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The new Philip Glass opera The Perfect American, based on Peter Stephan Jungk’s novel of the same name, debuted on January 22 the Teatro Real in Madrid. We welcome thoughtful comments on articles, but please read our community guidelines before participating.
All moral issues regarding the plot aside I do like how delightfully absurd the visuals seem.
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The novel is a fierce demythologizing of Walt Disney (1901–66), who is depicted in the last months of his life as a racist, far-rightist, ignorant, populist bigot.
The book is narrated by the Austrian cartoonist and composite artist Wilhelm Dantine, and centers on the confrontation between him and Disney.  Dantine, a Disney employee had helped to create a union — anathema for the fiercely anti-Communist Disney — and gets sacked. Nobody really stands up to the great man.  Disney's most meaningful conversations are in his final stay at the hospital, dying of cancer. The complicated character of Walt Disney comes to life in this thoughtful, brilliantly executed opera.
The characters move in and around a central elevation, which represents Disney's bed, his laboratory, his house and finally his catafalque. Features Celebrating the 80th Anniversary of Opera News with seminal articles and excerpts from our archives that have never before appeared on our website.  In Review With a cast of four superb singing actors, West Edge Opera’s excellent, unbuttoned production of Thomas Ades's Powder Her Face brought an atmosphere of nostalgia and humanity that kept the work's raunchy humor in perspective.

A spectacular Phelim McDermott production, it was filmed at the Teatro Real in Madrid in January 2013, conducted by Dennis Russell Davies, an experienced and authoritative champion of the Philip Glass's hypnotic music.
Music, gifts, upcoming sales, special events, and artist appearances happening in the store-we'll bring it all to you. They can also place orders for hard-to-find music while guiding you to the best recordings available.
The opera, which was inspired by unflattering myths and half-truths about Walt Disney, has received mostly mild reviews in publications like the NY Times and Opera News, though the LA Times was enthusiastic. You can see the opera from the comfort of your own home and make your own judgements about how successfully it portrays Disney’s life and worldview. All comments are moderated and will not immediately appear on the site; your patience is appreciated. Biographies and histories are always seen through the filter of the writer’s own world view. The libretto for Glass's opera, by veteran novelist, playright and scriptwriter Rudy Wurlitzer, who worked with Glass on his chamber opera In the Penal Colony (2000), maintains the Disney character as a "negative" force but somewhat humanizes the monster of Jungk's book. When his former boss is dying, Dantine returns to Disney, seeking respect, recognition and money. There are racist and anti-union rants, but the piece also acknowledges the man's nostalgia for his childhood and his rare ability to touch the imaginations of children.  The emotional center of the piece is Disney's connection to his boyhood hometown of Marceline, Missouri. Among its weak moments are the long, meandering recitatives — more rhetorical than narrative — in which all characters sing in a similar monochrome parlando.

In Review Featuring Klaus Florian Vogt in the title role, Bayreuth's new production of Parsifal was technically and musically impeccable, catapulting the festival to Olympus-like heights. Redactor, articulista y critico de musica en 'El Correo de Andalucia', 'Opera Actual' y 'Scherzo'.
Spanish daily El Pais reports that crowds have been respectful if not ecstatic: “It won a long applause. Dantine represents the thousands of anonymous artists who were used to create the brilliant and wildly successful Disney animated films and then treated as if they were garbage.
The pastoral peace and innocence of  Marceline is the world Disney used as the model for Disneyland. They are not anything recognizably Disney, rather work-in-progress elaborations on a darker, more sinister world of images. Bass-baritone David Pittsinger uses his elegant demeanor and deep, creamy voice to embody that rock of common sense, Walt's brother Roy Disney. Autor de notas de concierto, conferenciante especializado en musica contemporanea y difusor de este genero. Dantine poses the question of who is the creator in such a collective endeavor as animated movies.

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