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In an October 25, 1940, interview conducted by former student Olive Byrne (under the pseudonym 'Olive Richard') and published in Family Circle, titled "Don't Laugh at the Comics", Marston described what he saw as the great educational potential of comic books (a follow up article was published two years later in 1942.) This article caught the attention of comics publisher M.
In the early 1940s the DC line was dominated by superpowered male characters such as the Green Lantern, Batman, and its flagship character, Superman.
Marston used a pen name that combined his middle name with that of Gaines to create Charles Moulton. Editor Sheldon Mayer replaced the name "Suprema" with "Wonder Woman", and the character made her debut in All-Star Comics #8 (December 1941). The Earth Two Wonder Woman survived the Crisis on Infinite Earths, and went to live among the Pre-Crisis Gods of Mount Olympus along with husband, General Steve Trevor. Wonder Woman's first Golden Age appearance was in All-Star Comics #8, but her first appearance as Earth-Two specific character was in Flash (Volume 1) #129. In the Pre-Crisis continuity, Wonder Woman and Steve Trevor gave birth to a daughter named Hippolyta Trevor. As Diana Prince, Wonder Woman is a legal citizen of the United States with no criminal record. DC Comics has never established an official first appearance of the Earth-One Wonder Woman. The revised series attracted some writers not normally associated with comic books, most notably science fiction author Samuel R.
Part of the credit for the revival of Wonder Woman as a superhero was due to a campaign in which feminist Gloria Steinem - who was offended to see the most famous female superhero depowered - had a hand. Wonder 'Girl' first appeared in Wonder Woman #105, April, 1958 "The Secret Origin Of Wonder Woman". From Wonder Woman #124 (August 1961) onwards, all three versions frequently appeared together in stories that were labelled "impossible tales," presented as films made by her mother, Queen Hippolyta, who had the power to splice together films of herself and Diana at different ages. Bob Haney was developing a new junior team: The Teen Titans and used the Wonder Girl character that was depicted in the impossible tales, not realizing it was in fact Diana at a different age.
Though not successful at the first attempt, ABC still felt a Wonder Woman series had potential, and within a year another pilot was in production. Comic book fans and critics consider Perez's 60-issue run one of the highlights of Wonder Woman's history.
Phil Jimenez produced a run which was likened in some ways to Perez's, particularly since Jimenez' art bears a striking resemblance to his.
Recently, the writing on the series was turned over to Greg Rucka, whose initial story arc involved a book Wonder Woman had written which caused controversy. Post-Crisis, Steve Trevor was now an Air Force officer considerably older than Diana's apparent age, thus sidestepping the traditional romance between the two. A significant change in Diana's Post-Crisis history was that she was one of the late comers to the super hero community--relatively 5-6 years after most of the other heroes had debuted. The character next appeared in Sensation Comics #1 (January 1942), and six months later, Wonder Woman #1 debuted.
This appearance is usually dismissed as a cameo though it is technically her first appearance as the Wonder Woman of the Justice Society of Earth-Two.
Hippolyta (Lyta for short) became a member of the Earth-Two super-hero team, Infinity, Inc.

However, Wonder Woman (Volume 1) #98 provides Diana with a revised origin as well as new powers such as her ability to glide on air currents.
Some critics welcomed the change from campy super-heroics to more serious, "topical" storytelling in the wake of the Batman TV series.
In this revised 'Silver Age' origin it is assumed Diana was not created from clay and was born before the Amazons settled on Paradise Island as this story reveals, written by Robert Kanigher.
However, by the time the Teen Titans made their first appearance, the characters of Wonder Girl and Wonder Woman had begun to diverge; Haney began writing Wonder Girl stories that took place in the same time period as those of Wonder Woman.
In 1968 the Amazons left this plane to another dimension to refresh their powers and magical abilities.
Keen to make a distinction from the last pilot, the pilot was given the rather paradoxical title The New Original Wonder Woman. During the John Byrne era of Superman, the Man of Steel had intense dreams and fantasies about Wonder Woman, which he suspected might have been his subconscious telling him Wonder Woman was his most likely chance for a potential romantic partner. Writer Greg Potter, who previously created the Jemm, Son of Saturn series for DC, was hired to rework the character.
After two issue written by Christopher Priest, Eric Luke became the regular writer for issues #139-159. Perez and Potter gave her a pro-woman personality, and Perez's extensive research into Greek mythology gave more depth and verisimilitude to Wonder Woman's world than in her previous incarnation. The initial arc was full of political subtexts, but more recent storylines have involved the mythology aspect. Instead, Trevor became involved with Etta Candy, who herself became a mature military officer of good standing and a large, but realistic physique. You can improve this article by adding as much relevant historical information as possible.
Gaines, who hired Marston as an educational consultant for National Periodicals and All-American Publications, two of the companies that would merge to form the future DC Comics. Her first full appearance as an elder member of the Justice Society was in Flash (Volume 1) #137.
In the Post-Crisis continuity, the war-time Wonder Woman and Steve Trevor were rendered apocryphal and Lyta's parentage was retconned to include Helena Kosmatos, the Golden Age Fury. The same issue re-introduces Diana's mother, Hippolyta, this time with a mane of golden hair, as opposed to the dark brown tresses of her Golden Age years.
Magazine featured Wonder Woman in her 1940s costume on the cover, and contained an essay in appreciation of the character.
Following this issue were several Wonder Girl adventures and years later an additional character, Wonder Tot, (Wonder Woman as a toddler), was also featured.
Wonder Woman chose to remain behind and renounced her Amazon powers and heritage and became the mortal, Diana Prince. This pilot is available in its original length on the first season DVD, instead of the re-edited version of it which runs 60 mins.
The idea of Wonder Woman and Aquaman as a couple has also been proposed, in part because of their frequent team pairings in the Super Friends cartoons, and also because it would be an allusion to Wonder Woman's Silver Age romance with Manno the Mer-Man.
John Byrne emphasized a "back-to-basics" approach, reincorporating some of the more classic elements and focusing on Diana's role as a superhero.

At the end of Infinite Crisis, we see Diana giving up the mantle of Wonder Woman to get in touch with her "human" side. The Greek war god Ares and the Greek witch Circe eventually become two of Diana's greatest enemies. Articles should be written from an "in-universe" perspective as if they were written by a historian living in the DC Universe.
Given the go-ahead, Marston developed Wonder Woman with Elizabeth (whom Marston believed to be a model of that era's unconventional, liberated woman). Her appearance, including her heavy silver bracelets (which she used to deflect bullets), was based somewhat on Olive Byrne. The stories were initially written by Marston and illustrated by newspaper artist Harry Peter. It is reasonable to presume that this issue firmly establishes the introduction of the modernized Pre-Crisis, Earth-One Wonder Woman. Ironically, the change in format was originally an acknowledgment of the Women's liberation movement.
Kanigher restored her original origin in 1966 as part of the 'Golden-Age Revision experiment'. Readers questioned as to how Diana as a teenager could appear in the Teen Titans fully powered as well as appearing at a younger age.
It is also the title of a TV movie starring Cathy Lee Crosby, loosely based upon the character, that aired in 1974. During JLA Batman and Wonder Woman shared a mutual attraction but Batman was too uncomfortable and used the excuse of fighting a crime to run out on their date.
His run received mixed critical reviews, although compared to the series under Perez and later under Jiminez, it is sometimes cited as the lowpoint of the series. Potter dropped out of writing the series after issue #2, and Perez became the sole plotter with help from writer Len Wein, who wrote the series' finished dialogue. Diana's enemy list also included the Cheetah who was a woman who could transform into a powerful and ferocious feline-humanoid creature. During his life Marston had written many articles and books on psychological topics, but his last six years of writing were devoted to his comics creation. One controversial cover showed Diana Prince brandishing a machine gun and firing at an airplane; contrary to the traditional depiction of Wonder Woman, the updated version of Diana Prince was not against killing in order to defend herself or others. The I Ching era, despite the controversy, would continue to resonate for some years to come, both in the comic book and in live action adaptations of Wonder Woman a few years later.
Kanigher also created the Wonder Tot and later, The Wonder Family of characters during the 1950s and early to mid '60s. The 1974 Cathy Lee Crosby telefilm, and the second and third seasons of Lynda Carter's popular series (see below), would borrow heavily from the characterization of Diana Prince in the early 1970s. On the DVD version, however, the 1975 pilot movie title is changed to simply 'Wonder Woman', and the bullet-deflecting animated sequence is replaced by the lasso toss in the animated introduction and the rest of the television series.

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