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Party balloons pink red decoration birthday celebrate anniversary Valentine's Day 14 february romantic love greeting card design element. All plans come as a Standard license, and can be upgraded to an Enhanced license at any time. Option 2: This other approach is a little more work, but it gives you more control over the final result. For the remainder of the tutorial I'll be using the pattern generated in option 1 since it's easier to do. Next we'll get rid of the circular pattern in the middle and just leave the light rays that appear to be coming from the center of the image. Now we'll take it to the next level by adding a bright burst of light rays emanating from the center of the image. First, select the Rectangular Marquee Tool and create a narrow band selection along the entire right side edge of the image. Next we'll create what will eventually be beams of light radiating from the center of the image.
Stretching the image in the last step gave a band on the right that's probably larger than we want. I'm going to narrow mine quite a bit by grabbing the handle in the center of the right side and dragging it right. The transformation we just did left some pixels in the layer that are beyond the edge of the canvas. This is looking pretty good, but no light burst effect would be complete without some lens flare.
This is the word trending in fire text with billows of smoke rolling off the flame and the word is cracked. Everyone who signs up gets full access to our entire library, including our curated collections. Our Standard license allows you to use images for anything, except large print runs over 500,000+ or for merchandising.

Once you have downloaded your image, you have life-long rights to use it under the terms of the license purchased. These can be placed behind artwork, digital photos, used as desktop backgrounds and so forth. All the steps are easy and don't require any special skills other than basic knowledge of the Photoshop tools. If you want the rays to have a more pronounced look, you can sharpen the image at this point. At this point, it helps to expand the size of the window so that it's slightly larger than the image. The wider this area is, the bigger the white area will be in the center of the image when we get done. The easiest way to do this is to hit the d key to set the default colors, then x to switch them so that black is in the background color. You can choose different patterns for the starting image which will change how the main light beams look. This site is run as a hobby and your donation will help defray the costs and allow more tutorials to be added.
Before you begin your purchase, click one of the links to the right first, then place the items you want in your shopping cart.
If at any time you're unsatisfied with your experience with us, you can cancel your subscription. You can use a different size, but keep it square since we will be doing a rotation later that's easier if the canvas is square.
With a little experimentation, you'll get the hang of how changing your starting image here will effect the final outcome. We want to really stretch those lines out, so hit cmd-F (control-F on Windows) to reapply the filter a bunch of times. Select the Crop Tool and swipe out the entire area of the canvas (make sure the width and height boxes in the toolbar are clear). Now hit cmd-Delete (control-Delete on Windows) to fill the layer with the background color. You pay the same prices you would anyway and this site receives a donation from these retailers.

There are a number of different ways to get started with this effect and I'll show you two.
You can choose any values at all for the Variance and Strength parameters which will vary the look of your light burst pattern. Hit cmd-F to reapply the filter again (control-F on Windows) and the center image will shrink further. The reason we have to do the rotation here is that the Wind filter we used above only works from the sides, while the filter we'll use in the next step requires that things be oriented from top to bottom.
In fact, depending on the look you want, you may even wish to stop at this point if you're satisfied with what you have.
Also, instead of using black and white when rendering the clouds, you can use any two shades of gray.
Keep hitting cmd-F until the circular pattern in the center completely disappears and you're left with just the light burst rays. Either way, we need to work in a new layer, so click the new layer icon to create one above our base layer.
Set your chosen color as the background color and hit cmd-Delete (control-Delete on Windows) to fill the selection.
The procedure we're doing here seems odd at first, but you'll see what will happen in a few steps. You won't see any change to the image since all you did was delete pixels beyond the edge of the canvas. Rotations and manipulations like this in Photoshop are not uncommon in order to get things set up for a particular filter or transformation you want. The top edge ends up in the center and the bottom edge goes around the base of the cone in a circular pattern. I'm going to tint my highlight with purple again to blend nicely with the broader light burst rays we created back in Step 5. We can also now see how the size of the band we had at the right side of the image back in Step 10 affects the amount of solid color in the center.

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