically passionate one-woman show, "I live there. I bought a house there." "There" for Margaret Cho is graphic descriptions of sexual acts, gay and straight, and bodily functions, impersonating a Bangkok sex-show barker, and other matters addressed in her singular frank and explicit style. Two hysterical rants that can be printed here involve being served an Asian Chicken Salad and all the reasons she will never be cast in a period film. "Cho Revolution" is more fitfully paced than her previous concert films, but she saves the best, and her most righteous anger, for last, when she addresses negative body image, racism, and homophobia. Here, she drops the attitude and gets real. She may be preaching to the converted (a Cho audience is nothing but idolatry), but it is a powerful sermon. Viva Cho! "--Donald Liebenson"