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Author: admin | Category: Electronic Piano | 20.05.2016

One thing that I love to hear when listening to an organist or pianist is when the musician really knows how to voice their chords. There are so many different ways you can voice a particular chord.  Here are a few tips to follow when you are trying to figure out how to voice a particular chord. I can use a particular note of the chord only once in my chord voicing.  I can also use a particular note of the chord more than once in my chord voicing. Take the notes that make up a particular chord and try to arrange them so that they sound just right. You don’t want your notes to be too low (played to far to the left) which will make your chords sound muddy or cloudy. You want to find what I call the sweet spot, which is the ideal place on the keyboard for the chord that you are playing. I also like to think that the notes in my chord are like individual people singing in a choir.
I’ve had the wonderful opportunity to work with and play with all kinds of musicians and musical artists.
5) They leave their personal feelings out of the music and they don’t allow their feelings to affect the way that they play. Everyone wants to be successful in what they do and musicians practice for years to develop their skills to get to a certain point in their playing. It is quite possible that your talent can open doors for you that your character can’t keep you in.
Be the total package and succeed as the kind of musician that you have always wanted to be and that people love to work with. I would encourage you to take this key changing technique and try to apply it to all 12 keys.
I look for the place on the piano or organ that is the optimum place for  a particular chord. Experimenting with chord inversions is another way to really enhance the sound of your chords.
The notes are the same but you change the arrangement or position of those particular notes. A good rule of thumb is that how ever many different notes you have in a particular chord, then that is at least how many different positions that you can play that particular chord. Another effective thing to do in order to really add more flavor to your chords are to add additional notes to your chords. For this week’s lesson I decided to do a brief demonstration of a song reharmonization and adding counter melodies to a song. Now lets take chords that we already know and maybe discover some new ones along the way and weave together a creative chord progression that allows the melody notes to be the top notes of the chords. I really love to hear musicians that can play in a very creative way but it still sounds musical.
It is important when you are playing a familiar melody or song to go back to the standard progressions within the song sometimes. Sometimes you may find yourself stuck and can’t figure out how to reharmonize a certain part of the song. Filed Under: Blog, Lessons Tagged With: Gospel Music, gospel music lessons, gospel music training, music lessonPick a Key! February 28, 2012 There were several people that responded to a previous post that I posted a while back. I knew that we would not  have a rehearsal so I decided to chart the songs using the number system. When you know all 12 major scales and what number goes to each note in each scale then you can easily do this. Now you can take the numbered chords and apply that to ANY key that you want, IF you know all of your major scales and know your basic chords. Everything went over very well but I attribute it to knowing my scales and chords and having the knowledge of applying the number system to my playing.
This weekend I had the wonderful opportunity to meet and work with Grammy Nominated John Stoddart.
Finally, he suggested to practice technical passages slowly and concentrate on the tone you are producing with each individual note.  Once you are producing a great tone with each note of the passage gradually increase the speed.
You must be sensitive to what is going on around you and how what you are doing is affecting everyone else in the band.
Throughout the entire concert I had to change my sounds to fit the songs that we where playing.
Your playing chops and skills are very important but it is not just your skills that will cause you to be really successful as a musician. How is it that a musician can sound like a master in one key but get paranoid and sound like a beginner in another? For example you can take a new lick or run that you are learning and practice it in every key using the circle of 4ths or 5ths. For example using the circle of 4ths would be to play the new lick in the key of C then play it in the key of F then play it in the key of Bb and so on until you can play it in all 12 keys. Practicing this way will cause you to be able to play in any key whatever you are practicing on evenly. Filed Under: Blog Tagged With: Gospel Music, gospel music lessons, gospel music trainingWelcome to the HMPI Blog! January 28, 2012 Hey, Kenneth Hollins here.  I’m excited to begin a dialogue with you and look forward to this new platform. My plan is to bring to you guest interviews with top musicians and artists in the industry.
What I mean is if you figure out that a song is in the key of C, many times (not all the time), the bass notes will be notes that are found in the C major scale which are C D E F G A B. Most basic gospel choir songs played on the radio are arranged in 3 part harmony for the choir to sing.
I remember noticing that many of the gospel songs shared the same kind of chords and progressions (including fill-in chords).  For example, one song may have a particular chord progressions and another would have the same progression just maybe a little different.
You will soon realize that most gospel songs are similar to other gospel songs and many of the chords are the same for different songs just rearranged differently. To make a long story short, you try different chords that you know to see if it sounds right for the fill in chords. Your ear is like a muscle and the more you do this the stronger and keener your musical hearing will become.  Your ability to hear the fine and subtle details of the music will increase with time and practice. Package Deal (LIMITED TIME OFFER)Are you serious and ready to improve yourself as a gospel musician?!? You also don’t want to play the chord too high (played too far to the right) which will make the chord sound thin.
You will be surprised at the great things you can find from just experimenting with different chord arrangements. Voice leading is how smooth the particular notes within a chord move to the notes in the very next chord. When someone is singing in the choir, the notes that the person sings does not have huge jumps and spaces in them. Think of your fingers like little singers and you want each finger to move easily and smoothly from one note to the next note within a chord progression. It seems like some guys know just what to play, and how to play to really play with a lot of flavor.
An inversion of a chord is to change the position of the notes of the chords while still playing the same note names. You can learn the concepts that they are using and can apply those concepts and come up with your own unique approach to it yourself.  Or if you really love how they play then copy them. Sometimes musicians can get so caught up into doing something innovative and new that it is easy for the music to become non musical or doesn’t really make sense to the listener. In that instance, allow the melody note to stay the same but play chords that are in a different key. The more songs you learn the more chord progressions you will learn and you will be better equipped to come up with your own unique chord progressions. I could have easily learned to play the songs in the original keys but what if the original keys were either to high or low for the singers. Also, if you have found this post to be helpful then share it with a friend via facbook, twitter or email. Your best musicians will be individuals that seriously study what they do and practice on applying those principles.
Your role can change depending on the song, the situation, or even just what is preferred by who you are playing for.  There are times to be very intense in your playing and there are other times to play very basic. The situation was me on keyboard, bass guitar, lead guitar, drums, background vocals, and lead vocal. Sometimes I used a basic acoustic piano sound, other times a fender rhodes piano sound, other times piano and strings etc. Many times you have to really think about these things a lot in the beginning but after awhile of developing good musicianship habits they seem to become second nature.
It is also knowing what your role is as a musician and how to appropriately use the skills that you have. For example a musician may feel comfortable in playing in the key of Ab but will avoid the key of A natural at all cost. Quite naturally if you never play in a particular key then how will you ever learn to effectively play in that key.
I believe that it is very helpful to think of the scale degree (scale number ) of the notes that you are playing.  REFER TO THE BLOG POST Music Is Mathematical. If you only play in the keys that the majority of gospel songs are written in then you could possibly be limited in playing in every key.  I think it is a great challenge to take a song that you know well and play it in all 12 keys. The new website is an important step in allowing us to realize our vision of being the largest, most respected, and widely recognized gospel music instruction resource in the world.  Thank you for choosing to be on this journey with us.
I’d like to hear from you about new products that you would like us to develop in the coming months.  Please share your questions and ideas about what you’d like me to cover in the blog too!
As you listen to a song and someone plays the particular key note of the song you can hear that it is the main note of the song.  I figured the key of the song out by starting on C and moving up the keyboard in half steps slowly not skipping any notes until I found the note that sounded like the main key of the song.
In other words, the choir notes can give you a pretty good cue of what the chord is that goes with the bass note. When I get to my destination, if there is a piano there I can sit down and play it pretty accurately. This progression is very simple but the beauty of it is that you can easily play this in any key when ever you need or want to. This sounds pleasing to the ear.  When you move from one chord to the next some of the notes may stay the same. Please let me know if you have any questions or want me to go into greater detail in any of the above mentioned tips. The 2 most important things you must be able to do in order to effectively use this technique is to know all 12 major scales and know your basic chords. I agreed to play for it but there was no rehearsal for the musical selections in the funeral.  Unfortunately, we had to wing it. I didn’t want the musical selections to be a flop so I did what I needed to do to adjust to the singers and not the singers having to adjust to me.
Here is just a little of footage of us just having a little fun before the concert during the sound check just to check the volume levels.
When you get to that point then you will be the type of musician that other musicians love to play with and singers love playing for them. A musician may sound really good playing in the key of F but will feel completely lost when playing in the key of E.
This is a good challenge for yourself.  Make using transpose a thing of the past and learn to play in EVERY key.
I will provide an inside peek at what I do on a day to day basis and share what I feel are key lessons. From time to time, I will be sharing with you some free lessons and other resources for you to utilize.
Of course, sometimes you’ll have notes that are outside of the scale being played but the majority of the notes will probably fall within the notes that are in the scale. Also people consistently call upon these kind of musicians because they enjoy working with them. These are very fundamental skills that will in the end make a huge difference in your playing.
It goes with out saying that in order to do this that one should already be able to play quite a few chords in several different keys.
Will your listeners be able to follow your reharmonization or will they still be able to  make out what the song is. If you have any of my training videos you know that I advocate learning all 12 of your major scales fluently.
I was told what songs were going to be sung but I didn’t know how the singers wanted to do the songs nor did I know what key they wanted to sing the songs in. If the song has notes in it that are too high for the singer to hit then you might have to lower the key of the song to something that is more comfortable. He demonstrated that when you walk, the weight of your body is shifted from one leg to the other. That means it is quite possible to have more skills musically speaking than is necessary for a particular song. Also, I was playing with a lead guitarist and had to make sure the we were playing the same chords.
The more songs you learn by ear, sheet music, chord charts or someone showing you will start to remember the sound of certain chords and progressions that happen a lot in gospel songs. Developing yourself musically is essential for success but don’t neglect the LITTLE THINGS.
The reason I advocate them so strongly is because knowing the scales can really open up some great possibilities for you. If you play for a church or ministries you may have to do things like that and if you don’t you still should know how to. He explained, the hands and fingers work similar to that when playing the piano.  He said that you produce certain kinds of sounds on the piano with the power from your back. Your best players will be individuals that know what is appropriate to play, and are disciplined in their playing. Some songs I took the lead and dominant role musically and other songs I played very basic and subdued all the while still supporting the lead vocalist and not overshadowing him. The notes of your chords are the voices and you want them to move smoothly to the next notes of the chords. In a band situation what you do affects everybody else.  Where there is unity there is strength.

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  • RIHANNA, 20.05.2016 at 13:16:46

    Whereas it's typically fun to play around.
  • xixixixi, 20.05.2016 at 23:44:23

    August 2010, I was curious to see how and chord progressions can seem fairly.
  • Anar_KEY, 20.05.2016 at 17:45:50

    From a keyboard of this which transforms the keyboard right into companion is the truth.