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SPSS ALTER TYPE command is mainly used for converting string variables to numeric variables. You can follow along by downloading and opening holidays.sav but you do need SPSS version 16 or higher for using ALTER TYPE.
Although ALTER TYPE is a great option for getting many things done fast, it has one major shortcoming: if it fails to convert one or more values, it returns system missing values without throwing any warnings or errors. Just run ALTER TYPE on your original variables but check the results for system missings immediately afterwards. We'd like to know the average age of our participants but we can't calculate it because age is a string variable in our data.
An interesting but little known feature of ALTER TYPE is converting all variables having a given format. In the previous examples, we guessed that 30 characters would be enough for first_name and last_name. As we see from the result, the minimal required lengths for first_name and last_name are 9 and 16. Without getting too technical, I'll just say this: lower notes require longer and thicker strings, while higher notes require shorter and thinner strings (that's why bass guitars are bigger than standard guitars). The distinguishing feature setting baritone guitars apart from other guitars is their scale length. Because baritone guitars are normally used by guitar players that want to play in lower tunings, and not by bass players that want to play in higher tunings, the overall feel of a baritone should be more like a guitar than a bass.
How does the scale length improve the floppiness, tone and intonation of the lowest string? We see from the chart that these variables result in a Low E String Tension of 14.37 pounds. If you're going to be tuning to Low B or lower, then you should seriously consider a baritone guitar, which is essentially just a 6-string guitar with a longer scale length. Inharmonicity is also worth mentioning, which is where the overtone frequencies of the note played are out of tune with the fundamental.
I want to be able to play lead on a baritone acoustic guitar so I need light strings can I use as low as 10 gauge for the Estring? Thank you for this, I now understand how it all works better (instead of just knowing it does work) lol. Also, what's the lowest tuning your Merus 6 Baritones will handle, as I'm wanting to go as low as G. Hi Max - if this is for a 12-string baritone electric guitar (6 paired courses) with 28" scale, then I'd suggest going with 13's (D'Addario EJ22) for the main strings. Some companies make very heavy- gaged strings, but they aren't long enough for a 27-30" scale.
For reference, if you simply install heavier strings and leave everything else the same, then your action will increase because the neck relief will be increased, and this might reduce fret buzz in a roundabout way. Fender®, Gibson®, PRS®, and other brand names are trademarks of their respective owners.Use of this Web site constitutes acceptance of the HALO User Agreement and Privacy Policy. I assumed that, with such a stellar collection of fine instruments, the OP would have understood how scale lengths are calculated. One way to figure what your scale length is, without considering your nut or saddle is that the distance from any given fret to the next fret has a relationship to the scale length. It happens that the distance from the second fret to the third fret multiplied by twenty (really about 19.99) gets you pretty close. You could work this for the distance between and two frets it just happens that fret 2 to 3 is multiplied by that easy to remember figure of 20. In the illustration below, without nut compensation, the distance from the nut to the theoretical saddle position - as given by the scale length - is shown as a dashed blue line. On a real instrument, the exact vibrating string length required for the notes to be the correct pitches is different for each string. What most production guitars do is to approximate the correct length for each string by using a straight, narrow saddle that is angled, as is shown in the red dashed line in the illustration below.

The actual string lengths required on most steel string acoustic guitars is given by the individual black lines in the illustration below. The actual amount of compensation required depends on a number of factors, including scale length, string type, string height (action) and string gauge.
The maximum string content length quota (8192) has been exceeded while reading XML data error when implementing web service. And even if you do notice system missing values resulting from ALTER TYPE, it will be hard to track down what (if anything) went wrong because the original values are overwritten. A great tool for cloning many (or all) variables in your data is freely downloadable from Clone Variables.
If they are present and you don't know why, close your data, rerun you syntax up to the suspicious ALTER TYPE command and inspect what values could cause the problem. Fortunately, we copied our variables before converting them and copy_start tells us that the day and month were reversed for one case.
We can do so by specifying an input format, which then acts as a filter: ALTER TYPE affects only variables whose formats match this input format. We can change it to a string variable with ALTER TYPE but this will convert the values (1 through 10) instead of the last names, which are in the value labels. We can do so by setting all A formats to AMIN: a special ALTER TYPE keyword denoting the minimum length for each string variable. These lengths are actually longer than necessary, causing the size of the data file to increase. Eventually, we started experimenting with alternate and Drop D tunings and the guitar handled it just fine.
It's important to note that the lowest tuned strings are now getting into a frequency range that really isn't great when played on a standard guitar (assuming B Standard tuning or lower). The scale length is determined by measuring the distance from the front side of the nut (where it joins the front of the fretboard) to the center of the 12th fret, and then multiplying that measurement by two.
For that reason, many of our baritone guitars are designed with 6 strings and a scale length falling somewhere between 27" and 30", depending on the tuning we're trying to achieve.
We see that a standard guitar tuned to Low B will feel pretty wimpy even when strung with Extra Heavy gauge strings (Jazz Medium's, aka 13's). Unfortunately, a guitar can only be built with one scale length (let's ignore multi-scale instruments for now) and it cannot be changed once it's built. The longer scale length improves the overall feel, tone and intonation for those low tunings.
Higher inharmonicity results in bass notes that have a muddy, buzzy, sound whose pitch is more difficult to discern. Stay on the lower side or a scale length too long to work with all but the most ideal ultra strong string will be calculated. I think the Low G on the Merus 6 (27" scale) will be okay, but it would be better with 28" or more.
I'd appreciate some advice on approximate string gauges for a 28" 12 string baritone electric in B tuning.. However, I still don't understand how far I can go with the gauge for E standard on a 25.5" guitar. I would also have thought that with no reliable datum point on an angled saddle it should have been apparent that measuring from there would have been pointless. On a real instrument, the pitches produced will all be sharp when the saddle is located at that position.
Due to the properties of the strings, in general, there is a tendency for the thicker strings to play more sharp than the thinner ones, requiring more compensation (string length) on the thicker strings. The largest deviation from the straight-line approximation is the B string, which usually needs to be longer than is possible with a straight, narrow saddle. For example, significant changes to string type, string gauge and string height can require that the amount of compensation be adjusted, else the instrument will not play as accurately in tune. Even though I know everything that you just wrote about, I would never be able to put it so succinctly.

It was originally written in answer to the repetitive questions that were being asked on that newsgroup regarding guitar set-up. This tutorial quickly walks you through those, pointing out some pitfalls, tips and tricks along the way. We can see that no missing values occur in the result by running DESCRIPTIVES; n is equal to the numer of cases in our data. Now, SPSS date variables are numeric variables holding numbers of seconds that are displayed as normal dates.
Because cases have unique id values, we can easily correct the problem by combining DATE.DMY and IF as shown in the next syntax example. The example below first addresses all variables but only converts those having an EDATE format.
We can't readily correct this: as we can see in variable view, last_name has an A9 format and can thus hold up to 9 characters.
The solution is using VALUELABELS but the entire process requires some manual steps outlined in the syntax below. I mention 6 strings because some folks think they need a 7-string guitar in order to tune down to Low B, and an 8-string guitar in order to tune down to Low F#, or beyond. At this point, we only have two options to increase the tension and they are (1) to increase the string gauge even further, or (2) to increase the scale length. This is why baritone guitars are the perfect solution for those seeking to tune their guitars down to Low B and beyond - their scale length increases the string tension, which allows for a good feel, a good tone and proper intonation. Shorter scale lengths and strings that are stiffer and or thicker exhibit higher inharmonicity. Just expect there to be noticeably less tension compared to a typical set of acoustic guitar strings (usually around 13's), so you'll have decreased volume, but this'll enable you to do string bends with more ease. I intend to starting by adapting a cheaper 28" baritone 6 to see how the concept works (or whether 8,9, or 10 strings works better), before ordering a custom guitar.
Adding the extra octave and unison strings will not increase tension enough to be concerned (our necks are built with sturdy woods, and our truss rods are strong). Similarly, if you install lighter strings and leave everything else the same, then your action will decrease because the neck relief will be decreased, and this will only make your fret buzz worse.
If we increase the string gauge further, then the tension will, indeed, feel better, but the tone and intonation will suffer. To address that, the actual vibrating string length is altered, either by adding length at the saddle, reducing length at the nut, or a combination of altering the position of the nut and saddle. Note that the string values in birthday correspond to what date values look like if their format is set to DATE11. That's a lot, but there are 10 and even 12 string basses for sale now that might be comparable tension.
Over the years, we've become accustomed to setting up our customers' guitars based on their string gauge requests, and those requests are often for "heavy" or "extra heavy" gauge strings. I'm about to fit locking tuners so that I don't need extra long strings (given that the Gretsch has a Bigsby) and can fit the best strings for me. We therefore must specify DATE11 in ALTER TYPE (step 3 below) for converting birthday to a date variable. In addition, the thicker strings might become impossible to intonate (thicker strings require the string saddle to be positioned further away from the nut in order to intonate properly, and often times there just isn't enough space physically on the bridge to allow for this amount of compensation). Third, the string saddles probably need to be adjusted slightly further away from the nut for proper intonation (assuming the saddles were already set for proper intonation with a lighter gauge). So, we're stuck with a guitar that doesn't intonate properly, and that makes for a bad sounding guitar.

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