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Elvis' third and final appearance on Sullivan's show on January 6, 1957, contains the legendary moments when the CBS censors would not allow his entire body to be shown. Elvis saluted the uprising in Budapest during this last appearance on The Ed Sullivan Show. Elvis' third and final appearance on Sullivan's show on January 6, 1957, contains the legendary moments when the CBS censors would not allow his entire body to be shown. But it was his rendition of such Presley hits as Heartbreak Hotel and Hound Dog that stirred up the studio audience. None of these explanations offers any real insight into Sullivan's motivations but all add to the folklore surrounding this event, thereby enhancing Elvis' image as a notorious rock 'n' roller. Sullivan closed the show with a seal of approval for this new family-friendly version of Elvis, saying, 'This is a read decent, fine boy.
Following is an edited interview with Larry Auerbach who talks about booking Elvis on his first TV show and taking him to buy his 'first' 'Jockstap' - and why he needed too. Elvis Presleys's songs are unforgettable - they have stood the test of time, especially his singles of the 1950s, a decade in which he had a song at No. During the evening Elvis rehearsed at home with the band and the Jordanaires for his second performance on the Ed Sullivan Show. New York Daily News Elvis Presley's 75th birthday Elvis Presley's 75th birthday Elvis Presley would have turned 75 years old on January 8, 2010. Seen only from the waist up, Elvis still put on an exciting show, singing seven songs in three segments. Then he performed Peace in the Valley, a gospel standard, as a tribute to the Hungarians' plight.
Seen only from the waist up, Elvis still put on an exciting show, singing seven songs in three segments.
Their screams and applause clued the television viewers in to what Elvis was doing out of camera range, almost subverting the censors' intent. Ed was reminding Elvis that this was a family show and he wanted no part of the hip swinging and suggestive movements that had given rise to such negative comments from the first show.
In one segment, Elvis and the Jordanaires sang 'Peace in the Valley', which Elvis dedicated to the earthquake victims of Eastern Europe.
Once again, the interaction between Elvis and the studio audience added to the power of his performance.
This was Elvis last television appearance until the Frank Sinatra Special on his return from the Army. Every so often she would join in and softly sing a line, while June (Juanico) never shy about her singing, took the alto part on 'In The Garden', which had been part of her high school graduation ceremony. At the singer's request, Sullivan solicited the TV audience to donate to Hungarian relief efforts - raising about 25m Swiss francs. After Elvis' final number, Sullivan declared him to be 'a real decent, fine boy' -- a rather hypocritical statement considering what he and the censors had just done to Elvis' act. When the show was over, Elvis boarded the midnight train to Memphis, where on Tuesday, Jan. Later that night she and Elvis drove out to Mud Island, where they had ridden Elvis' motorcycle at what seemed like 100 miles an hour on her first trip to Memphis.
By the end of the year, Elvis would make 11 television appearances, filmed his first movie and become RCA’s best-selling artist.
For years people have wondered why Elvis was censored during his third appearance on Sullivan's show. He was a household name, the most controversial performer in showbiz and the first true rock ’n’ roll star.This exciting year in Presley’s career is being celebrated by two new releases. The Beatles had made their first appearance on the Ed Sullivan Show in 1964, ushering sweeping changes to pop music the way Elvis had in the previous decade. The simplest and most probable explanation is that Sullivan received negative criticism about Elvis' earlier appearances.

A repackaging of the “Elvis: The Great Performances” DVD scales down the set from three to two discs but still showcases many of Presley’s most notable appearances (although the new release has a washed-out look in comparison to the 2002, three-disc edition). Other, more outrageous explanations include the theory that the Colonel forced Sullivan to apologize publicly for remarks he'd made about Elvis to the press the previous summer, and the waist-up-only order was Sullivan's way of getting back at Parker. And “Young Man With The Big Beat,” a five-CD set, has every master recording Presley made in that historic year, plus live material and other extras (see review on page 23). The wildest explanation was offered by a former director of The Ed Sullivan Show, who said that during his second appearance, Elvis put a cardboard tube down the front of his trousers and manipulated it to make the studio audience scream.
1956 was a transformational year for Presley, and in many ways set the stage for much of what was to come.Elvis Presley delivers an electrifying performance Oct. To avoid a repeated occurrence of that behavior, Sullivan supposedly insisted on the above-the-waist coverage for Elvis' final appearance. The show was followed by other dates — Presley would perform more than 200 shows during the year — but the gigs were merely a warm-up for the first big business of the month: Presley’s first recording session for RCA in Nashville. Anticipation was running high when Presley and his band — guitarist Scotty Moore, bassist Bill Black and drummer DJ Fontana — arrived at the studio Jan. But if Presley was nervous, he didn’t show it.“Elvis was easy to work with in the studio,” remembers Fontana. What can we do?’ And if he didn’t like it, he’d say, ‘Nah, we’ll do something else.’ Whatever Elvis said, well, that was the end of it. We had producers sitting there reading a comic book or something; that’s about what they did. Even those who liked Presley’s music weren’t sure what to make of the song.“I couldn’t imagine Elvis recording something like ‘Heartbreak Hotel,’” says Wanda Jackson, who’d played several shows with Elvis. Taking him to Nashville and making him record songs like this?’ But I was proven wrong, and I was glad. 27, and Presley made his national TV debut the following day on “Stage Show,” hosted by Tommy and Jimmy Dorsey. Heavy storms meant there weren’t many in the studio audience, but Elvis nonetheless seems brimming with confidence as he strides to the mike, wearing a speckled jacket, black shirt and white tie, letting out a short “W-e-l-l-l…” before launching into “Shake Rattle and Roll” (throwing in a bit of “Flip, Flop and Fly” at the end). But what really caught the audience’s attention were the moments during the instrumental breaks, when Elvis would step back to join his musicians and start jiving around with his legs.“The country artists basically always just stood around and played,” says Jackson. 11 performance, in a decidedly rigid arrangement with the Dorsey orchestra horns; it fared better on March 17 and 24, and the single was soon moving up the charts. He was fresh and new and young, energetic; it was a whole new era being born, and it was exciting. He just single-handedly turned our business upside down.”Plans were now made for Presley to move to an even bigger stage.
In addition to performing a scene from “The Rainmaker,” he also was filmed lip-syncing to “Blue Suede Shoes,” a terrifically lively performance that fully reveals his obvious charisma.
Producer Hal Wallis didn’t hesitate; he offered Elvis a seven-picture contract, with a provision allowing Presley to be loaned out to other studios. As a keen movie fan, he looked forward to finally being able to make a film of his own.March 31 was Presley’s last appearance on the “Louisiana Hayride” radio show, where he’d been a regular attraction.
His contract was bought out so that he’d able to tour without being tied down to weekly “Hayride” appearances. There was more TV work on April 3, when Elvis made his first appearance on “The Milton Berle Show,” broadcast onboard the aircraft carrier “USS Hancock,” moored in San Diego, in front of an appreciative audience of sailors and their dates. Presley performed “Shake, Rattle and Roll,” “Blue Suede Shoes” and “Heartbreak Hotel,” looking relaxed and clearly having a ball. Ten days later, he opened in Las Vegas, playing the Venus Room at The New Frontier Hotel, along with Freddy Martin and His Orchestra and Shecky Greene.
It was the first misstep in Presley’s career since his lukewarm reception on “The Grand Ole Opry” in 1954. Presley himself was so despondent about his reception he later recalled, “After that first night, I went outside and just walked around in the dark.

During the Vegas run, The “Heartbreak Hotel” single and “Elvis Presley” album both reached No.
1, and “I Want You, I Need You, I Love You,” released May 4, had a huge advance order of 300,000; it later peaked at No. He pulled all stops out; instead of playing his guitar, he grabbed the mike stand and gyrated around it.During the song’s extended coda, he jerked his hips and legs in comic exaggeration, a humor readily picked up by the laughing studio audience, and Berle (who shook Presley’s hand afterwards while enthusing “How about my boy? It was decided that Presley would appear, but Allen assured viewers that he “would not allow [Elvis] to do anything that will offend anyone.”Rehearsals for the show were held June 29 in New York, and the next few days would be superbly documented by photographer Al Wertheimer, tapped by RCA to be on hand.
Wertheimer accompanied Presley to his next gig on June 30 in Richmond, Va., where he snapped an iconic photo of Presley playfully touching tongues with his date backstage. Presley then returned to Memphis by train; remarkably, he got off one stop prior to the main stop, and walked home alone. Just hours later, he headlined a show at Russwood Park, announcing at one point, “You know, those people in New York are not gonna change me none! 2; but since the single is regarded as a double A-side, both songs are now listed by “Billboard” as being No. Presley had hoped it would be a purely dramatic feature, but to his disappointment, he was sent into Fox’s studio on Aug.
Most notable was “Old Shep,” a tearjerker about a man and his beloved dog, which Presley had sung at age 10 at the Mississippi-Alabama Fair and Dairy Show in his hometown of Tupelo, Miss., and won a prize. He also recorded another of Otis Blackwell’s songs, “Paralyzed,” and a smoky version of Leiber-Stoller’s “Love Me.”RCA kept up a steady stream of record releases. August saw the release of “The Real Elvis” EP, as well seven singles, mostly drawn from Presley’s first album, the idea being to generate sales from people who preferred to buy singles (especially teenagers, whose small, portable record players weren’t always capable of playing albums). 27 (the latter song was also the title of an EP released the same month).Ed Sullivan had sworn he’d never have Presley on his program, but the ratings he pulled in were too tempting to resist, and Presley finally appeared on “The Ed Sullivan Show” Sept. The show was hosted that week by Charles Laughton, as Sullivan was recuperating from a car accident, and the New York broadcast cut away to Los Angeles for Presley’s segments. His performance of “Hound Dog” was restrained; Presley only really cut loose on “Ready Teddy,” the camera cutting away from his more wild gyrations. He also debuted “Love Me Tender.”Elvis Presley performs at the 1956 Mississippi-Alabama State Fair.
26, Presley returned to his hometown in triumph, performing two shows at the Mississippi-Alabama Fair; a recording of the shows, though rough, readily conveys the excitement of the performances. By the end of the month, Presley was back in New York for his second “Ed Sullivan” appearance on Oct. Aside from the title track, based on the Civil War ballad “Aura Lee,” the songs sat uneasily in the film, and the storyline, which had Presley and his screen brother competing for the same woman, was a melodramatic soap opera.
It was an unsatisfying film debut for such a charismatic star, and Presley’s talents would never be fully utilized in the movies.But that disappointment lay in the future.
4, he dropped in at Sun Studios in Memphis and ended up hanging out with Carl Perkins and Jerry Lee Lewis.
Producer Sam Phillips quickly put in a call to Johnny Cash, as well as a reporter and photographer, turned on his tape recorder, and the “Million Dollar Quartet” was born, producing a recording of the performers singing snatches of songs and trading stories of their newfound success. In the audience was Hal Kanter, who would write and direct Presley’s next film, “Loving You.” Already plans were being laid for next year’s work. But no year was destined to repeat the accomplishments of 1956.There were certainly further triumphs to come, but Elvis Presley would never have such a hectic year again.

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