Fanservice anime with good story line,bathroom ventilation fans with light reviews manufacturers,replacing ceiling fan outlet box pads - Tips For You

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That’s the question posed by Alex, or as Barry affectionately calls her, “She-Wesker”, in Metamorphosis, the final episode of Resident Evil: Revelations 2. It was brief, but for one story arc, Yun, a self-admitted pretty boy, looked just as attractive as Yona. Do you agree with this list, or do you have characters in mind that are trappier (sp) than the ones I listed?
My thoughts after the first few episodes: “The OP and music is great, the art is clean and colorful, but it seems like a standard Magical Girl anime”.
My thoughts after the last few episodes: ”Wow, that was a rollercoaster of emotions!  And it actually turned out to be more like a contemporary Magical girl anime”.
In The Lost Lord, the second episode of Telltale’s Game of Thrones, we check in on the prodigal Forrester son and witness the resurrection of another. Asher, who knows nothing about what happened to Ethan, is a playful and extremely skilled sellsword; he revels in chaos, but also knows when to pull back.
There you have it, my personal favorite games of 2014.  Agree or not, let me know what your favorite games of 2014 are in the comments! Premise:  Favaro is an arrogant womanizer who spends most his days capturing bounties and turning them into stone tablets for money.
As for Norman Reedus, what can I say?  He's been on my radar since The Boondock Saints, a cult movie that critics back then (even now) couldn't get a handle on. However, reboots can tarnish the image of originals, but only if we allow them to.  We go into reboots with a set of expectations that we use to hold against their creators. Linny and I have been working hard over the last three months to turn this blog into its own fully fledged website.
So we've managed to make the leap to our very own website where we hope to not only continue to deliver anime reviews and previews, but to expand our coverage to thirty 1st episode previews a season, 15 mid-season reviews, 10 full reviews and loads of manga, light novel, and classic anime coverage in between.
We want to thank every single one of the people who actually took the time to not only read our reviews, but also comment on them.
We've enjoyed reviewing anime for these past three years on IGN, and were always excited to get a few comments here and there, and again we thank everyone who took the time to read the reviews and previews we worked really hard to churn out.
Synopsis: In the near future, a Quicksand Disaster sinks a major portion of the Tokyo area. However, the 5th Special Public Security Section's Mobile Assault Division has come under fire, particularly because of one crime-fighting unit, Unit 8. Linny: Active Raid has its best moment contained in a single episode that blends a love of giant robot armour with nostalgia, and succeeds in crafting a story that's touching and convincing. Tom: The villains themselves, Logos, are easily the worst aspect of Active Raid, constantly mishandled and poorly developed through the twelve episode run. Linny: The lack of time and exposition for the characters means that they all feel like caricatures or parodies of the stereotypical archetypes expected in similar shows and not actual personalities in their own rights. Tom: The show begins with a plot surrounding the newest member of the team, Asami Kazari, actually being a spy for the government. Tom: Active Raid is a hodgepodge of ideas, and sometimes it actually produces something interesting.
Linny: Most of the visual effort seems to have been spent on the Willwears as they all look sharp and unique, with every team member having their own personalized suit with specific abilities. Tom: Active Raid is a heavy mix of CGI and Traditional Animation in the vein of Tiger and Bunny. Linny: As someone who never really enjoyed anything related to mechanical suits or armour, I always worry about watching and reviewing a show such as this. Synopsis: Kazuma Sato after staying up for three days straight to secure a limited edition release of an upcoming, highly anticipated RPG, gives his life to save one of his classmates moments before she would have been run over by a bus. Linny: Konosuba has the curse of sounding a lot like one of the most common plots in anime. Tom: Konosuba's comedy never once lets up, rarely straying from the humor that sets it apart from so many other generic Gary Stu meets Goddess offerings. Linny: The humour in Konosuba rises from putting a little twist or even just efficiently utilizing beloved and familiar stereotypes and turning them into comedy gold. Linny: As Tom stressed, the characters and their quirks will make or break the show for you. Tom: Despite criticisms of Konosuba potentially being a vehicle for Light Novel promotion, something common among Light Novel adapted anime, it still has a lot of defining moments that stand out memorably, rather than fading into a mush of mediocre content I can no longer recall as some anime do every season. Linny: The animation in the show is another possible source of discontent as it fluctuates and even dips as the show progresses.
Tom: Konosuba's animation is indeed inconsistent, and as Linny mentioned Episode nine is at the height of that with every character looking quite a bit off, but never actually bad, just off. Linny: Konosuba is a show that I would personally bug my friends to check out, but like most things in life, it has certain conditions and caveats attached. Tom: Konosuba is ultimately an adaptation of an existing Light Novel series, and while we thankfully have it confirmed that there will indeed be a second season, Konosuba has already skipped at least one plot line in the novels, so for anyone who's a purest with source material Konosuba isn't afraid to cut some things to cram as much as it can within its short run.
Tom: Konosuba wasn't something I was expecting to be so good, in fact, I'd almost written it off before the first episode had even aired. Linny: The laughs come hard and fast in Konosuba, with the show really playing up the humour with self deprecating jokes and lightheartedness. Tom: What sells Konosuba, and the humor, are its two well-written and lovable leads Kazuma and Aqua. Linny: Talking about animation, there's also an issue with the character designs, and to be precise, with Aqua. Tom: Konosuba, it should be warned, is based off a Light Novel series, and like most adaptations, has little chance of fully adapting the work it's based off of. Tom: Schwarzes Marken is part of the Muv-Luv franchise, a spin off from the main Light Novel entity.
Linny: If you're looking for one of the most random and hamfisted PTSD breakdowns in anime, look no further than Marken's first episode. Tom: Schwarzes Marken is classic alternate history sci-fi, aliens invading, technology advancing to counter, conspiracies abound, etc. Linny: For those looking for a battle and mech focused story, this show may disappoint you.
Tom: Marken doesn't really have a chance at becoming a show remembered much past this season, but for anyone looking for something akin to B-movie horror, with plot and dialogue MST3K would kill to make fun of, Marken is something decent to check out this Winter.
Synopsis: Haruhiro finds himself mysteriously in the world of Grimgar, with not a clue as to how he got there. Linny: Grimgar is a show with an interesting hidden concept, keeping the truth about the world of Grimgar a secret, bundled with a fresh take on the loser team trope in anime.
Tom: Grimgar feels substantional, an anime with meat on the bones in terms of characters and message.
Linny: The world and environment of Grimgar is fascinating for several reasons, with its appearance and art style being a huge factor. Tom: Grimgar can be somewhat direct with its fan service, blatant at times with the cast openly discussing large breasted women, particularly one girl within their trope. Linny: The focus on character building and drama provides an interesting buildup but the show tends to stumble when it starts to focus on world- building. Linny: Furthermore,Grimgar seems to have given its female characters the short end of the stick. Synopsis: Maeda is happy to be moving out on his son, but only becomes truly excited when he learns his landlord is actually just in middle school! Tom: My Landlord is in Puberty (the actual English translated title for this series) skirts a fine line that'll make most average people uncomfortable with the implications of finding an underage girl attractive.
Linny: As expected from any two minute show, the show has average animation but that's the norm.
Tom: Ooya-san is based off a four-panel manga so perhaps the absurdly short run time is in order to adhere to the smaller storylines of four koma, without resorting to multiple different events filling up one episode as something like "I can't understand what my husband is saying" did.
Synopsis: Azuma lived on a floating island with his sister, his mother, and his father, an island filled with sleeping giants, titans, known as Buranki.
Tom: The characters themselves, and what little we do learn about them, are adequate, but because there's so little exposition surrounding Buranki's story, it leaves us feeling uninterested in any of them. Linny: Seriously, the show tells you so little about anything that most people will probably end the show without really knowing or understanding a single character.
Tom: As a final note, there is some cool music that helps, not very well mind you, to lift the sagging script back up and at least prevent Buranki from feeling wholly unworthy of your time. Synopsis: An ex-con, freshly released, seeks out the famous Rakugo storyteller Yakumo, who inspired him after he saw Yakumo's performance during his incarceration.
Linny: Showa Genroku Rakugo Shinju has a rather unique subject matter, namely, Rakugo, a form of Japanese verbal entertainment.
Tom: The art of Showa really sells the Rakugo performances, capturing the magic of a talented performer jumping between characters seamlessly. Linny: The characters of Showa really bring a lot to the show individually and help the story grow and shine.
Linny: The voice actors do indeed give the performance of a lifetime, helping not only the characters to burst alive, but the Rakugo performances as well. Tom: Showa really is a treat for any anime fan who could use a break from the more classic storylines of teens, their super powers, and romantic troubles.
Synopsis: Itami and his JSDF team are back as they continue their work in the fantasy realm as they try to make sure an all out war doesn't break out between Japan and the medieval kingdoms of this realm.
Tom: Probably the single biggest question with any returning series is: Does it match the quality of the original run? Tom: Itami and the rest are indeed back, with a bit of screentime tossed about between the supporting members of the team just to refresh the audience on who is going to be important over the coming weeks. Linny: The political intrigue and gambles are as intense as ever, with Itami and Princess Pina doing their best to peacefully integrate Japan's presence and entry into their world. Linny: While the episode does a good job of handling the topic of ladies of the night with respect and realism, it also needs a MAJOR TRIGGER warning.
Tom: The Rape sequence really does go too far and is my only significant complaint with the 2nd Season Opener. Linny: You know you've watched a good episode when one of you starts cursing at the ending credits for cutting your fun short, cough cough, it was Tom. What with the steady collapse of the IGN blogs, from the disappointing and relentless spam, to the irksome comment change over, we've decided that we really wanted to try and bring quality to our reviews both within the writing and the layout itself. The interaction meant a lot to us, and we hope that maybe you'll at least check out the site we've been working really hard on up till now, and will continue to improve upon as we try and provide our anime review coverage to an even larger host of readers. Please do stop by and check out seasonal anime, previews, reviews and even more coverage in the coming weeks! In an effort to reconstruct the city as fast as possible, new and powerful exoskeleton suits, known as Willwear are constructed to aid in the restoration effort.
Unit 8 is known for using excessive force, or causing undue collateral while apprehending their targets. In between character growth and plot line of the week, Active Raid struggles to properly balance everything it seeks to say, and in the end manages to say none of it well. It keeps trying to repeat that theme of emotions and machine action but because of their episodic nature, the other episodes and stories feel isolated from each other. There's classic ideas behind them, disillusioned individuals, seeking to over throw the government, bring chaos to the masses, etc. This also means that the chemistry and interactions between them feels stunted and limited, which could frustrate viewers who enjoy more fleshed out characters.
Well, while they are most certainly present, their delivery tends to fall flat or fail to hit the mark ever so often. On rare occasions it shows promise, like during one episode where a stalker nerd villain scenario has a few new twists, or the cool world building of episode 6, explaining why Willwear came to be the dominant force in technological development, and that giant robots as a instrument of aid fell to the wayside. Even the action sequences are done well, with enough attention and work put in to ensure they look smooth and fluid which will surely please those who pick it up for the action factor. Unfortunately Active Raid's traditional animation just can't keep up consistently, often producing poor character faces in long shots, or stilted movement in late run episodes. While Active Raid never swept me off my feet, it has some good jokes and fighting sequences. Reading the description, and watching the first, while uneven, episode gave me hope that I'd be looking at a spiritual successor. Kazuma, now deceased, finds himself now at the gateway to the afterlife, with a beautiful Goddess before him.
Kazuma, our lead reborn into this fantasy world, is a fun, full of himself, down on his luck MC. Aqua and Darkness seem the most likely to turn viewers off the show either due to their ditsy arrogance or their sexual behaviour, respectively.
Moments like the battle against an army of sentient Cabbage, or Kazuma's surprise talent at stealing panties (by accident) or even the major plot line that flows through Episode four to six that culminates in one of the most well-crafted mid-season finales, where every plot thread and development comes together perfectly. There is an extremely noticeable change in the visuals around episode 9, and it becomes clear that animation quality and style will never be the show's strong point. The animation for Konosuba never gets truly awful, just distracting, and its quality remains a damn sight better than the likes of Garo - The Crimson Moon (oh that'll be a fun review.) but Konosuba's animation is definitely not a plus when viewed alongside shows like Myriad Colors Phantom World, perhaps one of the most visually impressive shows this season, and only rivaled by One Punch Man in the last year.
First off: Konosuba has a character, Darkness, with a strong sexual undertone so if you dislike sexualized characters, you might struggle to enjoy the show. Ultimately Konosuba has become one of my favorite anime from this Winter Season, and if you don't have a problem with Darkness' sexual undertones, Episode Nine's near Ecchi genre shift, and enjoy Video Game nods, as well as Fantasy based humor, Konosuba is perfect for you. With his prize in hand, Kazuma headed back to his rural home in the early dawn in the morning.
But Konosuba's story is a load of fun, watching as our hero gets reborn in a fantasy world and drags the mocking goddess along with him, much to her dismay. I've only spent twenty-four minutes with the two of them and I already want to see more of their strugglign relationship. But their interactions and even the dynamics of their personality breath fresh air into the quibbling couple troupe. The animation works, and at times is quite nice, but periodically there are shots where the characters look slightly off, still identifiable as themselves, but not quite as perfectly depicted as one would hope from such an artistic medium.
This may be a personal point, but Aqua's costume looks like an amalgamation of Lucy from Fairy Tail and Hatsune Miku. But we've got ten more episodes to see if we can get a satisfying tie off for such an enjoyable tale.
In an alternate timeline a mysterious and horrific alien force, known as Beta, came down to Earth and attempted to eliminate humanity. Now, neither of us have seen Muv-Luv, so we'll be going at this without any preconceptions about Marken as an off-shoot continuation of the main franchise.
PTSD is already a misunderstood and undertreated condition and Marken did a terrible job of portraying and handling the subject matter.
Marken's more focused on the political drama and betrayal angle with constant allusions to spies and secret conspiracies. Attention to detail has been paid, particularly when mechs get splattered with blood from the horrific creatures they're facing. They're disturbing and reviling in the best way possible, the kind that leaves a mental scar..
In fact, he doesn't even know what came before Grimgar, or who he is, or where he might have come from. Haruhiro and the gang feel like generally normal people thrust into a most unlikely scenario.
Right from its opening sequence, the forests and backdrops are drawn in a watercolour and pastel like style.
Other times its as subtle as other anime, putting its female characters in revealing costumes that are less practical for the sake of a little eye candy. There is this one random and drawn out montage in the second episode, that occurs right after an intensely dark and emotional event.
Every woman in the cast is currently a liability compared to their male counterparts, even when they all are supposedly terrible. It's a long running story, and since Grimgar seems to be aiming at only one cour in length, it's most likely we'll only receive a partial adaptation, with potential for further series hinging entirely on the success of Grimgar's run. Thankfully, the show doesn't go all out sexual, mostly choosing to stick with uncomfortable rather than perverted.

On the animation side the thirty seconds of title are kinda interesting, using a slightly different artstyle than the remaining minute and half.
The first episode had a decent ending punchline but it still isn't impressive enough to be recommended for its punchline.
It's so short that, maybe, it could be a good "fill in the cracks' for your day, assuming it never gets too uncomfortable for you. It chooses to play fast and loose with its timeline, making frequent time jumps that start small, and eventually leap years forward.
As a set up episode, to hurl us into the world and struggle of Bubuki Buranki, it utterly fails to make us feel attached to anyone or invested in the chaos that unfolds, no matter how beautiful the explosive colors can get. While Knights of Sidonia, one of the most prominent CGI anime in recent years, was no prize pig, its CGI was at the very least competent and worked well within the confines of its story.
For an entirely original show from an exclusively CGI studio, known for providing CGI to a number of big anime hits in the last few years, Buranki isn't exactly the best calling card, but here's hoping there's improvement in the coming weeks. Begging to become Yakumo's apprentice, and learn the art of Rakugo, Comedic one man storytelling, himself, Yakumo agrees and renames the man "Yotaro." Now Yotaro begins his training in the art of Rakugo, meeting Yakumo's other charge, Konatsu, daughter of Yakumo's Rakugo rival long passed.
A rakugo is performed by a single artist, and consists of him using only his voice, gestures, a simple cloth and a folding fan to act out a humourous story, playing all the different characters, while remaining seated in the seiza position the entire time. The animation even captures the budding protagonist, Yotaro, as he struggles, but ultimately succeeds during his very first live performance.
You have these elements which sound generic by description, such as the bright eyed protagonist, the strict and seasoned master, but Showa manages to insert them into a beautifully crafted story filled with drama and suspense, and make the characters shine in their own right. You can't go in expecting a lot of fast paced action, but Showa is brimming with substance.
For a decidedly down to earth show, it packs a powerful punch emotionally and artistically. The pace will certainly turn some away, but there's a lot to love about this drama that you don't normally get in the anime medium. Not necessarily a niche crowd, but it definitely won't win any viewers who want lots of fast paced action and a modern or futuristic story. However, dark menaces loom on the horizon as a Dark Elf continues to seek out Itami's help in saving her village, the kingdoms of the land are rocked by a sudden and deadly Earthquake, and political masterminds within their governing body seek to escalate the conflict between the JSDF and their own forces. Season 2 gives viewers a continuation of the SDF's adventures and its integration into the politics and society of the new world. Gate really does a brilliant job of making politics be a source of suspense and drama, and even comedy by using interesting characters and events to tell its story. This episode introduces a new antagonist who is clearly meant to stir up intense hate and dislike and I really, really did not feel comfortable with how the show tries to achieve that.
We understand they needed to sell us on this villain, and wanted to make us hate him, and we do, but the rape sequence goes from stiring up our ire for the villain to just plain uncomfortable levels as the sequence continues on long after it's made its point.
It's so impressive how Gate manages to keep churning out episodes that have you on the edge of your seat. But before Archer finishes Rider, he acknowledges him as an equal.  Rider's best shot wasn't enough to defeat Archer, but it was enough to earn the respect of the arrogant king. Boy, the stories you can tell around that face; just imagine how messed up his character's psyche would be.
We'd love to continue those same conversations, those same exchange of opinions, over on our website. But just as a special investigator is secretly transferred onto their team, Unit 8 finds themselves uncovering the criminal workings of a group known only as Logos. Simply put: Active Raid moves far too fast for its own good, attempting to squeeze in more than can reasonably fit in a twelve-episode season and deliver a satisfying story to the audience. The main connecting thread for all these episodes is Unit 8 and the mysterious super villain, Logos, who is the puppet master behind all those separate yet connected incidents.
But we spend so little time getting to know them, and their plans, that there's nothing for the finale to build on. However, there are still plenty of little jokes, quirks and even background revelations to keep a more casual viewer entertained enough to sit through at least the first few episodes of the show. It's not a bad plot, and bizarrely the series pretty much drops it after the first episode.
There are some gags and jokes that seem really random, so much so that their randomness becomes a source of hilarity. It's really quite interesting, but otherwise Active Raid's ideas aren't fleshed out enough, or it just plays everything too safe. The CGI flows extremely well, and for anyone who enjoyed watching the heroes in Tiger and Bunny duke it out, the Willwears can look pretty slick too. But while Active Raid mimics much of what made Patlabor such a strong anime classic, it never truly succeeds at any of it. I call it a curse because it may disappoint viewers who pick it up expecting to be entertained with another serving of the previously described story, while driving away those who are not fond of that particular plot line. Not once does Konosuba take itself seriously, save for one mid-season episode that could easily be labeled as the weakest of Konosuba's short ten-episode run. While this helps the viewers bond with the main cast, it might frustrate those who enjoy a bigger cast, or make others feel like they're missing out on parts of the whole story. However, Kazuma should be a welcome sight for those who crave a contrast to the army of generic and common fantasy adventure leads. Sadly, Konosuba stumbles a bit towards its finish line in the second half, with Episode seven, as mentioned previously, the weakest of the bunch, follow by another two episodes that feel more like OVA content, before ending with a great finale, that sadly isn't quite as strong as the mid-season conclusion. Overall, it has the look of a lower end budget series but Konosuba manages to make it work by entertaining its viewers with its story, characters and comedy.
Coupled with this, Konosuba's art design is at times generic, with characters like Darkness wearing garb that bares a remarkable resemblance to Erza's armor from Fairy Tail. It also never manages to shrug off the curse of its short run and the disjointed storytelling and lower end animation quality may annoy others.
And even if it isn't quite your cup of tea, it'll probably still provide enough humor so as not to waste your time.
But, on his way home, Kazuma found himself compelled to save one of his classmates moments before she would have been run over by a bus. It's really very funny and what's best about Konosuba is it doesn't try to inject any real drama or poignancy into things. It helps that both having some really strong talent voicing them, with both voice actors giving performances that stand out to me as some of the better vocal talent this season.
While Aqua is supposedly much more skilled than Kazuma, there's no annoying constant physical and verbal abuse, common when you have an OP magic girl and a barely average male protagonist.
It's a little disappointing because lead characters have so much more impact when they have a unique look. Konosuba is a surprise hit for me this season, and I'd recommend it as strongly as something like Erased or Showa, just, you know, for people looking for humor and not drama. In 1983 the East German Army's elite squadron "Schwarzes Marken" fights to keep the country safe from the monstrous Beta forces. While one does not expect anime to always be 100% factually reliable, it's definitely an issue when anime uses a real world issue for unjustified and unexplained reasons. Despite its range of flaws, some we haven't even covered yet, Marken is fun in a B-movie kind of way.
Marken has interesting components, such as the political intrigue and its monsters, but handles these elements poorly and therein lies its downfall. That same level of detail can't be said for the traditional animation, which is often stilted, and particularly gringeworthy in long shots. Along with Haruhiro are numerous others also unaware as to the lives they held prior to this fantastical world. The show introduces us to the usual struggling and bumbling team of misfits, but rather than the common "talented but just clumsy" angle, these characters are actually just plain terrible. The sudden and extended jump to the characters performing mundane activities, after what looked like they were having a mental breakdown, feels disjointed and detached. They also lack the same development and focus given in comparison to Haruhiro, Ranta, or the rest. Like DanMachi, I hope we make significant progress within whatever opening arc we're in, otherwise it'll feel disappointing in the end if we never get a continuation and there's too many lose ends left undone. Maeda can't wait to begin his life as a tenant with such an adorable little girl in charge. Otherwise the rest of the short has fairly standard animation that, thankfully, avoids some of the more "colorful" shots one might have expected from something dangerously close to catering to the loli crowd. When it comes to the western audience, this show may appeal to those who enjoy some of Japanese culture's 'quirkier' sides. Normally this wouldn't be an issue, but Buranki doesn't understand that people need context in order to follow along with the plot. It's nigh impossible for a viewer to get invested in a show when they can barely keep up with what is going on. Unfortunately Bubuki Buranki is a step below Sidonia, unable to get character movements feeling natural.
Unlike Girls Beyond the Wasteland I'm rooting for Buranki to improve and become something I can recommend. She too wishes to become a Rakugo Storyteller and carry on in her late father's footsteps, but unfortunately born a woman such a thing is beyond her grasp. This is definitely an art form that will be alien to most western viewers, but Showa manages to spin a most delightful story. For a sequence so long, sitting at nearly ten minutes in length, its easily one of the most gripping moments in the show. To elaborate, Yotaro can be described as another down on his luck, bright eyed hero with high aspirations, aka something that's common in anime. So much hinges on the performances of Showa's VA's and they completely nail it, bringing each character to life and displaying their individuals talent, or lack there of, at the art of Rakugo. As for where Showa will go, it's hard to say, Episode 1 ended with a teaser that shows we'll be flashing back and telling the tale of Sukeroku's passing. On the other hand, Showa is a great option for someone who isn't necessarily an anime fan but would enjoy a light hearted drama. One of the biggest appeals of Gate has been the dynamics and interaction between the two different cultures and nations, and this continues to be handled in a realistic and engaging way.
The plot is just as complex and scattered as before, weaving multiple plotlines and character developments across the board, all of which will come into play down the line. As Tom mentioned, this episode does try and fit in all the loose story lines from last season but it stumbles in the execution of one of them, namely the dark elf who had appeared at the end of last season, seeking Itami's help in saving her village from impending doom at the hands of a mighty dragon. Our very first look at this new antagonist is literally the second scene of the episode, with him very violently and aggressively violating a woman.
It becomes less an exercise in introducing us to this loathsome character, and instead toying with how much they can get away with before we hit pause and walk away. To all the fans of Season 1, rest assured that this new season is going to deliver like its predecessor. To combat the new threat of Willwear aided crime, the government sanctions the creation of a new police division with their own Willwear power suits.
If anything, Active's twelve episode run feels almost like those abridged anime films that squeeze twelve half-hour episodes into two hours. The anime spends so much time trying to make him seem mysterious and unpredictable that it's forced to unload a ton of information in the finale, making it feel crowded and rushed.
It's only in the penultimate episode that any kind of meaningful lip service is paid back to it.
The show has its saving grace though with some well planned out humour ever so often, such as a joke involving a suit wanting to do an update at a most inappropriate moment, or the crew mechanic devastated by the abuse being mete out to the armoured suits in action.
What's truly unfortunate is that what little Active Raid had going for it drops off in the final three episodes that themselves struggle to bring the Logos plot to a close. The music also adds much needed flare to the series, with its upbeat tunes keeping the show lively and energetic, even when the plots progressing too fast for it to actually make a lot of sense.
The cast isn't properly fleshed out, episodes are crammed too tight, and the villain's plans don't hold up under even the most minor of scrutiny.
Because in Kazuma's sleepy daze he'd mistaken a slow moving tractor for a bus, and in his frantic rush to save a girl, who actually didn't need any saving, shocked himself to death at the thought of being run over.
For better or worse, Konosuba is an extremely fresh take on the anime approach to world swapping, that will surprise all viewers who are unfamiliar with its source material. Some might find this detrimental, as the comedy is relentless and the show strays from any truly heartwarming developments.
Megumin, the mage of the group, is a glass cannon, that basically breaks every time she uses her magic, and Darkness, well, she's easily the character that'll make or break the show for you.
He struggles to survive in this fantasy world, comically stumbling and fumbling as a broke manual labourer and the lowest ranked adventurer, rather than immediately being hailed as the saviour of the land by its inhabitants. It should also be noted that despite avoiding much of the fan service other Light Novels cling to so strongly, Konosuba was just saving its load up for one big release (pun very much intended) in Episode Nine.
The voice actors also deserve a shout out as their performances really helped to bring the characters to life, giving each personality that extra touch of conviction and a charm all of their own, perfectly tailored to their individual quirks.
However, if you're in the mood for a comedy and are a fan of fantasy land based stories, Konosuba is definitely a worthy choice.
Sacrificing himself Kazuma died that day and found himself now at the gateway to the afterlife, with a beautiful Goddess in front of him. It just doesn't take itself seriously, allowing comedy and absurdity to guide nearly every development allowing for a perfectly paced string of jokes. However, Konosuba turns the story upside down by having our teenager hero and goddess have a relationship that is very different from the norm. In fact, what's noteworthy is that the two characters seem to quickly develop a healthy rapport, one that's portrayed in a manner that seems believable and endearing. It definitely does not detract from the humour or plus points of the show itself but it would have been nice to see really unique looks for such a uniquely executed story. They'll do whatever it takes, and abandon those in need, all to make sure the country as a whole stays strong. They come off as one-dimensional and melodramatic, although Divine Gate still takes the award for hamfisted dialogue this season. It reeks of bad storytelling and what good is a show if it can't even narrate its story well?
The conspiracy plotline, and the organization that opressses and hunts down its own citizens, could be interesting, but its the kind of idea that requires strong writing, something Marken just doesn't have going for it. The mechs in the shows are rather bland and seem more like an afterthought than one of its strong points. For a show that fails to stand out much, it does have impressive monsters, especially when compared to the quality of almost everything else about and in the show. But all they know now is they must live within the medival and magical world and to do that, they must be able to survive. They fail to accomplish even the most basic tasks, like defeating the lowest level monsters and are struggling to make ends meet. The dreamy look of the scenery also helps to sell and set up the mysterious situation our heroes have found themselves in, promoting the feeling that we truly are in a land and time very different from the norm. The characters themselves are brought to life with such a diverse cast of voices that each sticks out in my mind as memorable, particularly the boisterous pervert of the group, Ranta, voiced by Hiroyuki Yoshino (Tarou Takanashi, Shirobako) remains a highlight for bringing yet another obnoxious character to life.
As a female viewer, it can be an issue when the female cast members only get screen time for fan service reasons and are denied character development.
Maeda is far too excited at the meer thought of Chie as his landlord, followed up by excitement over accidental indirect kisses and such. If taken at face value, Ooya-san is simple fun, assuming it doesn't stray too far over that line. So, Azuma's sister, seeking to take the burden from their mother, attempted to take control of the Buranki. Sure,Bubuki has some interesting elements in the form of visually unique weapon and power systems, combining fantasy and mech like elements, but they are completely lost in the messy and inefficient story telling.
Yes, a lot of the characters are meant to be young teens and this may be the first time I actually believe an anime character when they state themselves to be a teenager.
I guess it shouldn't be a big surprise, seeing as the studio behind Buranki is responsible for the questionable quality of Arslan Senki's CGI.

Save for the use of pastel shades that really pop, there's not much else to rave about or recommend. Yotaro becomes enamored with Konatsu's late father's work and Yakumo begins to see it withint Yotaro, his late revival's passion and talent. The Rakugo performances portrayed in the episode are mesmerizing and accessible even to a viewer who has never heard of Rakugo before. Showa manages to get us to care deeply about Yotaro and his efforts to become a talented performer of Rakugo, watching as he struggles to pick up the necessary traits.
But he seems to have a charm all of his own and his personality feels genuine, believable and lovable from the very first episode itself. In the background the subtle but appropriate music never overtakes, but adds so much to this lowkey period drama. There is an extremely poignant scene in the episode where Konatsu breaks down about being barred from following in her father's footsteps and profession simply because of her gender. Whether the show will seek to tell a double story, jumping between the two time periods, or focus on one over the other, who can say? And last of all, if you're willing to experiment with a unique subject matter and aren't turned off by a slow paced drama, it is definitely a show to wind down with after a hectic day or week, soaking in the story and the charm of Rakugo.
Starting with the animation, everything appears to be just as detailed and beautiful as the previous season. The attempts of the SDF officials to integrate into society by adopting their customs and clothing, while impressing the natives with displays of modern skills and weapons made for a fun and at times, dramatic episode.
It's obvious that the show needs to include it for the sake of refreshing and addressing all the unfinished stories but due to its disconnection from the main story line, and lack of real progress in this episode, its inclusion felt really forced. While rape in and of itself is naturally an uncomfortable topic, what pushed this particular one beyond forgivable for me was its extreme length and duration, and all the degrading and violent tones it carried.
It's possible you won't have a problem with it, but for people who take rape, in the confines of your daily entertainment, more seriously than others, it'll probably be a tough sit through. To newcomers, stop reading this and go catch up with the rest of us if you want to be a part of one of the most refreshing and unique takes on interworld portals and their consequences in recent times. This has the combined effect of feeling try hard in an effort to sell the menace and power level of the villain, as well as reducing the dramatic effects of its reveal. Despite Active Raid's generally jovial nature (the show, at least early on, doesn't take itself too seriously) periodically delves into darker elements, such as suicide, and sexual manipulation. But since the series lacked the necessary build up, the show is stuck wrapping itself up, while still building up the concept of Logos, their plans, the potential fallout, and more. I'd planned on perhaps recommending Active Raid to starving Patlabor fans, but in the final episodes those plans were laid to rest, much like Logos' schemes for Japan. But the Goddess is willing to cut him a break and give a new chance at life: in a fantasy world overrun by the demon king.
But if you've come into Konosuba just looking for a good, hard laugh, Konosuba has you more than covered, easily claiming the top spot as best comedy for this Winter's season. Darkness can get a bit sexual, as she's a Masochist that takes great pleasure in casual humiliation as a Knight facing the forces of evil. Another weak point of the show is that it comes across as a promotional vehicle for the light novel series, with its condensed and episodic story pacing. If sexual humor is something you find uncomfortable that might be the episode to skip right over. Kazuma, selfless and kind even in death, asked about the classmate he saved, wanting to assure that she was okay. The premiere episode itself has zero action, contrary to expectations, but it is extremely engaging with its jokes and its approach to world building and character introduction.
Most shows seem to use the constant verbal or physical abuse for humour's sake, but Konosuba rises above that and instead makes good use of its story and situation as sources of humour.
Everything about the story of the show is so above average that it deserves to have visuals that are amazing, rather than those that never rise beyond average.
But the squad comes under scrutiny when they rescue a West German Mech Pilot and give her asylum within their own squad. But Marken has other problems, lingering questions like "Why would you ever take a pilot suffering from PSTD into battle?" The show doesn't try to cover its ass with explanations of them being the best pilot for job, or lack of capable pilots, or whatever excuse you could think up. Combine that with under explored and obnoxious characters, and you have a recipe for a disastrous first episode.
Characterization is also hamstrung by this same low quality, the dialogue feeling particularly stilted. This isn't necessarily an issue on its own but it will be a negative point for those who went in looking for a mech show. It could be a blizzard outside and it still looks as if the cast must be covered head to toe in ice melt. Marken overall has a very low budget look artistically and it's definitely not going to earn a lot of points for its aesthetics. Haruhiro and the rest struggle to learn the abilities of mages, priests, rogues and more in order to survive within Grimgar.
The ensemble cast also provides for a variety of personalities and characters, making it likely that almost every type of viewer will find a character they enjoy or identify with. While the premise isn't exactly unique, similar in many respects to Sword Art Online or Log Horizon, what makes Grimgar feel stronger in its first episode is the lack of details surrounding the world.
The only major issue I had is how dead set Grimgar is on offering fan service, with blatant references and discussion of tits in the first episode itself. Couple that with some lovely and soft music that gives a calm, yet growing tension to this world of Grimgar, and Grimgar offers a refreshing take on the "thrown into a fantasy world" plot. It takes its time divulging informantion and that slow pace is something that might turn people off. It's only two episodes in, so I'm keeping my fingers crossed that the female half of the ensemble will be treated better in the upcoming episodes. Unfortunately, the show and its protagonist seem to spend all its time fawning over our little landlord. However, there are plenty of shows, albeit longer than two minutes an episode, that deliver better laughs and 'safer' story lines.
She failed, and instead they all awoke, escaping the island and reigning hell down upon the people of the Earth below. Talking about the look of the show, this episode had a wide variety of set up and locations. If we're just talking about visuals, Buranki does have to be praised for its excellent and dazzling, spectacular explosions that blast your eyes away with vibrant and widely varrying colors. Hopefully, the show will pick up the slack in the upcoming episode (it didn't.) or this may be the show that causes my brain to shut down from frustration.
The beauty and charm of the performances is further backed up by the art style, which helps evoke a nostalgic vibe and makes one want to sit back and enjoy this new yet old art. Yotaro is an easily lovable character and you can't help but feel bad for him when his Rakugo ambitions take a sour turn. The music, and performances, keep the entire thing grounded in a realism not often seen in the anime of today and that makes Showa, with its dramatic tale, all the more powerful.
There is no preachiness in the show or the scene, but it was interesting to observe a show that seriously and realistically addressed the issue of sexism, something that is rarely explored in anime. While there was one sequence with background art that didn't match the character artwork at all, the rest of Gate 2nd Season's first episode delivered perfectly on the kind of animation quality we've come to expect from this series. Not only that, the show even offers glimpses into its myriad characters, revealing tit bits about the pasts of the lesser known members of the SDF squad.
What particularly grabbed me were the plot threads focused around Itami's team bringing aid to the slum districts of the city, and bringing aid to the local 'ladies of the night,' which all ties in with the episode's cliffhanger.
Yes, we are supposed to despise the antagonist for his sadistic ways but for me, it just made me feel extremely uncomfortable and want to stop watching.
Otherwise, Gate 2nd season's first episode ends just like every episode of the first season ended: it leaves you wanting more and cursing the show for only lasting twenty some odd minutes. Episodes are so crunched for time with plot that we barely have a chance to get to know any of these characters.
But it doesn't handle them with any grace, so much to the point where it all feels awkward. Active Raid isn't awful, I've seen worse, but even for fans of the power suit genre there's simply better shows you could spend your time with. Kazuma, reeling from the Goddess' mockery of his death, chooses to take her along as his one bonus to resurrect with. Konosuba uses subversion of expectations, as well as predictable cliches in a refreshing manner and excels as a show for those tired of Mary Sues and Gary Stus. Being only 10 episodes long, Konosuba clearly struggles to match the depth of longer running series. It divulges information without droning on, filling almost every scene with a chuckle or two.
Not to mention, Aqua has got to be one of the best female protagonists to come along in recent times. Still, unless you're a cinephile or someone who wants breathtaking imagery in their anime shows, Konosuba cannot be ignored. As a more minor complaint, the series features loads of screaming as men and women are assaulted by the horrific aliens.
Marken still has plenty of violence and action with bloody dismemberment and death scenes, and lots of stomach turning monsters so maybe there is still enough to placate less demanding viewers. As someone completyely oblivious of the Muv-Luv franchise, I am most likely misjudging this show. But they have a long way to go and must fight to get better, because right now they are not even as strong as the weakest Goblin in all the land. The show does have a strange approach to exploring these characters individually, relying on montages and scandalous conversations to let viewers get a feel for its characters.
All we know is these people found themselves suddenly within the world of Grimgar, no past memories, no concrete reasons for any of this.
When you have a male character straight up criticize a female character based on her breasts, it tends to raise questions about the quantity and quality of sleaziness in the show.
Other than that, the story, while slow, seems to hold potential as it constantly hints at dark secrets and developments in an enticing manner.
Beyond the troublesome portrayal of Maeda and his interest in Chie, it's hard to get a grasp on a show this short, clocking in at exactly two minutes in length (with a thirty second title animation for some odd reason.). If you're uncomfortable with that premise, be prepared to constantly be on the edge of your seat, stressing about the show crossing the line, and face palming every time the protagonist has a thought that crosses western sensibilities.
Now, 10 years later, Azuma finds himself hunted by a corrupt Japanese government and along with another group of Bubuki users, those able to controls pieces of the Buranki, seek to clear Azuma's mother's name and restore the world to the way it use to be. The episode starts in a jungle -like rural area, which turns out to be an island in the sky.
If you're still certain you want to try this show, just brace yourself for the lack of answers and you may make it out with your sanity and patience intact.
He is simply a young man who fell in love with Rakugo and now wishes to dedicate his life to mastering it. The first episode was also a whopping 47 minutes long, unnatural for any animated series, so its unclear if the show will continue this format, or switch back to a half-hour length from here on. While we aren't given a huge amount of information, it did help to bring a layer of personality and dimension to the smaller characters. I wouldn't be surprised if it was something that shocks people into either disliking and dropping the show itself, or reduces Gate to a sexually violent show in some people's eyes.
Outside of a lengthy and uncomfortable rape scene, I'm very much sold on watching how the rest of this season progresses. I know this is getting annoying, but I really want to help people avoid the only flaw with this episode and ensure that Gate can be enjoyed for all the great and good it has to offer otherwise. Active Raid reminds me a lot of Patlabor, a similar set up with a rag tag quirky group of characters fighting in the name of the law, but not always aided by it. There are places where Active Raid gets purposefully uncomfortable, or even controversial, but there's then no pay off, or further discussion of these ideas. The Goddess, Aqua, is completely caught off guard when it turns out that request is totally within the rules! It's these characters that make the show as strong as it is, assuming their absurd quirks are concepts you find interesting, and not forced or inane.
Character and story development start to take giant and sudden leaps in the second half of the season, making the show feel rushed and a bit lacking in substance. She explained that of course she was okay, because in Kazuma's sleep gaze he'd mistaken a slow moving tractor for a bus, and in his frantic rush to save a girl, who actually didn't need any saving, shocked himself to death at the thought of being mowed over by a bus.
Whether the show will continue to keep action levels low , or whether it will start amping it up as the story progresses, one thing is for sure, this show is THE comedy watch of the season and is probably a show that will entertain the widest range of viewers. It has some of the best jokes this season, lovable leading characters and is guaranteed to have you laughing out loud. But for a show looking to be taken seriously, any realism damaging flaw like this mares the experience. However, many of the women have such high-pitched screams, and indeed scream so often, one has trouble believing any of them to be real soldiers that went through real training in order to find themselves as part of this elite mech unit. However, for everyone else in the same naive boat as me, this show is only worth a try if you are in the mood for B grade horror, and overly emotional or overly emotionally stunted 'soldiers'.
We suspect they're in a game, as characters have used that word, unsure anymore of what it means, but Grimgar keeps us guessing by withholding even the most basic of information surrounding the set up.
The slow pacing and fan service treatment of the females are the only major issues against the show so far, and aside from those, the show does offer breath taking visuals and a fresh take on dungeon crawling adventures.
Chie is undoubtedly cute, and the other characters are defined in the basics of what two minutes can give you: Maeda is a bit too hard up, straying close to pedo, and Reiko is our resident busty girl who rightly intervenes between creepy Maeda and adorable Chie.
It then moves to a populated city, Japan, which looks like your standard city for the most part. But Buranki isn't a show that will win over CGI naysayers, and even may make some supporters retract their support for CGI based anime. The daughter of the late Sukeroku, Konatsu, is equally as compelling, wanting to follow in her father's footsteps, but unable to because of the rolls assigned to women during this period in time.
There's something so innocent and sincere about his love for Rakugo that you find yourself cheering him on wholeheartedly throughout the episode, despite having just met him.
That's one of the few things Active Raid does well, is building obstacles for the team (although maybe episodes wouldn't feel so rushed if there weren't so many?) The unfortunate truth is that the plots are just too congested to support Unit 8's 8-man team. Now, trapped in a fantasy world where the demon king slowly conquers the land, Aqua and Kazuma must work together to defeat the Demon King and make something of themselves, otherwise Aqua never gets to be a goddess again. Unlike Sword Art Online, Grimgar is much slower and more methodical in its pacing and development of the cast, but at the same time it remains less technical than Log Horizon, choosing rather than pouring all its energy into world building, to use its time to develop and grow each member of the primary cast. If you have the time and the interest, Grimgar could prove to be the answer to your cravings for a slow build, dramatic take on the SAO and Log Horizon type genre. Or even the Rakugo master himself, Yakumo, makes for an intriguing character as we're teased around the significant events of his earlier days. But the Goddess is willing to cut him a break, give a chance at a new life: in a fantasy world. But she is also caring, and suffers from self esteem issues, all without just being a by the numbers tsundere. If it wasn't for queues within the show itself, I'd have to believe everyone here had just enlisted a day prior. In another realm entirely, a demon king seeks to take over the land, and the Gods are now sending people who die in our world over, blessing us with unique powers or gifts in order to defeat the demon king. While she is dressed in skimpy clothes, the camera never pans to exploitive angles or shots. So, yippee for a female character that's lovable, brimming with personality and wit, and female audience friendly.
But by failing to provide so much context, these mounting questions (which aren't really addressed in Episode 2) instead make for an unsatisfying and detached viewing experience.

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