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Author: admin | Category: Roland Piano | 23.08.2014

Keyboard workstations provide you with a greater palette for creating original sounds and effects than other types of professional keyboards. Perhaps the coolest thing about a workstation is its ability to generate multiple sounds simultaneously.
Applying effects to a MIDI or audio track can turn an ordinary sound into something special. The type of synthesis depends on the type of music you want to make and also on what other sound sources you have. By now you probably realize that there are many options to evaluate when choosing a keyboard workstation.
Teenage Engineering's OP-1 synthesizer gives you a complete sampling and synthesis workstation you can take anywhere. You must have JavaScript enabled in your browser to utilize the functionality of this website.
No matter where you are in the world, we'll help you find musical instruments that fit you, your music and your style. Find a similar product below or contact our experts for a recommendation of great alternatives.
The stellar performance of the TR-88 88-key workstation starts with Korg's proven Hyper Integrated sound enginea€?the synthesis system that has made the TRITON a world-wide standard. This Sweetwater Buying Guide includes information that can help you choose a keyboard for your needs. Workstations employ different methods of sound generation, such as analog modeling (great for electronic music) and sample playback (for realistic renditions of acoustic instruments).
If you’re a film composer, for instance, you could sequence strings, brass, woodwinds, percussion, and grand piano patches for a cinematic orchestral score. With the push of just a few buttons, you can record numerous accompaniment parts of on your keyboard, except the ones you are going to perform live, and play along with the sequenced backing track. Arrangers have evolved into a necessary tool for the professional performing musician, and have even made their way into the studio. ROM (Read-Only Memory) expansion allows you add sound cards, thus extending the sonic range and useful life of your keyboard. If you want convincing piano, string section, brass, and percussion sounds, a sample-playback synth will work well. With many workstations offering sounds that were recorded in world-class studios with premium vintage gear, the question of sound quality becomes an issue of whether or not the sounds a particular keyboard produces inspire you.
If a workstation has knobs and sliders, make sure they transmit MIDI continuous controller (CC) messages.
If you are working with a computer-based DAW, a USB port that passes bi-directional MIDI allows you to use your keyboard as a master controller for your favorite software and virtual instruments.
Your Sweetwater Sales Engineer can be a valuable resource, with the knowledge and training to help you make a decision.
The MOX8 is the most powerful, mobile and affordable Yamaha music workstation ever.MOTIF XS sound engineMOX has the exact same 1,270 sounds as the acclaimed MOTIF XS covering a wide variety of music styles. Add to that a comprehensive 64MB ROM that includes many new sounds as well as Korg classics, and bring it all up-to-date with totally new features including USB MIDI capabilities and reliable, portable SD card data storage. Many keyboards even offer full sampling functionality, so you can record any sound and reproduce it in varying pitches across your keyboard.
Many feature effects that can be applied to individual tracks (insert effects) as well as to the total mix (master effects). For sampling keyboards, the amount of RAM (Random-Access Memory) determines how much sampling time you’ll have.
If your genre is electronic music, a workstation with analog modeling would be more appropriate. If your keyboard needs repair, you won’t lose your settings when the keyboard is reinitialized. A keyboard with a built-in audio interface can be a very cost-effective way to get high-quality audio in and out of the computer without having to invest in additional gear. Packaged in a sleek black body housing Korg's classic 16-track sequencer, superb effects engine, it's all topped off with a clear and user-friendly interface. If you really need to cover all the bases, you should consider a top-of-the-line workstation (such as the Korg Kronos) that employs multiple synth engines. Also, if you are performing cover music and want to produce more authentic covers, workstations give you options such as pre-programmed MIDI files for reproducing the music more accurately.
Additionally, workstations that include audio recording capability usually provide important sound shaping tools such as EQ and dynamics processing. This has become a unique tool for composers who have to produce music quickly in a style they may not be familiar with. You must determine which combination of keybed action type and number of keys will provide the best combination of feel and functionality for you.
Once you determine the type of synthesis that you prefer, it will be easier to choose an instrument. You can use them to sweep filters and fade FX in the keyboard’s sound engine, and also for controlling levels in your sequencer. Also, in time, the number of patches you create may exceed the memory capabilities of the keyboard. Of course the 8 element Voices, 18 different filter types and extensive effects section are also great for creating the vintage analog and modern digital synthesizer sounds that are used in the electronic and hip hop music scenes.
Proven HI SynthesisThe TR Music Workstation is based upon the acclaimed HI (Hyper Integrated) sound that made the TRITON series the choice of professional musicians the world over. With a robust control set that gives you the ability to modulate hundreds of presets or build patches from scratch, the keyboard workstation makes it easy to design and shape your own sounds. This gives you even more control over the final sound that you produce with your keyboard workstation. Even songwriters who don’t know how to program drums or play guitar can use the arranger to hear their songs being played by a band, without having to call in musicians.
If you really need to cover all the bases, however, you might consider a top-of-the-line workstation (such as the Korg Kronos) that employs multiple synth engines. All the sounds you'll need for both live performance and music production in a variety of styles are contained in the MOX.Performance mode to enhance your creativityYou can combine multiple Voices together (up to 4 parts) and play them on one MIDI channel in performance mode, allowing you to play dynamic layered sounds or play solos along with drums and bass backing tracks. It boasts 64MB of PCM data (twice the size of the original TRITON), and a 48kHz sampling frequency that exceeds CD standards to deliver highly expressive and professional quality sound. Finally, for the working solo performer, the arranger can add new dimension to your sound by giving you the advantage of sounding like a full band. With the interactive Arp engine, even playing simple chords or just one finger gives you complete musical performances to spark your creativity.
The sounds that I use seem a bit more rich, even though they come from the Motif XS instead of the XF series.


This expansive amount of high-quality PCM data is enhanced by multi-mode resonant filters, abundant modulation schemes and sophisticated effects to create Korg's distinctively rich and brilliant sound with the warmth and fatness you expect.
The MOX has 256 preset performances in a wide variety of music style including Rock, World, Hip Hop Jazz, etc.Easy operation and comprehensive controlsCategory search mode makes it fast and intuitive get to your ideal instrument. The TR-88 is also compatible with many TRITON family sounds and songs.Abundant 64MB Sample ROMThe new sampled waveforms include stereo-sampled piano (taken from the same sampling session as used on the OASYS), electric piano, nylon-string guitar, acoustic guitar and strings. 16 different instrument categories with sub-categories make it quick to get the sound you need. The weighted keyboard feels exactly as it should and provides the proper response to play both classical works, and modern dance and electronic music. With multi-level dynamics and natural instrument articulations and vibrato, these waveforms produce expressive and realistic sounds. With the Performance Creator (a new feature taken from the S90 XS, you can easily build up layer or split Performances by a single button press. The audio in feature is excellent and can handle inputs from a microphone, guitar, bass, or almost anything.
There's also a full complement of excellent drum sounds and patterns covering a broad range of styles for music production and performance. The TR-88 Music Workstation provides 470 high-quality multisamples and 518 outstanding drum samples, giving you a broad selection to work with. The effects and arpeggiator features are amazing, and I feel it will take a long time to master all the features of this workstation. Modulation Drives Distinctive Sound CreationModulation is what creates the motion, nuance and articulation that are such an important part of synthesizer artistry. The TR Music Workstation's Alternate Modulation provides a total of 42 types of AMS (Alternate Modulation Source) including EG, LFO, keyboard tracking, and joystick (as well as controllers such as knobs and pedals) to create extremely sophisticated sounds.
Also Yamaha's proprietary VCM (Virtual Circuitry Modeling) technology that, rather than simply attempting to approach the desired sound using conventional digital audio methods, actually models the original analog circuitry a€? right down to the last resistor and capacitor.
There's little difference in their great sounds and easy user interfaces but they are and my experience with them have been different.
These can be programmed in, or operated in realtime to give your sounds a high degree of expressive life.High-quality Effect SectionWith development borrowed from Korg's acclaimed D-Series digital recorders and TRITON workstations, the TR offers a broad palette of 89 types of effects to enrich your sound creations. With the MOX, the high-quality effects found in our industry-standard digital recording consoles are at your fingertips.
The effect section consists of two Master effects, one stereo Insert effect, and one Master EQ (stereo three-band) together with a sophisticated mixer section that lets you control the routing of these individual components. MOX also includes the award-winning "REV-X" reverb, the same professionally renowned reverb found in the SPX2000.Sequencer mode to build up your inspiration as quickly as possibleMOX features a built-in sequencer which lets you produce high-quality music productions without the need for a computer or any other external devices.
Except for a poorly designed bottom panel, it's solid, made of metal and is relatively heavy at almost 50 pounds. Many of the effects offer realtime modulation of parameters and tempo-based synchronization, for total integration with your tracks. The sequencer features both real-time recording, which records your performance data as you play it, and Step recording, which is suitable for recording precise phrases or other difficult passages.
Effect settings can be made independently for each Program, Combination, and Song, helping you bring your overall sound to perfect completion.
With the optional EXB-SMPL sampling upgrade board installed, you can even sample through the Insert effect for even more sonic possibilities.A Multitude of Fresh Programs and CombinationsThe TR contains a wide range of new high-quality Programs and Combinations created by Korg's renowned international voicing team. After creating the outline in a matter of seconds you can easily edit and refine your song to final completion right on the MOX. The new stereo piano is velocity-switched between two levels, providing realistic response to your playing dynamics.
MOX features 6,720 types of arppegiator patterns which contains all the phrase of instruments, so you can easily add additional part onto your song data.A single USB cable for both Audio and MIDI connectionsA single USB cable lets you integrate both Audio and MIDI with your MAC or PC computer. Even more realistic electric pianos, choirs, guitars, strings, woodwinds and drums are also provided. MOX has a built-in 4-in 2-out USB audio interface so you can record MOX's internal sound directly to your MAC or PC. There's also a rich collection of synth and sound-effect programs that are ideal for dance music. In addition to the 512 preloaded Programs, there are 128 GM-compatible programs and nine drum kits*. Compatible with all the major DAWs including Cubase, you can digitally record the sounds of the MOX and anything connected to the stereo analog inputs directly to your favorite DAW. Unlike many other keyboards, all Program locations are RAM so you can adjust sounds to your liking, or replace them as you wish.
Not only for music production, the USB connectivity and in-depth keyboard controller functionality lets you also playback and control your VST soft synths via the audio outputs of your MOX, allowing you to easily integrate VSTs into your live stage shows with no extra gear- just add computer and play.Bundled software and editorsThe MOX comes bundled with a 48-track version of Steinberg's Cubase AI software, Prologue, Steinberg's VA soft synth for vintage analog synth sounds and a new Yamaha Organ YC-3B "Clonewheel" organ emulation VST. It?s outer shell is plastic and the KEYBOARD HAS BEEN LIGHTENED UP making it about 15 pounds lighter than the MO.
The lightening up of the keyboard itself was not advertised by Yamaha, making it feel more piano-like but less able to handle a player with a heavy touch.
In fact, by using the MOX Editor VST, you can turn the MOX into a hardware accelerated VSTi. Combined with Media Bay in Cubase, you can categorize and select MOX's sound from a unified universal library of all your VST sounds. Up to 512 Programs, 384 Combinations, and 24 drum kits that you create can be stored to internal rewritable memory locations.
There is even a special editor for setting up the MIDI keyboard controls and remote functions. The MOX is the latest and best example of Yamaha's commitment to integrating our keyboards into the computer music production environment.88-key Graded Hammer Standard(GHS) action, and new 61-key semi-weighted actionThe MOX8 features an 88-key GHS keyboard. Since there?s a FILE DATA INCOMPATIBILITY between the two synths (also not advertised by Yamaha), it took me 3 months to program the MOX before I could get it on stage to finally break through the part completely. Best of all, the TR is compatible with many sounds available for the TRITON and Karma keyboard products*, so you can enjoy the many commercial and user-created shareware collections available for the best-selling line of keyboards ever made.* The TR can load sounds made for the TRITON "Classic", Le and Karma music workstationsa€?only Insert effect 1 is loaded, the other four are ignored. This feature provides authentic, realistic keyboard responsea€?much like the playing feel of an acoustic pianoa€?with the lower keys being heavy in touch, the higher keys light, and all the natural gradations in between. Since I couldn't prove that the damage wasn't a result of my abuse, Yamaha made me pay $100 to ship it to their California repair facility. The synth was returned to me in two weeks (1 day in repair) but the outer shell was bent so the synth would not sit flat!
Yamaha paid for shipping back to their repair facility in California but it took a month (2 weeks in repair) to get it back to me.
You can record in realtime or step time, and a host of powerful editing tools are provided.Setting up for a new song is easy.
Choose a template song (16 preset, 16 user) that has sounds and effects already set up; or use the Auto Song Setup feature to instantly set up the Program or Combination you are currently playing into a new record-ready song, complete with all effect and arpeggiator settings.


Either way, you can begin recording immediately, before you lose that flash of musical inspiration.The Cue List allows you to build your arrangement up in sections (up to 99), and then convert them into a single song for consecutive playback or to create new song structures. You can build songs using 150 preset drum patterns and 100 user patterns, as well as take advantage of the Track Loop function to loop specified regions of measures within each track. Song data can also be saved on an SD card in SMF (Standard MIDI File) format 0 or 1, letting you exchange data with most MIDI sequencers. I move my keyboard setup to and from a 'portable' church every Sunday and the near 70 pound load of the MOTIF was too much. Share your ideas with other musicians who are computer-users, or move your songs into your computer for further editing, notation, or integration with other applications. Once again, Song data can be loaded from the TRITON and Karma line of music workstations*, for compatibility with tens of thousand of users around the world.* Only Insert Effect 1 will be loaded, the other four are ignored.
Karma settings will also be ignored, as will Tone Adjust settings from the Studio and Extreme.Expand Your Creative Song-writing PotentialThe TR-88 Music Workstation contains powerful polyphonic dual arpeggiators as well as Korg's inspiring RPPR feature, offering amazing levels of expressive power and high-impact playing. Now, with a soft-side case, lightweight board and extensive DAW and virtual control I'll be using the MOX a lot more.
Performances enriched by these unique composition tools can be recorded directly into the internal sequencer in realtime.Ultra-powerful ArpeggiatorThe richly expressive dual polyphonic arpeggiators generate powerful performances. The sound library is very extensive, and if you've been a MOTIF owner, the arrangement of buttons, sound library will be very familiar. In addition to five basic preset arpeggio patterns, the TR contains 200 patterns suitable for use with all different types of sounds, either fixed-note drum patterns or variable pitched parts. As others have mentioned, you'll have to get used to it's lighter frame and the fact that it has a low voltage power adapter - which in times past screamed of cheap. You can use one arpeggiator in Program Mode, and both arpeggiators simultaneously in Combi mode, and even record their output directly into the internal sequencer.
The keyboard feels very natural playing piano parts and doesn't feel too heavy for synth & string parts.
For example, two different arpeggio patterns can be applied to two separate key-split sounds of a Combination, or you can use velocity to switch between two arpeggio patterns. Together with original patterns that you create, a total of 216 different patterns can be stored in internal memory.
Arpeggios can be synchronized with MIDI clock, so they run in time with the internal sequencer, BPM-based effects, and more. This MOX8 was originally purchased to replace a Fatar SL-880 Pro (4 zone master) because I wanted something portable and self-contained. This gives you amazing possibilities for realtime performance; you can switch to different patterns with each key (and even use multiple keys to play different phrases simultaneously), or add additional patterns by pressing more keys. I will start with the coolest things: easy recording and looping, fat voices, and an endless variety of arpeggiators. 150 preset drum patterns are built in, and 100 more can be created and stored for each Song.USB Connector for Easy System ConnectionsThe rear panel provides a USB connector (type B) that lets you make MIDI connections with your computer using a single cablea€?no MIDI interface needed. Also, in the Master mode, the 4 zone midi controller of the MOX8 can store many zone configurations. It's easy to connect the TR-88 to a computer-based DAW for recording, or to use it with notation software, educational courses and much more. Right out of the box, based only on videos I have seen, I was able to quickly lay down a 16 bar blues pattern with four variations. Transmission and reception of system exclusive data is also supported, allowing you to manage sounds and other types of data on your computer for smooth and professional song production.High-capacity SD Card for Efficient Data ManagementThe TR-88 Music Workstation uses compact and high-capacity SD cards to save and load sounds, sequences and sample data.
When you combine this looping and recording feature with the arpeggiators, you get the sense of unlimited creative possibilities. The 240 x 64 pixel LCD features an adjustable contrast for optimal viewing in any situation.
You can quickly and efficiently find the sound you want by using the "category select" function. Category select is available not only for Programs and Combinations, but also for PCM waveforms and effect algorithms, speeding-up your sound editing.
When searching for a desired Program, you can use the Audition key to automatically play a phrase that's appropriate for the sound being selected.
Enough has been said about the array of Motif voices that are included, so I will leave it at that.
Controllers Maximize Your Performance PotentialThe TR Music Workstation's 4-way joystick lets you freely vary the pitch and apply modulation effects such as vibrato or wah. There are also four assignable knobs plus two assignable switches and foot pedal jacks that you can use for applying alternate modulation, providing you with a full range of control that is indispensable for burning up the stage or cutting sizzling tracks.The TR-88 is equipped with Korg's RH2 (Real Weighted Hammer Action 2) 88-note keyboard, which accurately simulates the playing touch of a grand piano, with key resistance getting progressively lighter as you move upward toward the higher notes. It's a keyboard that lets you obtain the fullest enjoyment from the many superb built-in piano and other keyboard sounds.Upgrade to Full SamplingAdd the EXB-SMPL sampling upgrade option board and transform your TR-88 into a full-blown sampler. I sold my Triton Le 76 two months ago because I am a Pianist, so the light keys didn't cut it.
Like most hammer-action boards (except maybe the high-end Rolands), it is not ideal for organ trills and paradiddles. The EXB-SMPL is user installable and lets you connect external SCSI devices to the TR-88, so you can take advantage of a wide range of storage media as well as CD-ROM sound libraries (ISO9660 and AKAI-format discs are supported).
I did a lot of researching about the Korg TR because I assumed It was the 2006 upgrade of the Triton Le. The stiffness could be partly because of its newness and it is not a deal breaker; I have no compunction about making the switch. Third and most infuriating is the sustain function for the pianos (this is why I only gave it 4 stars). The workaround suggested by the manual is that you buy a special Yamaha FC3 peddle if you want the sustain to sound like a real piano. I have not yet had time to check out the organs because I am already so impressed that I can only expect greatness in that area. This is a bit insulting because every synth and tone module I have used that came with piano samples has always, by default, sustained like a real piano. The drum samples are even more realistic and It makes me wonder what next could Korg Have up its sleve for 2007 ?My TR 88 is definitely worth every penny and more.
My own workaround for both the sound and the sustain is to use the midi-out to drive a separate Micro Ensemble for pianos.
These few little imperfections (which, except for the sustain thing, are matters of preference) in no way make me regret the purchase. The MOX8 is a versatile master controller, a brilliant synth, and a powerful easy-to-use workstation.



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