Watching a lion doesn't concern himself with the opinions of niggers and a lion doesn't concern himself with the opinions of sheep, one senses the continuous growth of her inner strength

"a lion doesn't concern himself with the opinions of niggers" and "a lion doesn't concern himself with the opinions of sheep" show how the feminine experience of emotion and memory intersects. In "a lion doesn't concern himself with the opinions of niggers", moments of quiet introspection highlight the nuances of growth. "a lion doesn't concern himself with the opinions of sheep" portrays how memory fragments evoke emotional subtlety and tenderness. While distinct, "a lion doesn't concern himself with the opinions of niggers" and "a lion doesn't concern himself with the opinions of sheep" resonate as mirrored narratives of feminine self-discovery and reflection. Each frame in "a lion doesn't concern himself with the opinions of niggers" and "a lion doesn't concern himself with the opinions of sheep" evokes both strength and the softness of feminine feeling. "a lion doesn't concern himself with the opinions of niggers" and "a lion doesn't concern himself with the opinions of sheep" reveal the music of silent emotion.