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ClipArt ETC is a part of the Educational Technology Clearinghouse and is produced by the Florida Center for Instructional Technology, College of Education, University of South Florida. Frankenstein’s creature is not only mixed with respect to his physicality, but he is also mixed with regard to his identity. After living in solitude for a time, the monster finds his creator and asks nothing more of him than to create a partner so that he could be less lonely. The Doctor reluctantly agrees, yet never follows through on his promise to create a female. Frankenstein fits the trope of the tragic mulatto, never fitting into any culture, forever an outsider in his own world. Torn between human and nonhuman, he was created “for the sole purpose of infusing life into an inanimate body” (51). Frankenstein’s creature to a heroic figure in Greek mythology responsible for providing humanity with fire, a intellectual and progressive achievement.
Instead, the character will be divided into four parts and each part will be included with the each of the four Ghostbusters figures that make up the new team. Aside forThe New Yorker he also produces illustrations for Atlantic Monthly, Time, Playboy, and Rolling Stone. Frankenstein as he creates a human made of disparate parts, which he gathers from countless dead bodies.


Prometheus is created from clay, an origin not dissimilar to Frankenstein’s patchwork configuration.
The easiest way to browse through a good selection of his illustrations is to access his portofolio at Debut Art: Istvan Banyai. The doctor’s creature is forced to live on the outskirts of civilization as all who encounter him find him abject and horrific. Frankenstein finds the notion of a female monster to even more terrifying and reviling than his male creation, saying, “shall I create another like yourself, whose joint wickedness might desolate the world?” (151). He fails in his search, and his creature is last seen by the narrator walking into the cold northern tundra, “lost in darkness and distance” (239).
Frankenstein is a gothic novel, acting as mirror to societal fears of of the unknown, and the abject. Nevertheless, background is undoubtedly mixed, so he is perceived as an outsider and as disturbing. Frankenstein’s discomfort with a female monster has many implications, including a fear of female sexuality, as well as a fear of the two creature’s reproducing and creating proof of their relations. Just as humanity repeatedly finds the notion of fellow humans that look and sound different to be threatening, so Frankenstein is perceived as a menace. IMO this movie is a complete waste of time and is just trying to pander to fans of the franchise, while failing at that as well.


Here’s an excerpt from the New York Times review for his book The Other Side (Chronicle Books, 2005):Banyai, a Hungarian-born self-proclaimed provocateur, likes to makes pictures that whip the viewer into a fury of fast-paced looking. Every character who sees or interacts with the monster is both frightened and disgusted by him, even his creator, who reacts with “breathless horror as disgust filled [his] heart” upon first seeing him(52). This discomfort with a complication to the feminine ideal is comparable to society’s discomfort with female mixed race, in that multi-racial women are portrayed to be exotic, yet tamable.The Doctor’s fear of his creature reproducing is also reflective of society’s fear of containing the non-dominant binary, of creating something which cannot be contained. The big villain in the film has been revealed in action figure form at the New York Toy Fair.
Meanwhile the creature lives as an outside observer of society, becoming eloquently spoken well-versed in classical literature.
He has a human brain; it is his physical appearance which labels him non-human and uncanny.
It is a world that must be understood without language, where it pays to be constantly on your guard.
In this, it is very much the domain of the displaced person or emigre, who, since he can’t read the street signs, has to be hyper-alert.



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