“kore wa tada no shokuji dak” is pure elegance: a porcelain-skinned brunette in front of a gilded mirror, evening gown pooled at her feet. Stockings and garters remain as she leans back against the glass, legs spread for her own reflection—and the viewer. In “kore wa tada no shokuji dak”, a crystal toy emerges, thick and glistening with lube. She eases it in inch by inch, eyes locked on the mirror, watching herself take every ridge until the base kisses her clit. Slow thrusts build to frantic pounding; her elegant facade shatters when she squirts, screaming through the waves in “kore wa tada no shokuji dak”.