19 Nov. 1987|
Wood relief carving tools,wood carving clubs in georgia,beginning woodworking projects hand tools - For Outdoors
So often we have empty wood thread spools and not the slightest idea of what to do with them.
Only within the last few years have I come to appreciate the beauty of old wooden spools, their labels, and their alternative value for me as a woodcarver. My client, and another woman who had been listening to our conversation at my club’s woodcarving show, brought spools of their own for me to carve, left me with extras, and I have been hooked ever since! Before I received the first batch of spools from the client who got me started on this venture, I purchased a few newly turned basswood (Tilia) spools from a carving supplier. Also, this spool has been treated with linseed oil to seal the raw wood after carving away the top layers of wood. My technique will change depending on the type of wood or how the oiled wood accepts the paints.
Notes from Barbara: My Relief Carvings in wooden spools have introduced me to many new friends and clients, and have inspired creative ideas in my co-carvers. For more than 10 years, I have been a member of Duneland Woodcarvers, a club of 100-plus members, many who meet once a week in Chesterton IN. I had no idea there were several different types of wood carving until I spent time recently with Steve.
Steve is president of the Tri-State Woodcarvers Club, which meets the second Tuesday of the month at 7:30 pm at the 4-H Center Banquet Center. In addition to the meeting, the club will be holding their 26th annual “Wonders in Wood” show at the Evansville National Guard Armory in Evansville, Indiana on November 26 and 27. This entry was posted in telling your story and tagged crafts, relief wood carving, Steve Oliver, telling your story, Tristate Woodcarvers, wood carving.
My wife, Carrie Camann and I have been hard at work developing our new website: "Chris Pye's Woodcarving Workshops" and are still on schedule to launch at the beginning of the New Year. Our young, hot web design team, Mentor Digital of Bristol, have impressed us with their ability to collaborate, to get what we believe woodcarvers want in the way of an instructional site, and their willingness to adapt to our 'old school' aesthetics.
The course will be basic relief carving and follow the plan in my Relief Carving book (aka.
For the 14th year I'm instructing in woodcarving at the wonderful Center for Furniture Craftsmanship, Rockport, Maine.
Participants develop their carving skills through the process of designing and carving a traditional European Green Man. Drawing upon historical examples of the genre, I'll guide you in modelling your own Green Men in clay, derive working drawings, and carve your design in either high or low relief.
Just to be clear: We'll be carving the European, traditional Green Man with foliate face, not the modernistic, bearded 'Wood Spirit' resembling some old mountain man.
Some climates are harder on timber, others less; some woods are more resistant to decay, some less. Whatever wood you choose for your sign, it'll survive better if air can be allowed to circulate around it and any part is not left in prolonged contact with water. The paint in incised letters is tucked away below the surface of the wood and will weather far better than paint on the surface. Over the years I've moved away from varnish, which eventually peals, to oiling wood with Danish or Linseed. Please forward this newsletter to a woodcarving friend, and anyone else you think might be interested.
The best way to learn or improve your carving is to join me in my studio for intensive, custom tuition, tailored to exactly what you need. About four years ago, a client who has regularly bought my carved wooden spoons, asked me if I had ever carved on wooden spools. Presently, several of my carving friends are working on their own creations and I have found a few people online who are working with spools.
Even though I had been carving the spools in the relief technique for about two years, it wasn’t until someone shared a fat, keg-shaped spool (American Thread SILKATEEN) that got me looking at them more closely. The brown color present in these examples is burned wood from a Detail Master wood burning tool done with different styles of nibs.
In addition to vendors selling supplies and wood items, there will be a variety of demonstrations including Steve’s relief carving.
The wood we normally carve is dead and as such waiting to decompose and return to the earth from which it came.
Otherwise, you need to find a wood with natural oils in it: Teak, Iroko and Mahogany spring to mind. Oak), the cut end-grain fibres of the carved letters suck the paint up by capillary action, resulting in little lines of colour bleeding from the painted letters into the board surface - very noticeable with white paint on dark wood!
Introducing the carving artistry of Barbara Ziolkowski, this month’s guest columnist. Depending on the type of wood or the actual pattern, I sometimes leave the faces unpainted keeping the natural wood color.
Each spring our club hosts a large woodcarving show for two days in Valparaiso IN, featuring some of the Midwest’s finest woodcarvers in competition, demonstration, displays and sales of our carvings. Decomposition is naturally accomplished by the weather (damp, frost), fungi and wood-boring beetles. Just as we might not notice the special nuances in the barks of trees when we pass them in a park or on the street, so too it was for me about my spools of threads whenever I sewed.
One carver suggested I keep an eye open for those made of bright yellow wood, which is Osage orange (Maclura pomifera) and is one of the hardest woods on which to work in any type of woodworking. As I continue to carve away the wood, I will make these cuts deeper until the preliminary forms of the pattern show. In the short time from being invited to try carving in spools, I have become a spool collector as well as a spool carver!