31.01.2016

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The neutral gold tight fitting crop top is designed to fade into the background, allowing your bikini or one piece to do the talking for you.  This is a great addition to any of the pieces in the brand new Starfish Wishes collection, of course, but can go well with any designer swimwear piece you decide to use with it.  Party on!
French dressing, according to Carven designer Guillaume Henry, is effortless and gimmick-free. The fashion industry, with its breakneck pace and endless drama, can make even the most innocent idealist jaded.
Henry, who started in the atelier at Givenchy and also worked at the French sportswear label Paule Ka, says he hasn’t quite wrapped his head around the fact that Carven is now seen as a brand that counts.
Very often, it is at this moment of becoming an It designer that people give in to the temptation to turn their personal quirks into full-blown branding exercises.
This is the price (excluding shipping and handling fees) this seller has provided at which the seller has sold the same item, or one that is virtually identical to it, in the recent past.
This item will be shipped through the Global Shipping Program and includes international tracking. Will usually ship within 3business days of receiving cleared payment - opens in a new window or tab. By clicking Confirm bid, you commit to buy this item from the seller if you are the winning bidder. By clicking Confirm bid, you are committing to buy this item from the seller if you are the winning bidder and have read and agree to the Global Shipping Program terms and conditions - opens in a new window or tab. By clicking 1 Click Bid, you commit to buy this item from the seller if you're the winning bidder. Young Children Are Often Drawn To The Bright, Attractive Colour Of Flames, But They Risk Serious Burns Or Injury If They Get Too Close To A Fire.
Our Extendable Fireguard Offers The Ultimate Protection To Keep Toddlers At A Safe Distance And Well Away From Danger. It Will Surround A Hearth With A Maximum Size Of 150cm X 45cm Or Sit On A Flat Hearth Measuring 100cm Or More Wide By 50cm Or More Deep. Yashar had temporarily touched down from her peripatetic schedule of hunting for rare pieces, ideas, and ingenues—and displaying her own wares at design salons around the world—for a well-deserved week at home. Though Yashar was born in Tehran in the fifties, her father, Houchang, relocated the family to Milan in 1963, where he quickly became a leading merchant of oriental rugs.
Yashar promptly organized the 1998 exhibition “Swedish Rugs and Scandinavian Furniture,” much to the mystification of some of her longtime clients.
The show was a success, and Yashar began to pursue her new interest in early-modern and contemporary furniture by including an array of European and American designers. In 2005, Yashar was the first Italian dealer in her field to be invited to Art Basel Miami Beach. Some of the most rewarding risks she’s taken have to do with sniffing out and promoting new talent. In Yashar’s home—another rambling, airy Milanese penthouse, which she shares with her husband, Angelo, a consultant for Prada, and their daughter Lavinia, 20, a medical student—Carlo Mollino chairs and Victorian candlesticks mingle with anime-­inspired paintings by young Italian artists in front of a glorious wall designed by Montebello and frescoed with gold-leaf representations of 16th-century Mogul Indian motifs. Like most people whose life and work make up a seamless whole—the happy ones, that is—Yashar finds a near religious ­satisfaction in what she does.
Just a reminder that you will receive your order anywhere from 3-5 business days from the date that it is shipped out, not necessarily from the date that it is placed. But after four years at the helm of Carven, Guillaume Henry remains lovably bright-eyed and bushy-tailed. He describes his designs as “quiet,” but there is often a bit of coquetry involved—a prim white collar here, a bustier there. But don’t expect to see Henry, who freely admits, “How I dress has no interest at all,” adopting a costume for a runway bow. He grew up in a small farming village in Eastern France and decided he wanted to become a designer after seeing reports about the haute couture shows on television.


The "off" amount and percentage simply signifies the calculated difference between the seller-provided original price for the item and the seller's current discounted price.
Contact the seller- opens in a new window or tab and request a shipping method to your location. Transit times are provided by the carrier, excluding weekends and holidays, and may vary with package origin and destination, particularly during peak periods. Import charges previously quoted are subject to change if you increase you maximum bid amount. Parents Are Often Left Weighing Up The Balance Of Their Child's Safety And The Need To Heat The House On A Cold Day So By Fitting One Of Our British Standard Compliant Fireguards Around Your Fireplace, You'll Be Able Help Keep Them Safe And Warm!
It Will Cover A Heating Appliance Up To 150cm Wide X 45cm Deep X 66cm High, And Has A Foldable Design So That You Can Easily Store It Away. Is there an eminence grise behind the scenes who helps shape the vision of fashion royalty and the rest of the benign despots who dictate style to the masses?
She was drinking coffee and ­mineral water while we sat chatting in the sprawling duplex of a famous Milan building—designed by the architect ­Giandomenico Belotti in 1958 and owned by a friend and client of hers, a key player in the fashion business who prefers to remain anonymous. Yashar, the older of two daughters (she and her sister, Nilu, 50, both worked in the family trade), was schooled in the sometimes harsh reality of business by her father.
Steeped in the knowledge she had gained from her father of precious antique Persian rugs, she began to source and sell ­pieces from India and Asia, gradually adding certain French carpets never before seen in Italy. She expanded the gallery to three floors, had it renovated by a friend—the designer GianCarlo Montebello—and presented her first displays of the mixed genres for which she would become famous: furniture, rugs, and objects from France, Tibet, Scandinavia, and India. With her keen sense of the zeitgeist, she also began to feature Italian masters like Mollino, Gio Ponti, Ettore Sottsass, and Piero Fornasetti precisely when international collectors—along with designers like Donna Karan, Marc Jacobs, Stefano Gabbana, and Domenico Dolce—were starting to rediscover them. In 2005, a Mollino table was ­auctioned by Christie’s for $3.8 million—at the time, a record for 20th-century furniture.
Her most spectacular discovery so far has been Gamper, the young woodworker from Merano who, in 2004, was still a student at London’s Royal ­College of Art when ­Yashar saw his tables and chairs. She was dressed head to toe in Prada (laughing, she called herself a “Prada victim”), and her attire perfectly complemented the decor: The spare, occasionally playful lines of the furniture were lent warmth and comfort by the subtle interplay of ­artfully faded colors and a certain indefinable logic in the juxtaposition of the pieces, which included a spectacular silver Paul ­Evans cabinet and a couch by Jean Prouve.
Yashar was showing me a different kind of project—one she launched when Lavinia was just 7—that has left its mark on the design world.
Returns for store credit will be processed free of charge, while returns for a refund to your original payment method (i.e. After your payment is authorized and verified, it can still take up to two days to process your order. He has good reason to be: Since 2009, when he was appointed creative director of Carven, an all-but-forgotten French couture house that peaked in the ’50s, the 34-year-old designer has transformed the brand into a critically lauded—and profitable—ready-to-wear label beloved by women across the style spectrum, from Beyonce and Rihanna to Isabelle Huppert and Emma Watson. What he calls “the Carven silhouette” includes full skirts with trim midlines cut two inches above the natural waist, a sweet rather than sirenlike look that’s about as universally flattering as fashion gets. And he is not the guy to close down Le Baron every week, either, choosing instead to blow off most parties and leave work at the office.
His parents, “happy I was interested in anything at all,” gave him a sewing machine when he was 12 and indulged his tendency to turn towels into daywear and make elaborate plastic jewelry for his mother. Your California Privacy Rights The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Conde Nast. One answer might be found inside Nilufar, the legendary gallery on Milan’s Via della Spiga, where mere displays of furniture and rugs take on the qualities of zen portals into the very heart of design.
The high-ceilinged penthouse, with its views over Parco Sempione, is a trove of early-modern design, thanks to this diminutive, vibrant woman with enormous charisma and a nimbus of curly dark hair often tied back with a signature scarf. In 1989 she opened a second shop—the present seat of Nilufar—where, near the heart of the rapidly expanding high-fashion district, she began to express herself in earnest, throwing all her ingenuity into a series of groundbreaking shows. Throughout all of her impulsive changes over the years, Yashar has continued to attract ever growing numbers of illuminati.


While the works ­varied wildly in age and provenance, when combined with brick, concrete, and wrought iron detailing, everything fit with the relaxed­, early-­modern mood. Crossings, two extraordinary catalogs published in 1999 and 2000, brought together a panoply of design objects of distinct styles, to numinous effect: A Khorassan carpet from the fifties was paired with a contemporary vase by Pesce, and 19th-century Mongolian rugs were combined with a seventies ceiling lamp by Finnish designer Ilmari Tapiovaara.
He has Ines de la Fressange on speed-dial, and Alexa Chung is a strong supporter; but Henry’s only real muses are girlfriends who prefer to remain anonymous. The gallery (nilufar means lotus in Farsi) is the brainchild of Nina Yashar, who for over 20 years has reigned as the high priestess of modern design in Italy. Yashar has a big laugh, along with a face that can morph from ­mischievous schoolgirl to steely byzantine empress; she has both a romantic, extravagant personality and a reputation as a hardheaded businesswoman who doesn’t suffer fools. Earlier exhibitions such as “La Rosa nel Tappeto”—a study of the rose motif in carpets from various countries—had introduced the dramatic floral Turkish kilims to Milan buyers; now, in the new space, Yashar featured, variously, Iranian Gabbeh, ­Chinese, and Tibetan rugs.
Exhibitions featuring Charlotte Perriand, Jacques Adnet, and other French ­rationalists were followed by the work of industrial design superstar ­Roger Tallon, the silicone rugs of Gaetano Pesce, and the sculpted metal furniture of Paul Evans. Miuccia Prada was one of her first clients, followed by Anna Zegna and other distinguished names to whom Yashar devotes enormous time and energy but whom she refuses to discuss. The font of the idea was, of course, Yashar’s—she had found the furniture in a hotel in Sorrento. Adding to that was artwork such as ­Francesco Vezzoli’s painting of Anita Ekberg and Kathe Burkhart’s painting Up Your Ass, making the atmosphere simultaneously grand, offbeat, and elegant—an interior that is less a showplace than a private refuge. Sometimes Miuccia and other friends and I will be just sitting around brainstorming, and the atmosphere is charged with energy, and I feel like I have contributed to it. You will receive a shipping notification email that will notify you of the carrier we've used to ship your order, and the different tracking options available for it. I still don’t believe it.” The company has grown from a staff of five, including Henry, to 60, occupying a five-story building in Saint-Germain-des-Pres. The Iranian-Italian Yashar, 55, a close friend to many well-placed fashion-industry titans, is famed as both discoverer of and impresario to an array of rising stars. Gamper’s symbolic destruction of the old and its transformation into the new was, in effect, also the world premiere of Yashar’s iconoclastic manifesto. The owner, who worked on the decor in partnership with Yashar, who provided the pieces, said that he most loves the fact that it doesn’t look like a typical Milanese apartment, that it reflects his personality, and that it makes him happy. Leafing through them, one is a step closer to understanding Yashar’s formative vision for Nilufar.
The important thing is to give people insight into their own imagination, to open new territories. She has a messy ponytail and pink cheeks and is wearing a tossed-on gray overcoat and very little makeup. In a more general sense, she is known as the purveyor of an offbeat, rarefied style of luxury home furnishing to an international circle of well-heeled and demanding clients. In 2011 Gamper won London’s prestigious PAD prize for his bold, geometric Off-Cut Table, and for the last five years he has produced work exclusively for Nilufar. The fortunate pedestrians who wander into Nilufar between stops at nearby Tod’s and Lanvin find themselves afloat among three luminous floors showcasing a wildly eclectic yet strangely logical assemblage of furniture that mixes modernist masters like Carlo Mollino and Verner Panton with the work of cutting-edge young talent like Bethan Laura Wood and ­Martino Gamper. Henry is launching his first scent, Le Parfum, for women, in the fall; the juice was created by acclaimed nose Francis Kurkdjian, known for Acqua di Parma’s Iris Nobile and Jean Paul Gaultier’s Le Male. Somehow it all manages to be harmonious, displayed with rugs ranging from traditional Persian tribal to the avant-garde Plan B series by the husband-and-wife team Caturegli and Formica. Merchandise must have all tags, hygiene liners, including any Bikini Luxe hang tags, attached.



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