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Author: admin | Category: Yamaha Electric Piano | 07.03.2014

Gives true Grand Piano Performance from a Vertical Grand that is minimal in design and ascetically gratifying.
Featuring the same grand piano action as the N3 in a form that sits beautifully to any wall, the N2 is an instrument for the future, yet one that holds firmly to its identity as a grand piano.
The nuanced touch and response of the grand piano are an essential standard yardstick for piano quality. Together with a variety of piano sounds, this instrument features samples of the actual vibrations from within the soundboard of the instrument.
This instrument utilizes a four-channel multi-speaker system, designed in a three-way configuration with woofer, squawker and tweeter, to allow more natural reverberation in the soundboard. Echoing the superb sound and playability of the AvantGrand Series in a stylish, compact form. As the newest addition to the AvantGrand lineup, the N1 delivers the captivating sound of this hybrid piano series in its simplest form. One of Yamaha's latest initiatives in digital technology, the AvantGrand N1 offers an excellent alternative to an acoustic instrument. The AvantGrand N1 offers advanced piano sound reproduction without the tuning, cost or footprint of a comparable stringed instrument, the company says. Korg has released the SV-1 Sound Pack 2 for its acclaimed Stage Vintage (SV-1) Piano, featuring an assortment of sounds, including some that were reportedly inspired by user feedback. You must have JavaScript enabled in your browser to utilize the functionality of this website.
Tom Lee Music has been bringing music making to the Greater Vancouver and Vancouver Island communities since 1969 and 2013 marks Tom Lee Music's 45th Anniversary in Canada. The Tom Lee Music Megastore occupies 90,000 square feet and 5 floors of a beautifully renovated heritage building at 929 Granville Street. Tom Lee Music's mission is "To Bring Music Making to the Community" and we are a strong supporter of local community cultural events. Spatial Acoustic Sampling, Spatial Acoustic Speaker SystemWith the introduction of the AvantGrand, Yamaha ignited a revolution in the approach to sampling recording and playback of the notes of the actual acoustic piano.
With a revolutionary speaker system and a touch that simply compels you to play, the compact form and feel of this elegant piano exudes refinement.
The AvantGrand N2 offers the player a specially-developed grand piano action that features the same configuration as the action of a real grand. To permit the sound to travel well to the player's position, as it does with a grand piano, we sampled the sound from four locations in the left, right, center, and rear of a grand piano.


Each of the speakers in this layout is equipped with its own dedicated amplifier, a luxury that reduces the interference in each pitch range and offers more natural expression to the delicate nuances in each sound. The bass range in particular is an essential part of the reverberation that is continually transmitted to a player's body.
Though the difference between an acoustic instrument and the N1 is noticeable to an advanced player, Yamaha has done much to reduce these differences through its latest hybrid piano technology.
In addition to the grand piano sound sample, the N1 also features electronic piano and harpsichord voices.
This building was originally home to a large furniture store, bowling alley and a piano store.
The N1 easily does justice to the grand piano in terms of playing feel and responsive action, setting a new standard with its perfect integration of acoustic and digital technologies.
Treating the sound-board not simply as a point source of sound but as a plane, we took samples at four positions, adding optimum center and rear locations to the traditional left and right. For piano-lovers wanting a grand piano for small spaces, the AvantGrand series now offers yet another choice. The hammers strike from underneath, allowing minute adjustments to the weight distribution of the hammers, and to the movement of the hammers themselves, for a smoother feel when playing. Sampling from deeper inside the instrument, we were able reproduce the attraction of the original sound almost perfectly. Moreover, by using speaker positioning that mimics the positions in the grand piano from which the original samples were taken, it offers a more natural sound to the pianist.
This is replicated by our newly-developed Tactile Response System (TRS) that focuses on reproducing reverberation. While still fully digital, the N1 incorporates the complete action of a grand piano, allowing the sensation of playing the keys to retain the subtleties in weighting, tone and dynamic levels. As a sound source, we carefully selected the best single instrument from among our CFIIIS full concert grand pianos for sampling. In addition to a hammer sensor, this instrument employs a non-contact key sensor that has no effect on the movement of the keys, affording excellent recognition of the player's pressure on the keyboard, timing, and the other delicate nuances that affect musical expression. It was the experience of our engineers, and a reiterative cycle of trial and error conducted with piano tuners that made this success possible. This system features two transducers in the soundboard, the area underneath the keyboard, resonating natural reverberation throughout the entire instrument.
The weighting of the keys of the digital piano is nearly equivalent to playing a real grand piano, a great accomplishment for the digital world.The digital sound sampling used is that of Yamaha's full concert grand piano.


The end result of these efforts is that AvantGrand series instruments recreate the original sound of a superb grand piano almost to perfection.
This combination provides an impressive sensitivity for the entire range from pianissimo through to fortissimo, and the ability to translate even the swiftest trills of the pianist with transparency.
And of course, the samples in this instrument are all taken from a specially-selected example of Yamaha's CFIIIS full concert grand piano. The upper register commands a bright, clean sound rather than the tinny tone that can sometimes be expected from Yamaha instruments.
Meanwhile, the AvantGrand’s speaker system has been designed to ensure that this sound is heard best at the playing position. The wood construction of the keyboard mirrors that of the grand piano, and features New Ivory II on the white keys. One of the only faults of the instruments would be the sampling of the lower range, which comes across in a relatively muffled, even muddy sound.
A three-way system featuring woofer, mid-range and tweeter speakers reproduce the rich natural resonance of the soundboard accurately.
This is a unique new material developed by Yamaha, with a texture superbly close to that of natural ivory, allowing you to play swift passages with ease while also offering a sure response for slower pieces. However, this may only cause difficulties with more advanced music and could be alleviated through careful pedal technique. What’s more, each of the low-, mid-, and high-frequency bands has been given its own amplifier to prevent interference between bands. Overall, the sampling sounds very good, and, as the latest in digital technology, is the best on the current market.
This innovative configuration allows the instrument’s outstanding sound system to reproduce the nuances of each individual note.
For even greater sonic accuracy, feature speaker layouts optimized for the size of the instruments.



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