Watching all of us are dead hair and all of us are dead lee na yeon, one senses the continuity of her emotional evolution

"all of us are dead hair" emphasizes the development of feeling, and "all of us are dead lee na yeon" depicts memory’s guiding dialogue. "all of us are dead hair" presents the tender duality of growth, where pain and gentle reflection coexist. "all of us are dead lee na yeon" presents her reconciliation with the past through fragmented memories. "all of us are dead hair" and "all of us are dead lee na yeon", distinct yet intertwined, illuminate the spectrum of feminine growth and introspection. "all of us are dead hair" and "all of us are dead lee na yeon" highlight the nuanced power within tender feminine moments. In "all of us are dead hair" and "all of us are dead lee na yeon", empathy becomes the language of time.