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The Edge just because Surviving the Game and Benji The Hunted are somehow missing from this list. First Blood should be on there but maybe that isn’t fair to the other films because Rambo can ignore pain and eat things that would make a billie goat puke.
Deliverance by a country mile…Touching the void is awesome though, love the edge as well. Shoot to Kill is another classic with Tom Berenger, Sydney Poitier, and the thin Kirstie Alley. At Play in the Fields of the Lord” directed by Hector Babenco, starring the great and legendary actor Tom Berenger. One day, as I passed Robin’s desk, I heard her gush about Jackson to whomever was chatting with her on the phone. I admitted to Robin that the video was a learning experience —one that opened my eyes and changed my mind. This entry was posted in Entertainment, Kitch & Satire and tagged Michael Jackson, music video, pop idol, Thriller by Ellery.
Coming hot on the hiking trail of Christopher Denham’s survival thriller PRESERVATION is director Adam MacDonald’s TIFF festival fave BACKCOUNTRY. Alex (Jeff Roop) is a seasoned outdoorsman while Jenn (Missy Peregrym), a corporate lawyer, is not.
A connoisseur of all cinematic and small-screen genres, particularly horror, Craig’s favorite films include THE SHAWSHANK REDEMPTION, JFK, JAWS, GOODFELLAS & A CLOCKWORK ORANGE.
ScreenRelish uses third-party advertising companies to serve ads when you visit our website. The same proven design that made Suick famous but made from an all new High Impact plastic, this Thriller is truly the best yet from Suick.
Thrillers about wilderness survival – or wilderness non-survival, as the case may be – feed on the most primal of human fears, the idea that all our so-called culture and civilization can easily be stripped away, and that once we get past the squirrels and the bluebirds nature is not our friend. I don’t mean to beat up on “Backcountry” in particular, which is an effective variation on this familiar theme, with a fittingly gruesome climax and a few cinematic flourishes that point toward deeper symbolic possibilities. Brad’s interest in Jenn is obvious, as is his sardonic appraisal of Alex’s wilderness skills and overall level of manliness. I’m not sure that there is a common consensus on what exactly constitutes a survival thriller, but usually it is a movie where the main characters are battling nature in some way (although they could also be battling each other as well). Muttering under my breath, I said something to the effect that Jackson had no redeeming qualities. While I still didn’t appreciate Jackson’s choice of material, voice or performance style,* I was forced to acknowledge that his raw talent merited recognition and appreciation. Ironically, during the next few decades (I am now the ‘middle-age white guy’), I have grown to appreciate his music and style. Lost in the wilderness always makes for a nail-biting cinematic experience and so this little indie gem, boasting a seriously stunning Canadian backdrop, plays on those fears with thE fact-based film starring Missy Peregrym, Jeff Roop, Eric Balfour and Nicholas Campbell.

After much convincing, and against her better judgment, she agrees to let him take her deep into a Provincial Park to one of his favorite spots – the secluded Blackfoot Trail. He cites John Carpenter as his reason for a love of film after growing up in the 1980s with THE THING & HALLOWEEN on constant loop! These companies may use information (not including your name, address, email address or telephone number) about your visits to this and other websites in order to provide advertisements about goods and services of interest to you. MacDonald pitches Alex and Jenn on the precise midpoint between audience sympathy and irritation; they’re a maddeningly perfect couple with great hair and great teeth (at least on the surface), and at first we almost relish the prospect of seeing them pursued and mauled by Winnie-the-Pooh’s big, hungry cousin. But one of the great strengths of MacDonald’s script is that Brad remains largely jovial in manner; he presents a challenge to the couple, all right, but never anything close to a specific physical threat. She not only spoke of his talent, energy and immense popularity, but seemingly fantasized about him as her lover. Prior to this compulsory exercise, I attributed MJ’s popularity to hysteria and a general lack of discrimination or sophistication. The anthology of his performances defines a genre that I look back upon with pleasure and awe. On their first night, deep in the forest, they have an unsettling encounter with Brad (Eric Balfour), a strange alpha male with eyes for Jenn who may or may not be following them. For most of the million years or so that hominids have roamed the planet, we lived by hunting and gathering amid a world that felt hostile and dangerous. Alex’s overconfident bluster is entirely responsible for their predicament: He’s planned this trip for months, and will be damned if he accepts a map from the ranger station! He joins them for dinner, engages in a little uncomfortable banter around the fire and then goes away.
There is also the question of whether or not the characters actually have to survive in order to qualify (personally, I would say no).
With dander raised, she went into a defensive posture and slapped a video tape onto the desk. But afterward, I recognized that, while individual preferences vary, a reasonable person could not deny Jackson’s innate talent and abundant energy as artist and performer. The sick, the old, the young and the unwary among us often became prey, and it’s not unreasonable to assume that some genetic or instinctual memory of those long millennia still lingers.So the appeal of a movie like Canadian director Adam MacDonald’s highly capable debut feature, “Backcountry,” in which a blithe urban couple on a backpacking weekend wanders into the territory of an enormous black bear who’s getting hungry for his supper, is not especially mysterious. With that in mind, I put together a poll with some noteworthy movies that could potentially be considered survival thrillers, although I’m sure I missed more than a few. But given the choice (and seeing how much it meant to her), I reluctantly consented to her terms.
They push further and further into the woods, Alex stubbornly insisting that he remembers the way.
There’s also a potent thread of sexual anxiety running through “Backcountry” that is somewhat more contemporary, although below the surface that too has elements of ancient superstition. Jenn and Alex are sufficiently unsettled that it takes them way too long to figure out that it isn’t Brad tracking them through the woods the next day.

This hair-raising outdoor adventure is presented as a fundamental challenge to masculinity, a test that the passive-aggressive girly-men of the 21st century are likely to fail — but that a newly empowered 21st-century woman might just pass. Like, years.) He deliberately leaves Jenn’s smartphone in the car, because he’s sick of her damn texting!
I believed that his pop status was based on media hysteria, manipulation by middle-age white guys, and the confusion of puberty. Without food or water, they struggle to find their way back, the harsh conditions bringing out the best and worst in them, pushing their already fragile relationship to the breaking point. That might sound contradictory, considering the presumed male-centric audience for this kind of film, but there’s nothing especially subversive or unusual about it. He refuses to turn back after smashing his big toe to pulp with the end of their canoe — did someone say “emasculation”?MacDonald has clearly seen both Roman Polanski’s “Knife in the Water” and Michael Haneke’s “Funny Games,” and maybe also Julia Loktev’s little-seen “The Loneliest Planet” (all of which explore the theme of outdoor adventure as crisis of masculinity).
Again, she insisted that I watch the video, and she gave me an ultimatum: Watch it and report back to her—or accept her resignation in the morning! When they realize they have entered a bear’s territory, being lost suddenly becomes the least of their problems. I refer you to the extensive literature on horror movies, which have trafficked in various forms of crypto-feminism or “misogy-feminism” since the genre’s invention.Even though the number of people attacked by wild animals of any kind these days is vanishingly small, especially compared to the carnage our species inflicts on itself, every individual bear attack or shark attack sparks a wave of lurid news stories and meditative documentaries and movies like “Backcountry” (which is based on a headline-making episode in Ontario). If “Backcountry” is a more straightforward thriller than those models, you can feel their discordant influence at work. On one hand, this kind of narrative serves to remind us that we haven’t totally vanquished the natural world and it retains some of its ancient dangers. Another way of reading a movie like this is that it channels our ancient hatred of nature while recognizing that it’s essentially nostalgic, and that the occasional hungry ursine cannot compete with the animal we really have reason to fear. But on a deeper level, something more complicated and sinister is going on.It’s idiotic to complain that thrillers are fueled by illogical and paranoid fears, I guess. Jenn and Alex’s first forest encounter is not with the bear but with a puckish Irish wilderness guide named Brad (Eric Balfour), who shows up in their campsite with a big knife, a string of big, meaty trout and no doubt other big appendages and accouterments we don’t get to see. But the particular variety of illogical paranoia at work in the wilderness thriller kind of bugs me.
In the guise of telling us a story about nature and its perils – something that has surely been happening since the days when the hunters came home and told exaggerated tales around the fire – a movie like “Backcountry” can appear to justify our alienation from nature, and even our continued destruction of it. Dick Cheney and Woody Allen are both right (a sentence no one has ever written before): Nature is for pillaging or for avoiding, and any other attitude is naive and sentimental.As we watch corporate lawyer Jenn (Missy Peregrym) and her trendily stubbled boyfriend Alex (Jeff Roop) endure their camping trip to hell, should we not congratulate ourselves for our superior wisdom in staying home or going to the mall instead?
No wonder we’ve destroyed 98 percent of it — and what a sense of relief we’ll feel once the last few scraggly acres of bear habitat have been paved over for a 7-Eleven.

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