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By clicking Confirm bid, you are committing to buy this item from the seller if you are the winning bidder and have read and agree to the Global Shipping Program terms and conditions - opens in a new window or tab. By clicking 1 Click Bid, you commit to buy this item from the seller if you're the winning bidder. Superman: Rebirth #1 was released last Wednesday, marking the ascension of the pre-Flashpoint Last Son of Krypton as the official Man of Steel of the ongoing New 52 continuity. Penciller Doug Mahnke, inker Jaime Mendoza, colorist Wil Quintana, and letterer Rob Leigh combined to provide the visuals for Tomasi’s and Gleason’s straightforward story, but has the stage adequately been set for the dramatic changes to the Man of Tomorrow?
Shortly after the death of Clark Kent, Clark White pays a late-night visit to Metropolis, where this Earth’s Superman has been buried. Lana guides the bearded hero to the Fortress of Solitude, where his search for a Kryptonian regeneration matrix proves fruitless. Nevertheless, Tomasi and Gleason succeeded in cutting through the complexities to get at the fundamentals that united the two Supermen to have served as the DC Universe’s flagship hero in the 30 years since Crisis on Infinite Earths. Lana’s emotional devotion is exposed when she sees Clark White in the shadows and happily mistakes him for Clark Kent. There is, of course, a longstanding tension between Lana Lang and Lois Lane, one that Tomasi infamously was at fault for exacerbating, so the authors’ selection of Lana could be misconstrued as a jab at Lois, given DC Comics’ unfortunate recent treatment of the literal first lady of superhero comics. What really was required to make this story work, though, were a pair of sympathetic Supermen, one living and one dead.
Those are the words of the pre-Flashpoint Man of Steel, directed to the New 52 successor he never truly knew, but his introspection is interrupted when he hears footsteps in the underground access tunnel leading to the burial vault.
More than the ordinary suspension of disbelief is necessary to accept the notion that the older Superman has been lurking in the background all this time, but, given the requisite stretching, Clark White’s rationale for respecting the privacy of Clark Kent’s Fortress of Solitude is convincing.

While the visuals in Superman: Rebirth #1 are solid rather than superb, the artistic team credibly recreated the genuinely iconic images of Superman’s epic clash with Doomsday and effectively portrayed present events in multiple settings involving minimal action. Superman: Rebirth #1 may have been based on a convoluted history, but it conveyed a simple premise, and it did so with a fair degree of eloquence and even elegance. Let us know what you thought of Superman: Rebirth #1 by adding your voice to the ComiConversation in the comments! This DC Comics one-shot summarized a complex past and conveyed a simple and essential premise. Rare comic worth ten times as much as house it was found inHouse remodeler David Gonzalez ripped back cover while fighting with his wife's aunt, who wanted a cut of the profit Comic book was graded at a 1.5 on a scale of 10 by auction house.
A rare copy of the comic book featuring Superman's first appearance that went undiscovered for over 70 years in the insulation of a Minnesota house has sold for $175,000 - making the construction worker who found it a happy man.The high bidder for the copy of Action Comics No. He said it's prized not only for its rarity, but because Superman was the archetype of all comic book superheroes to come.
Gonzales, of New York, was renovating a house in Minnesota when he came across what is considered the Holy Grail of comic books.
The book sat undisturbed in the ceiling of the house in the town of Hoffman for over 70 years.
He said he also grew irritated because every time she would turn a page, crumbs of paper would fall out. Import charges previously quoted are subject to change if you increase you maximum bid amount. While there, he discovers Lana Lang attempting to gain entry to the crypt so she can make good on her promise to bury her old friend in Smallville. The Last Days of Superman and All-Star Superman both attempt to answer the question, “What would the Man of Steel do if he knew he had only a short time left to live?” Dear Superman and Fortress from Adventures of Superman cut right to the heart of the character.
At one point, Lana asks Superman, “You’re about to say something that’s going to make my head hurt, aren’t you?” This issue necessarily is unusually heavy on the backstory, recapping both Tomasi’s The Final Days of Superman and Dan Jurgens’s The Death of Superman in overlapping fashion. The writers succeeded in this endeavor partly because the determined but deeply conflicted Lana Lang was well suited to the task of easing readers through the transition.
She is not so impassioned that it makes her irrational, however; only two pages after exclaiming, “Clark!

Superman: Rebirth #1 does no disservice to Lois, though, as it highlights specifically and favorably her crucial role in the Man of Steel’s last clash with Doomsday. Although the need to protect the safety of his wife and son dictates that he speak cryptically to Lana, Clark speaks resolutely with the voice of the Superman we know, communicating with confidence, compassion, conviction, and caring.
He enters the Arctic hideaway at Lana’s urging — after she declares, a la Marion Ravenwood, that now they are partners — and, after noticing a subtle difference, he commemorates the passing of this Earth’s Superman with a suitable tribute and ends the issue with the words that leave us ready for him to don the cape once more. Mahnke’s facial expressions were sometimes wooden and Mendoza’s inks occasionally were heavy, but, overall, the graphics were good, even if they fell a little short of outstanding.
Getting from one Superman to another without a true reboot is no easy task, but this issue did it well. Any repurposing or redistribution of this site's material without the express written consent of ComiConverse Inc. So he offered an extra $100.The discovery has amazed comic book collectors, who say that most of the Action 1 comic books have been sold numerous times. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. Tomasi and Patrick Gleason teamed up to pen an important introductory tale, which ComiConverse’s Superman writer, T. Telling Lana of his own death and subsequent resurrection, Superman lets her know that he believes this world’s Action Ace could be brought back to life, as well. While Lana sets about digging a grave for the Metropolis Marvel she knew, the once and future Superman returns to the Arctic to pay his own tribute to the fallen champion. You’re alive!”, she declares with certainty that “Clark is dead.” Indeed, the initial presentation of Lana as a scientifically minded adventurer skulking about in the darkness casts her in a Dana Scully-like role, positioning her perfectly to give the “Mulder, you can’t be serious”-style responses Superman’s revelations apparently deserve. Since Lana is being billed as the “friend and confidant” to Lois in her starring role in Superwoman, this issue served the salutary purpose of dialing down the unproductive animosity between Clark Kent’s Smallville friend and his Daily Planet colleague. Although this story is not apt to become an all-time classic, it accomplished its goal and established a proper tone.

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