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To play the media you will need to either update your browser to a recent version or update your Flash plugin. So with EDM obliterating the charts, entertaining the masses at festivals and dominating the underground world it certainly looks like this revolution is here to stay. Some artists and labels prefer certain tracks to be purchased as part of an entire release. It's a rogue, cutting-edge art form that has darted in and out of the mainstream since the disco '70s.
Now it's a stadium-level moneymaker."You have a new generation every eight to 10 years that finds its own music, its own sound, and for this generation, dance music is the biggest new thing," says Dutch DJ Afrojack, aka Nick van de Wall, one of the headliners at the Spring Awakening Festival of electronic dance music June 16-17 at Soldier Field. Sales for mostly instrumental electronic-music albums aren't in the same league as Beyonce or Katy Perry, usually topping out at about 300,000 copies. But countless hip-hop and pop artists in recent years, from Lady Gaga to Nicki Minaj, are collaborating with DJs and electronic-music producers for hits.

The Grammy Awards last February acknowledged the impact by giving nationally televised exposure to electronic dance-music superstars such as Skrillex, David Guetta and Deadmau5, who was seen "jamming" with rockers Foo Fighters.Sales of recorded music tell only part of the story. The live electronic-music scene has moved out from the underground clubs and outlaw loft-party scene into large theaters, arenas and even stadiums that typically host major rock concerts.
Spring Awakening is just one of several music festivals in the area this summer with heavy representation from electronic dance artists and DJs, including the Wavefront Music Festival, June 30-July 1 at Montrose Beach; Summer Set Music and Camping Festival, Aug. In addition, dance music has become a major component of more mainstream rock festivals such as Coachella April in California and Lollapalooza in Grant Park, which sold out 270,000 tickets in advance with dance artists Avicii and Justice among the headliners Aug. 3-5.When it opened in Grant Park in 2005, Lollapalooza could easily contain the hard-core dance crowd in a small grove dubbed "Perry's Place" (in homage to festival co-founder and Jane's Addictionsinger Perry Farrell). But the audience steadily grew, so last year Texas-based C3 Presents commissioned a huge tent for the Perry's stage that could hold 15,000 people.
When Skrillex performed, the crowd not only stuffed the tent, it spilled outside, creating a mob scene with revelers shimmying atop generators and climbing trees.

This year the festival will again expand the dance element, and have two electronic performers on the main stages for the first time."The energy being created from dance and electronic music is as powerful asrock 'n' roll," Farrell says. It's scary, dangerous, exciting, likerock 'n' rollused to be."Of course, rock has been shoved aside in popularity by electronic music several times before.
Disco represented dance music's first commercial wave in the '70s, and then raves swept Europe in the late '80s, building off the innovations of Chicago house and Detroit techno, and turning electronic artists and DJs such as Paul Oakenfold, Moby, the Orb and Aphex Twin into stars. But the scene was undercut by unscrupulous promoters and an outlaw vibe associated with drug use.In 2000, the City of Chicago became notorious in the worldwide dance community for passing what became known as the "anti-rave" ordinance.
It made property owners, promoters and DJs subject to $10,000 fines for being involved in an unlicensed dance party, and effectively sent the city's rave scene scurrying deep underground again.

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