François Truffaut's 1957 short "Les Mistons" (roughly translated to "The Brats") is an early testament to Truffaut's affinity with kids and his first exploration of impossible love. Five boys palling around one summer fall for a teen beauty, but as the narrator (one of the five) describes, "Too young to love Bernadette, we decided to hate her--and torment her." These adolescent boys are neither cute nor innocent, but Truffaut sympathizes with the frustration born of budding hormones and sexual mystery. In 1962, he revisited similar territory in the sketch "Antoine and Collette." The second film to feature alter ego Antoine Doinel (Jean-Pierre Léaud), it was originally made for the omnibus film "Love at Twenty" but has outlived its companion shorts. As romantic and gently ironic as "The 400 Blows" is harsh and haunting, this modest 20-minute lark finds a teenage Antoine pursuing the lovely, lithe 20-year-old Colette (Marie-France Pisier) like a lovesick puppy dog. The comic sweetness of this episode sets the tone for all future Doinel films, and Léaud, who matured into the poster boy for the French new wave, displays the lanky charm and self-effacing egotism that propelled him through some of the greatest films of the next two decades. "--Sean Axmaker"