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Madman uses high grade AES-256 Bit Encryption to keep your shopping experience safe & secure. After Gravion was able to use its ultimate attack, the Zeravire threat seemed to have temporary stopped.
What gets forgotten in all the expectations of fan service is that Gravion is, first and foremost, a giant robot cartoon from the guy who also brought us Dangaizer 3. Of course, this being an Obari Masami work, there is always at least one character whose character design just boggles my mind, and that's Mizuki. Yet considering the amount of fan service on the cover, the actual show almost seems restrained in comparison. Gravion Zwei does have quite a few flaws, though not nearly what I came into this expecting.
Fortunately, my fear of this show devolving into a long pan of knock-kneed girls in maid outfits was laid largely to rest, thanks to the outstanding cast of characters (both in Japanese and English). Obviously, this being the second series in the Gravion franchise, the actors have had plenty of time to get into character, and all of them have realized that this is most definitely a cartoon. Everything else, in this case, meaning lots and lots of transform sequences, announced special moves, explosions, and heroic posing. By signing up to the newsletter you'll be ahead of the curve by getting your fill of: New Free Full Episodes, Latest Anime News, Release Schedules on DVD & TV, Downloads, Podcasts, Events, Competitions & Discounts & much much more.
Plot Summary: After Gravion was able to use its ultimate attack, the Zeravire threat seemed to have temporary stopped. A while back, I reviewed the sequel series, Gravion Zwei, so it was interesting coming back to the original in backwards order. Gravion is largely the brainchild of Obari Masami, whose previous masterwork as a director was the Fatal Fury series. Normally, you can easily tell an Obari flick by its character designs - overinflated, impossibly built girls; lean, rangy, impossibly built boys. Unfortunately, Gravion, unlike its sequel, does get a little leaden at times, because it takes itself (dare I say it) a little too seriously for its own good. However when it rises back up all of a sudden, the Earth Gult and its trump card, the super robot Gravion, is needed to defend this world again. In fact, I was pretty leery of watching this, because the director is none other than Obari Masami, who has brought us such spectacular failures as Voltage Fighter Gowcaizer, Battle Arena Toshinden, and Voogie's Angel. Each episode features at least one major transformation sequence, and there's a fairly decent amount of flashy Technicolor robot action here.

Choosing to focus on humor and action rather than taking itself seriously, this series manages to be far more enjoyable than it should be, by virtue of a suitably cheeky script and a cast that on both tracks genuinely seems to be enjoying themselves.
Now, folks, I happen to know several women with rather large breasts, and from these experiences, I have to ask how Mizuki is able to walk around with boobs larger than her head, completely unsupported. The one major disappointment as of yet is simple : with all the talk about the "opposing team" (the G-Soldiers), you don't see a whole lot of them as of the first volume.
Naturally, I end up gravitating towards the outspoken tomboy, Luna (played equally well by Ikezawa Haruna and Luci Christian), who combines just the right amount of innocence and brass. The cast members seem to know how to inject the right amount of fun and energy to set the tone for everything else.
Gravion Zwei is about as unapologetic as it gets when it comes to being a hero-team robot show, and thankfully, the animation team really brings out the big guns, coming up with some occasionally impressive material.
It is a juxtaposition of Love Hina-style sex humor with what is essentially modern-day rehash of Voltron. A new enemy called Zeravire suddenly appears in the solar system, destroying all military installations it comes across.
While there are some rocky bits, mostly involving trying to do too many things at once, the original Gravion series is still quite watchable and good for a dose or two of dumb fun.
Gravion tones that down a notch by running the original designs through the filter of first-timer Takaoka Junichi and Love Hina veteran Uno Makoto.
There is a serious disjoint between the comedy bits and the whole business with Eiji's missing sister, and since Leele and Toga take a while to develop, it's sometimes a bit frustrating dealing with a cast that's half cypher, half nutty as hell. Don't expect the Great Japanese Animation Opus out of this -- but do expect to have some fun. All this while, the EFA is planning to create their own weapons to counter the Zeravire, the Grand Trooper. There's also a fairly large cast that you're expected to know from the original series, but there's actually a bit of character development that occurs throughout this show to compensate for this. Mizuki is the adult of the team, and it's amusing seeing Asakawa Yuu in an actual (albeit comedic) femme-fatale type of role. It can't be called a great show, or excellent, but unlike most Obari Masami shows I've encountered, it is actually quite entertaining -- as intended.
Enter the elite G-Soldier Squadron, the first unit of the government's attempt to mass-produce Gravion technology. However, a wealthy man named Klein Sandman is already aware of this planned invasion and had been secretly preparing his army for battle.

Once you get past the whole "we're in a medieval castle and we have maids and ohmygosh it's VOLTRON, with schoolgirls!" thing, Gravion ain't too bad. Now as they attempt to fend off the Zeravire, the people of the Earth Gult and EFA must protect their future as well as confront their pasts, and unveil the mysteries of the Zeravire.
Sure, it's *boing*, but I just can't help but roll my eyes every time she *boings*, if not flat-out wince in pain. Unfortunately, the character scenes aren't quite perfectly handled, often breaking the flow and pacing of Gravion Zwei and leaving a feeling of unevenness. Not that Kira Vincent-Davis does a bad job by any means, but I've got a bit of a soft spot for Asakawa, even with the embarrassing character design here. The music is the usual Kageyama Hironobu material, very high-powered and fierce, but largely appealing to boys (or man-children), and not exactly fine art. Still, Tachibana Mizuki's design gets the "Chiropractor's Dream" award, but you get the feeling she's all a big joke anyway. The fan service is at times almost overwhelming, but it stops before getting too embarrassing to continue watching the series.
Not all of the jokes are winners, and the karaoke maid sequence in the third episode is a forehead-slapper rather than a knee-slapper. Ena is kinda weird -- honestly how does one become the head of the castle maids by sixteen?
Meanwhile a young man named Eiji secretly enters Sandman's base in search for his missing sister. The whole "maid thing" in general has the potential to get annoying, but the best thing to do here is shrug, be amused by the ever-so-slight Minnesota accent Jessica Boone occasionally slaps on in the English track, and move on.
Leele is apparently less of a cipher here than in the original series, which is good -- I happen to prefer Kuwashima Houko here, personally. These two must now fight together with four other individuals aboard the super robot, Gravion to fend off the Zeravire threat.
The guys are also pretty amusing -- Eiji is a nice cross between traditional-hero and loser-hero, and has an effective foil in the usually gentle Toga.
My favorite male cast member, though, is the beautifully daft leader, Klein Sandman, because you have to love a multi-billionaire world-defender who is so dedicated to giant robots that he names his horse after Dangaizer.

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30.08.2013 admin

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