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09.07.2014 admin
As she puts the finishing touches on her ambitious new lifestyle-and-clothing collection, Ellen DeGeneres packs off to Europe for a whirlwind design-inspiration trip—with Hamish Bowles in tow. The plan for our long weekend is to hit Paris’s flea markets, visit tastemaking friends, take in an exhibit or two in the City of Light, hop on Mr. Ellen’s first night in Paris has been a sleepless one, as her cell phone bleeped a symphony of text updates on the Emmys. In Paris we are a ten-person troupe (plus security) that includes several members of her E.D. In between noting the dense hang of the black-framed pictures covering the wall of a vendor’s stand and a young artist’s work displayed in another (which makes Ellen ponder the idea of artist collaborations for her line), in short order she has taken a memo on a brace of turn-of-the-century steel bookcases with sliding glass doors and a massive nineteenth-century artist’s easel (for her television stand) and invested in a sculptural cast-concrete outdoor seat from the seventies, a set of eight Mallet-Stevens utilitarian thirties metal stacking chairs, a stylish Art Deco garden chair that once stood on the Champs-Elysees, and a grand total of sixteen lamps, mostly of spiky mid-century form.
Nevertheless, the lure of a visit to the gallery of Patrick Seguin, holy grail of Prouve collectors, proves too much to resist. Beyond its discreetly anonymous warehouse door, Seguin’s vastly high-ceilinged, light-flooded space is dotted with Prouve masterworks: It is a temple to industrial-design chic.
Post siesta, we all convene for dinner chez Marco Scarani and Jamie Creel (of New York’s Creel and Gow) in their ravishing ancien regime apartment on the Rue de Seine. Our dusk view across the dome of the Bibliotheque Mazarine to the Seine and the Louvre beyond, however, is bewitching. The following morning Ellen nixes Isle-sur-la-Sorgue in favor of a lie-in; so, torn between an embarrassment of intriguing-sounding Parisian exhibits, we settle on the acclaimed Lucio Fontana retrospective at the Musee d’Art Moderne.
A trip to Colette is nipped in the bud by a surprise invitation to visit Seguin’s achingly chic apartment in a seventeenth-century Marais manse, a treasury of Prouve, Royere, and Le Corbusier masterworks. And thence the magic carpet to Antwerp, where we are installed at the state-of-design Hotel Julien, which exemplifies the sleekly organic Belgian aesthetic. Our destination the next day is the Holy Grail: Castle Gravenwezel, the home of Axel and May Vervoordt, a place so sacred in Ellen’s mind that Portia once attempted to organize a surprise fiftieth-birthday trip to it for her. An allee of immemorial beech trees opens to a moated castle of impossible fairy-tale beauty. The gardens are just as revelatory, and it is here, in the shadow of a low, gnarled apple tree, with views of a wild garden hemmed by hedges clipped like clouds, that we have lunch, feasting on a banquet of garden-fresh vegetables that has been effortlessly orchestrated by Axel’s wife, May. Ellen DeGeneres waves to waiting fans as she gets into her car while leaving ITV Studios on Tuesday (July 12) in London, England.


Young superstars Sophia Grace and Rosie covered the event as reporters for The Ellen DeGeneres Show. By August 2013, we knew that the forgetful Dory (Ellen DeGeneres), pictured at top, would be searching for her family while Marlin (Albert Brooks) and son Nemo would be looking for her. Two years later, we learned that Ed O'Neill would be voicing an octupus named Hank and Kaitlin Olson would be lending her voice to a whale shark named Destiny.
Now we have the final cast announcement, which includes a few new surprises, along with additional character portraits.
Bill Hader and Kate McKinnon will voice a fish couple in what's described as a cameo appearance. B.’s plane to the south for a visit to the antiques fair of Isle-sur-la-Sorgue, then dash to Antwerp, a design-centric city that Ellen has long been keen to explore.
A legacy, perhaps, of an itinerant and unprivileged childhood lived in a series of rented apartments between Metairie, Louisiana, and Atlanta, Texas—years she spent dreaming of the suburban homes that she didn’t know were beyond her parents’ financial reach. One of Portia’s first presents to Ellen was Prouve’s Cite chaise, secretly sleuthed as a birthday surprise. The anticipated presence of Lee Radziwill has thrown Ellen into a momentary dress-code quandary.
Inside, we drool over Fontana’s little-known early ceramics and swoon for the celebrated slash paintings that revolutionized the art world in the 1950s. Belgium has just beaten Russia in the World Cup, and the streets are thronged with jubilant soccer fans who lack the reticence of those French antiquaires. Axel’s son Boris, a model of courtly hospitality and elegantly proffered knowledge, leads us there in his crocodile-green Rolls-Royce Corniche. As they leave, Ellen takes one last look at the turreted castle, spangled with reflected light from its moat.
In this episode, JoJo asks more fan questions and the guys talk about their amazing fans and more! Not bad for an eleven-year run that began only after a battle with television executives who, as Ellen herself notes, questioned what a perky lesbian comic could have to say to daytime TV–watching Americans. Undaunted by her abbreviated sleep, however, she is more than ready to navigate the famed labyrinth of the Clignancourt puces.


You only do it if you have no other skills to fall back on”), Ellen admits that she made as much money renovating houses and flipping them as through her chosen profession. Added by jason on 2016-05-25 Finding Dory Official Trailer 3The new trailer for Finding Dory is here! There will be accessibly priced men’s and women’s clothing that reflects Ellen’s enduringly classic, collegiate style (leavened with dresses that suggest Portia’s understated, feminine sensibility). Her ever-expanding, Williamsburg-cool team, which now includes five apparel designers, five homeware designers, and two textile designers (“All these people work for me?!” queried Ellen on her first visit there), is already addressing the challenging proposition of channeling Ellen’s mantras and recherche style into everything from shrunken boyish blazers to fragrance.
Ellen is wearing a harebell-blue shirt designed in collaboration with her full-time stylist Kellen Richards, sage-green chinos, a straw porkpie hat, and a vintage Hermes postman’s bag slung over her shoulder.
Portia is old school–movie star immaculate in a miraculously unwrinkled shrunken white linen jacket and pants from Band of Outsiders, with a silk Hermes head scarf folded and wrapped as a hair band, and a thick-soled Prada sandal with the ergodynamic look of an Olympic athlete’s running shoe. The apartment is a compendium of Sixth Arrondissement chic, and star chef Claude Colliot has been enlisted to prepare dinner—his refined pescatarian menu, prepared with great elaboration and invention, is delectable but not quite DeGeneres–De Rossi friendly. Web site (launching in spring 2015), retail partners (still to be named), and pop-up shops. Ellen admires the books and flea-market trouvailles on the shelves, its eclectic mix of cozy mid-century armchairs and nineteenth-century-style encaustic tiles.
Before we leave the museum she has been offered three different paintings from Fontana’s slash series by sundry dealers with whom she works.
Ellen’s strategy may not be novel—this is the era of Aerin, Martha, Blake, Gwyneth, after all—but her endgame is ambitious.
She envisions nothing less than global brand domination, to reposition herself as the design icon of elevated-lifestyle taste.



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