A baby grand piano is a type of musical instrument that produces better sound quality than an upright piano. This buying guide talks about how to find the best digital grand piano and also highlights some digital grand piano reviews.. The dimensions of baby grand pianos vary by manufacturer, but average widths range from 4 feet 11 inches to 5 feet 6 inches. Here you can find information on various baby grand pianos, from acoustic upright grand piano, used concert grands to high end digital pianos, from popular to less.
And when it comes to the tradition of crafting a grand piano, there is a sound, a tone to which only those who strive constantly to outdo themselves can aspire.
For almost half a century, Yamaha’s world-renowned C Series grand pianos have continued through a gradual process of refinement The CFX full concert grand piano built on the knowledge, techniques, and experience gained during this long period, with craftsmen pouring everything they knew into the creation of an instrument that took bold new steps in piano design, seeking to attain sonic perfection. The CX Series extends this work further, providing a clear sound with a clean attack, sparkling tone, and transparent harmonies, all encased in an elegant, flowing form. The end result is a series of instruments that is refined in tone, yet bold in design, the product of a dedication to innovation that allows Yamaha to remain true to its musical heritage. When playing powerful fortissimo the force exerted on the instrument causes it to bend slightly, losing energy.


The part of the piano that accepts this force and transforms it into deep reverberation is called the back frame, which could be likened to the skeleton in a human body. Yamaha has taken experience accumulated through many years of crafting pianos and combined it with unsurpassed engineering ability to ensure that the soundboard always provides superb projection.The resulting design capitalizes on physical phenomena unique to the craft of piano-making, to create a soundboard assembly with a structure that allows it to vibrate easily, something that would not have been possible without the deep understanding of the traditional art of piano crafting that goes hand-in-hand with Yamaha’s experience and engineering know-how. The same techniques developed for gluing the soundboard, ribs, and bridge in the CFX are used for the C3X and above—models which require a great deal of projection—and the process of installing the resulting soundboard assembly into the piano body has been investigated carefully. While affected by its matching with the hammers, soundboard and body of the piano, music wire has a profound effect on the timbre and sustain of the instrument. The CX Series utilizes music wire that produces a rich sound with a full complexity of overtones in its middle and upper registers. Yamaha makes its own frames, relying on a method of casting referred to as the “vacuum process,” developed over many years to create some of the best piano frames in the world.
During this time we have built up a storehouse of knowledge on factors such as the manner in which controlling the temperature and composition of casting, and even the coating used on the frame itself, affects the acoustic characteristics of the piano.
Yamaha, unlike most other piano manufacturers, produces most of its own high-quality components, and is constantly looking for new ways to use the abilities developed through doing so to give our piano hammers tonality, resilience, and power. The CX Series has also benefitted from the results of this research and development, and utilizes the same felt as the CFX, adjusted to match the size of each instrument in the series.


Even so, the combination of the pedals with the speed and velocity applied to the keys produces a range of tonal changes so broad that they cannot be reproduced with current digital technology.
This is the true soul of an acoustic instrument, allowing the pianist to obtain an incredible amount of expression from just 10 mm of key travel.That is precisely why Yamaha devotes so much time voicing their pianos so that the intentions of the pianist are conveyed to the strings.
In regulation, a craftsman adjusts the movement of the action so that it accurately transmits every nuance of the pianist’s touch.
In voicing, the hammers, which cause the strings to emit sound, are pricked with a pick to create a balanced tone that will respond beautifully when played.
Following in the footsteps of the CF Series concert grand, the CX Series design features simple, elegant lines, focusing on the characteristic legs of the piano in doing away with any excess ornamentation. This elegance is set off by a solid pedal box that allows performers to depress the pedals with as much power as they want, one aspect of a philosophy epitomizing “functional design” that allows pianists to become one with their instrument as they play.



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