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My phone's looking nicely aged now, and I've been trying to equip it with appropriate sounds, or at least sounds that I like. I tried experimenting with almost all of these, really interesting sounds, made by some of my favourite sound people. So, I thought a good thing would be to use sounds that meant something in particular to me. I suppose, as we start to create more devices that are designed to hover at the edge of our attention music could have more of a role to play in 'ambient alerting'. Hmm, one thing about natural sounds is that some have evolved to be heard (bird calls, dog howls, elephant trumpets) but most have not (gurgling water). The first half is a brilliantly researched history of the soundscape from the womb through the industrial revolution and up till the 1970s. Another thing that has always struck me about ringtones is the fact that no matter which tone you end up with you always end up resenting it. Being a massive Floyd fan myself I don't think I could ever have a Floyd riff as a ringtone. I've actually gone down the cliche route and kept a really old bleepy bloppy song like a mid-90s dance song.
Maybe we need phones that listen to the ambient sounds around us and create ringtones on the fly that in some way contrast with the general hubbub, with a volume relevant to the amount of surrounding noise, and with some sort of taste factor so that the created sounds fit with your acoustic ideals and are recognisable as your own and not the person sat next to you.
Anybody know where I can find a ring tone consisting of 3 Japanese wood block sounds followed by a gong sound and then three wood block sounds.
Absorption - The opposite of reverberation, items that absorb sound don't reflect the vibrations. If you are standing still and a car drives past you, the frequency of the sound will change as the car passes you.
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I would say that one thing that you don't really notice until you have someone explain it is the science of an engine. An article says that passing through a doorway into another room actually can cause a person to forget things. This blog post about recognizing the sounds of waves on the beach reminded me of something I have been meaning to talk about lately: the difficulty of verbalizing and describing sounds. It is only recently that I have learned, for example, to describe sounds like an air conditioner or a refrigerator as "humming." To me they do not sound like they are humming. All comments on my blog are moderated, and I reserve the right not to publish any comments for any reason. And you can't do that with volume, you have to create something that's personal and relevant to the listener - something they're attuned to, like the way you can hear your own name through a drone of conversation.


We don't have to learn the musical cues for 'be anxious' or 'be excited' or 'calm down' or 'he's a baddy' - we've been trained in them by lifetimes of movies etc.
When you've got all these digital tools in your laptop you're often tempted to think you can do anything. The process of making precise sounds for speech is very complex and involves many parts of the body working together.
It's important in controlling how sound behaves and is used in designing buildings like auditoriums, theaters, and libraries. Typically a "loud" room would be one where the sound is reverberating off the walls and floors. I know what I'm hearing, but attempting to explain it to someone else is an entirely different story. Humming to me has a peculiar quality that almost feels ticklish, even when somebody else hums, which is absent from machines like air conditioners.
Hearing Sparks is a way for me to share my story of hearing loss, as well as news about accessibility, and other geeky stuff about deafness. You don't hear a gently knocked woodblock in a crowded cafe because a) you're not tuned to that sort of sound as an alert and b) it's not sonically distinctive in that environment. The sound pitch will be higher as the car is coming towards you and then lower as the car moves away. It is weird how bones, liquids, and hairs cause you to hear things, I don't think I knew that that was how sounds was relayed in your ears. I am listening to something or another "hum" right now and to me it sounds like a constant stream of sound but broken up sort of randomly. Saxophones and pianos are the next easiest, but after that, it's all one fluid jumble to me. Even if it requires a little extra work, I am happy for the sounds I have in life, and the opportunity to keep learning how to describe them. Some of my friends will go up to complete strangers and ask them - how about that for trying hard?! I couldn't hear them if the phone was in my pocket, and if it was on my desk they were drowned out by the vibrating. I'm tuned to these noises so I notice them at a lower volume than I would a preloaded alert. For example, in a large concert hall, acoustics helps so that everyone in the building, even the back seat, can hear the music.
For example, a tile floor will reverberate a sound better than a carpeted floor (which would absorb the sound). Although I have heard of cases of people breaking those little bones and snapping the little hairs resulting in some loss of hearing.


They sound like a woodpecker, like there's something inside the traffic light hammering on it, and I like that.
The sweet spot is un-natural enough to be ear-catching but subtle enough not to be jarring or embarrassing.
In a library, acoustic design would help to keep sound from traveling to help the library stay quiet. I might even have said a few years ago that it was "beeping." I tend to describe a lot of sounds as "beeping" because it seems like sometimes I hear sounds sporadically even though most people would hear them completely fluid and connected.
To demonstrate the universal qualities behind music, they had people in a remote village somewhere listen to certain music (without words) and then identify the mood of the piece. And, learnt association is really powerful and useful here, as this Nextel example illustrates (bottom of the article) (via Intentional Audio).
And I notice them because they're musical, they feature change and tension and release, but incredibly compressed into a short period of time and a narrow tonal range. For example, on a guitar a big heavy string will vibrate slowly and create a low sound or pitch. However, as the car is traveling towards you the speed of the car is causing the sound waves to hit your ear faster or at a higher frequency than the car is making them. Logically I knew it was likely a sound that always occurs but that I was just hearing because the window was open.
And I once saw a Japanese train guard using two large, quite resonant blocks of wood to signal departure, instead of a whistle.
But it's drowned out by vibration and in a noisy environment you don't hear the bell striking, it just sounds like a high whine.
It's truly amazing we can make a sound let alone the complex system of sounds humans can create to communicate with speech.
Once the car passes you, the sound waves are actually reaching your ear at a lower frequency. Just curious, are the sounds slightly different than what hearing people hear?and ps: does your background have random splotches? Finally I gave up and said "What is that sound?" Luckily (this is why he is my "hearing-ear person") he knew what I was asking right away and explained it was the sound of the lid of the truck box in the bed of the truck bouncing slightly as we drove.



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