Seconds into Anthony Mann's hardboiled horse opera, Barbara Stanwyck absent-mindedly plays with a pair of scissors. Not to worry: she'll put them to use soon enough. Until that time, Stanwyck's volatile heiress, Vance, alternately flatters and manipulates her egotistical father, T.C. Jeffords (a feisty Walter Huston in his final performance). It's the 1870s and T.C.'s ranch, the Furies, inspires envy throughout the New Mexico territory. If Vance picks a suitable husband, T.C. promises her a handsome dowry. Unfortunately, she chooses brutal gambler Rip Darrow ("Rear Window"'s Wendell Corey). If it wasn't for Vance's friendship with Mexican-American squatter Juan (Gilbert Roland), she wouldn't inspire much sympathy, but Vance stands up for the Herreras when financiers pressure the Jeffords to throw them off their land. Then, T.C. takes up with scheming socialite Flo ("Rebecca"'s Dame Judith Anderson), and the tense relations between father and daughter explode into all-out war. By the end, those scissors end up in someone's face, leading to a cycle of revenge-oriented violence. Adapted from Niven Busch's novel by "Red River"'s Charles Schnee, "The Furies" isn't as deliriously over-the-top as Busch's "Duel in the Sun", but it plays more like Shakespearean tragedy than Technicolor camp, and Stanwyck owns the screen from start to finish. The excellent extras include erudite commentary from film historian Jim Kitses, a terrific 1967 interview with Mann for British TV, a playful 1931 chat with Huston, remembrances from Mann's daughter Nina, an essay from critic Robin Wood, and a new printing of Busch's original novel. "--Kathleen C. Fennessy"