10 Jan. 1992|
Victorian molding trim,woodwork ideas for school,timber motor boat plans,diy old barn wood projects - For Begninners
This is one of those historic door trim patterns that I’ve seen all over the country, and especially in rural Victorian farmhouses. I designed this one to be more Victorian than Craftsman, though it’s easy to change this design to be more purely Craftsman style, as explained below.
You can find door trim styles similar to this one in Victorian farmhouses and townhouses all over North America. If you don’t live in Arizona, however, that profile or one closely resembling it, are commonly available at molding supply companies, but not so common at lumber yards. The historic Craftsman style transomes that I can recall are all wrapped in simple flat-stock moldings.
I’m going to focus on the frieze height in this post, because the height of your entire entablature is ultimately dependent on the moldings you stack around it.
For terms that I just can’t find a specific vocabulary for I make up my own, like I did with flying crown molding.
I based the frieze height of this Craftsman entablature on a molding pattern book published in the mid-1920s.
You can see a more detailed breakdown of all parts of a door surround, top to bottom, here at our DOOR TRIM-114 page.
Of course, this is one of the reasons I started this blog — to help sift out all of the good and bad information about decorating with moldings and distill it into something that makes sense that we can act on at home. A simple, subordinate (dissolved) overdoor made from crown molding solved the issue of limited height avoiding bumping into the crown.
These two overdoors above and below were inspired by historic moldings I’ve seen in homes and public buildings all over the world. But ultimately, I simply love the moldings in historic homes, and so have stared at them long enough that it helps me improvise when I create my molding patterns. Architectural subordination infuses diversity into your decorative moldings by giving you rules that produce both harmony and variety. In a more subtle, classical arrangement, however, the moldings will differ from room to room, cuing visitors to the mood and function of each space. While you don’t have to be showy in these secondary rooms, the moldings in these rooms should give a polite nod to your guests while they are not in your presence. The dining room archway dominates, not simply because it is wider, but because the moldings themselves are proportionately larger. Same design and molding details on this capital as the larger one, it’s just smaller.
Here, the homeowner choose two crown moldings of the same design, but of different scales to mark the transition between great room and upstairs landing.
Same style crown molding styles but on different scales accounts for subordination in their respective rooms. Dad has no particular love for historic architecture, and his upgraded moldings were never more than slightly larger than the old ones, but he loved tinkering with the house on the weekends — a vastly different activity from his day job as an automotive draftsman, sitting at a drafting table all day designing functional parts for Cadillac interiors. But now with life settling down to a new normal, I’ll resume creating new molding patterns for you to enjoy. I want to have doors with a transom above them installed and was trying to see how I can incorporate the door trim-133 Craftsman style with a transom.
The historic architectural molding profiles seen may be similar from house to house, but the old molders, like ours, allowed for slight variations in the patterns.