Several examples of colonial dwellings and furnished interiors are illustrated to give the reader an idea of the appearance and the direction of development in the colonial arts of the period. The earliest of these is the Parson Capen House, built in 1683 at Topsfield, Massachusetts, representing a type that, except for changes in details, appeared throughout New England during the entire colonial period and later. Compare these rooms with the description of a Salem interior that remained untouched by fashions in its early American colonial furniture after the late 1600s. William Brinton, a farmer and English Quaker, occupied a stone house, Brinton House, that was built for him in 1704 in the fertile country about twenty-five miles west of Philadelphia.
The colonial forerunners of the Georgian houses of the 1720s and later did not appear in America until late in the 17th century, or about forty or so years after their prototypes first began ii appearing in England. The 'Flock Room' at the Winterthur Museum, deriving its name from the English wall covering.
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Brafferton Hall, at Williamsburg, Virginia, followed EnglishA  and possibly Dutch models for domestic architecture: a symmetrical facade, hipped roof , enriched cornices and doorways, and early American colonial furniture plus other details, some of which were borrowed from the vocabulary of the Renaissance. The house and furniture, as shown here, were made by carpenters, joiners, and turners who often combined several woodworking activities. The panelling, painted grey-blue with marbleised details, comes from a house built about 1715 in Morattico, Virginia. The traditional rigidity of English chair design still lingers in the form of this piece, despite the rather effusive gaiety of its decoration. Colonial Style Furniture Early American Furniture is part of the collection of High Quality HD wallpapers. Furnished interiors of early American colonial furniture rooms from two other 17th century houses in Massachusetts are also shown. The Chairs are the upright high arm chairs, & the common chairs are the short backed. Slat back armchairs left and right, wainscot chair beyond the fireplace; candle stand far left, lidded chest centre background.

The table is a late seventeenth-century design, showing Dutch influence in the legs, which are tapered as well as twisted, and particularly in bulbous feet.
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Period rooms like these are conjectural, based largely upon the accidents of survival, written documents such as household inventories, and curatorial intuition. Compare it with the chair on Plate V, and observe the competence of the English country craftsman to achieve variety.
The decoration of this chest depends almost wholly upon the use of oysterwood veneering and cross-banding in sycamore on the edges of the panels, the top and the drawer. The restraint of Puritan design is here united with comprehension of architectural proportion. The drop handles on the drawer, the bun feet, as well as the veneering, are indications of Dutch influence. The blocks of wood in the corner [Bentley may be referring here to the corner posts which were left exposed in the interiors most frame houses built before 1725].

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