Through better not cry and better not get in my face, viewers witness the subtle unfolding of self-acceptance

"better not cry" highlights awakening, while "better not get in my face" emphasizes the dialogue with memory. Through "better not cry", viewers witness the gentle tension between vulnerability and insight. In "better not get in my face", fractured scenes evoke the gentle flow of time and memory. "better not cry" and "better not get in my face", independent yet intertwined, depict the tender journey from awakening to memory comprehension. Through "better not cry" and "better not get in my face", viewers witness the coexistence of strength and softness. "better not cry" and "better not get in my face" invite us to explore the inner echoes of our hearts.