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Bring your performance anywhere with the under-12-pound Roland JUNO-Di synth, built for live gigs with over 1,000 patches and dozens of BOSS-quality effects.
Serious Roland Sounds in a Portable, Gig-Worthy Digital SynthLet's say you play keyboard in a band, and you're looking for a new "main axe" for live gigs.
Sounds for Live PerformanceThe JUNO-Di packs in more than 1,000 instruments with an emphasis on the piano, organ, strings, brass, and synth sounds that are crucial to live performance. USB ConnectivitySuppose your bandmate emails you a quick MP3 demo of a song they've written at home, or perhaps you're looking for a way to use WAV or AIFF files as backing tracks when you play shows. Take It To The StreetsAt under 12 pounds, the JUNO-Di is light enough to carry under your arm. Layers of Live EffectsWhen it comes to live effects processing, the JUNO-Di is no lightweight. Roland JUNO-Di 61-Key SynthesizerOnstage or in the streets, the JUNO-Di is a traveling musician's dream. Over 1,000 Great SoundsAt the heart of this exciting synth is a top-of-the-line voice engine that delivers world-class sounds -- including grand and electric pianos, lush strings, beautiful guitars, powerful brass, percussion, plus banks of exotic instruments, modern synth sounds, and much more.
Simple NavigationWith so many sounds onboard, it could be a daunting task to find what you need.
Sing AlongMore than meets the eye, the JUNO-Di lets you plug a microphone into its external input and process your voice through the built-in vocoder. Built-In Song PlayerWith its USB memory port and Song Player function, the JUNO-Di enables direct playback and control of backing tracks from a USB key. Where the Action IsThe Juno-Di's 61-key playing surface is unweighted, but has enough bounce to feel convincing on electric piano, Hammond organ, and even acoustic piano patches. For more in-depth patch tweaking without wading through a maze of menus, the Juno-Di's sound modification controls put the most common parameters right at your fingertips. Friends In High PlacesThe Juno-Di is very well-connected, with plenty of options for getting it into your existing rig. All About The SoundAll of the above is nice, but doesn't mean a whole lot if the sound isn't on point.
Analog Old-School-nessThe Juno-Di is a digital synth, but it's got enough analog character to feel like a throwback to the earliest Juno models. Beyond the percussion patches mentioned earlier, the Juno-Di also comes loaded with 24 preset drum grooves.
Effects In EffectThe Juno-Di is outfitted with a full complement of effects patches on board. Depending on the effect you load, the Juno-Di offers up to four tweakable parameters for additional sound sculpting. I purchased this keyboard for accessory purposes and it has more than enough sounds for the demand of gospel music. I give the quality a 9 out of 10 because it is mad with remarkable resilient and tough and very light synthetic plastic. There just is no better valued keyboard out there at the moment that offers the stunningly impressive professional array of features and conveniences that this board has for the price. I haven't owned it long enough to need customer support, but other roland keyboards that I have owned for 6 years now I have never needed to call customer support for what so ever. I expect that with what this keyboard has in its features package, 1300 sound patches and 127 favorites, with a midi controller, with the additional way to extensively edit any of the 1300 patches and save them into the 127 user favorite re writable patches; and the way it is built out of very heavy duty highly durable long lasting plastic,( which I know doesn't sound great but this keyboard if properly taken care of will take care of you for a very long time, easily many years ) I may well keep this keyboard for a very long time to come.
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Manual - Roland has made manuals for most of their products available as free PDF downloads.
Memory - 1082 Preset + 256 (GM2) + 128 User Patches, 20 Preset + 9 (GM2) + 8 User Rhythm Sets, 64 Preset + 64 User Performances. All images, audio, downloadable media, logos and registered trademarks are property of their respective owners. Inscrivez-vous gratuitement et profitez des tarifs speciaux reserves aux membres Audiofanzine.
Mobiles Design trifft auf bühnenfertige SoundsMit dem JUNO-DS bringt Roland ein neues Keyboard an den Start.
Synthesizer · Roland Juno-DS 88Zu diesem Produkt sind noch keine Kundenrezensionen vorhanden.› Bewerten Sie als Erste(r) dieses Produkt!
The new Roland unit replaces my long-standing Kawai MP8, which I used for over 3 years; so this was by no means an impulsive purchase.
Lastly, here are a few tips that may save you some troubleshooting headaches, especially if you’re using the GX in a studio setting. Your console setup looks very functional would you share some information about it’s setup and manufacturer.
My history is that I have had no formal lessons, cannot read a note of music, and actually first had a go at playing the piano when I was about 30.
The Roland GX is a great piece of kit, but for the applications I’ve explained in the post. You might even consider the 9500 series (Kawai) that pre-dated the MP8-Mark I; pretty much the same action from what I recall.
My wife is concerned about the transition to the acoustic and my thoughts were, you would be better off to err on the side of a heavy action rather than a lighter action. As far as my connections go: I route the analog XLR outs thru a patchbay that in turn brings the signal into my Yamaha 02r96 mixer. Even though the RD-700GX does not have the most optimal samples, I do find its sounds very usable -especially for what I do most: PRACTICE. Yes, the Piano and EP sounds in the GX are supposed to be superior to anything in the SRX cards.
Hello Victor, Yes, essentially the Muse Receptor is a computer that runs an optimized version of Linux and is solely designed to run VST instruments and plug-ins with high reliability and speed. Bad news though after 3 months I’m noticing considerable wear to the ivory key tops in the heavy traffic areas of the keyboard. So this a very good thing we have going, in my opinion, because it means we really can get the word out and use strength in numbers to (hopefully) protect ourselves from typical non-responsive manufacturers.
I have virtually the same set up and have been looking for something a bit more ergonomically arranged like yours.
I’m also interested in your comparison between the V-Piano and the software based Instruments like Ivory. Brian, I would have to agree with your observations on the MIDI controller capabilities (lack thereof on the V-Piano spec).
You've ruled out the heavy, expensive workstation boards, but you want more sonic flexibility than a simple digital piano.
It couldn't be easier to find the sounds you need fast, on the JUNO's adjustable-brightness large-character display. Either way, you can save the files on a USB memory stick and plug it into the USB port on the JUNO-Di's front panel. And if you forget to bring the included power adapter, you can run this keyboard for three hours on eight AA batteries!

You can enhance any of the onboard sounds just by grabbing the dedicated Reverb knobs on the front panel. It's lightweight, it can run on batteries, and it's easy to use, yet it performs and sounds like a heavyweight synth.
But fear not -- the JUNO-Di simplifies the process of finding sounds with its dedicated category buttons. A dedicated reverb is assigned to the input, so you can add lush ambience to your voice without taking away from the main onboard effects.
You can play MP3, WAV, AIFF, and SMF files, and control them from the dedicated buttons on the front panel. With a legendary lineage including the Juno-6, Juno-60, and Juno-106, you can be sure the Juno-Di is ready to build that same kind of reputation among today's players. The keys are fully velocity-sensitive, offering ringing clarity when played with a feather touch, or a growly bark when you dig in deep. Part joystick, part mod-wheel, you have good command over pitch bends and modulation for on-the-fly tweaking.
When you load a patch, the five modification controls are auto-mapped to that patch's envelope attack and release, filter cutoff and resonance, and reverb mix. You can build your patches from the ground up, or start with a preloaded sound and twist it into unrecognizability. Reverb and vocoder effects can be applied to the mic signal, which is routed to the main outs automatically. I was definitely happy with the sounds in the Juno-Di, from the pianos, to the orchestra sounds, to the rock organs, some of which feature a rotary effect mapped to the mod-controller.
You get sparkly pads, searing saw waves, triple-fat filtery basses to go way back in the day. These patterns represent a number of different musical styles, and are great for providing inspiration when composing or for quickly adding a beat underneath your performance. There are two dedicated effects channels for reverb and chorus, plus three more "multieffect" channels that can call up a variety of phasers, flangers, distortions, compression, delay, EQ, and much more.
For example, you can choose the type of amp called up in the amp simulator effect, or the speed of the flanger. The sound and playability are well worth the price, but when you factor in the portability, sound shaping, connectivity, and performance-friendly controls, you're really getting a great value. Its sounds are just as professional as any other professional board out there and all 1300 of its sounds are brought to you for an amazing price. With 1300 sound patches, a midi controller, a menu option to edit and save 127 favorites, and options to record and save song data not only within the board but also on a backup usb card device, and 5 dials to immediately while in play the reverb, attack, cutoff, resonance, and release, and a laser beam light volume controller to use while in play or the "D" Beam controller, this board is absolutely amazing. I think only keyboards made of real wood or metal that are much much heavier could be said to be a 10 in construction quality, but this one's not far behind those at all.
I know that if this board were made by any other manufacturer just a few short years ago it would have sold for thousands of dollars for sure and not just for $699.00.
It is a pleasure to look at, I really like its colors that highlight the control panel, and being a primarily black colored instrument does make it very handsome; the LED screen is easy to read, it feel great while playing it as well. Our forums also has a Buyer’s Guide section where you can ask for advice on buying synthesizers. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
Es ist sowohl für Profis und Wochenend-Musiker, bis hin zu Musik-Produzenten geeignet. I’d like to learn piano and take lessons – would the GX suffice for this purpose given its keyaction and on board piano sounds?
Not sure whether to stick with a stage piano (I have some decent reference monitors) or whether to go a digital piano like the Kawai CA91?
First, Adrian, you’ve been offering some really good insights here and you obviously know your stuff. One of the many keyboards I owned was a Yamaha CLP 990 and loved it except for the old floppy disk drive and the out of tune sample in the upper middle register. Firstly after a few weeks of playing it I got used to the action and brought the touch levels back down to just above factory default. This wear shows up as extra roughening of the key surface and is already quite noticeable to the touch in comparison with keys that are less well used.
When I sold it in October 2008 the keyboard was still in pretty good condition despite regular heavy use. I’m glad I took a look back here to see the last comments made by yourself and Steve concerning the GX key wear.
I’ve been told that so far they haven’t received any other complaints about the ivory tops. You want hundreds of playable onboard sounds, and you want to be able to grab knobs to shape your sound live without paging through menus. And if you want to customize the sounds, the dedicated "Sound Modify" knobs on the front panel let you instantly cater each sound to your specifications, even while you're playing. The battery compatibility lets you play for up to five hours without plugging in (uses Ni-MH AA-size rechargeable batteries). Sing along with your performances and transform your voice in colorful and creative ways, from silky smooth to sci-fi robotic. You can use these to customize existing patches into your own unique creations, or for real-time tweaking during performance. If you sing and play outside, you're in luck, as the Juno-Di can be powered with eight AA batteries.
The Juno-Di is loaded with over 1,300 factory patches, all easily accessible via the category-based menu. I'm not suggesting these sounds are hyper-realistic clones that would be mistaken for the real deal, but they're definitely passable for gigging.
Some effects are application specific, with a vocoder for voice patches and a sympathetic resonance effect for added character on acoustic piano sounds.
I appreciated the ability to adjust time-based effects such as flangers and delays by either milliseconds or note values relative to the tempo. A beginner will easily be able to navigate through the most useable functions, and more advanced players will find plenty of opportunities for creative inspiration.
And just a idea I just had here but I notice that all of the very old, aged, but still very highly damage free keyboards on all those old Hammond Organs many of which are nearing 45 years old and older have their keys manufactured in much lighter plastic than the keys and body of this board. Our marketplace gets thousands of visits every week so make sure to check back often if you want to buy or sell a synth.
I purchased the MP8 after waiting for the MP8II and being disappointed by the lighter action. I’ve had a Yamaha P250 for 3 years and despite the weight and the poor internal amp speaker performance, I love this instrument. That being said, I’m an old timer (53 and counting) who has spent my entire professional life as a piano technician and a studio engineer.
I’ve almost cemented a deal with a local distributor for a Roland HP 207 home piano, which has the same PHA II action. I was in London earlier this week and popped into Rose Morris to try out the Kawai MP8II etc..

You want easy access to onboard multi-effects and a friendly, intuitive interface -- and you want it all in an uber-compact, portable, lightweight design. You can create your own splits (for example, play organ with your right hand and bass with your left) or layer sounds such as piano and strings. Use the Song Player's playback controls, adjust the volume independently, or even adjust tempo when you open a standard MIDI file. When reverb and chorus just aren't enough, you can layer up to three more of the 79 built-in effects: delays, flangers, distortion, and much more, including a host of multi-effects options - even a rotary speaker simulator.
It has a friendly "direct access" control panel for easy editing and a Song Player for larger-than-life performances. When used in conjunction with a battery-powered amp such as Roland's famous Cube Street or Mobile Cube, the JUNO-Di can be played and heard anywhere.
Additionally, the Center Cancel feature lets you sing along karaoke-style with audio files in the Song Player for a complete entertainment experience. You can assign a multitude of parameters to the D-Beam, and make changes by running your hand through the beam's path.
Add a headset mic and one of Roland's battery-powered amplifiers, and you've got a completely portable setup.
Other effects settings are truly multieffects, with layered combinations of flanger and distortion, for example. I might be a roland fanatic because this keyboard along with my other roland equipment is a must have. I have never before owned a keyboard with over a thousand sound patches before and it is a momentous advantage to finally own a board that does, and for its price, with all that it is completely unmatched by any other board right now. Many a Hammond B3 Organ out there are still in use with very thin hollow keys after all these years and if they can last that long with proper care, so too this board should be able to do. As a pianist I’m very concerned with having to potentially replace the keyboard within a couple of years.
They had a GX in there that the sales guy said had been on demo for 6 months, the keys were showing the same wear signs as mine.
Built for the live keyboardist, the Roland JUNO-Di delivers all this and more in an inexpensive package. If you crave the ability to dig deep into detailed sound editing, or you want to build your own patches for the JUNO, run the included JUNO-Di Editor software on your Mac or PC. Make the guitarist in your band jealous, with these BOSS-quality effects built right into your keyboard! A battery-life indicator on the front panel ensures that you won't lose power unexpectedly. It even has a cd that comes with it that allows you to edit the non rewritable sounds in the board in you computer and you can save them there like with the professional synths that cost thousands of dollars.
It was head and shoulders above the old grand piano I’d had for the previous 15 years (A beat up 6’ East German classic from 1902) ! Electronic Konnekt 24D firewire interface for audio and midi into a late model Intel iMac running Logic Express. I was very encouraged, even relieved, to see that there was at least one other person out there who recognized just how good of an action the Kawai MP8 has. More interestingly upstairs they also had a Roland HP207e with ivory keys that was also showing them same wear patterns. Save your 10 favorite tones, splits, or layers, then hit the Favorite button to quickly access them through the 10 sound bank buttons.
You can load your new sounds on the JUNO via USB, and even back up your JUNO's internal settings to your USB thumb drive.
There's even a vocoder for the JUNO-Di's microphone input, and the vocal mic has its own dedicated reverb and independent volume control, so you can get the exact sound you want. If you want to create layers or splits, dedicated buttons and the large LCD make the process fast and friendly. BTW I did like the Kawai but felt the action wasn’t as direct and precise as the Roland.
Plus, it's easy to tweak your tones live, with five analog-style dedicated knobs on the JUNO-Di's front panel.
And don't forget the onboard rhythm patterns, which can be easily adjusted on the fly with a dedicated tempo control. Performances feature splits and layers, so if you're looking for more than one simultaneous sound, start here.
I have come to the disappointing realization that most people under 30 don’t have a clue what a piano is supposed to feel or sound like.
From what I could hear the samples are pretty consistent across the board and at least one of the grands has some nice qualities.
There's even a Roland D-Beam controller, so you can control effects with the wave of your hand -- a showstopping performance feature.
I was a 5 – night-a-week-pro 30 years ago – Fender Rhodes, Clavinet, Moog & Hammond, but I never really solved the problem of having a good piano sound and action on stage. With all these onboard effects, the JUNO-Di may be the only live keyboard you'll ever need.
The Rhodes had an awful action despite sounding wonderful, I’m sure it’s left me with some really bad habits + a bad back! I spent years and countless thousands of dollars based on salesmans reccomendations trying several digitals, always hoping that I could learn to live with their shortcomings. Playing jazz this means changing voicings and reorganising solos to suit the instrument’s qualities. I doubt the difference would manifest to the same degree in a live situation, but for studio recording, it’s the approach I use. Is it safe to assume that the piano sample in the GX would be the same as the home piano series? Failing to do so (again) makes the keyboard fall short of the hopeful expectations of anyone who plays PIANO. Most of us who are in need of such a keyboard would gladly pay the extra couple of hundred dollars (if it really would cost that much more at the manufacturing level).
Fact is, I actually played the Roland digital home piano, model 207, today and was very impressed with the whole thing.
Anyway, MY quest for an excellent stage instrument finally ended in delight with the Kawai MP8. For those of you looking for the closest thing to a real piano action, try to locate a good, not-abused MP8.
Even if the keyboard is showing some wear in the form of loose or wobbly keys, it can easily be fixed by any competent piano technician.

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