"Crazed Fruit" ushered in a new era for Japanese cinema. Shot in 17 days (extravagant by Nikkatsu Studio standards), the film's strong language, intimations of casual sex, and complete disregard for authority, would unsettle an entire nation, while blazing a path for the likes of Seijun Suzuki and Nagisa Oshima. (Even François Truffaut was impressed.) It begins one leisurely summer as brothers Natsuhisa (Yujiro Ishihara) and Haruji (Oshima star Masahiko Tsugawa) sail, water-ski, and make "boredom their credo''--until both fall for the married Eri (Ishihara’s future wife, Mie Kitahara). In short order, boredom will be replaced by tragedy. Inventively lensed by Shigeyoshi Mine ("Tokyo Drifter"), Ko Nakahira's controversial debut was the centerpiece of a 1956 trio of "taiyozoku", or "Sun Tribe," films about affluent youth written by novelist-turned-politician Shintaro Ishihara (Yujiro's brother). The suitably dark and jazzy score is by Kurosawa vets Masaru Sato ("Yojimbo") and Toru Takemitsu ("Ran"). "--Kathleen C. Fennessy"