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The Earth is like a great big magnet where the north pole of the magnet is near the top of the planet, and the South Pole of the magnet is near the geographic South Pole.
Scientists think that the Eartha€™s magnetic field is generated by electrical currents flowing in the liquid outer core deep inside the Earth. So although not completely understood, it is thought to be associated with electrical currents produced by the coupling of convective effects and rotation in the spinning liquid metallic outer core of iron and nickel.
Although Eartha€™s magnetic field is actually quite weak, compared to forces like gravity and friction, it can still move a compass needle. Sometimes also referred to as the Earths pulse or heartbeat, the Earth has a vibrational level which has historically been resonating at 7.8Hz. Unfortunately, here too, only the left reconnaissance craft tries to bring some movement into the picture. Left: It is likely the wobbling effect came about as a result of the ships own field interacting with Eartha€™s magnetic field in a similar way a boat rides the waves on the ocean. Billy Meier re-enacts how he recorded the sound from the beam ship in front of Wendelle Stevens, the chief investigator of the case.
Electronics consultant Nils Rognerud and Sound engineer Steve Ambrose, tested the sound Meier recorded. In the preliminary investigation report which Wendelle Stevens published, he listed the findings from the sound analysis of the beam ship sound which had been recorded by Meier. As mentioned, another unusual aspect was the intensity of sound level emitted by the craft, where on one occasion the sound was recorded, people from as far as 4 kilometres away came their location to find out what was happening. Hans Schutzbach, one of the witnesses who were present with Meier on one occasion when the sound was recorded, told Wendelle Stevens that two days later they took the recorder back to the place and there played back the tape recording at full power. This time the tone seemed to come from the ground, and was rather weak in power, and certainly came from the speaker.
The sound, which might be best described as a sort of metallic sounding humming whine with a whirring swish and a variable beat, can only be heard if the ship is not screened, as in this special case. Wendelle Stevens report about the analysis of the sound recording contains many important details.
The fact that the witness in this rare case has also recorded the sounds of the spacecraft in flight offers another exceptional opportunity for analysis.
We will then program the computer to look for doppler variations on the basic tones and convert the rate of change to rate of motion. After removing scratch and extraneous noise on the tape, the computer showed the sound recorded to be composed of a mix of 32 very narrow frequencies, 24 in the audible range and another 8 out of the range of the human ear all perfectly band-locked together. These frequencies showed a regular spacing on a curved plot of an ever ascending scale and all 32 of them were continuously emitted by separate emitters. Changing amplitude produces an effect similar to doppler shift and when the rate of change is small enough it is difficult to distinguish. According to the witness, a dog heard barking throughout most of the recording, was pushing his head in the grass and trying to put his paws over his ears.
It is estimated that to duplicate this sound one would need a minimum of 8 very expensive synthesizers and highly sophisticated mixing equipment costing no less than $100,000.00 on todays market. As with the photo analysis, in examining the sounds of the Pleiadian spacecraft recorded in Switzerland by Eduard Meier, we ended up resorting to innovative techniques. A Micro programmer working late at night (02:00) was sitting at the computer designing soft-ware systems for electronic funds transfer procedures when all of a sudden he began typing instructions for making the digital synthesizer circuits, and in 20 minutes he typed out all the Fourier transforms and everything for converting sound to digital logic.
This was previously considered impossible, that one can not digitally process sound because digital electronics have no analog signal going on inside. Dilettoso helped him build a digital to analog converter which was used to feed the data into an analog oscillator which then produced the sound. Discussions then turned to synthesizers and how they could be used to generate VERY FINE transduced waves in nanohertz (billionths of a frequency) that would do very specific things. So when Dilettoso first came into contact with the sounds of the spacecraft recorded by Eduard Meier he took them into the laboratory working on these problems and asked them to tell him what these sounds were.
They proceeded to make some tests on the sounds in the audible range, from 20 Hz, deep base, to 20,000 Hz, high limits of human audio hearing. What appears to be a sweeping sound is not a band with sweep a€“ still remain present but their relative amplitude decreases as well as volumn.
Now in order to come up with a formula for production of a sound like this recording, because some of the frequencies are very odd-ball, the person would have to have a very sophisticated electronics music laboratory. First of all, the most advanced synthesizers on the market only have 4 oscillators, which means that he would need at least 8 synthesizers.
So that is why we can say that we believe that there are sub-harmonics, -sub-audible frequencies, being generated.
We could not measure doppler shift accurately because, as a frequency would go out of range where we should be hearing doppler, which is a wave length shift, it was obscured by the amplitude change and the different harmonics reaching it at different times. If the amplitude of various harmonics is changing in a relative complement to the distance it is moving away there would be no apparent doppler effect. From the above we can tell that there are 32 fixed wavelengths, very pure tones of narrow width and equal spacing being generated simultaneously.
Where the aircraft sound and the spacecraft sound are heard together it was possible to determine that they were in fact recorded simultaneously.
Shellman performed his audio analysis on 20 April 1980 using a spectrum analizer built by Spectro Dynamics of San Diegeo, California. A brief spectrum analysis from zero to 5 Kilohertz, using a time versus frequency display, indicated a a variable high speed device rotating from 29,500 rpm to as high as 59,400 rpm, and was only evident when the slower beat was heard. Both sounds seemed to be directly related however the slower one did not change its rate throughout the recorded sample. The frequency steps were a little rough because the bandwidth of the tonals at times seemed to blend together. At one point in the sound cut the spacecraft was evidently motionless as it emitted a low throbbing beat, and then the high speed rotating device came on and the sound rose rapidly to a high pitch whining crescendo in the upper 50,000 rpm or better realm. Perhaps the rotating device is suspended in a magnetic field and has no bearing friction at all!
Shellman took the sound recording to another laboratory, the Naval Undersea Sound Center at Groton, where he was joined by two other researchers, Mr. The first aircraft identified was a a€?Pilatus Portera€?, a single engine turbo-prop light reconnaissance plane. The second aircraft was determined to be a Junkers Ju-52, an older tri-motored transport aircraft built in 1933. From here on the craft was called a device in order to maintain the desired objectivity in the testing. Listening to the sounds, the band of frequencies starts near 300 Hz and increases to approximately 980 Hz, then shifts back down. The next gram, photographed from the video display, shows how the amplitude of the harmonic frequencies shifts up the band. As the sound increased in level and pitch, the multiple beats or vibrations heard would vary rapidly from 7 to 8 beats to a volume too rapid to count.
As mentioned, the device seemed to be selecting combinations of elements or magnetic fields as it rotated. Observing the harmonics of the device from 0 to 50 Hz, we noticed the level of the harmonics shifting as the pitch of the sounds changed.
With this, together with the aural characteristics, it was our conclusion that the machine was electro-magnetic in nature, with multiple combinations of elements rotating past multiple magnetic fields. The most unusual fact about these a€?clicksa€?, is that they appear at exactly the same frequency as the vibrations from the machine.

More videographic images were photographed from the screen, which showed a 233 Hz vibration coming from the device.
This analysis has shown that the statements made by the recording witness are consistent with the laboratory findings.
As the analysis indicated, what we are listening to is some kind of electro-magnetic generator (this is our accepted theory). The extra-visual analysis of light energies in the photographs reportedly detected by light distortions surrounding the craft apparently support this possibility. If this case is a hoax, the individuals creating it have gone to great extent in trying to insure ita€™s acceptance. The foregoing has been abstracted from an analysis of the spacecraft sounds performed by a team from the Naval Undersea Sound Center at Groton, Connecticut and signed by Robin L. There was no skirmishing because the spacecraft did not cruise about waiting for the jet or trying to escape it.
A quick review of the 14 photographs taken during that event shows the spacecraft at about the same or nearly the same distance from the observer in all but one picture. Now, these are all natural resonances, and it seems kind of interesting to note the UFO sounds having vibrations in a similar if not identical pitch.
Ar Excaliber Studios on Ventura Boulevard in Studio City, California, Nils Rognerud and Steve Singer, sound engineer and electronics systems designer, working together with a Hewlett-Packard model 3580 Frequency Spectrum Analyzer with a memory unit, a Two-channel Oscilloscope, a Multitrack Mixer with Amplitude Readout and Full Frequency Sound Control Board, studied and analyzed a 3-minute segment of the later spacecraft sounds that were recorded in front of 15 witnesses.
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It is important that we can perform multiple tasks to accomplish a lot of things in a short time. My friend loves collecting fragile items like glasses of different kinds may it be used as a kitchen utensil or a decorative masterpiece in the living room or jewelries made of crystals. It is a gigantic magnetic field surrounding the planet, and it acts like a force field, protecting the planet a€“ and all the life a€“ from space radiation.
Magnetic field lines extend from these poles for tens of thousands of kilometres into space; this is the Eartha€™s magneto sphere. The scientist Jim Dilettoso at Village labs in Arizona, who also analysed Meiera€™s photographs, detected by pixel tests he carried out a field appearing around the craft, and that came up on several of the photographs.
He did not really see any application for it, with the exception of generating a magnetic wave of some sort, or laboratory purposes, or maybe in this case propulsion. The analysis indicated that this sound is coming from some kind of electro-magnetic generator. The extra-visual analysis of light energies in the photographs reportedly detected by light distortions surrounding the craft apparently supports this possibility. It was so weak they had to come more than half way closer to the recorder to hear the tone with the same loudness as on Good Friday, the day Semjase carried out the sound demonstration. Another interesting thing to note in this event is that only a small channel toward the ground was opened and the ship was not visible from the sides.
On this occasion, Meier, from his position directly under the ship could see it and he estimated its height to more than 50 meters (164 ft.).
Now we will be able to tell how fast the object was moving with respect to the sound recorder and by adding time we can also get changes in distance, which we can then check against the witnessa€™s original statements about the contact. Doppler shift, if any, was so small that it was effectively obscured by a regular fluctuation in amplitude on all of the frequencies. This bears out the witnesses testimony that the ship was hovering or moving slowly in his near vicinity. The dog, about 300 feet away, may have been reacting to some of the frequencies to which he may have been particularly sensitive.
Four months later he built a prototype at his home where Jim Dilettoso ran into him and explained how to convert the digital Fourier transforms into analog signals for music. And in a formula of time the amplitude of some of the frequencies increases as the amplitude of others decreases. This processor has a demodulation mode and it also has an analysis range window from 10 Hertz to 20 Kilohertz, and a translator mode so one can select the center frequency with a given window. The high speed device would start from a fundamental frequency of 520 hertz and ascend in steps to 990 hertz and then using the same frequency steps descend back down to 520 Hertz. The group of tonals surrounding 520 Hertz would fade out together at 520 and reappear at 600 and fade out together again until 720 and fading again but coming back very strong at 990 Hertz. This certainly is no sound that could be produced by any conventional machinery known to Earth technology. Again, the frequencies from the planea€™s engines demonstrated linear motion detected from the a€?Doppler Shifta€?. The jet was fairly distant, and no distinct frequency change could be detected on this portion of the recorded sounds.
A photograph was made from the video display and shows the siren frequency shifting from 1164 Hz down to 196 Hz and back. The most predominant sound from the device was a distinct rhythmic whine which increased and decreased in frequency. The cause of this is the amplitude (or loudness) of the harmonics shifting up and down and NOT the device changing speed. The aural characteristics indicated the machine was revolving past multiple magnetic fields, much like an electric motor or generator. The machine seemed to have the capability of selecting certain combinations of magnetic fields or elements without affecting its rotational rate. It has not been determined whether these a€?clicksa€? are coincidental or accidental, (or a part of the function of the device). The analyzer picked out two rapid succession pulses associated with the a€?clicka€? (the double pulse seen on the gram).
This would make sense, as the a€?crafta€? could be using this for propulsion or for a defence field. However, since we may be dealing with something completely alien, the sound level may not be of concern.
The second set of clicks (when no change in vibration was detected), because of their sound quality, seemed to have originated near the recorder. The negative aspects of this analysis are not conclusive proof that the cause is a fraud any more than the positive aspects prove it valid.
Nils Rognerud of the Rognerud Research and Development Company of Los Angeles, advised me in his letter dated 12 December 1981, a€?Regarding the taped UFO sound from the Swiss case, I found a very complex and changing sound pattern. It is worthwhile revealing that Nicola Tesla discovered a natural electro-magnetic resonance of Earth at 6.6 cycles per second. This is just an updated version from the builder; she added a blue led backlight at the back of nixie tubes.
The higher our production the better income we earn like in factories that manufacture products with the use of a lot of workforce. With this kind of hobby you have to save some bucks because other items are really expensive.
In the same way, a wire passing through a magnetic field creates an electric current within the wire.
There were also several witnesses next to Billy Meier when the sound recordings of the beam ship took place.
Which would make sense as the craft could be using this for propulsion or for a defence field.
Hans Schutzbach also told Stevens he looked for evidence of loudspeakers hung from trees or suspended from a balloon to produce this effect and could find none.

Hans Scutzbach and the others could not see it when they looked up, only Meier could, as they were outside of the visibility corridor.
Chowning at Stanford University, who had been working on something similar for 10 years, said a€?We can do it but we cana€™t do it in real timea€?. We can only detect these ranges by using sound spheres to transduce the sound, and the tape has harmonics between the 24 audible frequencies which are overtones. This means that there are 32 sound sources that are producing pure sine waves, which makes them accessible to human technology a€“ that is pure rings. All frequencies were very pure and were very stable, and were regularly spaced along the frequency scale. This weaker beat may be caused by a rotating device passing by four individual electrical or magnetic fields. It did exactly the same thing as it shifted back down the band, using the same Hertz threshold. The whine was produced by the high speed device coming in at around 29,000 rpm and speeding up to above 59,000 rpm. Howard Ilson, both from NUSC, who also helped in obtaining pictorial display data from the equipment used.
This aircraft was moving away, turned slightly and continued on its way out of the recording. The (basic part of the) device did not change its rotational rate throughout this recording.
If there are three blades we will see a reinforcement of 3 times the rotational rate, or the 3rd harmonic. We noted that any combination of the 6th and the 12th harmonics would increase and then decrease in level alternately. The vibration is weak when first detected, then an abrupt increase in amplitude takes place. Both the Pilatus Porter and the Junkers Ju-52 demonstrated the appropriate engine related frequencies and dopplers. This theory also agrees with the cosmonauta€™s statement concerning use of a light-emitting drive, since light itself is electro-magnetic energy. There is more evidence in support of than non-support of its validity, however these results cannot be ignored. When they performed this study, these researchers did not know that the witness who recorded the sounds also snapped 14 photographs of the jet fightera€™s passes on the spacecraft, and that the basic tactic of the spacecraft was to wait until the fighter was on his firing pass and approaching effective range, at which point the spacecraft would just a€?jumpa€? to a new position, instantly. It might also be pointed out here that the sounds emitted from the spacecraft did not seem to be related to any mode of flight or operation.
The sound pattern is very dynamic and changing, and the only thing that seemed to have a repeatable pattern was an amplitude modulation (a signal in which the volume is varied at a low periodic rate). A second gentleman named Schuman also discovered a second resonance at 7.8 cycles per second. It is mounted on frictionless bearings so that there is less frictional resistance for the magnetic force to overcome. From them we can determine the frequency and amplitude of the sound waves, and many of the characteristics of the emitter or emitters. He thought that maybe in 10 hours of programming it might be possible to set up Bethovena€™s Sonata. Well, all we do is punch the necessary buttons and plug the output into the newly invented sound-spheres which reproduce the sounds perfectly, including sub-sonics, and transduce it out there. By extending the formula they could conjecture the frequencies that are out of the human hearing range, above and below, by just plotting a graph. The amplitude increases by about 50 decibels and then decreases by about 40, producing the beat heard in the audible sound. The same result could be expected by four vanes or protrusions on a rotating device as it was rotated in the air, much like the beat heard from the blades of an electric fan.
It would remain stable for a short period of time and then the shift would begin all over again. During this period, the plane was showing 45-50 knots of range rate, which demonstrated the actual movement of the aircraft with respect to the recorder.
No unusual characteristics were detected concerning the conventional aircraft sounds recorded.
He also reported the arrival of a Kanton Police patrol car after the Mirage jet broke off contact and flew away. The audible whine is a group of strong harmonics directly related to the rotational rate of (some part of) the machine. Each frequency found was a direct harmonic of the original rotational rate (4.03 Hz in this case). At first, one could hear 4 distinct elements or magnetic fields passing on each revolution.
The European police siren correlates to the witnessa€™s report of a police car responding to the loud sounds in the area. The first click included sufficient information to indicate a possible switch being thrown, to amplify the vibrations recorded.
He recorded only a few minutes of the sounds because he was also very busy trying to get as many photographs of the attack as he could, and may only have captured one a€?jumpa€? in the segment tested. It could hover in place silently as well as while it was undergoing all of the sound changes recorded.
The reconnaissance crafts on each side are 3,5 meter (11,5 ft.) in diameter and can seat 1 person each. It resulted in that fairly quickly a number of people came running towards their place, some of them living up to four kilometres away. Also then, only a tiny visibility corridor was opened up towards the craft, so that photographs could be taken. They found that there are 32 frequencies present simultaneously, 24 in the audible range and 8 out.
But if we do not have an 80 cycle signal in the audible range, yet we detect a trace of it, that tells us that it is a natural harmonic of a lower frequency.
Shellman, a highly trained sound technician working on very sophisticated sound technician working on very sophisticated sound programs that cannot be discussed here, who performed a mechanical sound analysis intended to reveal the nature of the sounds recorded as compared to the scientific analysis of the wave length and amplitude and all the characteristics of the wave, the emitters, and the power behind the sound production. The police officers pulled up and got out and came toward him until the sounds from the spacecraft rose rapidly in a very loud whine, at which point the officers ran for the car, jumped in and sped away. The device revolving at 242 rpm is built in such a way as to vibrate, causing its upper harmonics to be reinforced. The vibration from the device is weak at first, and then an abrupt amplification occurs as shown by the sudden increase in brightness and width on the gram for the device. It cannot however, be correlated to the recorder switches because the planea€™s frequencies did not change nor was the tape stopped. Then again both sets of clicks may be completely anomalous, such as the microphone contacting something solid during the recording. The sound recordings were taken to the US for testing and the outcome of these tests gave further support to the possibility that the beam ship can ride the Earths magnetic waves. Again, they are very distinct and there was a clear indication of close proximity to the recorder.

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