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Author: admin | Category: Piano Lessons Online | 23.11.2014

The keyboard teacher will show you important playing techniques to help you become a better keyboard player.
We'll teach you how to play your favourite tunes, whether they are pop, simple jazz or classical tunes. Learn to play the keyboard by taking lessons taught by an experienced and friendly teacher. In your keyboard lessons you will learn how to read music, you will also be taught how to play keyboard chords.Students will also be taught how to read left hand bass clef and how to effectively combine this with the automatic accompaniment & sequencer.
Keyboard Lessons and Keyboard TuitionThe keyboard tuition is taught at our Worcester premises near the city centre.Start taking electronic keyboard lessons and discover all the great sounds and rhythms available to you. Keyboard tuition gift vouchersGift vouchers are available, beautiful designs and printed on quality paper, presented in a gift box.
How is playing keyboard different to piano?Playing keyboard is generally easier than playing piano. Can I take keyboard examination grades?Taking music exams are optional, yes we can enter students for music grades.
At what age can I begin keyboard lessons?We teach young children from the age of 6 and upwards. I have found Sheet Music Plus to be a fantastic resource for piano books & other materials.
Many of my student at all levels and benefiting and praising this new internet based software which allows them to see, hear, and play any song from the internet in any key and at a comfortable learning speed.Click the link above, below or the picture to view a great video on how this revolutionary learning software can help you learn any song, anytime! No matter what scale we use, the major chord associated with that scale will have a Root which names both the chord and the scale from which it was taken. As we move through this lesson you will encounter more of these interval names 2nds, 4ths, 6ths, and 7ths.. We have already figured out a C major chord by choosing Notes 1,3,and 5 ( C, E, G, ) from the C major scale. It would be great if you could memorize all the formulas below but there is no need to do it all at once. Best Home Study for "Ear Players"After checking out dozens of home study courses that teach you to play by ear and focus on chord progressions I am convinced that the folks at Hear and Play have the best, most well rounded program available for just about all styles of music from Gospel to Jazz. Contact meIf you have any questions, suggestions, or ideas for future lessons feel free to Contact Me. I need your help!If you enjoyed this article please click the Facebook Like button and help me continue to provide these free lessons. In this article we will be discussing a method of comping that is little used in the guitar world but that is used all the time by jazz pianists. The method itself is rather simple, just find the 3 rd and 7 th of the chord we would like to comp and those two notes are the basis for the voicings that we will use.
In the first example I have laid out all of the 3rds and 7ths for the chords in an F blues. In example 2 we have taken the 3rds and 7ths of each chord, from the above example, and added a simple Charleston rhythm to them. Now that we are getting the hang of comping using only the 3rds and 7ths let's take this method one step further. Notice how the melodic line changes slightly to accommodate the different chords, the A moves to Ab on the Bb7 chord and the G moves to F# on the D7b9 chord. You can also add different rhythms to the comping bars, like the ones mentioned in the description of Example 2. Now that we have worked on separating the comping and blowing we can start putting them together.
There are several ways to do this, the first is to use fingers only, similar to what Lenny Breau did, or we can use "hybrid" picking which is fingers and pick at the same time. The last way to approach this technique is to strum the chords, which is what Ed Bickert and Kurt Rosenwinkel do.
Now that we can use the Charleston rhythm under our melodic line we will explore a technique used by Lenny Breau and many pianists, playing steady quarter notes under our lines.
One thing to notice is how the two comping rhythms, steady quarters and the Charleston , contrast with each other to give variety to our comping ideas. Now we will look at a technique used by pianist Bill Evans as well as guitarist Lenny Breau.
This is a great method for building chord solos and chord melodies because we can have a moving line going but we are not jumping all over the neck and thinking of a million different voicing's to match these notes.

One thing I tell my students when they are learning this technique is to listen to pianists comping and soloing, and pay attention to their left hands. Now that we can solo and comp for ourselves in one position we can take these same methods and play them in different areas of the neck. Some people use this method on the lower two strings as well, but in my experience the lower strings are too muddy for this technique so it is best to learn it on the 5 th -3 rd string sets.
This method can be applied to any ii-V chord progression, the ii chord can be minor or dominant, the only case where one has to watch when using this technique is when playing with a piano player, as sometimes it would clash with what the pianist is playing. Whether you're a beginner or an advanced player, we have an instructor who can suit your needs and help you develop into a well-rounded musician. In addition to private lessons, kids and teens can take part in our rock band program (see home page for details). Our student achievement program is an aid for our students to track their progress while making sure core concepts are learned.
If you are looking to learn how to read notes better, correct fingerings for chords and scales, play piano faster, and improve overall technique with supplemental materials, feel free to download and print any of the resources below.
The keyboard lessons will be fun and rewarding.Learn how to use all those great sounds and rhythms, and play a wide choice of music styles.
We will teach you (in simple language) what all those buttons and switches do.When you first begin to play the keyboard, you only need to know what and how the basic keyboard functions work. Most keyboards have automatic styles and accompaniments, so in effect this creates all the backing for you. We can prepare students for entry level pre-grade 1 all the way to taking a teaching or performance diploma in music.Where are the keyboard lessons taught?The music tuition is taught at our music school. You".For the most direct, organized, and progressive path to learning to play the piano, start the Piano Skills Foundation series of piano lessons. Piano comping, or 3 rd and 7 th comping as it is sometimes known has been used by several famous guitarists such and Ed Bickert, Ted Greene, Kurt Rosenwinkel and most notably Lenny Breau.
These shapes are based around the sixth fret and notice how little movement there is between chords.
This exercise may seem simple to some of us, so if you would like to push yourself further you can change the rhythm to make it more difficult. Once you get this exercise under your fingers you can try using a different melodic idea, or switching between two ideas throughout the chorus. It is often surprising how far we can stretch one or two ideas using this method because the comping helps to break up our ideas and gives us, and our listeners, time to digest what we've just played. In Example 4 we will take the Charleston rhythm and add it to the melodic line from Example 3.
When doing this we use our pick to play the lowest note, then our middle finger to play the second lowest note, while our ring and pinky fingers play the melodic line.
The strumming method is a little harder because we have to mute the strings we aren't using in order to avoid the open strings ringing into our chords. First just get used to playing steady quarter notes for each bar that contains melodic material.
Even though both rhythms are relatively simple, by having two different rhythms alternating with each new bar it keeps things from becoming monotonous and sounding boring to both ourselves and our listeners. Instead of having a "separate" comping pattern under our melodic line with will comp "in sync" with our line. It amazes everyone when they hear the pianist's hand barely moving and staying put for each chord most of the time. It is common practice when using this technique to avoid perfect 5ths as it takes away from the stylistic nature of these voicing's.
It helps if you're within ear-shot of your child as she practices only to give encouragement, but also because this prevents the child from feeling isolated.
Students have fun playing and learning music alongside their peers, and they practice better at home when they know that their bandmates are relying on them. This means that as your child learns new concepts and develops their inherent abilities, a commitment is necessary to progress.
Families who are most successful with practicing are those who choose a practice time and stick with it.
When playing the piano the left hand has to create the accompaniment, this makes it a much harder instrument to play.The piano tends to be a much more expressive instrument, the expression is delivered through touch.
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This is one of the reasons that these chords are so ideal for guitar, one does not have to jump around a lot to comp through a tune or progression. So every second bar (1-3-5-7-9-11) will contain the melodic phrase, and the other bars (2-4-6-8-10-12) will contain comping based on the chords from the previous example. Once we are comfortable with this technique we can add the melodic line on top of the steady quarter note pulse. There are two for the 5 th and 4 th strings as well as two positions for the 4 th and 3 rd strings.
If your piano is in the basement, consider this a good time to fold that basket of laundry while she does her scales.
If you've been with Let's Play Music a while, you've no doubt heard your teacher say that investing 15 to 20 minutes a day, 5 or 6 days a week is better than hour of sporadic practice. Many parents find that 15 or 20 minutes before their child gets on the bus works great, others like the after dinner time. Learn all about the various orchestral, pop and rock instrument sounds, and how best to use them. Some electronic keyboards have touch sensitive keys, but generally it is harder to control the dynamics than on the piano.I am a complete beginner can you teach me?Keyboard tuition is available for all levels of playing.
There is on the road parking, and we are only 5 minutes walking distance from Shrub Hill train station.What happens if I cancel a lesson?The Music Chamber is a school of music run by professional music teachers and recording engineers.
You will have our undivided attention for the whole lesson.Is the keyboard teacher CRB police checked?Yes, our keyboard teacher has been CRB checked, and is an experienced teacher.
This is a great way of taking an easy rhythm and making it sound more hip by displacing it around the bar. This provides very smooth voice leading to the C7 chord as G7 is the dominant chord of C, and keeps these chords sounding within the jazz guitar idiom.
Letting your teacher know what you want to study or if you would like to try other instruments, techniques, songwriting, computer music, or sound recording. If you are a complete beginner and cannot read music, don't worry, we'll have you playing tunes quicker than you think. Material for students is selected with the goal of enhancing the student's natural capabilities while making concepts fun and accessible. Students practice better at home when they know that their friends are relying on them in the band.
If we're all over the place with enforcing practice, we're likely to encounter a lot of resistance. Hold regular family concerts; invite grandparents and other extended family or friends over for an evening of music with your child as the featured act. Unless the the teacher is in a position to offer an alternative time slot, the lesson will be forfeit and payment due in full. To find out more about cookies on this website, see our Privacy Policy and also Use of Cookies.
Our instructors are proficient in different musical styles and can accommodate a variety of interests and goals. The best part about our bands is that students can start a band as soon as they start lessons. What makes our approach unique is that our students begin learning about all aspects of piano playing from the start, including improvisation, arranging, note reading, chords, scales, and more. Their music shouldn't exist in a vacuum; it should expand beyond the weekly lesson and the practice regimen. Please see the terms and conditions.If you are a beginner wanting to take keyboard tuition then we would recommend 30 minute lessons. The more opportunity for genuine appreciation students have, the more successful they'll be on their journey. If you already play the keyboard and are at an intermediate or advanced level then 60 minute lessons are your better choice.

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